Hemingway in Turkey: Historical Contexts and Cultural Intertexts

Belleten ◽  
2005 ◽  
Vol 69 (255) ◽  
pp. 629-642
Author(s):  
Himmet Umunç
Keyword(s):  
Short Stories ◽  
Ernest Hemingway ◽  
Point Of View ◽  
Political Consequences ◽  
War Of Independence ◽  
Major Stage ◽  
The Military

As a young reporter, Ernest Hemingway visited İstanbul and the Thracian part of Turkey between 29 September and 18 October 1922. During his stay, he closely followed the military and political consequences of the Great Offensive, which was a major stage in the Turkish War of Independence, and also witnessed at first hand the Greek evacuation of eastern Thrace. His impressions of the İstanbul under occupation and also his observations of the events and developments at the time were included in the short stories which he wrote later on. In his fictions, he described and represented his observations fronı a point of view which was against Mustafa Kemal and Turkey, and, since he wrote in a mood supportive of the Allies and their invading forces, he failed to grasp the principles of righteousness and national independence, upon which the Turkish War of Independence was fought. This article is a study, within the context of the Turkish War of Independence, of Hemingway's anti-Turkish attitude crystallized in his desriptions and fıctions related to Turkey.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

scholarly journals The Difficult alliance. Military cooperation between the ruthenian king Daniel and the Piasts of Mazovia

2020 ◽  
Vol 1 (1) ◽  
pp. 104-112
Author(s):  
Michał Skoczyński
Keyword(s):  
Scientific Literature ◽  
Point Of View ◽  
Armed Conflicts ◽  
The Other ◽  
Political Strategy ◽  
Military Cooperation ◽  
Historical Sources ◽  
Other Hand ◽  
Historical Methodology ◽  
The Military

Abstract The article presents the military cooperation between the King of Galician-Volhynian Ruthenia, Daniel Romanowicz, and the Dukes of Mazovia, Konrad and his son Siemowit. The alliance, based as a counterweight for the cooperation between the King of Hungary and the Piast princes of Lesser Poland, who were trying to conquer Ruthenia and dominate all Piast principalities in then fragmented Poland. It lasted for several decades from the 1220’s to the 1260’s and was primarly aimed at mutual protection against the invasions of the pagan Yotvingians and supporting each other in armed conflicts. The text contains an analysis of war expeditions, tactics and ways of support that were given by both sides of the allianace. It is a new point of view on this aspect of political strategy of both sides that in some ways defined the regional situation. Ruthenians granted masovian Piasts some mobile and political uncommited support in fight with their relatives in Poland, and also secured their border with the Yotvingians. On the other hand, masovian knights were an additional strike force in ruthenian plundering expeditions to Yotvingia. The research was based on the analysis of preserved historical sources and scientific literature using historical methodology.

scholarly journals Edogawa Rampo’s short story Kagami Jigoku: A Structural Study

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Japanese Society ◽  
Modern Technology ◽  
Point Of View ◽  
The Other ◽  
Cultural Aspects ◽  
Analysis Process ◽  
Structural Methods ◽  
Modern Era

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era

Short fiction writing in English by Chinese university students: An integrated F-A-I-T-H approach

English Today ◽  
2019 ◽  
pp. 1-7
Author(s):  
Gang Sui
Keyword(s):  
Short Stories ◽  
University Students ◽  
Short Fiction ◽  
Ernest Hemingway ◽  
Chinese Students ◽  
Writing Workshops ◽  
Fiction Writing ◽  
Chinese University ◽  
Stylistic Elements ◽  
Chinese University Students

When delivering a speech at a meeting of the Writers’ Congress, Ernest Hemingway said as a fiction writer: A writer's problem does not change. He himself changes, but his problem remains the same. It is always how to write truly and having found what is true, to project it in such a way that it becomes part of the experience of the person who reads it. (1937) Does this statement still ring true today? If it does, what approach should and can be taken for Chinese university students to write ‘truly’ during their fiction writing workshops in English when they know what they try to accomplish is indeed something fictional or self-evidently ‘untrue’? What characterises the main thematic and stylistic elements of Chinese students’ short stories written in English as creative outcomes?

scholarly journals The city and the war

2021 ◽  
pp. 114-121
Author(s):  
Leonid Salmin
Keyword(s):  
Point Of View ◽  
Visual Discourse ◽  
The Military ◽  
The Impact ◽  
The City ◽  
Ritual Practices

The article focuses on the city as a visual discourse. This topic was previously studied in the article “Invisible Moscow” (Salmin, 2018). The impact of the war on the concepts of visibility / invisibility of the city and their relationship is analyzed from the point of view of mytho-ritual practices. Inversions of the visible and invisible are considered in the context of evolution of the city's symbolism under the influence of the military threats.

scholarly journals Narrative Innovation in Dubliners and James Joyce’s Exilic Experience

2019 ◽  
Vol 9 (10) ◽  
pp. 1287
Author(s):  
Chenglin Yu
Keyword(s):  
Short Stories ◽  
Point Of View ◽  
Narrative Strategy ◽  
Formal Innovation

James Joyce’s Dubliners betrays a narrative innovative tendency towards the restriction of point of view, which means the narration tends to unfold through the character’s point of view without omniscient interference. After examining the short stories in the context of their creation, we assert that Joyce’s exile and Dubliners’s censorship mostly account for this formal innovation. Further exploration shows that the restriction of point of view is actually a narrative strategy Joyce deploys to convey his ambiguous and ambivalent feelings towards his homeland and compatriots triggered by his exilic experience.

