scholarly journals Dumitru Rusu, An Analysis of Socialist Modernist Heritage in Romania and the Republic of Moldova through Case Studies: Utilitarian Buildings and Industrial Facilities

2020 ◽  
Vol 8 (2) ◽  
pp. 131-141
Author(s):  
Dumitru Rusu
Keyword(s):  
Case Studies ◽  
20Th Century ◽  
Western Europe ◽  
Scientific Communities ◽  
Industrial Facilities ◽  
Republic Of Moldova ◽  
Built Heritage ◽  
Modernist Architecture ◽  
The Republic ◽  
International Awareness

The “Socialist Modernism” Project is part of an initiative by B.A.C.U. Association focused on protecting built heritage in the former socialist bloc. In that respect, we have launched a campaign for the preservation of buildings that are specific to the socialist modernist period (1955–1991). The architecture of the socialist period, more precisely the modernist tendencies in 1955–1991, is a specific trend in the evolution of architecture in the former socialist bloc. There is increasing international awareness for this trend, as indicated by the creation of scientific communities (the SocHeritage Platform, part of the ICOMOS International Scientific Committee for the 20th century). The chosen period in our study was set by historic events that led to this new architectural tendency. At the time, the approach was inspired by modernist architecture, which came to the capitalist states in Western Europe with a set of principles. In socialist countries, modernist trends first influenced the professional sphere, and through that influence, they were able to penetrate borders and the limits imposed by ideology.

scholarly journals Dumitru Rusu, Analiza patrimoniului modernist-socialist în Republica Moldova prin patru studii de caz / Analysis of the modernist-socialist heritage in the Republic of Moldova through four case studies

2019 ◽  
Vol 7 (1) ◽  
pp. 119-130
Keyword(s):  
Case Studies ◽  
Field Data ◽  
The State ◽  
Historical Buildings ◽  
Architectural Heritage ◽  
Republic Of Moldova ◽  
Current State ◽  
The World ◽  
Modernist Architecture ◽  
The Republic

Buildings of historical value are gradually disappearing under the idle eyes of passive authorities. The purpose of this research is to analyze and describe what steps are necessary in order to include the valuable socialist modernist architecture from the Republic of Moldova in the world architectural heritage. Field data presenting the current state of 4 socialist modernist landmarks in the Republic of Moldova found these buildings in an advanced state of decay and requiring immediate intervention. The most effective way to improve the state of such historical buildings is to create appropriate legislation that would include them in the global heritage network.

scholarly journals Integrative reflections in the contemporary approach of the architecture of buildings for shows

Arta ◽  
2021 ◽  
Vol 30 (1) ◽  
pp. 118-123
Author(s):  
Aurelia Trifan ◽  
Keyword(s):  
Soviet Period ◽  
General Picture ◽  
Republic Of Moldova ◽  
Artistic Value ◽  
Built Heritage ◽  
History Of Construction ◽  
National Theater ◽  
History Of ◽  
The Republic ◽  
The 19Th Century

The current approaches, materialized in studies and research programs, further explain and complete the general picture regarding the identity of buildings for shows in the Republic of Moldova. The need to update existing information and correct errors and unconfirmed assumptions arises as a result of identifying new data. The research carried out in the field of buildings for shows focuses both on the detailing of its constitution and on the revelation of the architectural-artistic value – starting with the 19th century. The first buildings for shows (the Nobles’ Meeting Club and the „Pushkin” Auditorium), the refurbished buildings („Patria” Cinema and the Organ Hall) and adaptations to new programs such as soviet cinemas are highlighted. Thorough research of the history of construction and reconstruction of the two most famous buildings for shows, which were the headquarters of the Romanian National Theater in Chisinau, contributes to the identification of valid novelties in the correct and coherent dating and interpretation, as well as the names of the authors of the projects. Programs based on appreciating the value of the cultural heritage of the Soviet period are submitted to the attention of the professional environment, the interested public and the administrators of the built heritage and represent an attempt to raise awareness of the importance of re-evaluating this heritage.

scholarly journals ПРЕЛЮДИИ ДЛЯ ФОРТЕПИАНО КОМПОЗИТОРОВ РЕСПУБЛИКИ МОЛДОВА В РЕПЕРТУАРЕ СТУДЕНТОВ-ПИАНИСТОВ АКАДЕМИИ МУЗЫКИ, ТЕАТРА И ИЗОБРАЗИТЕЛЬНЫХ ИСКУССТВ

2020 ◽  
pp. 281-292
Author(s):  
Инна Хатипова ◽  
Keyword(s):  
20Th Century ◽  
Teaching Practice ◽  
Fine Arts ◽  
Piano Music ◽  
The Other ◽  
Original Music ◽  
Musical Language ◽  
Republic Of Moldova ◽  
The Republic ◽  
First Time

