Televised Sporting Events

Author(s):  
Joaquín Marín-Montín

The second screen has become a new resource for accessing information in addition to what you can see on television. This allows for an enhanced viewing experience through the generation of new services, apps, and changes in the production of content. Sporting events, especially large ones that are broadcast live, have especially developed this innovation. This chapter examines the distinctive features that the second screen contributes to televised sporting events, considering the type of production as well as the effects that are generated in the reception of the content and the alteration to the way the treatment the audiovisual content may receive. To achieve this, real cases from the Spanish context are studied, such as two major cycling events: La Vuelta 2017 (rtve.es) and the Tour de France 2019 (rtve.es and Eurosport Player App).

2003 ◽  
Vol 14 (2) ◽  
pp. 159-173 ◽  
Author(s):  
Simon Learmount

In this paper I contrast ‘economic’ and ‘organizational’ approaches to corporate governance, in order to draw out some of their distinctive features and discuss their relative strengths and weaknesses. I identify some promising areas of new research that examine the role of social controls and trust for the way that companies are governed. Although these are fairly embryonic, I argue that they call into question the hegemony of economic theories in theorizing the governance of the corporation. I conclude by advocating a re-consideration and broadening of the current conceptual scope of corporate governance, so as to facilitate and encourage other potentially valuable ways of exploring and understanding how companies are governed.


2016 ◽  
Vol 5 (1) ◽  
pp. 69-94 ◽  
Author(s):  
Bernat López ◽  
Helle Kettner-Høeberg

The Vuelta a España is one of the three cycling Grand Tours, a long-established (first staged in 1935) and global sports mega event. Nonetheless, in the mid-noughties, it went through a financial and identity crisis, which culminated with the French company, Amaury Sport Organisation (ASO), the organizer of the Tour de France, taking over the Spanish race in 2008. This research, an in-depth case study based on semistructured interviews and analysis of all the relevant corporate documentation and online activity, aims at shedding light on how the new ASO management has refloated the race through a reinforcement of its globalization and mediatization, on the lines of the managerial policies already in place for the Tour de France since the early 80s. This article also proposes a small theoretical refinement of the “mega sporting event” concept, moving from a binary, yes–not typology, to a four-level scale including micro (local), meso (provincial/subnational), macro (national or regional), and mega (global) sporting events. In this sense, this article concludes that the communication strategies set up by the new ASO management have pushed the Vuelta beyond the macro and towards the mega level.


Author(s):  
Cathal Kilcline

This chapter considers a selection of the key touchstones for nostalgic reminiscence in French sport, including the Tour de France cycle race and Saint-Étienne football club, and analyses what these reveal in regards to public memories of, and hopes for, sport and society generally. In this analysis, the ‘legends’ and ‘epics’ of France’s sporting past are frequently set against a backdrop of a utopian era of industrial triumph and working-class solidarity, distinct from the globalized information age of today. Nostalgia for this era, and its associated champions, values and aesthetics are increasingly being mobilised to promote sporting events and sell sportswear today.


Author(s):  
Wickham Clayton
Keyword(s):  

This chapter considers the perspective of the viewer who comes into a serialized story. First, the chapter considers the ‘franchise viewer,’ or someone who has seen other films in the series. Second, the chapter looks at the ‘new viewer,’ or someone who has no familiarity with other films in the series. The chapter considers all the films in the series after the first Friday the 13th movie and how the information provided proves advantageous to either group of viewers. Finally, there is a discussion of the reboot from 2009, and the way it uses a style closely linked with nostalgia to provide a particular viewing experience for both sets of viewers.


