scholarly journals REDESCRIPTION OF VIVIPARUS SPHAERIDIUS BOURGUIGNAT 1880  WITH AN IDENTIFICATION KEY OF THE EUROPEAN VIVIPARUS SPECIES (GASTROPODA: VIVIPARIDAE)

2014 ◽  
Vol 1 (2) ◽  
pp. 96-102 ◽  
Author(s):  
Peter Glöer ◽  
Dilian Georgiev
Keyword(s):  
Original Description ◽  
Identification Key ◽  
The Other ◽  
The West ◽  
European Species ◽  
European Literature ◽  
West European

Dilian Georgiev found topotypes of Viviparus sphaeridius Bourguignat, 1880, which has not been mentioned in the West European literature since its original description, except one citation by Westerlund (1886: 7). The rediscovery of this species is provided. As a result, V. sphaeridius is considered to represent a species in its own rights well distinguishable from the other European species in the genus Viviparus. Additionally, a key to the Viviparus species from Europe is given to facilitate future identification and prevent further misidentifications

scholarly journals A re-examination of the West European species of Boreonectes Angus, 2010, with particular reference to B. multilineatus (Falkenström, 1922) (Coleoptera, Dytiscidae)

2021 ◽  
Vol 15 (1) ◽  
pp. 23-39
Author(s):  
Robert B. Angus
Keyword(s):  
Ice Sheets ◽  
The West ◽  
Central European ◽  
European Species ◽  
Last Glaciation ◽  
Northern Areas ◽  
Western Ukraine ◽  
European Mountains ◽  
Secondary Constrictions ◽  
West European

The West European species of Boreonectes Angus, 2010 are reviewed. B. multilineatus (Falkenström, 1922) is shown to be widely distributed in the Pyrenees, where it is the only species known to occur. The chromosomes of all five west European species are found to have, in addition their different numbers of chromosomes, differences in the number and locations of secondary constrictions, and in some cases, the number of chromosomes with clear centromeric C-bands. The level of differences between the chromosomes of the species is in stark contrast with the very slight genetic (DNA) differences between them and this suggests that chromosome differentiation may have been a driver of speciation. Two of the species, B. griseostriatus (De Geer, 1774) and B. multilineatus, have distributions extending northwards as far as Arctic Scandinavia. It is pointed out that, while these northern areas now constitute the major portions of their ranges, they must be of fairly recent origins as most of the area would have been covered by ice sheets and therefore not habitable during the glacial maximum of the Last Glaciation. This contrasts with the situation in the area of the Central European mountains where fossil faunas, including Boreonectes, are known. B. griseostriatus, identifiable to species by its parameres, was present in the Woolly Rhinoceros site at Starunia in the Western Ukraine, and this fauna is discussed as well as an English fauna of similar age.

When unexpected guests come to eat: two new species of Phyllolabis Osten Sacken (Diptera: Limoniidae) collected with carrion-baited traps in the centre of the Iberian Peninsula

Zootaxa ◽  
2021 ◽  
Vol 5039 (2) ◽  
pp. 222-240
Author(s):  
JORGE MEDEROS ◽  
DANIEL MARTÍN-VEGA ◽  
ARTURO BAZ
Keyword(s):  
New Species ◽  
Iberian Peninsula ◽  
Identification Key ◽  
The Other ◽  
The West ◽  
Male Specimen ◽  
Baited Traps ◽  
Two New Species ◽  
Well Differentiated

Phyllolabis eiroae sp. nov. and P. martinhalli sp. nov. are described from the centre of the Iberian Peninsula. These two remarkable species were collected using carrion-baited traps, running during winter, in several localities of Madrid province (Spain). The two new species are well differentiated from the other Phyllolabis Osten Sacken species recorded from the Iberian Peninsula, P. savtshenkoi Theowald, and those from the west Palaearctic. An identification key to differentiate the three Phyllolabis species occurring in the Iberian Peninsula is provided. The first images of P. savtshenkoi, based on the holotype and a male specimen recorded from a cave located in Jaén (Spain), are also provided.  

