Breaking Stereotypes

2020 ◽  
pp. 135-143
Author(s):  
Manisha Mishra
Keyword(s):  
Social Media ◽  
Women Characters ◽  
Everyday Life ◽  
Digital Media ◽  
Coming Of Age ◽  
Short Film ◽  
Feature Film ◽  
Film Genre ◽  
Short Films ◽  
First Time

Indian films are gradually coming of age: becoming more realistic, bold, and daring. Indian short films are getting candid: talking openly about issues rather than brushing them under the carpet. The digital media boom and the advent of social media have made the short film genre popular. In the fast-paced age where people, caught up in the humdrum and rat race of everyday life, are generally becoming impatient about everything, the short film has come to the rescue of filmmakers and film lovers. Gone are the days where everyone had ample time and patience to watch a three hour feature film or a two hour saga. In case of a short film, the message gets conveyed in a quick, crisp, and focused manner, without beating about the bush. Women-oriented short films like Her First Time, Juice, The Day After Every Day, Mama's Boy, Going Dutch, Pressure Cooker, The Girl Story, Ek Dopahar, Khaney Mein Kya Hai, White Shirt, Naked, etc. are breaking stereotypes of the patriarchal notions about women. The chapter probes the portrayals of women characters in Indian short films.

scholarly journals The uncertain first-time voter: Effects of political media exposure on young citizens’ formation of vote choice in a digital media environment

2017 ◽  
Vol 20 (9) ◽  
pp. 3243-3265 ◽  
Author(s):  
Jakob Ohme ◽  
Claes H. de Vreese ◽  
Erik Albaek
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Panel Study ◽  
Media Exposure ◽  
Political Information ◽  
Vote Choice ◽  
Election Campaign ◽  
Media Environment ◽  
News Sources ◽  
First Time

The digital media environment changes the way citizens receive political information, also during an election campaign. Particularly first-time voters increasingly use social media platforms as news sources. Yet, it is less clear how accessing political information in such a unique social setting affects these cohorts’ decision-making processes during an election campaign, compared to experienced voters. We compare effects of these two groups’ political information exposure on their vote choice certainty during the 2015 Danish national election. We furthermore test how the relation between exposure and certainty can be mediated by active campaign participation. An 11-wave national panel study was conducted, using a smartphone-based assessment of citizens’ ( n = 1108) media exposure and vote choice certainty across the campaign period. Results suggest that first-time voters’ social media exposure is responsible for their increase in certainty as the campaign progresses, while this effect is absent for experienced voters.

scholarly journals Lights, camera, action!: Using cinematographic genre in English language classes

2021 ◽  
Vol 10 (13) ◽  
pp. e414101321352
Author(s):  
Eristoteles Pegado Andrade ◽  
Amilcar Ximenes de Albuquerque Junior ◽  
Márcio Aurélio Carvalho de Morais
Keyword(s):  
Professional Education ◽  
Social Practice ◽  
English Language ◽  
Language Teaching ◽  
English Language Teaching ◽  
Short Film ◽  
Technological Education ◽  
Film Genre ◽  
Short Films ◽  
Language Classes

This study consists of an academic activity carried out in a master's degree in Professional and Technological Education (PROFEPT) of Instituto Federal do Piauí (IFPI) in progress. The use of the short film genre in English language teaching becomes relevant as it allows the student the opportunity to practice and understand the language orally and critically. In this context, this article sought in the epistemological way to discuss the dyad education and work and their conceptions and interrelationships in professional and technological education, as well as to present a prior state of the art on the use of short films in the English language teaching in technology in contemporary society. From a qualitative perspective, this systematic literature review used as references: journals, dissertations, theses and books, found through the following databases: SciELO, Portal Capes and Google Scholar. Therefore, due to the aspects mentioned in this academic-scientific investigation, it was possible to show that the short film genre is a pedagogical strategy to promote the praxis of conversation in English language classes with students in the High School Technical Professional Education, considering contextualization and interdisciplinarity as guiding principles, thus ensuring the inseparability between theory and social practice. This research seeks to highlight the conceptions, possibilities and challenges in contemporary English language teaching, through the short film genre.

