Spatiotemporal Concepts in Book Art

2021 ◽  
pp. 253-276
Author(s):  
Viola Hildebrand Schat
Keyword(s):  
Spatial Dimension ◽  
Book Art ◽  
Medieval Period ◽  
Material Body ◽  
Exhibition Space

The perception of a book as an architectonical construction is a well-known fact. We could use the stage as a metaphor for the book, or, in other concepts the book becomes the equivalent of an exhibition space or even replaces it. In all these metaphoric circumlocutions the book not only reproduces content, but itself functions as an exhibition place, a stage, or another conception of space. Curiously enough, the consideration of the material aspects of books are taken into account at a time when digitalisation seems to dissolve the material body of books and, while theory makes it clear that texts and books are not equivalent. Therefore the question of what characterises a book is raised again. This question must take into account the variety of different approaches to books throughout the centuries. The perception of the book and, moreover, its relation with the user or reader becomes visible mainly through material aspects. The awareness of the spatial dimension of a book goes back to at least the Medieval period or even earlier.

Classifying the Past: Discriminant Analysis and its Application to Medieval Farming Systems

1996 ◽  
Vol 8 (1) ◽  
pp. 1-10 ◽  
Author(s):  
Ken Bartley
Keyword(s):  
Cluster Analysis ◽  
Discriminant Analysis ◽  
Processing Time ◽  
Farming Systems ◽  
Frame Of Reference ◽  
Analytical Models ◽  
Successful Implementation ◽  
Medieval Period ◽  
The Past ◽  
Livestock Management

This paper discusses the need for nationally based analytical models of the medieval period. The use of cluster analysis as a method for classifying demesne farms, by the crops they grew and their livestock management, is explained. Successful implementation of cluster analysis requires both the existence of a large base sample, to permit isolation of specific groupings within the data, and access to considerable processing time. The paper concludes by demonstrating how discriminant analysis can provide an efficient and systematic way of classifying even a single manor within a national frame of reference.

History of the Study of Apocrypha in Early Medieval England

2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk
Keyword(s):  
Old Testament ◽  
Medieval England ◽  
Medieval Period ◽  
Early Medieval ◽  
Future Directions ◽  
Early Judaism ◽  
Wide Range ◽  
History Of ◽  
The Subject ◽  
Early English

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.

The Nusayris in Medieval Syria

2018 ◽  
Author(s):  
Stefan Winter
Keyword(s):  
Normal Mode ◽  
Early Development ◽  
A Priori ◽  
Medieval Period ◽  
Historical Sources

This chapter re-examines the early development of the ʻAlawi community and its situation in western Syria in the medieval period in the wider context of what might be termed Islamic provincial history. It starts from the premise that the conventional image of the “Nusayris” has largely been fashioned by elite historical sources whose discourse on nonorthodox groups is a priori negative but which, when read against the grain and compared with other sources, can yield a less essentializing, less conflicting account of the community's development. In particular, the chapter aims to show that the ʻAlawi faith was not the deviant, marginal phenomenon it has retrospectively been made out to be but, on the contrary, constituted, and was treated by the contemporary authorities as, a normal mode of rural religiosity in Syria.

Concernment

2017 ◽  
Author(s):  
Galen Strawson
Keyword(s):  
Personal Identity ◽  
Material Body ◽  
Human Material

This chapter examines John Locke's notion of concernment, which for him is more fundamental than the notion of responsibility when it comes to the question of personal identity. It begins with the argument that the being or extent of a subject of experience's personhood or personal identity is not simply identical with the being or extent of its field of responsibility, because the notion of a person is not an exclusively moral or forensic term, as it might be if it concerned only a set of actions. Instead, one's personhood or personal identity also comprises one's substantial constitution, that is, a whole human material body plus an immaterial soul. The chapter considers Locke's view that Concernment entails a capacity for pleasure and pain and shows that that the field of responsibility lies completely inside the field of consciousness, which in turn lies wholly inside the field of concernment.

Past Verses Present; Metamorphosis in Different Spheres of Guwahati: A Study of Srutimala Duara’s Mindprints of Guwahati

2020 ◽  
Vol 8 (2) ◽  
pp. 13
Author(s):  
Ankita Pandey
Keyword(s):  
Point Of View ◽  
Areca Nut ◽  
Medieval Period ◽  
River Bank ◽  
North East India ◽  
North East ◽  
The North ◽  
Indian State ◽  
The City ◽  
Beautiful City

