scholarly journals Outdoor Collaborative and Creative Space Renewal in a Smart City

2014 ◽  
Vol 11 ◽  
pp. 27-34
Author(s):  
Rossella Maspoli

The paper analyzes the urban transformation and the development of criteria for the conception and design of outdoor urban space, in the smart city context. In the regeneration of peripheral historical and postindustrial neighborhoods, interactive storytelling and cultural mediation forcollaborative placemakingof public sites can generate not only art and culture - in accordance with the enhancement of historical memory and to the rediscovery of local identity - but also opportunities for redevelopment. The research evaluates case studies and explores the potential of innovative micro-community aggregation through the social media interaction, the analysis of use and performance requirements for public space and the experimentation offrom the bottomconstruction of new services and equipment through an interdisciplinary collaborative network. The network promises constituted by citizens, community facilitators, professional experts, young in training creative and local artisan entrepreneurs. The collaborative placemaking focuses on the design and construction of eco-friendly and recycling equipment and on the sharing services for the use of marginal outdoor spaces and the re-use of abandoned spaces on the ground floor of buildings. The plan of operations research is to establish acreative supply chain, from the development of a web platform for sharing spatial data and a "map of the community" to the construction of hybrid places - real and digital - through processes of traditional handcrafts such as digital fabrication, to improve the quality of living, the leisure and the health.

Author(s):  
Pedro Leão Neto

The International Conference on the 5th issue of Sophia Journal, which took place at FAUP, opened a new cycle of international forums, henceforth to be held annually, and taking up the theme and topics examined in Sophia for each year. Sophia Journal’s International Conference presented both a live and videoconference program organized by CEAU / FAUP, in partnership with UNIZAR and DECA / ID - U. Aveiro. The event was broadcast live online, encompassing a rich and diverse program: (i) a series of videoconferences; (ii) the roundtable launch and presentation of the 4th issue of the peer reviewed journal Sophia: “Visual Spaces of Change: Unveiling the Publicness of Urban Space through Photography and Image”; (iii) the presentations of articles of the 5th issue of Sophia Journal: “Visual Spaces of Change: Designing Interiority - shelter, shape, place, atmosphere”; (iv) the launch of the open call for papers for the 6th issue of Sophia Journal: “Visual Spaces Of Change: photographic documentation of environmental transformations”; (v) the announcement of the awards of the International Competition of Ideas: Exhibition and Mobile Projector and the Visual Spaces of Change exhibition, developed for this conference and for the spaces of FAUP, where new contemporary photography projects will be communicated, as well as a new exhibition structure that was awarded with the first prize in the International Competition of Ideas: Exhibition and Mobile Projector. The objective of these international forums is to promote the reflection and debate on the universes of Architecture, Art and Image, addressing various issues transversal to the worlds of Photography and Architecture, and exploring how the image can be a means to cross borders and shift boundaries between different disciplines. This event provided the opportunity to visit the exhibition of the Visual Spaces of Change Projects developed for this conference using FAUP’s interior and outdoor spaces, featuring novel projects in the new exhibition modular structure, which awarded the first prize to Sérgio Magalhães representing studium.creative studio. The Visual Spaces of Change research project proposes a visual communication strategy based on the development of contemporary photography projects that reflect upon different dynamics of urban change to open new horizons of public intervention in the public space. Wilfried Wang (UTSOA) O’Neil Ford Centennial Professor in Architecture at the University of Texas at Austin and Guest Editor of Issue #6 of Sophia journal: “Visual Spaces of Change: photographic documentation of environmental transformations” announced the open call for this 6th issue of Sophia journal. This issue will bring together photographers and researchers who make significant contributions to these discussions, including the material processes of creating, managing and interpreting sets of documents. We are interested in material processes where photography is explored as a significant research tool for critical and innovative views on architecture and urban transformation in their expanded fields and contextualized by larger systems: cultural, political, artistic, technical, and historical dimensions. Finally, some words about the published content in Sophia’s other sections besides the peer reviewed articles, with the former having been integrated into the journal’s structure as a way of enrichening the publication with diverse viewpoints from experts in the field and other types of readings apart from the articles from the call. [...]


