ANALISA STANDARISASI MUSEUM BATIK DENGAN PENDEKATAN  KEARIFAN LOKAL BUDAYA ARSITEKTUR SURAKARTA

Batik, which is rich in symbols and philosophies for the Indonesian people, has now been recognized by UNESCO as a Representative List of the Intangible Cultural Heritage of Humanity. The beginning of the emergence of batik in Indonesia is in the city of Solo, and comes from the Pajang kingdom 400 years ago. With the passage of time, batik continues to grow and produces various variations and innovations, from raw materials to the drawn motifs. However, it is very unfortunate that not all of the previous heritage batik can be maintained. Recently, there has been a batik museum created by individuals or institutions, but in the design, some interior elements are less than optimal in their arrangement. So they don't affect the batik stored or on display. In this research, focus of the discussion is on standardization which discusses spatial planning, facilities, collections, lighting, ventilation, acoustics and museum security, which are combined with local wisdom of Surakarta architecture, so that the data becomes a batik museum with character and can preserve the stored batik. This research uses a case study of the Surakarta batik museum, and the final results of this study can be used as a guide for designing a museum with fabric materials in it.

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A CityGML Multiscale Approach for the Conservation and Management of Cultural Heritage: The Case Study of the Old Town of Taranto (Italy)

ISPRS International Journal of Geo-Information ◽

10.3390/ijgi9070449 ◽

2020 ◽

Vol 9 (7) ◽

pp. 449

Author(s):

Massimiliano Pepe ◽

Domenica Costantino ◽

Vincenzo Saverio Alfio ◽

Maria Giuseppa Angelini ◽

Alfredo Restuccia Garofalo

Keyword(s):

Information System ◽

Cultural Heritage ◽

Spatial Planning ◽

Multiscale Approach ◽

File Formats ◽

Ancient City ◽

Planning Processes ◽

The City ◽

Conservation And Management

The aim of this article is to provide a dedicated approach to the realisation of a CityGML model for the valorisation and the conservation of existing cultural heritage. In particular, for the ancient city of Taranto (Italy), several levels of details (LODs) have been built. CityGML models in LOD1 for the most representative periods were realised, which were characterised by urban changes from the mid-1800s until today. To achieve this aim, great importance was devoted to the process of integration of the different file formats. A geographic information system (GIS) approach has been put in place for the construction of the CityGML model in LOD1. In addition, the study also focused on the realisation of a CityGML model in LOD3 of a bridge of a particular historical and architectural interest, called “Ponte di Porta Napoli”, also situated in the city of Taranto. In the latter case, the CityGML model was realised starting from the geomatics survey. Therefore, the project structured in this way represents an important tool for the sharing of (georeferenced) territorial information. The CityGML models represent a valid support for spatial planning processes and measures for the protection, monitoring and conservation of urban elements.

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Visiting Intangible Cultural Heritage Tourism Sites: From Value Cognition to Attitude and Intention

Sustainability ◽

10.3390/su12010132 ◽

2019 ◽

Vol 12 (1) ◽

pp. 132 ◽

Cited By ~ 2

Author(s):

Qihang Qiu ◽

Tianxiang Zheng ◽

Zheng Xiang ◽

Mu Zhang

Keyword(s):

Cultural Heritage ◽

Tourism Development ◽

Intangible Cultural Heritage ◽

Cultural Resources ◽

Mediating Role ◽

Tourism Product ◽

Heritage Site ◽

Development Evaluation ◽

Positive Correlations

Intangible cultural heritage (ICH) has recently become an important area of tourism development for many countries that are home to such cultural resources. Within this context, the value of an ICH site has often been used to guide tourism development and policy making. In addition, community residents’ attitude and perception of ICH contribute to tourism development. In this study, we used the traditional firing technology of Longquan celadon in Zhejiang Province, China, as a case study to understand the relationships between value recognition and attitude along with the intention to visit the heritage site. We surveyed 368 residents and conducted path analysis to test such relationships. Findings revealed significant positive correlations between residents’ cognition of ICH value, their attitudes and travel intentions. Among them, attitudes played a mediating role in the formation of value cognition to travel intention. These findings offer insights into ICH-related tourism development, particularly regarding tourism product design, marketing and post-development evaluation, as well as the conservation of ICH sites.

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Replicating Elite Dominance in Intangible Cultural Heritage Safeguarding: The Role of Local Government–Scholar Networks in China

International Journal of Cultural Property ◽

10.1017/s0940739116000035 ◽

2016 ◽

Vol 23 (1) ◽

pp. 71-97 ◽

Cited By ~ 11

Author(s):

Christina Maags ◽

Heike Holbig

Keyword(s):

Local Government ◽

Cultural Heritage ◽

Focal Point ◽

National Level ◽

Comparative Case Study ◽

Intangible Cultural Heritage ◽

Republic Of China ◽

Heritage Discourse

Abstract:Since “intangible cultural heritage” (ICH) became the new focal point in the global heritage discourse, governments and scholars in many countries have begun to promote this new form of “immaterial” culture. The People’s Republic of China has been one of the most active state parties implementing the new scheme and adapting it to domestic discourses and practices. Policies formulated at the national level have become increasingly malleable to the interests of local government-scholar networks. By conducting a comparative case study of two provinces, this article aims to identify the role of local elite networks in the domestic implementation of the 2003 Convention for the Safeguarding of Intangible Cultural Heritage, focusing on the incentives of scholars and officials to participate in ICH policy networks. It finds that the implementation of the Convention has not removed the power asymmetry between elite and popular actors but, instead, has fostered an elite-driven policy approach shaped by symbiotic, mutually legitimizing government–scholar networks.

