‘The Kinge and His Cubbs’ in Peril

2021 ◽  
pp. 34-48
Author(s):  
Nadine Akkerman
Keyword(s):  
Blow Up ◽  
Religious Toleration ◽  
Her Family ◽  
Spending Patterns ◽  
Gunpowder Plot ◽  
Sir Walter Raleigh ◽  
As If ◽  
The Way

This chapter examines Elizabeth Stuart's ledger to show how her spending patterns reveal the rhythms of her life at Oatlands. It also considers several plots against her family. The first is a pair of overlapping plots whose combined intention was to overthrow King James in favour of his first cousin, the English-born Lady Arabella Stuart and thence install Thomas Grey, 15th Baron Grey of Hilton, as de facto king, and secure greater religious toleration for Catholics in England. The famed Elizabethan explorer and privateer Sir Walter Raleigh was amongst the backers of this plan. The conspirators escaped execution but not imprisonment. The second is the Gunpowder Plot. The confession of Guy Fawkes showed beyond doubt that although the primary aim had been to blow up parliament with James and Henry in attendance, this was merely a clearing of the way, as 'they intended that the king's daughter the Lady Elizabeth should have succeeded'. The chapter then explores Elizabeth Stuart's education, looking at how Henry and Elizabeth behaved and were in many ways treated as if they were twins.

“I'd make thee eat the mischief thou hast vented”: Discourse of Law in Ben Jonson's Catiline His Conspiracy

2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu
Keyword(s):  
Early Modern ◽  
Political Discourse ◽  
Legal Discourse ◽  
The State ◽  
The Political ◽  
State Of Emergency ◽  
Gunpowder Plot ◽  
Effective Use ◽  
Legal Procedures ◽  
The Way

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.

An Open Letter to Physicians

1994 ◽  
Vol 3 (1) ◽  
pp. 7-9
Author(s):  
Shana Alexander
Keyword(s):  
Esophageal Cancer ◽  
Good Friend ◽  
Good Death ◽  
Open Letter ◽  
Her Family ◽  
The Way ◽  
At Home

Some weeks ago, we learned that the matriarch of a family, my good friend Anna, is dying. She is 75 and has inoperable esophageal cancer, and the doctors say it will only take a few more weeks or months. Anna is dying the way I want to die–at home, surrounded and lovingly tended by her family: her devoted husband of 54 years, her three daughters, her three worshipful sons-in-law, her adoring granddaughters. All of them see her every day. All of them are a part of a mutual struggle to give Anna a “good death” Anna, too, is a part of it. And, in a very small way, I am part of it, because I have been invited to be. Every few days, I walk next door and spend a few minutes talking to Anna.

Is God Really in History?

1979 ◽  
Vol 15 (3) ◽  
pp. 379-390
Author(s):  
Frederick Sontag
Keyword(s):  
Nineteenth Century ◽  
Human Life ◽  
History Of ◽  
The Relationship ◽  
As If ◽  
The Way

For some time it seemed as if Christianity itself required us to say that ‘God is in history’. Of course, even to speak of ‘history’ is to reveal a bias for eighteenth- and nineteenth-century forms of thought. But the justification for talking about the Christian God in this way is the doctrine of the incarnation. The centre of the Christian claim is that Jesus is God's representation in history, although we need not go all the way to a full trinitarian interpretation of the relationship between God and Jesus. Thus, the issue is not so much whether God can appear or has appeared within, or entered into, human life as it is a question of what categories we use to represent this. To what degree is God related to the sphere of human events? Whatever our answer, we need periodically to re-examine the way we speak about God to be sure the forms we use have not become misleading.