Unplug Your Life: Digital Detox Through a Kierkegaardian Lens

2019 ◽  
Vol 24 (1) ◽  
pp. 415-436
Author(s):  
Joke Bauwens ◽  
Gudmundur Bjorn Thorbjornsson ◽  
Karl Verstrynge
Keyword(s):  
Social Media ◽  
Everyday Life ◽  
Digital Media ◽  
The Other ◽  
Mobile Technologies ◽  
Dropping Out ◽  
The One ◽  
Existential Perspective ◽  
Digital Detox ◽  
Proper Balance

AbstractOur engagement with social media, smart and mobile technologies is ambiguous and raises existential questions about the naturalness and desirability of hyper-connectivity. On the one hand, we benefit from using these technologies in organizing and socializing our everyday life. On the other hand, they further complicate our lives. Hence, in recent years, more and more people choose to abstain from digital media by taking on a so-called ‘digital detox,’ a period of living without these technologies. In this article, we look at ‘digital detoxing’ from an existential perspective by introducing Kierkegaard’s existential categories of repetition and recollection to tackle the question whether ‘dropping out’ is a meaningful act or a temporary respite. What would it mean, so we ask, to find a proper balance in a world that demands constant connectivity?

scholarly journals Singapore Cinema: Director Eric Khoo Speaks Up

1999 ◽  
Author(s):  
Jan Uhde ◽  
Yvonne Ng
Keyword(s):  
Short Film ◽  
Film Festivals ◽  
Feature Film ◽  
Main Text ◽  
Award Winning ◽  
Short Films ◽  
Animated Films ◽  
Film Making ◽  
The City ◽  
Sydney Australia

ERIC KHOO was born in 1965 to a well-to-do family in Singapore. According to Khoo, his mother started taking him to the movies at the age of two, developing in him a love for the cinema (delete sentence- repeated in main text). According to Khoo, when he was about eight years old, he (chanced upon) his mother's Super 8 camera, started making "little animated films" on it and has since been unable to put his camera down. Khoo's interest led him to study cinematography at the City Art Institute in Sydney, Australia. Back in Singapore, he began making award-winning short films before venturing into feature film-making. In 1990, Khoo's animated short film, Barbie Digs Joe, won five awards at the Singapore Video Competition and became the first Singapore short film to travel to film festivals abroad. His next short, August (1991) won the Best Singapore Short Film at...

Waarom doen we niet vaker onderzoek aan de hand van mediamateriaal?

KWALON ◽  
2021 ◽  
Vol 26 (1) ◽  
pp. 7-23
Author(s):  
Fred Wester
Keyword(s):  
Social Media ◽  
Everyday Life ◽  
Digital Media ◽  
Media Studies ◽  
Media Content ◽  
Content Type ◽  
Public Media ◽  
Media Data ◽  
Cultural Developments

Abstract Studying societal trends through analyzing media content Digital media, social media and public media reflect many aspects of our everyday life and of social and cultural developments in our societies. However, one finds relatively few studies based on media data to describe and analyze these developments. This paper is an appeal and helping hand for those who hesitate and wonder how to design and conduct such media studies.

scholarly journals MOTIVASI HIJRAH MILENIAL MUSLIM PERKOTAAN MELALUI DAKWAH DIGITAL

2020 ◽  
Vol 3 (02) ◽  
pp. 175-194
Author(s):  
Risris Hari Nugraha ◽  
Muhamad Parhan ◽  
Aghnia Aghnia
Keyword(s):  
Social Media ◽  
Young People ◽  
Everyday Life ◽  
Digital Media ◽  
Online Media ◽  
Propaganda Model ◽  
People Today ◽  
Descriptive Qualitative

