scholarly journals Analisis Dramatistic Pentad pada Film Crazy Rich Asians (2018) sebagai Antitesis Pandangan Orientalisme

2020 ◽  
Vol 7 (1) ◽  
pp. 89
Author(s):  
Rossi Amelia Christy ◽  
Taufan Teguh Akbari ◽  
Muhammad Fajar Satriya

Penelitian ini berfokus pada film Crazy Rich Asians (2018) sebagai representasi antitesis akan konsep orientalisme yang dikritik oleh Edward Said. Metode penelitian yang digunakan adalah metode kualitatif dengan teknik analisis dramatistik pentad dari Kenneth Burke. Melalui penelitian ini disimpulkan bahwa bangsa Asia mampu merepresentasikan dirinya dalam perfilman Barat. Melalui film sebagai industri media yang efektif untuk menyebarkan pesan bahwa Singapura bukanlah bangsa yang terbelakang, biadab, eksotis, dan berbahaya serta adanya benturan kebudayaan antara Barat (occident) dan Asia (orient).

2019 ◽  
Vol 8 (1) ◽  
pp. 62-77
Author(s):  
Analisa Dwimas Priyantari ◽  
Akhmad Kautsar Fattah

The film is a depiction of meaning made in visual form. The study aims to see the representation of eastern immigrants in The Visitor. Motivated by the 9/11 event which took place in New York, the United States that made a negative stigma of eastern immigrants, the film tells the friendship between Western and Eastern people. Researchers use Dramatistic Pentad analysis to see how Eastern immigrant representations are displayed using act, scene, agent, agency, and purpose analyses. Researchers also used the theory of Orientalism by Edward Said to see Eastern and Western depictions. Researchers examined the six scenes in The Visitor film, using qualitative data analysis. The results showed that the film gave a positive image of eastern immigrants to change the negative perception of Western peoples towards Muslims.


J-IKA ◽  
2020 ◽  
Vol 7 (1) ◽  
pp. 62-67
Author(s):  
Alan Satjakoesoemah ◽  
Sarah Vania Rizky ◽  
Elviera Joelanda Sharinta

Penelitian ini menggunakan metode kualitatif dengan teknik analisa pentad dramatisme Kenneth Burke. Di penelitian ini, meneliti film They Live yang mengandung adegan-adegan yang menggambarkan bagaimana konsumerisme mempengaruhi kehidupan masyarakat dan terdapat relevansi tentang apa yang digambarkan di dalam film They Live pada tahun 1988 tersebut dengan realita era masa kini. Penelitian ini mengkritik konsumerisme, suatu pemahaman yang dimana individu atau kelompok secara sadar melakukan kegiatan konsumsi barang-barang hasil produksi yang berlebihan, kemudian menumbuhkan efek candu pada manusia terhadap suatu produk yang berakibat pada sulitnya menghilangkan sifat ketergantungan dan candu pada produk itu. Hal tersebut sama seperti yang dikemukakan oleh Jean Baudrillard sebagai kritik terhadap konsumerisme bahwa terdapat realita semu pada masyarakat posmodern. Namun tanpa disadari, nilai-nilai tersebut sudah menyebar luas dalam berbagai media massa, salah satunya film. Berdasarkan latar belakang tersebut penulis melakukan kajian terhadap film They Live guna melihat bagaimana film tersebut menggambarkan unsur konsumerisme.


2019 ◽  
Vol 18 (2) ◽  
pp. 221-237
Author(s):  
Eyal Clyne

Drawing on speech acts theory, this article discusses the illocutionary and perlocutionary forces of discursive practices with which certain academic circles seek to discredit the Saidian ‘Orientalism’ framework. Identifying the unusual value attached to Said as object of attachment or detachment, desirability and exceptionality, this analysis turns away from deliberations about ‘orientalism’ as a party in a battle of ideas, and studies common cautionary statements and other responses by peers as actions in the social (academic) world, that enculture and police expectations. Cautioning subjects about this framework, or conditioning its employment to preceding extensive pre-emptive complicating mitigations, in effect constructs this framework as undesirable and ‘risky’. While strong discursive reactions are not uncommon in academia, comparing them to treatments of less-controversial social theories reveals formulations, meanings and attentions which are arguably reserved for this ‘theory’. Conclusively, common dismissals, warnings and criticisms of Said and ‘Orientalism’ often exemplify Saidian claims, as they deploy the powerful advantage of enforcing hegemonic, and indeed Orientalist, views.


2004 ◽  
Vol 2 (2) ◽  
pp. 144-145
Author(s):  
Naim S. Ateek
Keyword(s):  

2017 ◽  
Vol 16 (1) ◽  
pp. 7-25 ◽  
Author(s):  
Tahrir Hamdi

Postcolonialism, profoundly influenced by the Palestinian scholar Edward Said, has until recently been oddly silent on Palestine, a topic that not only preoccupied Said's thinking and writing, but also inspired his theoretical ideas on imperialism, anti-colonial struggle and the worldliness and affiliations of the text and the critic. This theoretical silence on Palestine was, in fact, preceded by a historical, political, geographical, social and cultural contestation of all forms of Palestinian spaces that include not only dispossessing Palestinians of their land, but also building apartheid walls, destroying hundreds of thousands of olive trees, appropriating/stealing traditional Palestinian dishes and clothes, silencing Palestinian narratives and the Muslim call to prayer. This paper will argue that these contested spaces necessarily become sites of Palestinian cultural production, struggle and sumud.


1988 ◽  
Vol 17 (4) ◽  
pp. 160-165 ◽  
Author(s):  
Edward Said ◽  
Ibrahim Abu-Lughod
Keyword(s):  

1994 ◽  
Vol 11 (1) ◽  
pp. 38-70
Author(s):  
Florence Eid

IntroductionThis paper is a report on the state of research in two areas of Islamicstudies: Islam and economics and Islam and governance. I researched andwrote it as part of my internship at the Ford Foundation during the summerof 1992. On Discourse. The study of Islam in the United States has moved far beyondthe traditional historical and philological methods. This is perhapsbest explained by the development of analytically rigorous social sciencemethods that have contributed to a better balance between the humanisticconcerns of the more traditional approaches and efforts at systematizingthe study of Islam and classifying it across boundaries of communities,religions, even epochs. This is said to have s t a d with the developmentof irenic attitudes towards Islam, which changed the direction of westemorientalist writings from indifference (at best) and often open hostility toand contempt of Islamic values (however they were understood) to phenomenologicalworks by scholars who saw the study of Islam as somethingto be taken seriously and for its own sake, which is best exemplifiedby Clifford Geertz's Islam Observed.The work of Edward Said contested this evolution, and the publicationof his Orientalism has been described as "a stick of dynamite"' that,despite its impact in mobilizing a reevaluation of the field, was unwarrantedin its pessimism. In any case, the field has continued to evolve,with the most powerful force moving it being the subject itself. Thephenomenological/orientalist approach, if we can point to one today, ...


2005 ◽  
Vol 31 (2) ◽  
pp. 365
Author(s):  
Mitchell
Keyword(s):  

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