Heart disease and gender in mass print media

2008 ◽  
Vol 14 (1) ◽  
pp. 18-20
Author(s):  
Juanne Clarke
Keyword(s):  
Heart Disease ◽  
Cause Of Death ◽  
Heart Attack ◽  
Print Media ◽  
Men And Women ◽  
High Achieving ◽  
And Gender ◽  
Developed World ◽  
As If ◽  
The Way

Heart disease is a major cause of death, disease and disability in the developed world for both men and women. Nevertheless, the evidence suggests that women are under-diagnosed both because they fail to visit the doctor with relevant symptoms and because doctors tend to dismiss the seriousness of women's symptoms of heart disease. This study examines the way that popular mass print media present the possible links between gender and heart disease. The findings suggest that the ‘usual candidates’ for heart disease are considered to be high achieving and active men for whom the ‘heart attack’ is sometimes seen as a ‘badge of honour’ and a symbol of their success. In contrast, women are less often seen as likely to succumb, but they are portrayed as if they are and ought to be worried about their husbands. Women's own bodies are described as so problematic as to be perhaps useless to diagnose, because they are so difficult to understand and treat.

scholarly journals As mulheres do império: uma leitura de Ana de Amsterdam / Women’s Empire: A Reading of Ana de Amsterdam

2019 ◽  
Vol 39 (61) ◽  
pp. 145
Author(s):  
Naira Almeida Nascimento
Keyword(s):  
The Self ◽  
The Novel ◽  
Testimonial Literature ◽  
Second Moment ◽  
Her Family ◽  
The Feminine ◽  
Work Narratives ◽  
The Way

Resumo: Enquadrado no bojo da produção identificada como “literatura dos retornados”, o interesse principal de Ana de Amsterdam (2016a), de Ana Cássia Rebelo, não recai nas imagens traumáticas do retorno ou na violência praticada entre colonizadores e colonizados, como é recorrente no gênero. De forma até sintomática, as lembranças de África são esporádicas na menina de cinco anos que deixou Moçambique junto à família. Em seu lugar, a exuberância de uma Índia portuguesa sonhada e projetada por ela ocupam as lacunas de um presente insatisfatório, dividido entre a criação dos três filhos de um casamento em crise e o emprego burocrático desempenhado numa Lisboa pouco atrativa. Em ambos, tanto na Goa portuguesa como no trajeto para o trabalho, despontam narrativas de mulheres que constituem a síntese entre o diário íntimo de Ana e a escrita testemunhal da diáspora. Numa primeira parte do estudo, recupera-se a gênese do romance no formato do blog assinado pela autora, evidenciando a “escrita do eu”, nos moldes dos estudos de autobiografias, diários e afins. O segundo momento volta-se para a escrita testemunhal no lastro da narrativa pós-colonial e também da pós-memória. Em comum, os dois planos tratam da perspectiva feminina, seja na batalha contemporânea da cosmopolita Lisboa, seja nos desdobramentos silenciados do pós-colonialismo, em meio às histórias duplicadas de outras tantas Anas.Palavras-chave: Ana de Amsterdam; Ana Cássia Rebelo; diário íntimo; literatura de testemunho; blogs.Abstract: Framed in the center of the production identified as “literature of the returnees”, the main focus of Ana de Amsterdam (2016a) by Ana Cássia Rebelo, does not lie in the traumatic images of the return or in the violence practiced between colonizers and colonized, as it is usually the case in this genre. Somehow, even symptomatically, African memories are sporadic in the five-year-old girl who left Mozambique with her family. Instead, the exuberance of a Portuguese India, dreamed and projected by her, occupies the gaps of an unsatisfactory present, dividing herself to raise three children of a marriage in crisis and work in the bureaucratic employment situated in an unattractive Lisbon. In both, Portuguese Goa and on the way to work, narratives of women emerge and represent the synthesis between Ana’s private diary and the testimonial writing of the diaspora. In a first part of the study, the genesis of the novel is recovered in the form of a blog signed by the author, emphasizing the “writing of the self”, in the molds of autobiographies, journals and etc. The second moment turns to the testimonial writing in the basis of the postcolonial narrative and also of the post-memory. In common, the two plans deal with the feminine perspective, whether in the contemporary battle of cosmopolitan Lisbon or in the silenced developments of postcolonialism, in the middle of the duplicate stories of so many Anas.Keywords: Ana de Amsterdam; Ana Cássia Rebelo; diary; testimonial literature; blogs.