Abstract. This research increases motivation for millennial youth emigration through digital propaganda. By looking at the fact that young people today are familiar with the word hijrah and social media, but not all users use social media as a tool to emigrate. People only know the meaning of migrating without applying it in everyday life. In addition, with the advancement of technology can make the propaganda model more interesting, developing fast and dynamic. Researchers use descriptive qualitative and literature studies through questionnaires, then collect information from journals, books and online media, it is hoped that this can provide information about the motivation of young people to emigrate. The results of this study proved that using digital propaganda can increase the motivation of the hijrah youth millennial, judging from the results of the questionnaire stated 72% the use of digital media in the spread of da'wah it’s optimal.  Keywords: motivation, youth migrate,  digital propaganda

Effects of Image Upload on Social Media as Media Promotion in Journal Publishers

CCIT Journal ◽  
2020 ◽  
Vol 13 (1) ◽  
pp. 20-31
Author(s):  
Untung Rahardja ◽  
Ani Wulandari ◽  
Marviola Hardini
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Digital Content ◽  
Three Solutions ◽  
Conventional Process ◽  
Promotion System

Digital content is content in various formats, whether written, image, video, audio or combination so that it can be read, displayed or played by a computer and easily sent or hared through digital media. Digital content has abundant benefits, especially in the field of promotion. Where when a place of business or a body wants to introduce a product or service that is owned, it definitely requires content such as images as a promotional media. However, if you have to distribute posters to everyone you meet, it is not in line with current technological advancements because you are still using a conventional process. Therefore, to overcome this problem, social media can be used to process digital content easily and quickly. In this study, there are 3 (three) problems that will be overcome by 2 (two) methods, and 3 (three) solutions are produced. The advantage of digital content in social media is that it can be accessed anytime and anywhere, so it is concluded that the use of digital content in social media is able to overcome problems and is a creativepreneur effort found in the promotion system of a journal publisher.   Keywords—Digital Content, Creativepreneur, ATT Journal, Social Media

A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Indigenous People ◽  
Coming Of Age ◽  
Natural World ◽  
Feature Film ◽  
Indigenous Woman ◽  
Spiritual Dimension ◽  
The World ◽  
Life Force ◽  
Relationship Of ◽  
The Relationship

This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.

Duration, Compression, Extension and Distortion of Time in Contemporary Transgender Cinema

Somatechnics ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 58-83
Author(s):  
Akkadia Ford
Keyword(s):  
Life Experiences ◽  
Private Life ◽  
First Century ◽  
Short Film ◽  
New Wave ◽  
Privileged Access ◽  
Feature Film ◽  
Theoretical Issues ◽  
Over Time ◽  
Film Change

Cinema provides ‘privileged access’ ( Zubrycki 2011 ) into trans lives, recording and revealing private life experiences and moments that might never be seen, nor heard and after the time had passed, only present in memory and body for the individuals involved. Film, a temporal medium, creates theoretical issues, both in the presentation and representation of the trans body and for audiences in viewing the images. Specific narrative, stylistic and editing techniques including temporal disjunctions, may also give audiences a distorted view of trans bodily narratives that encompass a lifetime. Twenty first century cinema is simultaneously creating and erasing the somatechnical potentialities of trans. This article will explore temporal techniques in relation to recent trans cinema, comparing how three different filmmakers handle trans narratives. Drawing upon recent films including the Trans New Wave ( Ford 2014 , 2016a , 2016b ), such as the experimental animated autoethnographic short film Change Over Time (Ewan Duarte, United States, 2013), in tandem with the feature film 52 Tuesdays (Sophia Hyde, Australia, 2013), I will analyse the films as texts which show how filmmakers utilise temporality as a narrative and stylistic technique in cinematic trans narratives. These are texts where cinematic technologies converge with trans embodiment in ways that are constitutive of participants and audiences' understanding of trans lives. This analysis will be contrasted with the use of temporal displacement as a cinematic trope of negative affect, disembodiment and societal disjunction in the feature film Predestination (The Spierig Brothers, Australia, 2014), providing a further basis for scholarly critique of cinematic somatechnics in relation to the trans body.

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