BIM Application in Documenting and Recreating Lost Architectural Heritage

2019 ◽  
pp. 112-141
Author(s):  
Paola Casu ◽  
Claudia Pisu
Keyword(s):  
Nineteenth Century ◽  
Cultural Heritage ◽  
3D Models ◽  
Full Potential ◽  
Architectural Heritage ◽  
Research Focus ◽  
Digital Archiving ◽  
Food Market ◽  
Definition Of

The digital archiving process of complex historical architectural 3D models is a key point in the field of tangible cultural heritage. A lot of research focus on the definition of methodologies and tools that exploit the full potential of ICT applied to the documentation of cultural heritage. This chapter illustrates a part of a study in this line of investigation. It focuses on the use of BIM for the reconstruction of lost architectural heritage. BIM will be applied to virtual reconstruct the nineteenth-century covered food market of Cagliari that was demolished in 1957. Thanks to the properties of BIM to enter information related to each element constituting a building, every part of the model will be accompanied by information on the degree of reliability and references adopted for its creation. In this way, each family of elements could more easily and knowingly be reused for other similar projects.

B.I.M. Application in Documenting and Recreating Lost Architectural Heritage

2016 ◽  
pp. 144-173 ◽  
Author(s):  
Paola Casu ◽  
Claudia Pisu
Keyword(s):  
Nineteenth Century ◽  
Cultural Heritage ◽  
3D Models ◽  
Full Potential ◽  
Architectural Heritage ◽  
Research Focus ◽  
Digital Archiving ◽  
Food Market ◽  
Definition Of

The digital archiving process of complex historical architectural 3D models is a key point in the field of tangible cultural heritage. A lot of research focus on the definition of methodologies and tools that exploit the full potential of ICT applied to the documentation of cultural heritage. This chapter illustrates a part of a study in this line of investigation. It focuses on the use of BIM for the reconstruction of lost architectural heritage. BIM will be applied to virtual reconstruct the nineteenth-century covered food market of Cagliari that was demolished in 1957. Thanks to the properties of BIM to enter information related to each element constituting a building, every part of the model will be accompanied by information on the degree of reliability and references adopted for its creation. In this way, each family of elements could more easily and knowingly be reused for other similar projects.

Representing Architectural Heritage

2017 ◽  
pp. 1-30
Author(s):  
Alfonso Ippolito
Keyword(s):  
Material Culture ◽  
Cultural Heritage ◽  
Architectural Heritage ◽  
Digital Representation ◽  
Definition Of ◽  
The Impact

Architectonical artefacts are in many ways one of the most extraordinary legacies that past civilizations have left to us from a cultural, technological and functional standpoint, because of the impact that the development of the material culture and building techniques had for ancient communities. The definition of a protocol designed to achieve an understanding of the object of Cultural Heritage consents the realization of various models. These models are the bases for all the critical, selective, specialist next analyses and elaboration. This work discusses the possibilities offered by the integration of heterogeneous method, traditional and innovative, for massive surveying and digital representation technologies.

scholarly journals Architectural Heritage Value Dispersed on Sensuous Thresholds in Kim Swoo Geun’s Arario Museum in Space, Seoul

2020 ◽  
Vol 12 (11) ◽  
pp. 4664
Author(s):  
Jiae Han
Keyword(s):  
Cultural Heritage ◽  
Physical Structure ◽  
Modern Architecture ◽  
Cultural Property ◽  
Architectural Heritage ◽  
Space Group ◽  
Spatial Features ◽  
The Status ◽  
Definition Of

