scholarly journals Die getuienis van Romeine 1:18-32 oor God se openbaring: ’n sintaktiese, stilistiese en gedagte-strukturele ontleding van die teks

2003 ◽  
Vol 37 (4) ◽  
Author(s):  
F.P. Viljoen

The evidence from Romans 1:18-32 about God’s revelation. A syntactical, stylistical and thought-structural analysis of the text The question at stake in this article is to what extent people who have not heard the Gospel of Jesus can know God – according to Romans 1:18-32. In the ensuing argumentation the evidence from syntactical, stylistical and thought-structural analyses is investigated in search of answers to this issue. It becomes clear that it is crucial to take into consideration the function of this pericope within Paul’s wider argumentation in attempting to interpret it. Before Paul can indicate that salvation is equally available to Jews and Gentiles, he must prove that all people are equally in need of it. His purpose is thus to draw up the indictment that everyone, non-Jews (Rom. 1:18/19-32) and Jews (Rom. 2:1-3:8) alike, are in the power of sin and subject to God’s judgement. Paul marshals the evidence against everyone. The way in which Paul demonstrates this is by dividing the human race into two sections and accusing every one of them. He begins by reminding each group of their knowledge of God and His goodness. He then confronts them with the fact that they have not lived in accordance with their knowledge of God. Instead, they have deliberately suppressed it by continuing to live in unrighteousness. They are therefore inexcusably guilty. Nobody can plead ignorance. To interpret Paul as if it would be possible to attain saving faith without the Gospel demonstrates a misunderstanding of Paul’s argumentation.

Author(s):  
Adrián Bertorello

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD


1979 ◽  
Vol 15 (3) ◽  
pp. 379-390
Author(s):  
Frederick Sontag

For some time it seemed as if Christianity itself required us to say that ‘God is in history’. Of course, even to speak of ‘history’ is to reveal a bias for eighteenth- and nineteenth-century forms of thought. But the justification for talking about the Christian God in this way is the doctrine of the incarnation. The centre of the Christian claim is that Jesus is God's representation in history, although we need not go all the way to a full trinitarian interpretation of the relationship between God and Jesus. Thus, the issue is not so much whether God can appear or has appeared within, or entered into, human life as it is a question of what categories we use to represent this. To what degree is God related to the sphere of human events? Whatever our answer, we need periodically to re-examine the way we speak about God to be sure the forms we use have not become misleading.


Author(s):  
Juanne Clarke

Heart disease is a major cause of death, disease and disability in the developed world for both men and women. Nevertheless, the evidence suggests that women are under-diagnosed both because they fail to visit the doctor with relevant symptoms and because doctors tend to dismiss the seriousness of women's symptoms of heart disease. This study examines the way that popular mass print media present the possible links between gender and heart disease. The findings suggest that the ‘usual candidates’ for heart disease are considered to be high achieving and active men for whom the ‘heart attack’ is sometimes seen as a ‘badge of honour’ and a symbol of their success. In contrast, women are less often seen as likely to succumb, but they are portrayed as if they are and ought to be worried about their husbands. Women's own bodies are described as so problematic as to be perhaps useless to diagnose, because they are so difficult to understand and treat.


2021 ◽  
pp. 51-58
Author(s):  
Herman Cappelen ◽  
Josh Dever

This short chapter does two things. First, it shows that in fact workers in AI frequently talk as if AI systems express contents. We present the argument that the complex nature of the actions and communications of AI systems, even if they are very different from the complex behaviours of human beings, and the way they have ‘aboutness’, strongly suggest a contentful interpretation of those actions and communications. It then introduces some philosophical terminology that captures various aspects of language use, such as the ones in the title, to better make clear what one is saying—philosophically speaking—when one claims AI systems communicate, and to provide a vocabulary for the next few chapters.