Leucothoe cathalaa sp. nov. (Crustacea: Amphipoda: Leucothoidae), a new bathyal benthic species from the Le Danois Bank (‘El Cachucho’ Spanish MPA), southern Bay of Biscay

2012 ◽  
Vol 93 (3) ◽  
pp. 659-666 ◽  
Author(s):  
Inmaculada Frutos ◽  
Jean Claude Sorbe
Keyword(s):  
New Species ◽  
Protected Area ◽  
Marine Protected Area ◽  
Identification Key ◽  
The Other ◽  
Bay Of Biscay ◽  
Benthic Species ◽  
European Species ◽  
Soft Bottoms

A new bathyal leucothoid amphipod, Leucothoe cathalaa sp. nov., is described and illustrated based on specimens collected at the Le Danois Bank (‘El Cachucho’ Marine Protected Area), southern Bay of Biscay. This species can be distinguished from the other species of the genus Leucothoe by the hardly visible eyes (translucent ocelli, in preserved specimens); antenna 1 with minute accessory flagellum; coxae 1–3 with 2 serrations on posterodistal margin; epimeron 3 posterodistal corner produced, bifid, with one seta between blunt lobes and telson apex pointed without accessory teeth. In live specimens, the eyes are easily visible, each represented as a rounded whitish-pigmented spot. The new species has been found living on fine sandy soft-bottoms between 486 and 574 m depth at the top of the bank. An identification key to the deep Atlantic European species of Leucothoe is provided, as well as ecological and biological comments.

Development policy, Western Europe and the question of specificity

2018 ◽  
Vol 27 (1) ◽  
pp. 4-17 ◽  
Author(s):  
Kevin R Cox
Keyword(s):  
Regional Development ◽  
Development Policy ◽  
Local Governments ◽  
Western Europe ◽  
Central Government ◽  
The Other ◽  
The West ◽  
Urban And Regional Planning ◽  
The Usa ◽  
West European

In the Anglophone literature on local and regional development policy there are tendencies to overextension of claims from one side of the Atlantic to the other, or there is no comparative framing at all. As a result the specificity of the West European case tends to be lost. In contrast with the USA, the West European instance is very different indeed. Although there have been changes since the postwar golden years of urban and regional planning, central government remains crucial in the structuring of local and regional development and has given expression to counter-posed class forces: regional policy was historically an aspect of the welfare state as promoted by the labor movement, while urbanization policy has been much more about the forces of the political right. In the USA, by contrast, local governments and to a lesser degree, the states, have been and continue to be supreme; in contrast to Western Europe, location tends to be much more market-determined, with local and governments acting as market agents. Class forces have seemingly been much weaker, territorial coalitions occupying the center ground. As a first cut, these differences have to do with state structure: the Western European state is far more centralized, facilitating the implementation of policies that are relatively indifferent to local specificity, while in the USA the converse applies. State structures, however, are parts of broader social formations and reflect the different socio-historical conditions in which West European societies, on the one hand, and their American counterpoint, on the other, have emerged.

Comparative Analysis of Ahmet Hamdi Tanpinar’s Travels to European Countries

2017 ◽  
Vol 5 (1) ◽  
pp. 78
Author(s):  
Aysel KAMAL ◽  
Sinem ATIS
Keyword(s):  
Social History ◽  
Young Lady ◽  
The Other ◽  
European Countries ◽  
Cultural Relations ◽  
The West ◽  
Literary Works ◽  
European Culture ◽  
Turkish Literature ◽  
Art And Architecture

