Study on Undergraduate Graduation Design System Reforms in Manufacturing Engineering

2014 ◽  
Vol 484-485 ◽  
pp. 268-271
Author(s):  
Jian Jun Xia ◽  
Fei Guo

Today, with the economic globalization, the cultural and creative industries boomingly became one of the promising industries with great growing potential recognized internationally in twenty-first Century, can achieve enormous economic benefits and social benefits. Although there are many scholars no matter who are from domestic and abroad undertake discussing from different point of view, there are still many problems and shortcomings, especially in the areas around Beijing and Tianjin, Hubei Province cultural and creative industry also cannot ignore the problems to be solved urgently.

2020 ◽  
Vol 3 (4) ◽  
Author(s):  
Bingjie Zhang

Salt culture is the main component of traditional culture in Zigong, Sichuan.With centuries of history, it has accumulated rich cultural connotations. At present, Zigong salt culture, as a precious traditional cultural wealth, has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology, giving full play to the resource advantages of its traditional culture. This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era. Combining digital new media technology with cultural and creative industries, Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries, promote the cultivation of cultural and creative brands based on digital new media technology. This article aims to give relevant strategies with reference value, so as to make corresponding contributions to the development path of Zigong salt culture in the future.


2019 ◽  
Vol 18 (2-3) ◽  
pp. 216-230
Author(s):  
Haili Ma

This paper explores Cultural and Creative Industry (CCI) teaching and curriculum development across disciplines, based on a case study of a newly established Cultural and Creative Industry (CCI) programme at the School of Modern Languages, Cardiff University, UK. It illustrates how different academic values and goals influence styles of teaching and curriculum development, and it considers how this drives disciplinary evolution. As CCI increasingly attracts international students, in particular from China’s middle-class market, this paper questions the direct ‘import’ of western CCI for Chinese students, in terms of both content relevance and programme development sustainability. This paper suggests that curriculum evolution should be viewed as key for UK higher education to retain market competitiveness, especially a pending ‘Brexit’.


2021 ◽  
Vol 22 (3) ◽  
pp. 596-615
Author(s):  
Yueh-Cheng Wu ◽  
Sheng-Wei Lin

The cultural and creative industries (CCIs) are increasingly regarded as a means to cure economic stagnation and boost sustainable development; thus, they have become the focus of cultural, social, and economic policies. This study adopts a city governance perspective to explore topics that should be considered in CCIs development. We combine entropy weight and grey relational analysis into an evaluation indicator system that considers ambiguity and complexity. The results reveal the cities in the eastern region and offshore islands took more advantage of investment in cultural resources than cities in the western region. It indicates that local governments understand that the economic benefits of culture are not limited to certain CCIs but extend to the overall economy. Through stimulus policies, communities have been built and effectively revitalized regional economies. The developed method prioritizes the provision of cultural and creative resources to effectively improve resource–generating capacity of a city. This study provides suggestions for decision makers in cultural and creative sectors to help them overcome the gap in resource allocation between urban and rural areas.


2019 ◽  
Vol 6 (1) ◽  
pp. 96-108
Author(s):  
Kelechi Chijioke Samuel

This article examines the use of internet-based media platforms for marketing communication among fashion designers as a manifestation of globalization and neoliberal free trade. It highlights some features of neoliberalism, sub-themes of the cultural and creative industries concept, and some impact of using digital media technologies, and argues that there is nexus between these three concepts. It notes that neoliberal globalization has promoted free markets and facilitated the disannulment of barriers which previously excluded many from trading freely. The findings suggest there are inherent economic benefits as well as precarious conditions associated with the use of digital marketing platforms. These conditions, some of which subvert the individuals’ rewards from using their talent, are consistent with the rise of precarious work under neoliberal capitalism. It recommends that cultural producers should seek ways of maximizing the benefits in using these media platforms while minimizing the burdens and precarious conditions.


