scholarly journals A Relic of Communism, an Architectural Nightmare or a Determinant of the City’s Brand? Media, Political and Architectural Dispute over the Monument to the Revolutionary Act in Rzeszów (Poland)

Arts ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 8
Author(s):  
Sławomir Gawroński ◽  
Dariusz Tworzydło ◽  
Kinga Bajorek ◽  
Łukasz Bis

This article deals with the issues of architectural elements of public space, treated as components of art and visual communication, and at the same time determinants of the emotional aspects of political conflicts, social disputes, and media discourse. The aim of the considerations is to show, with the usage of the principles of critical analysis of media discourse, the impact of social events, political communication, and the activity of mass communicators on the perception of the monument of historical memory and the changes that take place within its public evaluation. The authors chose the method of critical analysis of the media discourse due to its compliance with the planned purpose of the analyses, thus, providing the opportunity to perform qualitative research, enabling the creation of possibly up-to-date conclusions regarding both the studied thread, and allowing the extrapolation of certain conclusions to other examples. The media material relating to the controversial Monument to the Revolutionary Act, located in the city of Rzeszów (Poland), was selected for the analysis. On this example, an attempt was made to evaluate the mutual relations between politically engaged architecture and art, and the contemporary consequences of this involvement in the social and political dimension.

2021 ◽  
Vol 7 (3) ◽  
pp. 205630512110382
Author(s):  
Wesley E. Stevens

This article examines blackfishing, a practice in which cultural and economic agents appropriate Black culture and urban aesthetics in an effort to capitalize on Black markets. Specifically, this study analyzes the Instagram accounts of four influencers (Instagram models) who were accused of blackfishing in late 2018 and is supplemented with a critical analysis of 27 news and popular press articles which comprise the media discourse surrounding the controversy. Situated within the literature on cultural appropriation and urban redevelopment policies, this study explores how Black identity is mined for its cultural and economic value in the context of digital labor. I assert that Instagram’s unique platform affordances (including its racial affordances) and the neoliberal logics which undergird cultural notions of labor facilitate the mechanisms by which Black identity is rendered a lucrative commodity vis-à-vis influencing.


2019 ◽  
pp. 100-122
Author(s):  
Francis L. F. Lee

This chapter reviews the relationship between the media and the Umbrella Movement. The mainstream media, aided by digital media outlets and platforms, play the important role of the public monitor in times of major social conflicts, even though the Hong Kong media do so in an environment where partial censorship exists. The impact of digital media in largescale protest movements is similarly multifaceted and contradictory. Digital media empower social protests by promoting oppositional discourses, facilitating mobilization, and contributing to the emergence of connective action. However, they also introduce and exacerbate forces of decentralization that present challenges to movement leaders. Meanwhile, during and after the Umbrella Movement, one can also see how the state has become more proactive in online political communication, thus trying to undermine the oppositional character of the Internet in Hong Kong.


2013 ◽  
Vol 37 (2) ◽  
pp. 200-219
Author(s):  
Davor Marko

This article deals with how fear is misused in media discourse. Pursuing the claim that it is impossible to eliminate fear from the public sphere, this paper argues that fear control is a technique widely used by certain interest groups to generate and spread uncertainty among people in order to create an atmosphere in which their goals are easily reachable. This paper will discuss the concepts of discourse, hegemony, and power relations in order to show how public language (both written and spoken) in media discourse reflects, creates, and maintains power relations. In this sense, fear, which is a crucial “energizing fuel” of such public language, could be considered and further elaborated as both a contextual variable and as a tool for facilitating power relations by applying various techniques. Aiming to show how media use and control the nature and level of fear in public discourse, I will discuss two techniques – the commercialization of fear and the method of “othering.” While commercialization implies the mass (re)production and (re)appropriation of fear in a public space, “othering” has been applied when the object of reporting is an out-group individual or community and self-group is using the media as a tool for their negative portrayal, thus creating boundaries and provoking discrimination and violence. The case of Serbia will be used to indicate how techniques of “othering,” linked with the regime’s propaganda, may contribute to the creation of an atmosphere of fear, and make a people seek protection and become easy prey for manipulation.


2019 ◽  
Vol 3 (1) ◽  
pp. 26-42
Author(s):  
Maria Marczewska

The aim of the article is to analyze memes associated with the nationwide referendum of 6 September 2015 in Poland. The memes are treated as part of the media discourse. Media discourse encompasses part of public discourse. In the broad sense, we are dealing with a collection of statements functioning in the public space and concerning a specific problem or its scope. There will be analyzed memes connected such issues as the reason/reasons for ordering the referendum, referendum questions, the financial costs incurred, and the referendum turnout. The article is divided into two parts: 1) theoretical consists of mem and referendum definition; 2) practical consists of the 6 September 2015 referendum in Poland in memes analyse. In the course of the research such questions will be answered: whether the memes became part of the general overtone of the discourse; whether they presented the main themes of the discourse and how they did this; which elements of the discourse were emphasized in the memes and which were omitted. In the research process the main themes of the discourse were distinguished, which were reflected in the memes.


