scholarly journals Social Memory in the Light of the Study of Information Space and Time

Author(s):  
Rail’ Gazizov ◽  
◽  
Aydar Kayumov ◽  

This article deals with the philosophical analysis of social memory in the conditions of the development of today’s information society. In the paper, the social and intellectual cross-sections of information space and time are investigated. These cross-sections are directly related to the analysis of society’s legal consciousness, which seems to, so to say, lag behind the reflections about information space and time. The authors note that social space and time are formed through achieving the unity of information space and time. This is largely facilitated by social memory, which in its essence is a culture, and culture is connected with self-awareness. Culture as memory – historical and moral, obtained through social practice – provides the practice of material and spiritual production. Social memory acts as a kind of qualitative indicator of the state of society and contributes to the transition of information into knowledge, whose elements are characterized by the intense nature of their interaction. This intensity is explained by the fact that knowledge, unlike information, stands guard over the past, protecting it from external attempts to present anything positive that had been as something that had never happened and make it disappear in the annals of time. Philosophy is related to the analysis of the ultimate grounds of information space and time, which increases the intensity of interaction between the elements of the social system. At the same time, social memory increases the degree of interaction between existing values. It should be noted that social memory is very important for further research on the functioning of information society. It is a prerequisite for social forecasting of the development of cultural and social relations. Social memory is a way of existence of knowledge as a form of realization of human creative potential.

KANT ◽  
2021 ◽  
Vol 38 (1) ◽  
pp. 94-98
Author(s):  
Rail Robertovich Gazizov

Information space and time in their socio-cultural dimension act as knowledge components of being, and, consequently, the most important regulator of social relations. At the same time, the social and cultural dominants of the information space and time are determined by the creative activity of a person. In principle, a person is always focused on knowledge, where its elements interact in a comprehensive way, and not on information, in which there is a separation of its elements from the spiritually observed cross-section of reality, and thus from reality, which does not lend itself to the construction of connections, and the construction somewhat reduces the elasticity of the structure of information space and time.


Author(s):  
Dennis Eversberg

Based on analyses of a 2016 German survey, this article contributes to debates on ‘societal nature relations’ by investigating the systematic differences between socially specific types of social relations with nature in a flexible capitalist society. It presents a typology of ten different ‘syndromes’ of attitudes toward social and environmental issues, which are then grouped to distinguish between four ideal types of social relationships with nature: dominance, conscious mutual dependency, alienation and contradiction. These are located in Pierre Bourdieu’s (1984) social space to illustrate how social relationships with nature correspond to people’s positions within the totality of social relations. Understanding how people’s perceptions of and actions pertaining to nature are shaped by their positions in these intersecting relations of domination – both within social space and between society and nature – is an important precondition for developing transformative strategies that will be capable of gaining majority support in flexible capitalist societies.


2010 ◽  
Vol 3 (2) ◽  
Author(s):  
Jose R. Rodriguez

Formalism persists everywhere despite 100 years of critical legal theory. The reasons for that are sociological and political and include the persistence of the separation of powers idea as a central concept for the theory of law. In Brazil, this phenomenon manifests itself acutely for two supplementary reasons: (1) the lack of a real differentiation between academic research and professional lawyering and (2) the influence of neo-liberal economic thought.The persistence of formalism is a serious problem for Brazilian development since it naturalizes the existing institutions and their related power positions, creating an obstacle to any project of development that proposes something new. It blocks the development of a critical and reflexive knowledge on institutions, shortening institutional imagination to projects that could transform Brazilian reality.The main objective of this article is to develop a critique of formalism useful both as a general method to criticize formalism and as a tool to criticize its Brazilian manifestation. It will be argued here that the critique of formalism fails when it is only theoretical. An efficient critique must also grasp the ideas and the social relations responsible to reproduce formalism as a conceptual idea that informs social practices.To do that, this article will first propose a characterization of Brazilian formalism that does not fit in the Formalism X Instrumentalism dichotomy and is more adequate to grasp how law rationality works in countries from the Continental Law tradition. Afterwards, it will identify the power positions and the respective ideologies responsible to reproduce formalism in Brazil, giving criticism a sociological basis. Finally, it will show that only a positive view of what law should be will able to overcome formalism, both as a philosophical idea and as a social practice. In its final part, a sketch of such a view will be presented.