scholarly journals Terminology: Aboutness, Representation, and Metasemantics

2021 ◽  
pp. 51-58
Author(s):  
Herman Cappelen ◽  
Josh Dever
Keyword(s):  
Language Use ◽  
Complex Nature ◽  
Human Beings ◽  
As If ◽  
The Way

This short chapter does two things. First, it shows that in fact workers in AI frequently talk as if AI systems express contents. We present the argument that the complex nature of the actions and communications of AI systems, even if they are very different from the complex behaviours of human beings, and the way they have ‘aboutness’, strongly suggest a contentful interpretation of those actions and communications. It then introduces some philosophical terminology that captures various aspects of language use, such as the ones in the title, to better make clear what one is saying—philosophically speaking—when one claims AI systems communicate, and to provide a vocabulary for the next few chapters.

Academic Reputation, or Voluntary Epistemic Servitude

Reputation ◽  
2019 ◽  
pp. 216-240
Author(s):  
Gloria Origgi
Keyword(s):  
Case Studies ◽  
Economic Interest ◽  
Academic Reputation ◽  
The Creation ◽  
The University ◽  
As If ◽  
The Way

This chapter presents case studies of the way reputations are built at the university. If there is an institution that feeds on reputation, it is the academy. Prestige, notoriety, standing, and reputation reign supreme within its halls. Professors and scholars are not only more motivated by symbolic rewards than by economic interest. They also spend a great deal of time designing institutions whose primary purpose is the creation, maintenance, and evaluation of each other's reputation and eminence. Such rankings are sometimes even treated as if they were the most dependable hallmarks of the truth itself. The chapter shows how the very idea of an academic reputation changed radically after new systems for calibrating reputations came into their own.

“Things in Themselves”

2020 ◽  
pp. 341-364
Author(s):  
Rita McAllister
Keyword(s):  
Early Stage ◽  
As If ◽  
The Way ◽  
Music Manuscript

Hidden in the composer’s archives is a series of little music-manuscript notebooks, a bit battered, as if they had been in and out of Prokofiev’s pockets. These he carried around with him, jotting down musical ideas as and when they occurred to him. The contents of such notebooks can reveal quite special aspects of their creator, exposing facets of the imagination which may well lie below the threshold of even that creator’s consciousness. Are the themes notated boldly in ink or tentatively in pencil? How important are indications of tempo or dynamics in comparison with pitches, meters, rhythms, or key signatures? What kind of second thoughts appeared at this early stage? Above all, what are the characteristics that make these themes so distinctively, unmistakably Prokofiev? This study of his thematic sketches opens up entirely new insights into the way he thought, what his compositional priorities were, and how he expressed himself to himself.

Structural Doubleness and Repetition

2021 ◽  
pp. 65-92
Author(s):  
Kent Cartwright
Keyword(s):  
Closed Circuit ◽  
Twelfth Night ◽  
John Lyly ◽  
Sympathetic Influence ◽  
As If ◽  
The Way

Chapter 2, treating comic doubleness as a structural matter, explores the way scenes, actions, and plot lines reflect each other, as if to create an uncanny closed circuit or dream-world. Those reflections call up a long-standing critical recognition of ‘magical parallelisms,’ such as between the story lines of Viola and Sebastian, that express the Renaissance fascination with analogy and with occult theories of sympathetic influence. Within the play, structural doublings create affects ranging from enervation and frustrated desires, to a premonition of fatedness and converging destinies, to the agitation of manically accelerated action, to the liberating recognition of differences with in repetitions. Focusing on Twelfth Night, this chapter considers how the play creates the sense of a numinous but opaque providentialism, features that it also finds in other Shakespearean, Italian, and Tudor plays, including those of John Lyly.

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