As a representation of Korea’s modern architecture, Kim Swoo Geun described the Space Group of Korea Building as an “enclosed but endless space”. The Space Group Building is currently Korea’s Registered Cultural Heritage No. 586. Its name was changed to Arario Museum in Space; since 2013, it has been used as a museum. This study aims to reveal what spatial features of the Arario Museum have value as cultural heritage to make its sustainable architectural message. This research will analyze spatial traits within thresholds, beyond the general spatial traits of the architecture itself. The threshold gives Arario Museum meaning as a registered cultural property of Korea. The fundamental methodology to analyze the issue of threshold is to document the architectural experience based on the architect’s interviews, sketches and diagrams for design intention and strategy. Kim’s space displays the unification of physical structure and invisible phenomenon and cognition. The definition of threshold and the elements that constitute it discussed in this research were those that cover such multileveled concepts as materials that constitute the threshold. In addition, the phenomenon and status of these elements extracted in such manner being actually dispersed was verified, and the obtained characteristics of the threshold can result in the following: the concealment, juxtaposition, and flexibility are ultimately expanded to the ambiguity which is unique to Arario Museum in Space. Concealment started from observing the surface of threshold itself, and juxtaposition is the relational interpretation among the various elements. After the analysis on the dispersion and contacts, the status and phenomena of the building’s thresholds were concluded as a flexibility connection to its heritage value.

scholarly journals THE SURVEY OF CULTURAL HERITAGE AFTER AN EARTHQUAKE: THE CASE OF EMILIA–LOMBARDIA IN 2012

2016 ◽  
Vol XLI-B5 ◽  
pp. 161-168 ◽  
Author(s):  
A. Adami ◽  
S. Chiarini ◽  
S. Cremonesi ◽  
L. Fregonese ◽  
L. Taffurelli ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Point Cloud ◽  
Three Dimensional ◽  
3D Models ◽  
Civil Protection ◽  
Damage Survey ◽  
Second Stage ◽  
Economic Decisions ◽  
Definition Of ◽  
Survey Approach

In recent years many earthquakes hit Italy and its Cultural Heritage. The topic of survey of buildings damaged by seismic events and their interpretation has become very relevant and involved many research groups and Italian Civil Protection. <br><br> The damage survey has different roles: in the first stage, immediately after the emergency, the documentation is necessary for the shoring and protection of damaged structures (AEDES forms of Civil Protection). The aim of the second stage is the study and the documentation for the restoration, reconstruction and retrofitting of buildings. <br><br> In this context, this study presents methods and instruments used in the survey of 24 churches in the province of Mantua, Lombardy, after the 2012 earthquake sequence. The paper examines the difficulties in surveying damaged buildings and presents the classification used to define, time by time, the most suitable survey approach in the field of Geomatics. In this classification, many aspects are taken into account, such as logistical and practical problems, safety conditions, time preserving methods, economic decisions, complexity of building and required results. <br><br> The accurate documentation obtained as a three-dimensional architectural database allows for the observation and analysis of the damage, the definition of interpretative models and the development of intervention projects. Different results are obtained from the point cloud database: traditional 2D representations for architectural projects as well as 3D models for structural analysis or for the development of BIM.

scholarly journals BIM PROCESS, ONTOLOGIES AND INTERCHANGE PLATFORM FOR CULTURAL ARCHITECTURAL HERITAGE MANAGEMENT: STATE OF ART AND DEVELOPMENT PERSPECTIVES

2019 ◽  
Vol XLII-2/W11 ◽  
pp. 969-973
Author(s):  
A. Pili
Keyword(s):  
Cultural Heritage ◽  
Data Exchange ◽  
Process Management ◽  
Heritage Management ◽  
Architectural Heritage ◽  
Data Exchange Platform ◽  
Built Heritage ◽  
Data Environment ◽  
Definition Of ◽  
Flow Of Information

<p><strong>Abstract.</strong> Ontology meaning and its declination in computer science are defined in the contribution. Some experiences of using ontologies for Cultural Heritage frame the state of the art. Specific ontologies for the conservation process allows the definition of classes and their description through attributes. Subjects, means, tools, relationships, and planning of activities, times and costs are included in the process. Ontologies so defined are also the basis for the definition of an interoperability protocol for Cultural Heritage. Interoperability means exchange among the tools, with the guarantee that data and meanings transmitted are correctly interpreted by the receiving system. The paper proposes the kind of informative model for built heritage. Defining the basis for ontologies is the goal. The flow of information in a Common Data Environment, a data exchange platform, is necessary to ensure proper data and process management.</p>

scholarly journals THE SURVEY OF CULTURAL HERITAGE AFTER AN EARTHQUAKE: THE CASE OF EMILIA–LOMBARDIA IN 2012

2016 ◽  
Vol XLI-B5 ◽  
pp. 161-168 ◽  
Author(s):  
A. Adami ◽  
S. Chiarini ◽  
S. Cremonesi ◽  
L. Fregonese ◽  
L. Taffurelli ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Point Cloud ◽  
Three Dimensional ◽  
3D Models ◽  
Civil Protection ◽  
Damage Survey ◽  
Second Stage ◽  
Economic Decisions ◽  
Definition Of ◽  
Survey Approach