2013 ◽  
Vol 11 (4) ◽  
pp. 423-444 ◽  
Author(s):  
Evgeniya Aleshinskaya

Abstract Musical discourse analysis is an interdisciplinary study which is incomplete without consideration of relevant social, linguistic, psychological, visual, gestural, ritual, technical, historical and musicological aspects. In the framework of Critical Discourse Analysis, musical discourse can be interpreted as social practice: it refers to specific means of representing specific aspects of the social (musical) sphere. The article introduces a general view of contemporary musical discourse, and analyses genres from the point of ‘semiosis’, ‘social agents’, ‘social relations’, ‘social context’, and ‘text’. These components of musical discourse analysis, in their various aspects and combinations, should help thoroughly examine the context of contemporary musical art, and determine linguistic features specific to different genres of musical discourse.


Author(s):  
Jens Ambrasat ◽  
Christian von Scheve

Ever since Georg Simmel’s seminal works, social relations have been a central building block of sociological theory. In relational sociology, social identities are an essential concept and supposed to emerge in close interaction with other identities, discourses and objects. To assess this kind of relationality, existing research capitalises on patterns of meaning making that are constitutive for identities. These patterns are often understood as forms of declarative knowledge and are reconstructed, using qualitative methods, from denotative meanings as they surface: for example, in stories and narratives. We argue that this approach to some extent privileges explicit and conceptual knowledge over tacit and non-conceptual forms of knowledge. We suggest that affect is a concept that can adequately account for such implicit and bodily meanings, even when measured on the level of linguistic concepts. We draw on affect control theory (ACT) and related methods to investigate the affective meanings of concepts (lexemes) denoting identities in a large survey. We demonstrate that even though these meanings are widely shared across respondents, they nevertheless show systematic variation reflecting respondents’ positions within the social space and the typical interaction experiences associated with their identities. In line with ACT, we show, first, that the affective relations between exemplary identities mirror their prototypical, culturally circumscribed and institutionalised relations (for example, between role identities). Second, we show that there are systematic differences in these affective relations across gender, occupational status and regional culture, which we interpret as reflecting respondents’ subjective positioning and experience vis-à-vis a shared cultural reality.


2019 ◽  
Vol 8 (9) ◽  
pp. 245 ◽  
Author(s):  
Juliana España Keller

This paper asks what is the value of transforming the kitchen into a sonic performative work and public site for art and social practice. A Public Kitchen is formed by recreating the private and domestic space of a kitchen into a public space through a sonic performance artwork. The kitchen table is a platform for exploring, repositioning and amplifying kitchen tools as material phenomena through electronic and manual manipulation into an immersive sonic performance installation. This platform becomes a collaborative social space, where somatic movement and sensory, sonic power of the repositioned kitchen tools are built on a relational architecture of iterative sound performances that position the art historical and the sociopolitical, transforming disciplinary interpretations of the body and technology as something that is not specifically exclusively human but post-human. A Public Kitchen represents a pedagogical strategy for organizing and responding collectively to the local, operating as an independent nomadic event that speaks through a creative practice that is an unfolding process. (Re)imagining the social in a Public Kitchen produces noisy affects in a sonic intra-face that can contribute to transforming our social imaginations, forming daring dissonant narratives that feed post-human ethical practices and feminist genealogies. This paper reveals what matters—a feminist struggle invaluable in channeling the intra-personal; through the entanglement of the self, where language, meaning and subjectivity are relational to human difference and to what is felt from the social, what informs from a multi-cultural nomadic existence and diffractive perspective. The labored body is entangled with post-human contingencies of food preparation, family and social history, ritual, tradition, social geography, local politics, and women’s oppression; and is resonant and communicates as a site where new sonic techniques of existence are created and experiences shared.


