“Things in Themselves”
Hidden in the composer’s archives is a series of little music-manuscript notebooks, a bit battered, as if they had been in and out of Prokofiev’s pockets. These he carried around with him, jotting down musical ideas as and when they occurred to him. The contents of such notebooks can reveal quite special aspects of their creator, exposing facets of the imagination which may well lie below the threshold of even that creator’s consciousness. Are the themes notated boldly in ink or tentatively in pencil? How important are indications of tempo or dynamics in comparison with pitches, meters, rhythms, or key signatures? What kind of second thoughts appeared at this early stage? Above all, what are the characteristics that make these themes so distinctively, unmistakably Prokofiev? This study of his thematic sketches opens up entirely new insights into the way he thought, what his compositional priorities were, and how he expressed himself to himself.