In the present article the author presents a review of piano preludes written by Moldovan composers in the second half of 20th century which are frequently studied at the Academy of Music, Theatre and Fine Arts of the Republic of Moldova. The author seeks to characterize their imagery, musical language means and technical difficulties that can be encountered by young performers. The works analyzed are approved in the author's teaching practice. The preludes were written by Gheorghe Neaga, Vladimir Rotaru, Semion Lungul, Constantin Rusnac, Alexei and Marian Stârcea, Vitaly Sechkin. Some information about these miniatures can be found in research by musicologists E. Kletinich, A. Miroshnikova, E. Gupalova. A detailed analysis from a performer's standpoint presented in the article is made for the first time. The piano pieces indicated above are diverse. The two preludes by A. Stârcea contrast with one another: one has a lyrical character, whereas the other one differs in its drama and flustered character. The piece by Gh. Neaga bears the traces of impressionist music. C. Rusnac’s and V. Rotaru’s creations are composed using Moldovan doina stylistics, and S. Lungul’s lyrical miniature is nationally neutral. In the two preludes by M. Stârcea, modern musical language means are used, and sharp rhythms and dissonant harmonies abound. The article also presents five preludes-pictures by Vitaly Sechkin, a Ukrainian composer who spent his last period of life in Moldova. Inspired by Moldovan vivid landscapes, they differ in their imagery and tempo. Nonetheless, each of the miniatures has its own individual appearance and peculiarities of style. All the works reviewed are distinguished by bright themes and original music language. They represent a substantial enrichment of national piano repertoire and are a striking contribution of autochthonous authors to the development of the prelude genre in the world’s piano music.

scholarly journals ROMANIAN POETRY FROM THE TWENTIETH CENTURY AND MUSIC

Akademos ◽  
2021 ◽  
Vol 60 (1) ◽  
pp. 125-129
Author(s):  
Pavel Gamurari ◽  
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
High Complexity ◽  
Republic Of Moldova ◽  
The Republic ◽  
Compositional Approaches

The article outlines approaches and syntheses of high complexity, made within the framework of reference compositional creations by leading composers from Romania and the Republic of Moldova. Among them are Sigismund Toduta, Paul Constantinescu, Vasile Spatarelu, Felicia Donceanu, Viorel Munteanu, Dan Voiculescu, Vladimir Rotaru, Vlad Burlea, etc. The compositional approaches to poetic sources, which fall within the musical trends of the 20th century and are representative of national and universal music, are particularly diverse and original.

Case report: acute liver failure induced by paracetamol toxicity

2020 ◽  
Vol 2 (1) ◽  
pp. 69-74
Author(s):  
Eugen TCACIUC ◽  
Mariana PODUREAN ◽  
Olga SCHIOPU ◽  
Aurel BATRINAC ◽  
Angela SELIVANOV ◽  
...  
Keyword(s):  
Liver Failure ◽  
Acute Liver Failure ◽  
Western Europe ◽  
Physical Exertion ◽  
Low Grade ◽  
Republic Of Moldova ◽  
Night Sweats ◽  
The Republic ◽  
Paracetamol Toxicity ◽  
Loss Of Appetite

Introduction. Paracetamol is the most commonly used drug across Western Europe and North America. There is no such trend of using Paracetamol in the Republic of Moldova, thus overdose cases are extremely rare. The mechanisms leading to overdose episodes might induce hepatotoxicity. Clinical case. This present article reports a case of acute liver failure induced by Paracetamol overdose. A 46-year-old man presented to the Medpark International Hospital. He was administered Paracetamol 1000 mg, approximately every 4 hours for 2 days, and 1000 mg twice a day for another 2 days, after an intense physical exertion, followed by muscle fever with myalgia and low-grade fever (37.4 °C) The reason for asking the medical care were pronounced fatigue, nausea, loss of appetite, night sweats, and frequent urination. Conclusion. Eventually, the case was successfully resolved due to N-acetyl-cysteine, administered according to the established treatment scheme, as well as the adjuvant therapy.

scholarly journals IMPLEMENTATION OF COMPETITION LAW. ECONOMIC CONCENTRATIONS - CASE STUDIES IN THE PRACTICE OF THE REPUBLIC OF MOLDOVA

MEST Journal ◽  
2018 ◽  
Vol 6 (2) ◽  
pp. 32-38
Author(s):  
Anatolie Caraganciu ◽  
◽  
Constanta Tiuhtii
Keyword(s):  
Case Studies ◽  
Competition Law ◽  
Republic Of Moldova ◽  
The Republic

scholarly journals The Reception of Prose from the Republic of Moldova in Ukraine in the Second Half of the 20th Century

Philologia ◽  
2021 ◽  
pp. 61-68
Author(s):  
Dumitru Apetri ◽  
Keyword(s):  
20Th Century ◽  
Socialist Realism ◽  
Republic Of Moldova ◽  
Literary Context ◽  
Selection For ◽  
The Republic

The process of receiving Romanian prose from the Republic of Moldova to Ukraine through artistic translations, carried out between 1954-1989, is treated, in general, under two aspects: the selection and individuality of translators. It is found that, in most cases, there were selected and published not only valuable works but also some writings that lack vigor and authenticity, composed in the spirit of socialist realism. The vast majority of the promoters of Romanian prose in the Ukrainian area represent distinct literary personalities. In the event of continuing the Romanian-Ukrainian literary dialogue, the author suggests selection for translation of other substantial epic works created in the Romanian area east of the Prut until 1940 without ignoring northern Bukovina and Herta. In this regard, the author proposes a list of epic creations that have enjoyed appreciation both in the local literary context and beyond. Only by taking these recommendations into account will the Ukrainian reader be given the true picture of the epic genre in these areas.

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