Conclusion

2020 ◽  
pp. 202-206
Keyword(s):  
Sense Of Place ◽  
Creative Economy ◽  
Life Path

Our future may be as simple as our own ability to be disruptive, creative, and persistent; not to allow failure to define us, but define ourselves by our ability to shift our life path and paradigm through a heightened creativity. Creative economies form organically and often with a disruptive leader who is self-directed and sees a need in the community. They form groups who become disruptors themselves and they work together to ignite the creative economy in their area. They find a way, when others tend to give up, to succeed. In the process, they create a sense of place. This is being done all across America and globally. This chapter explores this.

scholarly journals RUANG RAJUTAN KEBERAGAMAN MASYARAKAT PASAR BARU

2020 ◽  
Vol 2 (1) ◽  
pp. 975
Author(s):  
Veren Calisca ◽  
Fermanto Lianto
Keyword(s):  
Sense Of Place ◽  
Social Space ◽  
Physical Aspect ◽  
Creative Economy ◽  
Shopping Malls ◽  
Third Place ◽  
Shopping Area ◽  
Activity Sequence ◽  
Observation Method ◽  
The City

Social space as a whole is defined not only through its physical aspect, but also the intangible culture and tradition of its people. The non-physical aspect is commonly known as Genius Loci or sense of place which is distinctive and unique in each different places. The identity of Genius Loci covers the groundwork principle of creating place as a meeting point for the creative class where they could interact with each other to generate ideas collectively as the foundation of creative economy, generating the development of an urban area. Space is surrounded by high density building in Pasar Baru area, which left the remaining negative space as third place.  Pasar Baru is one of the districts in Jakarta with such diversed cultural identity which is one of the main principle in creating the creative place. Unfortunately, the district’s popularity as one of the main shopping area in Jakarta had faded due to the significant growth of shopping malls as new economic centres of the city. Design is created based on observation method through activity sequence of Pasar Baru citizen and literature research of social space as third place. Through the presence of cultural diversity such as festivals, staple culinary, ethnicity, creative products, to architectural style, it is hoped to aid in revitalizing Pasar Baru not only as a shopping distric but as a creative economy hub as well through Socail Linkage of Pasar Baru Diversity as a third place.AbstrakRuang sosial tidak hanya sekedar terbentuk oleh aspek fisik belaka, namun juga memiliki aspek-aspek non-fisik yang terbentuk oleh aspek-aspek budaya dan keseharian masyarakatnya. Aspek non fisik tersebut dikenal sebagai Genius Loci atau Sense of Place yang bersifat unik di setiap kawasan yang berbeda. Identitas dari Sense of Place tersebut mengandung prinsip-prinsip pada pembentukan place sebagai tempat berkumpul masyarakat kreatif dimana mereka tak hanya bersosialisasi namun juga saling bertukar ide sebagai sumber daya ekonomi kreatif yang menjadi landasan perkembangan dari suatu kota. Namun, ruang-ruang yang terbentuk hanya menyisakan ruang sisa sebagai tempat berkumpul di antara padatnya bangunan. Ruang ketiga yang hadirpun terletak jauh dari jangkauan masyarakat lokal. Kawasan Pasar Baru merupakan salah satu lokasi di Jakarta dengan diversitas yang tinggi sebagai salah satu syarat terbentuknya creative place. Sebagai salah satu pusat ekonomi Jakarta, Pasar Baru kini telah kalah populer dengan pusat perbelanjaan modern. Kurangnya wadah bagi kegiatan kreatif masyarakat juga menghambat perkembangan ekonomi yang kini berfokus pada kreatitas. Melalui metode observasi terhadap sekuen aktifitas pelaku kegiatan di kawasan Pasar Baru serta literatur ruang sosial sebagai third place, maka ditransformasikan desain yang mencirikan keberagaman melalui Ruang Rajutan Keberagaman Masyarakat Pasar Baru sebagai sentra ekonomi yang berbasis kreatifitas masyarakat selaku third place bagi kawasan Pasar Baru.

Japanese American Women: A Sense of Place

1992 ◽  
Author(s):  
Rosanna Yamagiwa ◽  
Leita Hagemann Luchetti
Keyword(s):  
Sense Of Place ◽  
Japanese American ◽  
American Women

HUKUM DAN TEKLOGI SUATU KAJIAN TEORITIS TERHADAP PENOMENA LAYANAN TRANSFORTASI ONLINE

2017 ◽  
Vol 6 (1) ◽  
pp. 20
Author(s):  
Aria Dimas Harapan
Keyword(s):  
Economic Growth ◽  
Theoretical Study ◽  
Legal Protection ◽  
Creative Economy ◽  
Legal Certainty ◽  
The People ◽  
The Government ◽  
The Times

ABSTRACTThe essence of this study describes the theoretical study of the phenomenon transfortation services online. Advances in technology have changed the habits of the people to use online transfortation In fact despite legal protection in the service based services transfortation technological sophistication has not been formed and it became warm conversation among jurists. This study uses normative juridical research. This study found that the first, the Government must accommodate transfotation online phenomenon in the form of rules that provide legal certainty; second, transfortation online as part of the demands of the times based on technology; third, transfortation online as part of the creative economy for economic growth . 