In recent years many earthquakes hit Italy and its Cultural Heritage. The topic of survey of buildings damaged by seismic events and their interpretation has become very relevant and involved many research groups and Italian Civil Protection. <br><br> The damage survey has different roles: in the first stage, immediately after the emergency, the documentation is necessary for the shoring and protection of damaged structures (AEDES forms of Civil Protection). The aim of the second stage is the study and the documentation for the restoration, reconstruction and retrofitting of buildings. <br><br> In this context, this study presents methods and instruments used in the survey of 24 churches in the province of Mantua, Lombardy, after the 2012 earthquake sequence. The paper examines the difficulties in surveying damaged buildings and presents the classification used to define, time by time, the most suitable survey approach in the field of Geomatics. In this classification, many aspects are taken into account, such as logistical and practical problems, safety conditions, time preserving methods, economic decisions, complexity of building and required results. <br><br> The accurate documentation obtained as a three-dimensional architectural database allows for the observation and analysis of the damage, the definition of interpretative models and the development of intervention projects. Different results are obtained from the point cloud database: traditional 2D representations for architectural projects as well as 3D models for structural analysis or for the development of BIM.

scholarly journals FROM REALITY TO PARAMETRIC MODELS OF CULTURAL HERITAGE ASSETS FOR HBIM

2019 ◽  
Vol XLII-2/W15 ◽  
pp. 413-419 ◽  
Author(s):  
F. Diara ◽  
F. Rinaudo
Keyword(s):  
Cultural Heritage ◽  
3D Model ◽  
Point Clouds ◽  
3D Models ◽  
Parametric Models ◽  
Massive Point ◽  
Levels Of Detail ◽  
Key Points ◽  
Definition Of ◽  
Semantic Dimension

<p><strong>Abstract.</strong> The ability of managing big amounts of metric information coming from a LiDAR survey and the ability to reproduce high quality 3D models from them are still vivid problems to solve. Is it possible to create detailed models, geometrically and metrically correct, without using a large amount (often redundant) of metric data, such as massive point clouds? Obviously yes, but there are several ways to create a fitting 3D model for a specific research. A good solution is given by NURBS based algorithms that ensure high details of modelling. However, NURBS models can't be used directly on BIM platforms, because they need to be parametrized. In this sense, a parametric model is based on real measurements but each object could be interpreted and approximated based on objective and subjective (critic) view and also based on LODs (levels of detail or development) concerning a particular analysis. This kind of modelling of Cultural Heritage assets, fundamental for HBIM creation, need to be correctly planned especially for classification and definition of its historical features connected to an informative system, because nowadays information and then the semantic dimension are a necessary key points towards documentation analysis.</p> <p>Established this brief introduction, this schematic work will focus on the analysis of FreeCAD open BIM software and Rhinoceros as NURBS 3D modeller for Cultural Heritage is concerned, and whether and how they could integrate their tools for the purpose of managing dynamic high detailed data for the creation of an HBIM platform.</p>

The Late-Victorian ‘New Man’ and the Neo-Victorian ‘Neo-Man’

2015 ◽  
Vol 5 (2) ◽  
pp. 105-121
Author(s):  
Margaret D. Stetz
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Historical Fiction ◽  
Gender Relations ◽  
Victorian Fiction ◽  
New Man ◽  
Victorian Period ◽  
The New Woman ◽  
Definition Of ◽  
Victorian Age