Author(s):  
Vyacheslav D. Shevchenko ◽  
Nina A. Tribunskaya

This article is devoted to the study of the discursive structures of political texts published on Twitter of the President of the United States. The material of the study was the statements of Donald Trump and Joe Biden during the period from November 1, 2019 to August 31, 2021. Its multimillion audience of subscribers makes Twitter a powerful political tool with the ability to influence public opinion. The purpose of this article is to identify the discursive structures arising in political communication as a result of the actualization of the category of discursive heterogeneity, which includes elements of interdiscursiveness and polydiscursiveness. The authors use various methods: descriptive, contextual analysis, comparative, methods of observation, content analysis and discourse analysis. Using the linguistic concept of the American scientist D. Himes S-P-E-A-K-I-N-G, the analysis of the situation components Setting and scene, Participants, Ends, Act Sequence, Key, Instrumentalities, Norms, Genre is carried out. Being a part of the media discourse and demonstrating the features of the Internet genre, the written messages of politicians are laconic, expressive, and tend to economize on linguistic means. The same communicants, depending on the context of utterances, become participants in different types of discourses. The study analyzes the foreign and domestic political discourses, the security discourse, as well as a number of accompanying special discourses that constitute political communication. The choice of the subject matter of the messages is due to the high degree of importance of issues of foreign and domestic policy, as well as stability and security.


2019 ◽  
Vol 30 (2) ◽  
pp. 363-368 ◽  
Author(s):  
Boris Chapoton ◽  
Anne-Laure Werlen ◽  
Véronique Regnier Denois

Abstract Background European citizens are the largest alcohol users in the world with an average of 11 l of alcohol per individual per year being used. This consumption practice usually begins during adolescence. Youths’ views of substances consumption are built upon socialization experiments from which television takes part. To prevent vulnerable people from media influence, some governments tend to adopt restrictive laws against alcohol marketing within the public space including TV programmes; others rely on the self-control of the alcohol and/or media industry. More than 22 years ago, France adopted a restrictive law made of measures aiming to regulate or prohibit advertising of alcoholic products, especially within media dedicated to minors. Methods This study relies on a content analysis to identify the patterns and the frequencies of occurrences linked to alcohol within a sample of 14 TV series (8 French series and 6 American series) most watched by French teenagers. In total, 180 episodes have been analysed representing 111 h 24 min and 6 s of series coded. Results Alcohol is depicted within 87.8% of the sample. French series statistically show more events related to alcohol when compared to the American series. In French series, alcohol, mainly wine, is associated with a familiar lifestyle context with primary characters. Conclusion The restrictive law ongoing in France does not prevent popular TV programmes watched by minors to depict alcohol. Concerns should be raised about the impact of the values given to the substance integrated to main characters life within the media.


2018 ◽  
Vol 167 (1) ◽  
pp. 13-26 ◽  
Author(s):  
James Walter ◽  
Zareh Ghazarian

Political communication and citizen engagement have been impacted by crises in both political parties and conventional media models. This article contends that the confluence of these crises has been insufficiently understood, and that this lack of understanding depends upon a third element: the dissolution of a ‘holding culture’, a sense of the ‘rules of the game’ that has constituted the ground on which parties and the media operated and generated the imaginative space for constituting community. This dissolution might be represented as resistance to a now discredited political class, once constituted by ‘old’ political and media elites, and promising a new culture – with the potential for parties to be more responsive to ‘the people’, and for a more diversified and representative media. By looking at case studies of leadership insurgency in parties and the impact of new media in creating the discursive conditions for their emergence, this article explores the realities in relation to political communication and democratic engagement.


2001 ◽  
Vol 26 (2) ◽  
pp. 26-30 ◽  
Author(s):  
Chris Goddard ◽  
Bernadette Saunders

In recent years there has been considerable analysis of how the media create images of crime. The relationship between child abuse and the media has also been subject to greater scrutiny. This article examines the role of one newspaper in a child protection case. The part played by the newspaper in the court case led to an examination of the language used by the media in their representations of children. The researchers found that a child may be objectified in language even when the child’s gender is previously identified. The ‘gender slippage’ may in extreme cases lead to the ‘textual abuse’ of children, where child abuse is rewritten to lessen the impact on the reader. The authors conclude that the actions of journalists and the language they use require more critical analysis.


Author(s):  
Susana Guerrero Salazar

The press and social networks constitute the most recurrent platform for debate on the subject of “women and language”. The media discourse on this subject covers many aspects that have not yet been addressed in depth, including the discourse that is generated when the academic dictionary is taken as a point of reference. This article analyses sexism (or not) of some definitions in the dictionary through a press corpus obtained from the Hemeroteca Virtual de las Lenguas de España (HEVILE), which has allowed us, in the first place, to catalogue the words and definitions related to women which have been news in recent years and, therefore, the object of debate; secondly, to verify the beliefs and linguistic attitudes regarding the role of the Academy and its dictionary in society; and, finally, to decide what effects the debate generated (especially through social networks) on the latest changes carried out in some of these definitions.


2020 ◽  
Vol 72 (2) ◽  
pp. 52-60
Author(s):  
G. Kazhigalieva ◽  
◽  
G. Orynkhanova ◽  
B. Karimova ◽  
◽  
...  

The article is devoted to the ideological concepts of "New" and "Unity", which represent the modernization processes in the country in the kazakh media and are focused on the transformation of public consciousness. The impact of these concepts, according to the authors of the article, is based on their value component,linguistic and cognitivemechanisms of verbalization of concepts are based on techniques that emphasize their axiological character. Methods of persuasion and emotional influence are used, such as: gradation use of the key lexeme; metaphorization; emphasis on the word (repeated use of it); designation of time as a value argument, etc. It is revealed that the concept "New" represents such positive value settings in the media as: new opportunities, new knowledge, spiritual development, competitiveness, openness, new technologies, and innovations. The concept of "unity" is verbalized by the axiological guidelines consolidation, tolerance, interethnic harmony, and a unified future. It is determined that the key axiological attitude, represented in the kazakh media using various explicit and implicit linguistic and cognitivemeans, is "New and unity is the way to success in the future".


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