Ahmet Hamdi Tanpinar (1901-1962) is one of the most controversial authors in the 20th century Turkish literature. Literature critics find it difficult to place him in a school of literature and thought. There are many reasons that they have caused Tanpinar to give the impression of ambiguity in his thoughts through his literary works. One of them is that he is always open to (even admires) the "other" thought to a certain age, and he considers synthesis thinking at later ages. Tanpinar states in the letter that he wrote to a young lady from Antalya that he composed the foundations of his first period aesthetics due to the contributions from western (French) writers. The influence of the western writers on him has also inspired his interest in the materialist culture of the West. In 1953 and 1959 he organized two tours to Europe in order to see places where Western thought and culture were produced. He shared his impressions that he gained in European countries in his literary works. In the literary works of Tanpinar, Europe comes out as an aesthetic object. The most dominant facts of this aesthetic are music, painting, etc. In this work, in the writings of Tanpinar about the countries that he travelled in Europe, some factors were detected like European culture, lifestyle, socio-cultural relations, art and architecture, political and social history and so on. And the effects of European countries were compared with Tanpinar’s thought and aesthetics. Keywords: Ahmet Hamdi Tanpinar, Europe, poetry, music, painting, culture, life

Review of the genus Astragalus section Helmia (Fabaceae)

2019 ◽  
pp. 120-131
Author(s):  
M. S. Knyazev
Keyword(s):  
Identification Key ◽  
The Other ◽  
Taxonomic Review ◽  
Narrow Scope ◽  
A Priority ◽  
Astragalus Sect

A taxonomic review of species and intraspecific taxa of the Astragalus L. section Helmia Bunge is presented. We treat the section Helmia in a traditional, narrow scope, including only 9 species and subspecies: A. helmii Fisch. ex DC., A. tergeminus (Knjaz., Kulikov et E. G. Philippov) Knjaz., A. permiensis C. A. Mey. ex Rupr., A. depauperatus Ledeb. (= A. chakassiensis Polozhij), A. kasachstanicus Golosk. subsp. kasachstanicus, A. kasachstanicus subsp. coloratus Knjaz., A. gregorii B. Fedtsch. et Basil. (= A. tuvinicus Timokhina), A. heptapotamicus Sumnev., A. ionae Palib. ex Gontsch. et Popov. With regard to the other 16 species of sect. Helmia in its widest sense, as accepted in the monograph by D. Podlech and Sh. Zarre (2013), we believe it more correct to attribute them to other sections. The rank of A. helmii var. tergeminus Knjaz., Kulikov et E. G. Philippov is raised to the species, A. tergeminus (Knjaz., Kulikov et E. G. Philippov) Knjaz. It is shown that A. gregorii is a priority name of A. tuvinicus. The epitype of A. permiensis C. A. Mey. ex Rupr. is designated. An identification key and a map of distribution for all species and subspecies of Astragalus sect. Helmia are presented.

The Proximity of Other Skins

2019 ◽  
Author(s):  
Celine Parreñas Shimizu
Keyword(s):  
United States ◽  
South Korea ◽  
The United States ◽  
The Philippines ◽  
The Other ◽  
The West ◽  
Pain And Suffering ◽  
The Spectator ◽  
Existing Frames ◽  
The Voice

Transnational films representing intimacy and inequality disrupt and disgust Western spectators. When wounded bodies within poverty entangle with healthy wealthy bodies in sex, romance and care, fear and hatred combine with desire and fetishism. Works from the Philippines, South Korea, and independents from the United States and France may not be made for the West and may not make use of Hollywood traditions. Rather, they demand recognition for the knowledge they produce beyond our existing frames. They challenge us to go beyond passive consumption, or introspection of ourselves as spectators, for they represent new ways of world-making we cannot unsee, unhear, or unfeel. The spectator is redirected to go beyond the rapture of consuming the other to the rupture that arises from witnessing pain and suffering. Self-displacement is what proximity to intimate inequality in cinema ultimately compels and demands so as to establish an ethical way of relating to others. In undoing the spectator, the voice of the transnational filmmaker emerges. Not only do we need to listen to filmmakers from outside Hollywood who unflinchingly engage the inexpressibility of difference, we need to make room for critics and theorists who prioritize the subjectivities of others. When the demographics of filmmakers and film scholars are not as diverse as its spectators, films narrow our worldviews. To recognize our culpability in the denigration of others unleashes the power of cinema. The unbearability of stories we don’t want to watch and don’t want to feel must be borne.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

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