scholarly journals The Reception of Prose from the Republic of Moldova in Ukraine in the Second Half of the 20th Century

Philologia ◽  
2021 ◽  
pp. 61-68
Author(s):  
Dumitru Apetri ◽  

The process of receiving Romanian prose from the Republic of Moldova to Ukraine through artistic translations, carried out between 1954-1989, is treated, in general, under two aspects: the selection and individuality of translators. It is found that, in most cases, there were selected and published not only valuable works but also some writings that lack vigor and authenticity, composed in the spirit of socialist realism. The vast majority of the promoters of Romanian prose in the Ukrainian area represent distinct literary personalities. In the event of continuing the Romanian-Ukrainian literary dialogue, the author suggests selection for translation of other substantial epic works created in the Romanian area east of the Prut until 1940 without ignoring northern Bukovina and Herta. In this regard, the author proposes a list of epic creations that have enjoyed appreciation both in the local literary context and beyond. Only by taking these recommendations into account will the Ukrainian reader be given the true picture of the epic genre in these areas.

Author(s):  
Инна Хатипова ◽  

In the present article the author presents a review of piano preludes written by Moldovan composers in the second half of 20th century which are frequently studied at the Academy of Music, Theatre and Fine Arts of the Republic of Moldova. The author seeks to characterize their imagery, musical language means and technical difficulties that can be encountered by young performers. The works analyzed are approved in the author's teaching practice. The preludes were written by Gheorghe Neaga, Vladimir Rotaru, Semion Lungul, Constantin Rusnac, Alexei and Marian Stârcea, Vitaly Sechkin. Some information about these miniatures can be found in research by musicologists E. Kletinich, A. Miroshnikova, E. Gupalova. A detailed analysis from a performer's standpoint presented in the article is made for the first time. The piano pieces indicated above are diverse. The two preludes by A. Stârcea contrast with one another: one has a lyrical character, whereas the other one differs in its drama and flustered character. The piece by Gh. Neaga bears the traces of impressionist music. C. Rusnac’s and V. Rotaru’s creations are composed using Moldovan doina stylistics, and S. Lungul’s lyrical miniature is nationally neutral. In the two preludes by M. Stârcea, modern musical language means are used, and sharp rhythms and dissonant harmonies abound. The article also presents five preludes-pictures by Vitaly Sechkin, a Ukrainian composer who spent his last period of life in Moldova. Inspired by Moldovan vivid landscapes, they differ in their imagery and tempo. Nonetheless, each of the miniatures has its own individual appearance and peculiarities of style. All the works reviewed are distinguished by bright themes and original music language. They represent a substantial enrichment of national piano repertoire and are a striking contribution of autochthonous authors to the development of the prelude genre in the world’s piano music.


2020 ◽  
Vol 8 (2) ◽  
pp. 131-141
Author(s):  
Dumitru Rusu

The “Socialist Modernism” Project is part of an initiative by B.A.C.U. Association focused on protecting built heritage in the former socialist bloc. In that respect, we have launched a campaign for the preservation of buildings that are specific to the socialist modernist period (1955–1991). The architecture of the socialist period, more precisely the modernist tendencies in 1955–1991, is a specific trend in the evolution of architecture in the former socialist bloc. There is increasing international awareness for this trend, as indicated by the creation of scientific communities (the SocHeritage Platform, part of the ICOMOS International Scientific Committee for the 20th century). The chosen period in our study was set by historic events that led to this new architectural tendency. At the time, the approach was inspired by modernist architecture, which came to the capitalist states in Western Europe with a set of principles. In socialist countries, modernist trends first influenced the professional sphere, and through that influence, they were able to penetrate borders and the limits imposed by ideology.


Akademos ◽  
2021 ◽  
Vol 60 (1) ◽  
pp. 125-129
Author(s):  
Pavel Gamurari ◽  

The article outlines approaches and syntheses of high complexity, made within the framework of reference compositional creations by leading composers from Romania and the Republic of Moldova. Among them are Sigismund Toduta, Paul Constantinescu, Vasile Spatarelu, Felicia Donceanu, Viorel Munteanu, Dan Voiculescu, Vladimir Rotaru, Vlad Burlea, etc. The compositional approaches to poetic sources, which fall within the musical trends of the 20th century and are representative of national and universal music, are particularly diverse and original.


2018 ◽  
Vol 13 (3) ◽  
pp. 158-164
Author(s):  
Serghei Cebanu ◽  
◽  
Mariana Tutunaru ◽  
Raisa Deleu ◽  
Angela Cazacu-Stratu ◽  
...  

Author(s):  
Stefan Tibuleac

This article analyzes the most current security issues for the Republic of Moldova that are part of the regional security context of Eastern Europe –the region that can be considered the epicenter of international tensions through which the„geopolitical line of fracture”passes. The geographical position of the Republic of Moldova makes this state particularly sensitive to any negative trends in theregion. Growing of international tensions creates security threats and complicates economic development. From a historical point of view, Moldova has repeatedly fallen victim by the confrontation of the great powers. Therefore, the Republic of Moldova has a vital interest in preventing a new conflict in Eastern Europe. This article is based on a number of assumptions made by changes in the European security environment, such as the „shift of weight” to the East, strategic uncertainty, increasing the role of non-state actors, the situation in eastern Ukraine, etc. Based on these assumptions, this article makes an attempt to outline the potential role of the Republic of Moldova in the Eastern European security system, taking into account the desideratum for integration of the republic into the European Union. Other relevant factors will be taken into account for shaping the role of the Republic of Moldova in the European security system, namely: the security deficit; the impact of NATO and EU security policy; the rebirth of the project to create a regional defense alliance, etc. This article will largely take into account the military aspects of security. Keywords: Republic of Moldova, national security, Eastern Europe, NATO, Intermarium, defence, threats, risks, challenges


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