Guwahati derives its name from the Assamese word “Guwa” means areca nut and “Haat” means market. However, the modern Guwahati had been known as the ancient Pragjyotishpura and was the capital of Assam under the Kamrupa kingdom. A beautiful city Guwahati is situated on the south bank of the river Bramhaputra. Moreover, It is known as the largest city in the Indian state of Assam and also the largest metropolis in North East India. It has also its importance as the gateway to the North- East India. Assamese and English are the spoken languages in Guwahati.  In 1667, the Mogul forces were defeated in the battle by the Ahom forces commanded by Lachut Barphukan. Thus, in a sense Guwahati became the bone of contention among the Ahoms, Kochas and the Moguls during the medieval period.  Guwahati the administrative headquarters of Lower Assam with a viceroy or Barbhukan was made by the Ahom king.  Since 1972 it has been the capital of Assam. The present paper will discuss the changes happened in Guwahati over the period of late 1970s till the present time. It will focus on the behavior of people, transformed temples, Panbazar of the city, river bank of Bramhaputra, old Fancy Bazaar, chaotic ways, festivals and seasons including a fifth man made season etc. It will also deal how over the years a city endowed with nature’s gifts and scenic views, has been changing as “a dirty city”. Furthermore, it will also present the insurgencies that have barged into the city. The occurrence of changes will be discussed through the perspective and point of view of Srutimala Duara as presented in her book Mindprints of Guwahati.

From the History of the Tatar Soviet Children’s Book Art

2010 ◽  
pp. 56-60
Author(s):  
Aislu R. Abdulkhakova
Keyword(s):  
Soviet Period ◽  
Book Art ◽  
Book Design ◽  
Children's Book ◽  
History Of ◽  
Printed Sources

In this article the national origins of Tatar children’s book art formation and the influence of Russian traditions of book design are considered. The history of Tatar children’s book design art development in the Soviet period covers the field briefly. The author succeeded in eliciting some facts in the field of children’s book design in the local archival and printed sources, and these facts are produced in the article. The names of some graphic artists are mentioned.

From Crusades to Colonization: Violence in Secular and Religious Political Theory

2019 ◽  
Vol 1 ◽  
pp. 1-21
Author(s):  
Xavier Scott
Keyword(s):  
Political Philosophy ◽  
Modern Philosophy ◽  
Early Modern ◽  
International Law ◽  
Political Theory ◽  
John Rawls ◽  
State Power ◽  
Charles Taylor ◽  
Medieval Period ◽  
Beliefs And Values

This paper examines the transition in political philosophy between the medieval and early-modern periods by focusing on the emergence of sovereignty doctrine. Scholars such as Charles Taylor and John Rawls have focused on the ability of modern-states to overcome conflicts between different religious confessionals. In contrast, this paper seeks to examine some of the peace-promoting features of Latin-Christendom and some of the conflict-promoting features of modern-secular states. The Christian universalism of the medieval period is contrasted with the colonial ventures promoted by the Peace of Westphalia. This paper’s goal is not to argue that secularism is in fact more violent than religion. Rather, it seeks to demonstrate the major role that religion played in early modern philosophy and the development of sovereignty doctrine. It argues against the view that the modern, secular state is capable of neutrality vis-à-vis religion, and also combats the view that the secular nature of modern international law means that it is neutral to the different beliefs and values of the world’s peoples. These observations emphasize the ways in which state power and legitimacy are at the heart of the secular turn in political philosophy. 

Presence in Absence

2011 ◽  
Vol 56 (2) ◽  
pp. 79-100
Author(s):  
Rachel Esner
Keyword(s):  
19Th Century ◽  
Social Structures ◽  
Artistic Creativity ◽  
Oder Eine ◽  
Exhibition Space ◽  
Working Space ◽  
Romantic Era ◽  
Sozialer Raum ◽  
The 19Th Century ◽  
Artistic Self

Seit der Epoche der Romantik bringen viele der Diskurse, die künstlerische Kreativität betreffen, den Künstler und seinen Arbeitsraum zusammen: Die Werkstatt wird als ein Spiegel des Künstlers und seines Werks angesehen, als ein Heiligtum, ein sozialer Raum oder eine Ausstellungsfläche. Ein populärer bildlicher Topos der Zeit war die Darstellung des leeren Ateliers. Der vorliegende Beitrag versteht das Bild des leeren Ateliers im 19. Jahrhundert als ein Selbstporträt des Künstlers. Er untersucht, wie die Darstellung des Raums und seiner Objekte dem Gemälde die Präsenz des Künstlers einschreiben und sein bzw. ihr künstlerisches  Selbstverständnis innerhalb der sich verändernden künstlerischen und sozialen Strukturen der Epoche wiedergeben.<br><br>From the Romantic era onward, many of the discourses surrounding artistic creativity have merged the artist and his working space: the place of work is viewed as the mirror of the man and his oeuvre, a sanctuary, a social or an exhibition space. A popular topos in this context was the view of the empty studio. This paper explores the 19th-century empty studio image as a self-portrait of the artist. It examines how the depictions of the space and its objects work to inscribe the artist’s presence, and to express his or her  artistic self-conception and identity within the changing artistic-social structures of the period.

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