scholarly journals Nationalising Intangible Cultural Heritage in Nigeria for Optimised Cultural Tourism: The Zangbeto Model

2020 ◽  
Vol 9 (1) ◽  
pp. 69-79
Author(s):  
Dominic Uduakabasi Okure
Keyword(s):  
Cultural Heritage ◽  
National Development ◽  
Cultural Tourism ◽  
Intangible Cultural Heritage ◽  
Management Framework ◽  
Critical Junctures ◽  
Social And Economic Development ◽  
Unesco Convention ◽  
The One

This paper evaluates developments in the intangible cultural heritage (ICH) discourse with particular reference to Nigeria, with a view to identifying  challenges to its proper conservation and management on the one hand, and projecting its potential for optimised cultural tourism on the other. Along with an overview of the ICH industry in Nigeria, the Zangbeto masked tradition of the Ogu of south-western Nigeria was proposed as an  example of the nation’s many intangible cultural heritage models and expressions that could be engineered through nationalisation for enhanced cultural tourism, national development and unity, and international collaboration. Through a triangulation of the phenomenological and case study approaches, complemented by a hermeneutical investigation of some significant themes on the subject, this paper explored the background to the UNESCO Convention on ICH and the attendant conceptual developments and critical junctures in the ICH discourse. It also examined the issue of ICH’s under representation in micro and macro strategies for social and economic development, reconceptualise nationalisation to accommodate specific anthropological concerns, and went on to propose a nationalisation-based analysis and management framework for the celebration, evaluation, effective conservation, preservation and management of Nigeria’s ICH with the Zangbeto tradition as a cultural model. Key Words: Nationalisation; Zangbeto; Intangible Cultural Heritage; Cultural Tourism;Analysis and Management Frameworks.

Against Curation: The Challenges of Community Self-Representation (or, Confessions of a Former Control Addict)

2016 ◽  
Author(s):  
Frank Proschan
Keyword(s):  
Cultural Heritage ◽  
Capacity Building ◽  
The Other ◽  
Intangible Cultural Heritage ◽  
Unesco Convention ◽  
The One

Using the examples from Festival programs on Lao American and Greek American Folklife and reflecting on the author’s experience in operationalizing the UNESCO Convention on Safeguarding Intangible Cultural Heritage, this chapter examines tensions between the authority/agency of the bearers and practitioners of intangible cultural heritage, on the one hand, and experts, scholars and curators on the other. It takes a provocative stance against conventional notions of “curation” of Festival programs if they do not include the agency or serve the capacity–building aims in service to the featured communities.

scholarly journals Visiting Intangible Cultural Heritage Tourism Sites: From Value Cognition to Attitude and Intention

2019 ◽  
Vol 12 (1) ◽  
pp. 132 ◽  
Author(s):  
Qihang Qiu ◽  
Tianxiang Zheng ◽  
Zheng Xiang ◽  
Mu Zhang
Keyword(s):  
Cultural Heritage ◽  
Tourism Development ◽  
Intangible Cultural Heritage ◽  
Cultural Resources ◽  
Mediating Role ◽  
Tourism Product ◽  
Heritage Site ◽  
Development Evaluation ◽  
Positive Correlations

Intangible cultural heritage (ICH) has recently become an important area of tourism development for many countries that are home to such cultural resources. Within this context, the value of an ICH site has often been used to guide tourism development and policy making. In addition, community residents’ attitude and perception of ICH contribute to tourism development. In this study, we used the traditional firing technology of Longquan celadon in Zhejiang Province, China, as a case study to understand the relationships between value recognition and attitude along with the intention to visit the heritage site. We surveyed 368 residents and conducted path analysis to test such relationships. Findings revealed significant positive correlations between residents’ cognition of ICH value, their attitudes and travel intentions. Among them, attitudes played a mediating role in the formation of value cognition to travel intention. These findings offer insights into ICH-related tourism development, particularly regarding tourism product design, marketing and post-development evaluation, as well as the conservation of ICH sites.

scholarly journals Replicating Elite Dominance in Intangible Cultural Heritage Safeguarding: The Role of Local Government–Scholar Networks in China

2016 ◽  
Vol 23 (1) ◽  
pp. 71-97 ◽  
Author(s):  
Christina Maags ◽  
Heike Holbig
Keyword(s):  
Local Government ◽  
Cultural Heritage ◽  
Focal Point ◽  
National Level ◽  
Comparative Case Study ◽  
Intangible Cultural Heritage ◽  
Republic Of China ◽  
Heritage Discourse

Abstract:Since “intangible cultural heritage” (ICH) became the new focal point in the global heritage discourse, governments and scholars in many countries have begun to promote this new form of “immaterial” culture. The People’s Republic of China has been one of the most active state parties implementing the new scheme and adapting it to domestic discourses and practices. Policies formulated at the national level have become increasingly malleable to the interests of local government-scholar networks. By conducting a comparative case study of two provinces, this article aims to identify the role of local elite networks in the domestic implementation of the 2003 Convention for the Safeguarding of Intangible Cultural Heritage, focusing on the incentives of scholars and officials to participate in ICH policy networks. It finds that the implementation of the Convention has not removed the power asymmetry between elite and popular actors but, instead, has fostered an elite-driven policy approach shaped by symbiotic, mutually legitimizing government–scholar networks.