2020 ◽  
Vol 4 (2) ◽  
pp. 01
Author(s):  
Herry Santosa ◽  
Syamsun Ramli ◽  
Faisal Bahar

Spatial experience in historical street corridors is essential to encourage a continuously satisfying experience of a historical aesthetic leading to a better quality of the historic urban landscape, which is significant for making precious memory of the city's history. 3D spatial formation along the historic street corridor fosters the generation of historical memory of the urban space. Both tangible and intangible aspects attached to the historic street corridors' spatial configuration have significant meaning that forms the integrity of the valuable historical urban space. The research area is in Kayutangan street as one of the historical street corridors in Malang City, East Java, Indonesia. The study aims to develop the historical spatial data system of the Kayutangan corridor to construct an online digital spatial database and enforce it as a policy decision reference by the government in managing the urban development in historical areas, especially in the Kayutangan street corridors. The 3D spatial development of historic urban landscape performed the combination of 3D modeling software, 3D visualization software, and 3D spatial multimedia application authoring platforms. The collaboration of three systems generated three spatial data types, namely a 3D spatial-passive observation data, a 3D spatial-active observation data, and 3D spatial-interactive simulation data. As a result, this study produces 3D spatial multimedia contained the 3D spatial of historical data of Kayutangan streetscape, which performs as a historical spatial data system to reference the smart development of cultural tourism and heritage cities in Malang.


2019 ◽  
Vol 2019 ◽  
Author(s):  
Andrew Whelan ◽  
Alexandra James ◽  
Justine Humphry ◽  
Tanja Dreher ◽  
Danielle Hynes ◽  
...  

This panel engages critically with the development, application and emerging effects of ‘smart’ technologies of governance. Attending specifically to the ramifications of new forms of (‘big’) data capture and integration implemented by or for state agencies, the panel describes how the rollout of these technologies impacts on and is shaped by contexts prefigured by social and economic inequalities. Two specific arenas are addressed and juxtaposed, with two papers on each of these. The first arena is the introduction of ‘smart city’ technologies and their implications for low income and marginalised communities. Often presented as novel augmentations of urban space, enhancing and customising the urban experience at the same time that they increase the city’s efficiency and ‘awareness’, smart city technologies also reconfigure urban spaces and how they are understood and governed by rendering the city a site of data generation and capture. This presents new opportunities and risks for residents and powerful commercial and state actors alike. The emergence of public wi-fi kiosks as a means of providing internet access to underserved communities, as one panellist describes, can be shown to expose low-income residents to new forms of surveillance and to new kinds of inequity in terms of the asymmetry of information made available to the parties in the exchange at the kiosk. Surveillance and data capture is organised to particular ends and powerful interests shape and leverage the design and affordances of such initiatives in particular ways. Insofar as concerns are raised about these developments, they are commonly framed in terms of individual rights to privacy, missing the scale of the issues involved. It is not merely that ‘opting out’ becomes untenable. As other panellists show, the issues involved are fundamentally social rather than individual in that they foreground questions around the appropriate relations between state and commercial actors, the use and nature of public space, and the uneven distribution of rights of access to space, information, and other resources within the city. Economically disenfranchised groups are not only denied meaningful access and participation, but colonised by data processes designed to extract various forms of value from their use of ‘public’ infrastructure which may not best serve their own interests. The second arena addressed by the panel is the role of algorithmic governance and artificial intelligence in the provision of social welfare. This context is described in terms of both the effects for the frontline service encounter, and the design, justification, and implementation of the technologies reformatting this encounter from key locations within state agencies. Emerging technological infrastructures for social welfare do not simply reconfigure how existing services are offered and accessed. They facilitate the identification of new target populations for intervention, at the same time that they introduce additional burdens, hurdles and forms of intervention and surveillance for these populations. As such, it is evident in the design and application of these technologies that they accord with and expedite punitive logics in welfare provision, providing new opportunities for the application of dominant neoliberal governance strategies. In both arenas, one can conceptualize ‘pipelines’ for the implementation of these developments. These pipelines are interstitial and heterogeneous, and combine different timelines, technologies and actors. They are often technically or administratively opaque or otherwise obscured from view. This gives rise to a methodological and intellectual problem, around the extent to which researchers can say they know enough to point to determining instances, political agendas, commercial agreements, incidental alignments and so on in such a way as to advocate effectively for democratic input and oversight. In this sense the papers assembled highlight how these developments call for new politics of method, new modalities of analysis and critique, and more effective activist and academic engagements with the question of how ideals of justice and equity can best be instantiated in these contexts.


2013 ◽  
Vol 3 (2) ◽  
pp. 97-109 ◽  
Author(s):  
Anne Harris

This essay draws upon the author’s performance script Fall and Walter Benjamin’s The Arcades Project as a provocation for considering the ways performance texts provide a threshold for somatic inquiry, and for recognizing the limits of scholarly analysis that does not take up performance-as-inquiry. Set at the Empire State Building, this essay embodies the connections and missed possibilities between strangers and intimates in the context of urban modern life. Fall’s protagonist is positioned within a landscape of capitalist exchange, but defies this matrix to offer instead a gift at the threshold of life/death, virtual/real, and love/loss. Through somatic inquiry and witnessing as threshold experiences, the protagonist (as Benjamin’s flaneur) moves through urban space and time, proving that both scholarship and performance remain irrevocably embodied, and as such invariably tethered to the visceral, the stranger, risk, and death.