The New Man was a crucial topic of discussion and a continual preoccupation in late-Victorian feminist writing, precisely because he was more often a wished-for presence than an actual one. Nevertheless, creators of neo-Victorian fiction and film repeatedly project him backwards onto the screen of literary history, representing him as having in fact existed in the Victorian age as a complement to the New Woman. What is at stake in retrospectively situating the New Man – or, as I will call him, the ‘Neo-Man’ – in the nineteenth century, through historical fiction? If one impulse behind fictional returns to the Victorian period is nostalgia, then what explains this nostalgia for The Man Who Never Was? This essay will suggest that neo-Victorian works have a didactic interest in transforming present-day readers, especially men, through depictions of the Neo-Man, which broaden the audience's feminist sympathies, queer its notions of gender relations, and alter its definition of masculinity.

scholarly journals Structured-light 3D scanning of exhibited historical clothing—a first-ever methodical trial and its results

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Jerzy Montusiewicz ◽  
Marek Miłosz ◽  
Jacek Kęsik ◽  
Kamil Żyła
Keyword(s):  
Cultural Heritage ◽  
Information Technologies ◽  
Structured Light ◽  
Three Dimensional ◽  
3D Models ◽  
3D Scanning ◽  
Dimensional Representation ◽  
3D Scanner ◽  
Three Dimensional Representation ◽  
3D Scanners

AbstractHistorical costumes are part of cultural heritage. Unlike architectural monuments, they are very fragile, which exacerbates the problems of their protection and popularisation. A big help in this can be the digitisation of their appearance, preferably using modern techniques of three-dimensional representation (3D). The article presents the results of the search for examples and methodologies of implementing 3D scanning of exhibited historical clothes as well as the attendant problems. From a review of scientific literature it turns out that so far practically no one in the world has made any methodical attempts at scanning historical clothes using structured-light 3D scanners (SLS) and developing an appropriate methodology. The vast majority of methods for creating 3D models of clothes used photogrammetry and 3D modelling software. Therefore, an innovative approach was proposed to the problem of creating 3D models of exhibited historical clothes through their digitalisation by means of a 3D scanner using structural light technology. A proposal for the methodology of this process and concrete examples of its implementation and results are presented. The problems related to the scanning of 3D historical clothes are also described, as well as a proposal how to solve them or minimise their impact. The implementation of the methodology is presented on the example of scanning elements of the Emir of Bukhara's costume (Uzbekistan) from the end of the nineteenth century, consisting of the gown, turban and shoes. Moreover, the way of using 3D models and information technologies to popularise cultural heritage in the space of digital resources is also discussed.

scholarly journals Comparative Analysis of Digital Models of Objects of Cultural Heritage Obtained by the “3D SLS” and “SfM” Methods

2021 ◽  
Vol 11 (12) ◽  
pp. 5321
Author(s):  
Marcin Barszcz ◽  
Jerzy Montusiewicz ◽  
Magdalena Paśnikowska-Łukaszuk ◽  
Anna Sałamacha
Keyword(s):  
Cultural Heritage ◽  
Low Cost ◽  
Three Dimensional ◽  
3D Models ◽  
Silk Road ◽  
Digital Models ◽  
Global Pandemic ◽  
University Of Technology ◽  
Three Dimensional Models ◽  
3D Digitisation

In the era of the global pandemic caused by the COVID-19 virus, 3D digitisation of selected museum artefacts is becoming more and more frequent practice, but the vast majority is performed by specialised teams. The paper presents the results of comparative studies of 3D digital models of the same museum artefacts from the Silk Road area generated by two completely different technologies: Structure from Motion (SfM)—a method belonging to the so-called low-cost technologies—and by Structured-light 3D Scanning (3D SLS). Moreover, procedural differences in data acquisition and their processing to generate three-dimensional models are presented. Models built using a point cloud were created from data collected in the Afrasiyab museum in Samarkand (Uzbekistan) during “The 1st Scientific Expedition of the Lublin University of Technology to Central Asia” in 2017. Photos for creating 3D models in SfM technology were taken during a virtual expedition carried out under the “3D Digital Silk Road” program in 2021. The obtained results show that the quality of the 3D models generated with SfM differs from the models from the technology (3D SLS), but they may be placed in the galleries of the vitrual museum. The obtained models from SfM do not have information about their size, which means that they are not fully suitable for archiving purposes of cultural heritage, unlike the models from SLS.

Sign in / Sign up

Export Citation Format

Share Document