Creative economy: Towards cultural heritage capitalization

2017 ◽  
pp. 100-116 ◽  
Author(s):  
T. Abankina
Keyword(s):  
Cultural Heritage ◽  
Creative Industries ◽  
Creative Economy ◽  
Heritage Preservation ◽  
Creative Potential ◽  
Strategic Development ◽  
Post Industrial ◽  
Cultural Heritage Preservation

The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.

CREATIVE ECONOMY: GLOBAL EXPERIENCE AND LESSONS FOR UKRAINE

2018 ◽  
Author(s):  
V.Y. Chevganova ◽  
A.V. Vvedenska ◽  
O.Y. Zaplava
Keyword(s):  
Creative Economy

Sense of Place in Place Making of Creative Multimedia Foundation Studies Annual Exhibition

2020 ◽  
Vol 1 (2) ◽  
pp. 34-56
Author(s):  
Elyna Amir Sharji ◽  
Lim Yan Peng ◽  
Peter Charles Woods ◽  
Vimala Perumal ◽  
Rose Linda Zainal Abidin
Keyword(s):  
Observational Study ◽  
Sense Of Place ◽  
Sense Of Belonging ◽  
Social Values ◽  
Empty Space ◽  
Design Criteria ◽  
Visitor Experience ◽  
Place Making ◽  
Individual Behaviour ◽  
The People

The challenge of transforming an empty space into a gallery setting takes on the concept of place making. A place can be seen as space that has meaning when the setting considers space, surroundings, contents, the people and its activities. This research concentrates on investigating how visitors perceive the space by gauging their sense of place (sense of belonging towards a place). Galleries are currently facing changes in this technological era whereby multiple content and context, space and form, display modes, tools and devices are introduced in one single space. An observational study was done during the Foundation Studies Annual Exhibition held at Faculty of Creative Multimedia, Multimedia University. The exhibition was curated and managed by staff and students of Foundation Year showcasing an array of design works. Analogue and digital presentations of paintings, drawings, sculptures, photography and video works were displayed.. The outcome of this research will contribute towards a better design criteria of place making which affects individual behaviour, social values and attitudes. Characterizing types of visitor experience will improve the understanding of a better design criteria of place making, acceptance, understanding and satisfaction.

Music, Landscape, and the Sound of Place

2016 ◽  
Vol 33 (1) ◽  
pp. 11-44 ◽  
Author(s):  
Daniel M. Grimley
Keyword(s):  
Sense Of Place ◽  
Natural Environment ◽  
Cultural Geography ◽  
Continental Philosophy ◽  
British Library ◽  
Musical Meaning ◽  
Final Time ◽  
Walking Tour ◽  
Meaning Representation ◽  
Critical Literature

One of the most poignant scenes in Ken Russell’s 1968 film Delius: Song of Summer evocatively depicts the ailing composer being carried in a wicker chair to the summit of the mountain behind his Norwegian cabin. From here, Delius can gaze one final time across the broad Gudbrandsdal and watch the sun set behind the distant Norwegian fells. Contemplating the centrality of Norway in Delius’s output, however, raises more pressing questions of musical meaning, representation, and our relationship with the natural environment. It also inspires a more complex awareness of landscape and our sense of place, both historical and imagined, as a mode of reception and an interpretative tool for approaching Delius’s music. This essay focuses on one of Delius’s richest but most critically neglected works, The Song of the High Hills for orchestra and wordless chorus, composed in 1911 but not premiered until 1920. Drawing on archival materials held at the British Library and the Grainger Museum, Melbourne, I examine the music’s compositional genesis and critical reception. Conventionally heard (following Thomas Beecham and Eric Fenby) as an imaginary account of a walking tour in the Norwegian mountains, The Song of the High Hills in fact offers a multilayered response to ideas of landscape and nature. Moving beyond pictorial notions of landscape representation, I draw from recent critical literature in cultural geography to account for the music’s sense of place. Hearing The Song of the High Hills from this perspective promotes a keener understanding of our phenomenological engagement with sound and the natural environment, and underscores the parallels between Delius’s work and contemporary developments in continental philosophy, notably the writing of Henri Bergson.

Cultura Panamericana

2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Anthony Macías
Keyword(s):  
Los Angeles ◽  
Sense Of Place ◽  
American Culture ◽  
Pop Culture ◽  
Mixed Race ◽  
Urban Spaces ◽  
Expressive Culture ◽  
Culture Industries ◽  
Latin Americans ◽  
Pan American

I am writing this analytical appreciation of cultura panamericana, or pan-American culture, to propose a wider recognition of how its historical linkages and contemporary manifestations confront colonialism, honor indigenous roots, and reflect multiple, mixed-race identities. Although often mediated by transnational pop-culture industries, expressive cultural forms such as art and music articulate resonant themes that connect US Latinos and Latinas to Latin Americans, pointing the way toward a hemispheric imaginary. In US murals, for example, whether in the Chicago neighborhood of Pilsen or the Los Angeles neighborhood of Highland Park, pan-American expressive culture offers alternative representations by embracing indigeneity, and it creates a sense of place by tropicalizing urban spaces.

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