Author(s):  
Deonnie Moodie

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.


Food Security ◽  
2021 ◽  
Author(s):  
Richard Kiaka ◽  
Shiela Chikulo ◽  
Sacha Slootheer ◽  
Paul Hebinck

AbstractThis collaborative and comparative paper deals with the impact of Covid-19 on the use and governance of public space and street trade in particular in two major African cities. The importance of street trading for urban food security and urban-based livelihoods is beyond dispute. Trading on the streets does, however, not occur in neutral or abstract spaces, but rather in lived-in and contested spaces, governed by what is referred to as ‘street geographies’, evoking outbreaks of violence and repression. Vendors are subjected to the politics of municipalities and the state to modernize the socio-spatial ordering of the city and the urban food economy through restructuring, regulating, and restricting street vending. Street vendors are harassed, streets are swept clean, and hygiene standards imposed. We argue here that the everyday struggle for the street has intensified since and during the Covid-19 pandemic. Mobility and the use of urban space either being restricted by the city-state or being defended and opened up by street traders, is common to the situation in Harare and Kisumu. Covid-19, we pose, redefines, and creates ‘new’ street geographies. These geographies pivot on agency and creativity employed by street trade actors while navigating the lockdown measures imposed by state actors. Traders navigate the space or room for manoeuvre they create for themselves, but this space unfolds only temporarily, opens for a few only and closes for most of the street traders who become more uncertain and vulnerable than ever before, irrespective of whether they are licensed, paying rents for vending stalls to the city, or ‘illegally’ vending on the street.


Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 8
Author(s):  
Sławomir Gawroński ◽  
Dariusz Tworzydło ◽  
Kinga Bajorek ◽  
Łukasz Bis

This article deals with the issues of architectural elements of public space, treated as components of art and visual communication, and at the same time determinants of the emotional aspects of political conflicts, social disputes, and media discourse. The aim of the considerations is to show, with the usage of the principles of critical analysis of media discourse, the impact of social events, political communication, and the activity of mass communicators on the perception of the monument of historical memory and the changes that take place within its public evaluation. The authors chose the method of critical analysis of the media discourse due to its compliance with the planned purpose of the analyses, thus, providing the opportunity to perform qualitative research, enabling the creation of possibly up-to-date conclusions regarding both the studied thread, and allowing the extrapolation of certain conclusions to other examples. The media material relating to the controversial Monument to the Revolutionary Act, located in the city of Rzeszów (Poland), was selected for the analysis. On this example, an attempt was made to evaluate the mutual relations between politically engaged architecture and art, and the contemporary consequences of this involvement in the social and political dimension.


Author(s):  
Martin Lundsteen ◽  
Miquel Fernández González

AbstractRecent studies have argued for more nuanced understandings of zero tolerance (ZT) policing, rendering it essential to analyze the significance and actual workings of the policies in practice, including the context in which they are introduced. This article aims to accomplish this through a comparison of two case studies in Catalonia: one in the neighborhood of Raval in Barcelona and one in Salt—a municipality in the comarca (or county) of Girona. We identify a transformation in the use of ZT policies in Catalonia and a contradiction between their social effects and proclaimed objectives. This article attempts to address how specific sociocultural groups gain power and privilege from these policies. The main argument is that a set of commonsensical ideas have become hegemonic, which allows and naturalizes certain sociocultural practices in urban space, while persecuting others, fundamentally pitting two categories against each other: the desired civil citizen and the undesirable and uncivil stranger.


Author(s):  
Jonathan Stutz

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.


Author(s):  
Michael Carter

Market forces increasingly drive the development of urban space in globalized cities. Following deindustrialization, some municipalities have become dependent upon tax revenues derived from office towers. City managers and officer tower developers work under the pressure of competition to ensure their spaces are attractive to this highly mobile work force; safety and security are key selling points. In Toronto, large sections of urban space have been privatized and are policed by private security. Much of the privately owned space is designed to be publicly accessible, creating new dynamics between private security and public police. Changes to federal and provincial legislation, combined with a rapid expansion in the deployment of private security guards, signal an emerging urban governance model that supports private-public partnerships in policing. Under the supervision of David Murakami Wood, I conducted interviews with high-ranking politicians, security professionals, and social services executives in Toronto. These interviews revealed concerns about the erosion of public space, the treatment of marginalized populations, and inadequate private security regulations. Some argue the legal rights of private property owners permit security and surveillance practices that violate democratic values. Clearly, there is tension between the market forces that inform private policing, and the civic accountability of public police forces that remains unresolved. My research suggests new legislation is required to ensure this emerging urban governance model, which features private policing, preserves the democratic rights and freedoms of all citizens.


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