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Visitors’ experiences with Intangible Cultural Heritage: a case study from Córdoba, Spain

Journal of Heritage Tourism ◽

10.1080/1743873x.2016.1195834 ◽

2016 ◽

Vol 12 (4) ◽

pp. 410-415 ◽

Cited By ~ 7

Author(s):

Tomás López-Guzmán ◽

Francisco González Santa-Cruz

Keyword(s):

Cultural Heritage ◽

Intangible Cultural Heritage

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Safeguarding Intangible Cultural Heritage – The Krakow Bobbin Lace

Perspektywy Kultury ◽

10.35765/pk.2021.3302.13 ◽

2021 ◽

Vol 33 (2) ◽

pp. 191-200

Author(s):

Justyna Łukaszewska‑Haberkowa

Keyword(s):

Cultural Heritage ◽

Intangible Cultural Heritage ◽

The Third ◽

Unesco Convention ◽

Definition Of ◽

The City

In the first part of this paper the definition of the protection of intangible cultural heritage is introduced, based on the 2003 UNESCO Convention as well as the Polish legislation concerning the protection of items on the national list of intangible culture. The second part shortly characterizes the Krakow bobbin lace tradition along with its guardians, both present and past. In the third part it is systematically described what is being done to protect the tradition and craft in the Podgórze Culture Center thanks to the initiatives undertaken by certain guardians, and in the Historical Museum of the City of Krakow.

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El Patrimonio cultural inmaterial de la Plaza Baquedano en Santiago de Chile = The Intangible Cultural Heritage of Plaza Baquedano in Santiago de Chile

Territorios en formación ◽

10.20868/tf.2019.14.3893 ◽

2018 ◽

pp. 74

Author(s):

Karina Orozco Salinas

Keyword(s):

Cultural Heritage ◽

Public Space ◽

El Paso ◽

Intangible Cultural Heritage ◽

The Public ◽

Secondary Sources ◽

Santiago De Chile ◽

Open Discussion ◽

The City ◽

Over Time

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin embargo, esta mención no ha sido otorgada por alguno de los instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.

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Las tejedoras mayas de Guatemala: un proceso activo para la salvaguardia de su patrimonio cultural inmaterial

Tourism & Heritage Journal ◽

10.1344/thj.2020.2.7 ◽

2020 ◽

Vol 2 ◽

pp. 93-109

Author(s):

Marta Salvador i Almela ◽

Núria Abellan Calvet

Keyword(s):

Cultural Heritage ◽

Critical Analysis ◽

Indigenous Communities ◽

Cultural Value ◽

Intangible Cultural Heritage ◽

Analysis Framework ◽

Tourism Management ◽

Role Of Women

Currently, many are the phenomena that occur around intangible cultural heritage (ICH), related to its politics and legacy. With a critical analysis perspective, this article aims to describe the processes of patrimonialisation, commodification, and touristification of ICH, especially of the Guatemalan Mayan fabrics. The ongoing movement of Guatemalan weavers to protect and vindicate the cultural value of this art brings to light the role of different actors that intervene in intangible cultural heritage and, of greater relevance, indigenous communities. The following analysis framework on the diverse conceptualisations of heritage, authenticity, commodification and touristification allows for a deeper understanding of the Mayan weavers’ situation. The methodology used in this article consists on a case study, through which the following main conclusions arise: the lack of protection of ICH of this case study given the complex definitions and categorisations; the need to identify the consequences of commodification and touristification of ancestral tapestries, highlighting the importance of tourism management from the communities; and, finally, the key role of women as transmitters and protectors of ICH, who have headed a process of movement and empowerment.

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Productive Protection of Intangible Cultural Heritage Based on the Theory of Involvement: A Case Study on the Farmers’ Paintings of XinJi County, Hebei Province, China

SHS Web of Conferences ◽

10.1051/shsconf/20208601031 ◽

2020 ◽

Vol 86 ◽

pp. 01031

Author(s):

Kong Xuhong ◽

Hong Jingjing

Keyword(s):

Cultural Heritage ◽

Field Investigation ◽

Hebei Province ◽

Intangible Cultural Heritage ◽

Cultural Connotation ◽

Involvement Theory ◽

Present Context ◽

History Of ◽

The Times

The productive protection of intangible cultural heritages, always in the form of tourism development under the present context, is put forward by Chinese scholars, which are beneficial to both the protection of the heritage and the economy development of the locals. While not all intangible cultural heritages can be understood and accepted by tourists due to the reasons that the living circumstances and contexts of these heritages are changing and disappearing that it’s hard for tourists to understand, neither do they desire to pay for it. Therefore, how to make tourists even including some craftsmen understand and accept the heritage means a lot to the protection and inheritance of these heritages. The paper argues that the Involvement Theory can be referred to analyze settle the problems. A case study of the farmers’ painting in Xinji County, Hebei Province was carried out as the example, which is one of the most representative intangible cultural heritage of folk art in Hebei Province, China, with a long history of development, rich cultural connotation and high artistic value. A field investigation and deep-interview was carried out to gather the information of its status quo, problems of its inheriting and developing were analyzed, the paper found that with the development of the times and society, farmers’ painting is losing its survival environment, the income of farmers’ painting is not proportional to their putting-in and cost, the value of farmers painting can not be reflected, and the productive protection is seriously hindered. Therefore, based on the perspective of involvement theory, this study analyzed the bottleneck of productive protection of Xinji Farmers’ Painting, suggested how to stimulate the involvement of tourists into the understanding and producing and creation of the paintings in order to promote the inheritance of the heritage.

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