Historical Perspectives on Analog and Digital Equity

Author(s):  
Patricia Randolph Leigh

In this chapter, the author uses the philosophical lens of critical race theory (CRT) to shed light upon the vast inequalities in access to information technologies that exist among racial, ethnic, and socioeconomic groups; a phenomenon that has come to be known as the digital divide. The primary focus is on how the digital divide has played out for African Americans and the use of CRT to explain the history of inequalities and why significant differences in educational opportunities have persisted into the 21st century. The author adopts the term “analog divide” to refer to all the non-computer/telecommunications- based educational inequities that African Americans have experienced for decades and even centuries. She further purports that one cannot understand or begin to rectify the digital divide unless one is willing to fully confront and attack the problem of the analog divide that preceded it and continues to persist.

Author(s):  
Nicholas J. Goetzfridt

This chapter uses the importation of an American institution of information—“the library”—into the Pacific region of Micronesia as an example of a contextual-less, cross-cultural information transference that suggests the autonomous impact of distance education technology and protocols on indigenous and other interpretative communities. Such an impact negates the innate values of these communities as they pertain to concepts of “knowledge” and “information” derived from tenacious cultural and social values. Conflicts between indigenous values and the transferences of “the library” and subsequent information technologies are considered along with individualizing values exhibited by early Christian missionaries in Micronesia. Based upon these issues and cross-cultural tensions, the chapter appeals for the inclusion of indigenous contexts into discussions of online educational development and access to better understand and serve these communities and to provide an exemplary situation from which to recognize the importance of cultural contexts in the provision of distance educational opportunities.


Author(s):  
Jean E. Snyder

This chapter examines what shaped Harry T. Burleigh and from what surroundings he came. The story of Harry T. Burleigh begins on March 5, 1832, in Somerset County, Maryland, when his grandfather, Hamilton Elzie Waters, arranged to purchase his freedom for fifty dollars and that of his mother, Elizabeth Lovey Waters, for five dollars, from slaveholder James Tilghman. In 1835 Hamilton Waters and his mother migrated from Maryland to Ithaca, New York. Later in 1838 the Waters family moved to Erie, Pennsylvania. The history of the educational opportunities available to African Americans in nineteenth-century Erie reflects the progressive nature of the abolitionist movement as well as its ironies. Harry's mother, Lovey Waters, instilled in her son the belief that no dream of achievement was unattainable. And through his early relationship with his grandfather, young Harry absorbed Hamilton Waters's belief in his entitlement to full citizenship as well as a knowledge of the distinctive cultural heritage through which those who were enslaved transcended the pain and the limitations of their captivity.


Author(s):  
Tembinkosi Bonakele ◽  
Dave Beaty ◽  
Fathima Rasool ◽  
Drikus Kriek

The recent entry of the US multinational Walmart into South Africa has proved to be a source of controversy. Key stakeholders in South Africa objected to the merger and attempted to block it unless certain conditions were met. The aim of this study was to examine the controversy and the conditions surrounding the merger. The research employed a qualitative archival analysis to examine publicly available sources of information with regard to the merger. The findings revealed key stakeholders’ concerns that Walmart’s entry would lead to an increase in imports which would displace local producers, increase unemployment, marginalise trade unions and lower labour standards unless certain conditions were met. The results also revealed problems relating to the firm’s primary focus on “business” while neglecting “public interest” issues, naively relying on their “local retailer” to manage key stakeholders, and assuming that their perceived controversial reputation regarding treatment of trade unions and their views about unemployment as well as the controversies surrounding their history of entry into other global markets would not have the major negative impact it did on stakeholders in South Africa.


2020 ◽  
Vol 384 (2) ◽  
pp. 185-193
Author(s):  
A. Raimkulova

At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etc. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture – Kazakh composers’ music – appeared. It was connected with the formation of a national style based on transcriptions and borrowing. Traditional music was influenced by new social institutions (philharmonic halls, theatres, radio, conservatoire) that caused changes in the creative process (decrease of oral transmission, lack of traditional social context) as well as in the style (virtuoso performance, new genres of songs).


Author(s):  
R.V. Vaidyanatha Ayyar

This book chronicles the history of education policymaking in India. The focus of the book is on the period from 1964 when the landmark Kothari Commission was constituted; however, to put the policy developments in this period into perspective major developments since the Indian Education Commission (1882) have been touched upon. The distinctiveness of the book lies in the rare insights which come from the author’s experience of making policy at the state, national and international levels; it is also the first book on the making of Indian education policy which brings to bear on the narrative comparative and historical perspectives it, which pays attention to the process and politics of policymaking and the larger setting –the political and policy environment- in which policies were made at different points of time, which attempts to subject regulation of education to a systematic analyses the way regulation of utilities or business or environment had been, and integrates judicial policymaking with the making and implementation of education policies. In fact for the period subsequent to 1979, there have been articles- may be a book or two- on some aspects of these developments individually; however, there is no comprehensive narrative that covers developments as a whole and places them against the backdrop of national and global political, economic, and educational developments.


The present work, The Struggle of My Life: An Autobiography of Swami Sahajanand Saraswati, is an English translation of Sahajanand’s autobiography, written in Hindi, Mera Jeevan Sangarsh. It carries an introduction by the translator which briefly deals with the Swami’s life and legacy. It needs to be emphasized that this is not an autobiography in the common run. Its primary focus is not on Swami’s persona; its central theme is the cause of the freedom movement in general and in particular, of the peasant movement under his leadership. It tells of the life and legacy of one of the most uncompromising and fearless freedom fighters and peasant leaders. It covers the social and political history of one of the most crucial periods of our national life, 1920–47. Today, when the Indian peasantry is faced with a number of intractable problems, it reminds them of the struggles of the peasants of yesteryears and the kind of trials and tribulations they went through. It is also remarkable that despite his vast learning and command over Sanskrit, Swami chose to write in simple, colloquial Hindi. That only speaks for his total identification with the masses. Both the teaching and student community as well as general readers would find this book useful, interesting and intellectually stimulating.


Author(s):  
Steve Waksman

Guitar synthesizers gained prevalence in the 1980s thanks to the work of guitarists such as Pat Metheny, John McLaughlin, and Allan Holdsworth. This chapter explores how the guitar synthesizer challenged prevailing ideologies of technology, technique, and tone in the guitar community and was ultimately a commercial failure. It traces a brief history of the electric guitar and the synthesizer and their subsequent conjoining. The chapter discusses three cases in detail: Metheny’s use of the Roland GR-300, McLaughlin’s use of the Synclavier II, and Holdsworth’s use of the SynthAxe. The chapter concludes with an examination of the critical reception of the guitar synthesizer and speculates about the future of technological synthesis across the analog/digital divide.


Author(s):  
Anthony B. Pinn

This chapter explores the history of humanism within African American communities. It positions humanist thinking and humanism-inspired activism as a significant way in which people of African descent in the United States have addressed issues of racial injustice. Beginning with critiques of theism found within the blues, moving through developments such as the literature produced by Richard Wright, Lorraine Hansberry, and others, to political activists such as W. E. B. DuBois and A. Philip Randolph, to organized humanism in the form of African American involvement in the Unitarian Universalist Association, African Americans for Humanism, and so on, this chapter presents the historical and institutional development of African American humanism.


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