Visitors’ experiences with Intangible Cultural Heritage: a case study from Córdoba, Spain

2016 ◽  
Vol 12 (4) ◽  
pp. 410-415 ◽  
Author(s):  
Tomás López-Guzmán ◽  
Francisco González Santa-Cruz
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage

scholarly journals Safeguarding Intangible Cultural Heritage – The Krakow Bobbin Lace

2021 ◽  
Vol 33 (2) ◽  
pp. 191-200
Author(s):  
Justyna Łukaszewska‑Haberkowa
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The Third ◽  
Unesco Convention ◽  
Definition Of ◽  
The City

In the first part of this paper the definition of the protection of intangible cul­tural heritage is introduced, based on the 2003 UNESCO Convention as well as the Polish legislation concerning the protection of items on the national list of intangible culture. The second part shortly characterizes the Krakow bob­bin lace tradition along with its guardians, both present and past. In the third part it is systematically described what is being done to protect the tradition and craft in the Podgórze Culture Center thanks to the initiatives undertaken by certain guardians, and in the Historical Museum of the City of Krakow.

scholarly journals Las tejedoras mayas de Guatemala: un proceso activo para la salvaguardia de su patrimonio cultural inmaterial

2020 ◽  
Vol 2 ◽  
pp. 93-109
Author(s):  
Marta Salvador i Almela ◽  
Núria Abellan Calvet
Keyword(s):  
Cultural Heritage ◽  
Critical Analysis ◽  
Indigenous Communities ◽  
Cultural Value ◽  
Intangible Cultural Heritage ◽  
Analysis Framework ◽  
Tourism Management ◽  
Role Of Women

Currently, many are the phenomena that occur around intangible cultural heritage (ICH), related to its politics and legacy. With a critical analysis perspective, this article aims to describe the processes of patrimonialisation, commodification, and touristification of ICH, especially of the Guatemalan Mayan fabrics. The ongoing movement of Guatemalan weavers to protect and vindicate the cultural value of this art brings to light the role of different actors that intervene in intangible cultural heritage and, of greater relevance, indigenous communities. The following analysis framework on the diverse conceptualisations of heritage, authenticity, commodification and touristification allows for a deeper understanding of the Mayan weavers’ situation. The methodology used in this article consists on a case study, through which the following main conclusions arise: the lack of protection of ICH of this case study given the complex definitions and categorisations; the need to identify the consequences of commodification and touristification of ancestral tapestries, highlighting the importance of tourism management from the communities; and, finally, the key role of women as transmitters and protectors of ICH, who have headed a process of movement and empowerment.

scholarly journals Productive Protection of Intangible Cultural Heritage Based on the Theory of Involvement: A Case Study on the Farmers’ Paintings of XinJi County, Hebei Province, China

2020 ◽  
Vol 86 ◽  
pp. 01031
Author(s):  
Kong Xuhong ◽  
Hong Jingjing
Keyword(s):  
Cultural Heritage ◽  
Field Investigation ◽  
Hebei Province ◽  
Intangible Cultural Heritage ◽  
Cultural Connotation ◽  
Involvement Theory ◽  
Present Context ◽  
History Of ◽  
The Times

The productive protection of intangible cultural heritages, always in the form of tourism development under the present context, is put forward by Chinese scholars, which are beneficial to both the protection of the heritage and the economy development of the locals. While not all intangible cultural heritages can be understood and accepted by tourists due to the reasons that the living circumstances and contexts of these heritages are changing and disappearing that it’s hard for tourists to understand, neither do they desire to pay for it. Therefore, how to make tourists even including some craftsmen understand and accept the heritage means a lot to the protection and inheritance of these heritages. The paper argues that the Involvement Theory can be referred to analyze settle the problems. A case study of the farmers’ painting in Xinji County, Hebei Province was carried out as the example, which is one of the most representative intangible cultural heritage of folk art in Hebei Province, China, with a long history of development, rich cultural connotation and high artistic value. A field investigation and deep-interview was carried out to gather the information of its status quo, problems of its inheriting and developing were analyzed, the paper found that with the development of the times and society, farmers’ painting is losing its survival environment, the income of farmers’ painting is not proportional to their putting-in and cost, the value of farmers painting can not be reflected, and the productive protection is seriously hindered. Therefore, based on the perspective of involvement theory, this study analyzed the bottleneck of productive protection of Xinji Farmers’ Painting, suggested how to stimulate the involvement of tourists into the understanding and producing and creation of the paintings in order to promote the inheritance of the heritage.

scholarly journals ANALISA STANDARISASI MUSEUM BATIK DENGAN PENDEKATAN KEARIFAN LOKAL BUDAYA ARSITEKTUR SURAKARTA

Jurnal Patra ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 127-137
Author(s):  
Maysitha Fitri Az Zahra ◽  
Ully Irma Maulina Hanafiah ◽  
Febri Toni Setiawan
Keyword(s):  
Cultural Heritage ◽  
Spatial Planning ◽  
Raw Materials ◽  
Intangible Cultural Heritage ◽  
Research Focus ◽  
Fabric Materials ◽  
The City

Batik, which is rich in symbols and philosophies for the Indonesian people, has now been recognized by UNESCO as a Representative List of the Intangible Cultural Heritage of Humanity. The beginning of the emergence of batik in Indonesia is in the city of Solo, and comes from the Pajang kingdom 400 years ago. With the passage of time, batik continues to grow and produces various variations and innovations, from raw materials to the drawn motifs. However, it is very unfortunate that not all of the previous heritage batik can be maintained. Recently, there has been a batik museum created by individuals or institutions, but in the design, some interior elements are less than optimal in their arrangement. So they don't affect the batik stored or on display. In this research, focus of the discussion is on standardization which discusses spatial planning, facilities, collections, lighting, ventilation, acoustics and museum security, which are combined with local wisdom of Surakarta architecture, so that the data becomes a batik museum with character and can preserve the stored batik. This research uses a case study of the Surakarta batik museum, and the final results of this study can be used as a guide for designing a museum with fabric materials in it.

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