Author(s):  
Francesca Aran Murphy

Traditionalism is the doctrine that God revealed himself to our first parents, and this revelation is the source of our knowledge of God: ‘the knowledge’, as London cabbies still call it, was passed on from its original recipients down the generations. Our knowledge of God is thus mediated through tradition; its only direct source is a divine revelation made to our original forebears. Traditionalism thus tends to accentuate that we cannot know God through our own efforts, for instance by philosophical proofs. Transmission from a single original source explains the analogies between religions and mythologies, while the ‘telephone game’, or ‘Chinese whispers’, over the millennia explains the diversities. Invented in the nineteenth century, traditionalism was at once a contribution to theory of religions, a piece of biblical anthropology, and a theory of revelation and its development. Traditionalists have held that without an original, igniting act of divine revelation to our first ancestors, it would be impossible for the human race to become a knowing, speaking creature, to create institutions, and act morally, or to obtain knowledge of God.


Reputation ◽  
2019 ◽  
pp. 216-240
Author(s):  
Gloria Origgi

This chapter presents case studies of the way reputations are built at the university. If there is an institution that feeds on reputation, it is the academy. Prestige, notoriety, standing, and reputation reign supreme within its halls. Professors and scholars are not only more motivated by symbolic rewards than by economic interest. They also spend a great deal of time designing institutions whose primary purpose is the creation, maintenance, and evaluation of each other's reputation and eminence. Such rankings are sometimes even treated as if they were the most dependable hallmarks of the truth itself. The chapter shows how the very idea of an academic reputation changed radically after new systems for calibrating reputations came into their own.


2020 ◽  
pp. 341-364
Author(s):  
Rita McAllister
Keyword(s):  
As If ◽  
The Way ◽  

Hidden in the composer’s archives is a series of little music-manuscript notebooks, a bit battered, as if they had been in and out of Prokofiev’s pockets. These he carried around with him, jotting down musical ideas as and when they occurred to him. The contents of such notebooks can reveal quite special aspects of their creator, exposing facets of the imagination which may well lie below the threshold of even that creator’s consciousness. Are the themes notated boldly in ink or tentatively in pencil? How important are indications of tempo or dynamics in comparison with pitches, meters, rhythms, or key signatures? What kind of second thoughts appeared at this early stage? Above all, what are the characteristics that make these themes so distinctively, unmistakably Prokofiev? This study of his thematic sketches opens up entirely new insights into the way he thought, what his compositional priorities were, and how he expressed himself to himself.


2021 ◽  
pp. 65-92
Author(s):  
Kent Cartwright

Chapter 2, treating comic doubleness as a structural matter, explores the way scenes, actions, and plot lines reflect each other, as if to create an uncanny closed circuit or dream-world. Those reflections call up a long-standing critical recognition of ‘magical parallelisms,’ such as between the story lines of Viola and Sebastian, that express the Renaissance fascination with analogy and with occult theories of sympathetic influence. Within the play, structural doublings create affects ranging from enervation and frustrated desires, to a premonition of fatedness and converging destinies, to the agitation of manically accelerated action, to the liberating recognition of differences with in repetitions. Focusing on Twelfth Night, this chapter considers how the play creates the sense of a numinous but opaque providentialism, features that it also finds in other Shakespearean, Italian, and Tudor plays, including those of John Lyly.


2021 ◽  
pp. 34-48
Author(s):  
Nadine Akkerman

This chapter examines Elizabeth Stuart's ledger to show how her spending patterns reveal the rhythms of her life at Oatlands. It also considers several plots against her family. The first is a pair of overlapping plots whose combined intention was to overthrow King James in favour of his first cousin, the English-born Lady Arabella Stuart and thence install Thomas Grey, 15th Baron Grey of Hilton, as de facto king, and secure greater religious toleration for Catholics in England. The famed Elizabethan explorer and privateer Sir Walter Raleigh was amongst the backers of this plan. The conspirators escaped execution but not imprisonment. The second is the Gunpowder Plot. The confession of Guy Fawkes showed beyond doubt that although the primary aim had been to blow up parliament with James and Henry in attendance, this was merely a clearing of the way, as 'they intended that the king's daughter the Lady Elizabeth should have succeeded'. The chapter then explores Elizabeth Stuart's education, looking at how Henry and Elizabeth behaved and were in many ways treated as if they were twins.


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