Author(s):  
Michael C. Rea

Analytic theology differs from other forms of theology primarily in its methodology: its ambitions, its style, its conversation partners, and so on. This is where the most interesting differences between analytic philosophical discussions of the divine attributes and contemporary theological discussions of that topic are to be found. The main positive thesis of this chapter is that the most distinctive features of the approach to divine attributes that one finds in the analytic philosophical literature are simply instances of more general distinctives of analytic theology. The chapter focuses on some of the distinguishing features of the way in which the topic of divine attributes is approached in analytic philosophy of religion as contrasted with the way(s) in which many contemporary theologians are inclined to approach it. The end result is a clearer picture both of the nature of analytic theology in general and of the distinctive character of an analytic approach to the topic of divine attributes.


2007 ◽  
Vol 53 (1) ◽  
pp. 17-36 ◽  
Author(s):  
RICHARD BAUCKHAM

While presupposing the widely accepted conclusion that the Gospel of John, like the other Gospels, is generically a bios, this article examines more distinctive features of this Gospel which it shares with ancient historiography: precise topography, precise chronology, selectivity, narrative asides, and claims to eyewitness testimony. In these respects the Gospel of John would have appeared to contemporary readers more like historiography than the Synoptics would. The problem of historiographical representation of speeches is solved differently by John from the way the Synoptics deal with it, but John's method of composing discourses and dialogues conforms to good historiographical practice as well as does that of the Synoptics.


2021 ◽  
Author(s):  
Branden Buehler

Several media companies have recently experimented with expanding their television coverage of major sporting events across multiple outlets, offering traditional telecasts on their flagship channels while adding alternative telecasts on secondary outlets. Significantly, unlike most second-screen experiences, the alternative telecasts offered on secondary outlets have largely been meant not to complement the traditional telecasts but rather to substitute for them. In order to better understand what this new model of sports telecasting means for the present and future of sports television, this article is split into two parts. First, the article traces the rise of alternative telecasts, in the process distinguishing them from second-screen experiences and explaining their industrial origins. Second, the article examines how alternative telecasts contribute to the ongoing fracturing of sports television and, in the process, both continue to erode the communal engagement of sports television and reshape the genre’s relationship to its audiences.


Author(s):  
Alfredo-Leandro Ocón ◽  
Aureliano Da Ponte

El estudio de la guerra y la capacidad de generar categorías o tipologías inmunes a la crítica ha sido un desafío histórico en el que persisten importantes debates. El presente artículo, de carácter cualitativo descriptivo, presenta un análisis histórico conceptual que indaga sobre la interacción entre la tecnología y las instituciones, así como su impacto en la forma de hacer la guerra, a fin de distinguir las condiciones estructurales de aquellas contingentes. La hipótesis planteada es que las convenciones y la tecnología son dimensiones estructurantes en cuanto a las opciones estratégicas de los actores al momento del choque de intereses. Como resultado, se evidencian factores que hacen novedosa la praxis de la guerra, pero en esencia se mantienen rasgos distintivos permanentes, más allá de la coyuntura histórica. Abstract The study of war and the ability to generate categories or typologies immune to criticism has been a historic challenge in which important debates persist. This qualitative article presents a conceptual historical analysis of the interaction between technology and institutions, and their impact on the way of making war, aiming to differentiate the structural conditions from those of a contingent nature. The hypothesis stated is that conventionality and technology are structuring dimensions in terms of the strategic options of the actors at the time of the clash of interests. The results show factors that make the practice of war novel, but some permanent distinctive features beyond the historical juncture are essentially maintained.


Author(s):  
Desmond King ◽  
Robert Lieberman

This chapter introduces the complex and extensive scholarly literature that political scientists have generated about the American federal State. It is organized into four sections and begins with the seminal work of political scientist Stephen Skowronek. After specifying the institutional structure of the American federal state, the second section identifies some of the distinctive features of this polity including the development of regulatory commissions, the way in which some agencies such as the Federal Reserve stretch the boundaries of autonomy, and the distinct congressional and judicial constraints shaping the American state. Third, the submerged state is discussed as an example of some key recent contributions about the American state. Last, we write about the challenge of transforming the set of institutions constitutive of the American State into a civil rights enforcing apparatus.


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