scholarly journals In Uzbek Linguistics, Analogies Of Human Mental State (On The Example Of Odil Yakubov's Works)

Author(s):  
Dilrabo Allanazarovna Ergasheva ◽  

The article analyze the relationship between language and thought, the expression of this connection in the speech of a work of art, which indicates the factors leading to the actualization of linguistic units. On the example of Odil Yakubov's works “Ulugbek’s treasure”, “Religion” the expression of the hero's mental state is analyzed.

2019 ◽  
Vol 6 (1) ◽  
pp. 72-77
Author(s):  
Saroj Bajracharya

This write up aims to understand the relationship between the ancient and the modern art in relation to the foundation of the unbound state of mind that has been flowing from primitive time in Nepal. State of mind is generally defined as the mental state or mood of a person at a particular time. But in this context, time is an extended and stretched playground for artists where they have sometimes connected and at times disconnected from their primitive native continuity of individual aesthetics and collective social beliefs. And this connection and disconnection from what appears as the ancient state of mind is rather the elementary characteristics of our society that has merged with western propagated modernity in terms of arts as well as science; we have local modern art façade which got fuelled around the mid 19th century in Nepal and combusted in the mid 20th century here. When one enters into this creative façade, one can still feel the unbound state of mind that emanates mystic, relaxed and harmonious qualities in some of the artworks by local artists. When these qualities unify with popular styles of expressions in Nepal, we coincide with the Nepaliness in a work of art of recent times.


2018 ◽  
Vol 5 (1) ◽  
pp. 58-63
Author(s):  
Saroj Bajracharya

This write up aims to understand the relationship between the ancient and the modern art in relation to the foundation of the unbound state of mind that has been flowing from primitive time in Nepal. State of mind is generally defined as the mental state or mood of a person at a particular time. But in this context, time is an extended and stretched playground for artists where they have sometimes connected and at times disconnected from their primitive native continuity of individual aesthetics and collective social beliefs. And this connection and disconnection from what appears as the ancient state of mind is rather the elementary characteristics of our society that has merged with western propagated modernity in terms of arts as well as science; we have local modern art façade which got fueled around the mid 19th century in Nepal and combusted in the mid 20th century here. When one enters into this creative façade, one can still feel the unbound state of mind that emanates mystic, relaxed and harmonious qualities in some of the artworks by local artists. When these qualities unify with popular styles of expressions in Nepal, we coincide with the Nepaliness in a work of art of recent times.


Author(s):  
T.J. Kasperbauer

This chapter applies the psychological account from chapter 3 on how we rank human beings above other animals, to the particular case of using mental states to assign animals moral status. Experiments on the psychology of mental state attribution are discussed, focusing on their implications for human moral psychology. The chapter argues that attributions of phenomenal states, like emotions, drive our assignments of moral status. It also describes how this is significantly impacted by the process of dehumanization. Psychological research on anthropocentrism and using animals as food and as companions is discussed in order to illuminate the relationship between dehumanization and mental state attribution.


Author(s):  
Tiffany Tong ◽  
Jacqueline Urakami ◽  
Mark Chignell ◽  
Mary C. Tierney ◽  
Jacques S. Lee

We are developing whack-a-mole games for cognitive assessment. In prior research, we have shown that variants of the game assess cognitive speed and executive functioning (response inhibition), and can be used to screen for delirium in emergency departments. We have also found that whack-a-mole game performance is significantly correlated with overall Mini-Mental State Examination (MMSE) scores. In this paper, we report the results of a study that assessed the relationship of our serious game for cognitive assessment with specific components of the MMSE. We found that game performance is correlated most strongly with the orientation to time items component of MMSE and that the combination of three elements of the MMSE (attention and calculation; orientation to time; repetition) accounted for almost half of the variance in game performance in our sample.


Author(s):  
Gerard Steen

This article presents some considerations into metaphor in language and thought- 'the topic and title of the first conference of its kind in Brazil'. The paper focuses on the discussions presented in the round table, which were mostly directed to the empirical research on metaphor in Applied Linguistics. This integrative and retrospective reflection on the papers presented will be conducted from the perspective of the debate into the relationship between metaphor in language and in thought. This central issue is at the core of my proposal for four different approaches to metaphor, based on the interdependence between language and thought as system and as use:1) metaphor in language as system; 2) metaphor in thought as system; 3) metaphor in language as use and 4) metaphor in thought as use. It is within the framework of these categories that metaphors should be studied, with a certain degree of autonomy, so that their interdependence can be better understood.


Paragraph ◽  
2009 ◽  
Vol 32 (3) ◽  
pp. 313-330 ◽  
Author(s):  
Michael W. Jennings

Key sections of Walter Benjamin's montage-text Berlin Childhood around 1900 figure the relationship between human experience and modern media, with the sections that frame the text, ‘Loggias’ and ‘The Moon’, structured around metaphors of photography. Drawing on the work of Siegfried Kracauer, and especially his seminal essay ‘Photography’, Benjamin develops, in the course of his book, a theory of photography's relationship to experience that runs counter to the better-known theories developed in such essays as ‘Little History of Photography’ and ‘The Work of Art in the Age of its Technological Reproducibility’, theories that are part of the broad currents of technological utopianism and, as such, emphasize photography's transformative potentials. In the Berlin Childhood, Benjamin instead emphasizes photography's role in the mortification and annihilation of meaningful human experience. Photography emerges here as the mausoleum of youth and hope.


2018 ◽  
Vol 192 ◽  
pp. 281-286 ◽  
Author(s):  
Noriyuki Ohmuro ◽  
Masahiro Katsura ◽  
Chika Obara ◽  
Tatsuo Kikuchi ◽  
Yumiko Hamaie ◽  
...  

AmeriQuests ◽  
2010 ◽  
Vol 7 (2) ◽  
Author(s):  
Scott S Krenitski

Since reading Kaddish for the first time, Ginsberg’s masterpiece has become an obsession for me. Allen wrote the piece three years after his mother’s death, and in one week it will be the three-year anniversary of my father’s death. While the relationship I had with my father and the mental state of my father is far different than Ginsberg’s descriptions of his mother and their relationship, I identify with his need to express his deep sorrow, anger, and confusion through his unorthodox prayer. This work is a Kaddish for my father the closely follows the form of Ginsberg's Kaddish that so deeply influenced my own emotional healing and grieving process.


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