CONVERTER ◽  
2021 ◽  
pp. 280-287
Author(s):  
Di Lv, Yue Qin

The agglomeration of cultural and creative industries has developed into a remarkable trend under economic internationalization. In this paper, literature review and research status of cultural and creative industries are firstly conducted. The spatial distribution characteristics of cultural and creative industries in Zhejiang province are analyzed by using location entropy and data from 2012 to 2017. The conclusion shows that the cultural and creative industries in Zhejiang province present a spatial clustering trend, but different cities have different development levels. This paper constructs the indicator system of influencing factors and analyzes its influencing factors by means of grey correlation. It shows that economic factors have the greatest influence on the agglomeration of cultural and creative industries, followed by technological, resource and market factors. The development and agglomeration of the cultural and creative industry in Zhejiang province depends on the development of industry, theapplicationandmanagementofinformationtechnology and the lack of creative talents is the obstacle to its development. Therefore, education should be developed, mass innovation should be encouraged, and a good market environment should be created for the cultural and creative industry.


2021 ◽  
Vol 1 (516) ◽  
pp. 27-33
Author(s):  
I. M. Pererva ◽  

The article is aimed at researching the specifics and features of the concept of «creative industries» and defining the criteria that would identify activities as belonging to the creative sector precisely; studying the concept of «creative industries» and their relationship with «cultural industries»; disclosing the essence of various classifications of cultural and creative industries; generalization of theoretical approaches to the studies on this sector. As result of the research, the main approaches of scholars, practitioners and organizations on the definition of the concepts of «cultural industries» and «creative industries» and the peculiarities of the development of this sector of the economy are analyzed and disclosed. The genesis of these concepts in various literary sources is highlighted and the formation of the creative industry as an integral part in the transition from industrial society to intellectual is shown. The relationship and the proportion of cultural and creative industries are examined. The role of creative industries in innovative processes is considered, which allows to identify their impact on both economic and social development of society. Both the personal and the organizational models of classification of creative industries in historical retrospective of periods of creative industries development are provided. The peculiarities and characterizations of the models of classification of creative industries and the basic conditions for the inclusion of industries in the creative sector are determined. Based on the analysis and generalization, the main criteria are allocated that will allow identifying activities as belonging to the creative sector. Prospects for further research in this direction are the use of creative industry criteria to develop a universal system of classification of creative industries and a comprehensive idea of development of the creative sector in general.


2015 ◽  
Vol 2 (1) ◽  
pp. 48 ◽  
Author(s):  
Hua Niu ◽  
Xiaoyuan Chu ◽  
Cuiyou Yao

Cultural and creative industry is the second largest pillar industry of the tertiary industry, with the characteristics of innovative, high value and strong correlation relationship. The development of industrial cluster is helpful to cultural communication and information transfer, so it can enhance the competitiveness of the creative industry. The key problems need to be solved are the development condition and development strategy of creative industry cluster. This paper builds a mathematical model of two areas and two enterprises to study how can the effect of location factor and aggregation influence the development of cultural and creative industries, and the result shows a series of optimal development forms of the cultural and creative industry under different conditions. Finally four piece of recommendations to promote the development of creative industry clusters have been put forward.


2019 ◽  
pp. 136754941988602 ◽  
Author(s):  
Orian Brook ◽  
Dave O’Brien ◽  
Mark Taylor

Cultural Studies has drawn attention to the way that cultural and creative industries are marked by significant inequalities. This article explores how these inequalities are maintained, through fieldwork with senior men making decisions in cultural and creative industries. Drawing on 32 interviews with senior men across a range of cultural and creative industry occupations, conducted as part of a larger (N = 237) project, the analysis shows that misrecognition and outright rejection of inequalities are now not the norm. Rather, ‘inequality talk’ and the recognition of structural barriers for marginalised groups is a dominant discourse. However, individual careers are still explained by gentlemanly tropes and the idea of luck, rather than by reference to structural inequalities. The distance between the discourse of career luck and ‘inequality talk’ helps to explain the persistence of exclusions from the workforce for those who are not white, middle class origin, men. This has important implications for inequalities in cultural production and consumption, and in turn for wider social inequality.


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