scholarly journals COOPERATION BETWEEN THE CZECHOSLOVAK MILITARY AND THE CARPATHIAN SICH TO COUNTERACT SABOTAGE ACTIONS BY POLAND AND HUNGARY AGAINST CARPATHO-UKRAINE (1938–1939)

2019 ◽  
Vol 32 ◽  
pp. 97-112
Author(s):  
OLEKSANDR PAHIRIA
Keyword(s):  
Auxiliary Function ◽  
Point Of View ◽  
Military Cooperation ◽  
Combat Experience ◽  
State Actor ◽  
Hybrid War ◽  
The Military ◽  
Source Of Information ◽  
And Training

The article examines one of the little-studied aspects of the subversive operation of Poland and Hungary against Carpatho-Ukraine, namely the military cooperation between the Carpathian Sich and the Czechoslovak Army and security agencies (StOS, gendarmery, state police, and financial guard) in the protection of the borders of the autonomous region against attacks by Polish and Hungarian saboteurs in fall 1938 – early 1939. Drawing on Czech and Polish archival materials, as well as memoirs, the author establishes the role of Czechoslovak officers in the provision of arms, ammunition, and training for the Carpathian Sich units, as well as in their engagement in joint intelligence and counter-sabotage activities in the border areas with Poland and Hungary. Such actions produced a joint Czech-Ukrainian response to the undeclared "hybrid war" waged by Poland and Hungary against Carpatho-Ukraine, which final aim was to establish a common frontier in the Carpathians. Despite its largely secondary (auxiliary) function in this operation, the Carpathian Sich members were able not only to demonstrate efficiency in the fight against Hungarian and Polish militants but at the same time to become a source of information for the Czechoslovak intelligence. From the point of view of the Czechoslovak command's interests, the Carpathian Sich served as a "non-state actor," who was trying to counter-balance the enemy's non-regular formations. The mentioned military cooperation marked the first stage in relations between the Carpathian Sich and the Czechoslovak military that started in the first half of November 1938 and ended in mid-January 1939 with the nomination by Prague of Czech general Lev Prchala as the third minister in the autonomous government of Carpatho-Ukraine. For the Carpathian Sich, the cooperation with the Czechoslovak security agencies produced their first combat experience and served as the source of replenishment of its scarce arsenal. Keywords: Carpatho-Ukraine, Carpathian Sich, sabotage, Poland, Hungary, "Lom" operation.

scholarly journals The system of points of view in Vasily Shukshin's short stories

2021 ◽  
Vol 27 (3) ◽  
pp. 148-154
Author(s):  
Natalia A. Guz ◽  
Yulia G. Babicheva
Keyword(s):  
Short Stories ◽  
Scientific Understanding ◽  
Point Of View ◽  
The Other ◽  
Frequent Change ◽  
History Of ◽  
Points Of View ◽  
First Time

The purpose of the work is to explore the point of view in Vasily Shukshin's short stories in its systematic and diverse manifestation. Topicality is provided by the exceptional significance of this category in narratology. The study of the point of view based on the material of short stories by Vasily Shukshin has been conducted for the first time. The article briefly traces the history of scientific understanding of the category of point of view in foreign and Russian philology and notes the variety of approaches and definitions in the formulation of the concept. The authors use the classification of Boris Uspenskij for analysis and consider the point of view in Vasily Shukshin's short stories in psychological, ideological (evaluative), spatial-temporal and phraseological terms. The positions of Boris Korman, Yuri Lotman, Wolf Schmid and Franz Karl Stanzel also take into account. The authors note the features of Vasily Shukshin's narration that affect the expression of the point of view in the text. Vasily Shukshin's short stories are characterised by a dynamic and frequent change of points of view, which indicates the technique of “montageˮ and similarities in this regard with cinematic techniques. The conclusions generalise the variety of ways and forms of expression of the point of view in the studied artistic material. The point of view in the considered stories is characterised by variability in the correlation of subjects of speech and subjects of consciousness, alternation of external and internal points of view, mutual transitions from one to the other, text interference and other hybrid phenomena.

scholarly journals Investigating the Strategies Used in Translation of Ironies in English Short Stories translated into Persian

2019 ◽  
Vol 2 (4) ◽  
pp. 13-19
Author(s):  
Mana Alahmad
Keyword(s):  
Short Stories ◽  
Second Language ◽  
Ernest Hemingway ◽  
Frequency Count ◽  
Research Strategies ◽  
Language Background ◽  
Translation Strategies ◽  
Total Frequency ◽  
Culture And Language

This study attempted to investigate the strategies which were used by Persian translators in translation of ironies. Translating irony has always been challenging as it relates to each nation culture and language background. So, special strategies are needed to guide the translators to find suitable equivalences for the ironies within any second language. In this research, strategies for translating two types of ironies i.e. verbal and situational were investigated via short stories. Eight short stories of Ernest Hemingway were chosen as the English texts. For each story two Persian versions were selected.Baker (1992) model of translation strategies was considered as the framework. The result of the total frequency count of the strategies adopted in translating the ironies by the translators’indicated that the most common strategies which used by these translators to translate English verbal and situational ironies into Persian were cultural equivalences and general or neutral equivalences for English words and phrases.The findings are of help to translators, translation trainers and readers among all interested parties

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