2021 ◽  
pp. 38-50
Author(s):  
Andrei Gennadievich Ivanov

This article is dedicated to examination of the dynamic aspect and mythological dimension of social memory. The structure of the latter distinguishes the two levels – “archaic” and ”conjunctural”. The “archaic” level plays a determinant role for the current functionality of mythology , including the mythology of family memory, which is interrelated with such spheres of everyday life as life, work, and recreation). The transformation of family mythology is viewed on the example of manifestation of myth-containing phenomena, such as the sacred leader (hero) and the victim, in everyday life. The following changes are indicated: the representations on causality and ratio between the part and the whole are imparted sacred meaning, while the representations on space and time are being rationalized. The systematic approach was applied towards studying the mythology of family memory. The theoretical conclusions are reinforced by the results of analysis of a series of narrative interviews conducted among the residents of Lipetsk Region about the history of their families. It is established that the basic (constitutive) events for the mythology of family memory indicate more abstract and profound phenomena (for example, hero or victim) than for the social memory. Special work is required for identification of these phenomena and further reconstruction of the mythology of family memory in each particular case. Special attention is given to observations of one of the respondents on the miracle as the phenomenon immanently inherent in life.


2018 ◽  
Vol 62 (3) ◽  
pp. 143-167
Author(s):  
Karol Kurnicki

Space gains significance through processes of social differentiation and bordering, and in consequence is connected with the creation and maintenance of social divisions. The author seeks confirmation of this fact at the level of everyday practices in housing settlements, tracking the mechanisms used by people in situations of contact and confrontation with others in the social space. He sets himself several aims: (1) he attempts to analyze selected spatial practices (parking within the settlement, the creation of belonging), reflecting the internal structuring strategies of housing settlements; (2) he points to the causes of that structuring, that is, the main contexts in which these practices occur and are strengthened; (3) he highlights the important role of space in processes of bordering and differentiation. Practices connected with parking and the creation of belonging, although apparently disparate and deriving from contrary spheres of social life make it possible to hypothesize that the striving for separation and the increased importance of space determine the organization of borders, divisions, and social relations in housing settlements.


2020 ◽  
Vol 15 (1) ◽  
pp. 5-8
Author(s):  
Yuriі Boreiko

The article analyzes the sociocultural basis of constituting the symbolic space, the content of the symbolic violence phenomenon, the cultural and symbolic potential of the toponymics objects. It is established that practices of symbolic violence consist in constructing a system of subjective coordinates by imposing rules, senses, meanings, values that become self-evident. Symbolic space encompasses the collective consciousness of the socio-cultural community and has the ability to form a system of subjective coordinates where the individual's life activity unfolds. The intelligibility of symbolic space is conventionally established, which is provided by the process of socialization. Pursuing the goal of domination, hegemony, coercion, symbolic violence moves the real confrontation into a symbolic environment, directing the influence on the mental structures of the social subject. Giving to senses and meanings a legitimate character is a way to explain and substantiate social relations, their cognitive and normative interpretation. Accumulating the experience of community coexistence throughout its history, habitus is a set of dispositions that motivate an individual to a certain reaction or behavior. Habitus, which generates and structures practices, combines the individual tendency of the actor to act adequately to the situation, the interaction of actors in the community, and the interaction of the community and each of its members with reality. As a historically changing phenomenon, habitus determines the nature of interactions between individuals whose communication skills are consistent with the functioning of social institutions. An important component of the symbolic space and part of the cultural and historical discourse are the objects of toponymics, which explains the constant ideological and political interest in this segment of socio-cultural life. Objects of toponymics act as a marker of ordering social space, a tool for including the subject in socio-spatial landscapes. The renaming of toponyms demonstrates the connection between the social conditions in which it takes place and the reaction of the social relations entity to changes in the toponymic space.


2007 ◽  
Vol 18 (1) ◽  
pp. 9-33 ◽  
Author(s):  
Cristina Alzaga

Cristina Alzaga: Indoor Prostitution: The Parlour as a Social Space This article presents a sociological hermeneutic analysis of the lived everyday working world of Danish indoor prostitutes. It draws upon observations and interviews, as well as documentary and experiential data, produced during a six-month period of ethnographic fieldwork at a Copenhagen massage parlour, where the author served as “telephone lady“. The article uncovers the social order (nomos) of this life world, its social relations and shared interpretations as well as organizational traits and practical-corporeal terms. It also discusses the variety and multidimensionality of the relations between prostitutes and clients. The article seeks to uncover the meanings of the distinct experiential dynamics and work experiences that take form within this particular working universe, and examines their contradictory relations to the dominant views and accounts of prostitution in the outside world, including the views pre¬sented by mainstream research on prostitution.


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