Implications of Hegel’s Dialectical Evolution of the Spirit to the Problem of Shortcut Mentality in Nigeria

This article focused on Hegel’s dialectical evolution of the spirit and its implications to shortcut mentality in Nigeria. Hegel’s evolution of the spirit is a process of change and human development, which moves from the individual to the state and then to the absolute. This process identifies and represents the world’s civilization as a gradual realization of the absolute. The fundamental questions are: What actually is Hegel’s dialectical evolution of the spirit? What is shortcut mentality? Has Hegel’s dialectical evolution of the spirit any implication for shortcut mentality in Nigeria? This article argued and insisted that Hegel’s dialectical evolution of the spirit has remarkable implications for shortcut mentality in Nigeria. A critical look at Nigeria today simply portrays a country beset by shortcut mentality in her quest for civilization. This is evidenced in many contemporary issues menacing our country today. The issues of get rich quick syndrome, quick fixes, examination mal-practice, Ponzi schemes, betting sites, corrupt practices, utopian prosperity gospel etc. are easily noticeable in almost every part of Nigeria. All these ills which have led to the malfunctioning of the economic, religious, educational, agricultural, and administrative sectors of Nigeria, are certainly the offspring of shortcut mentality. This shortcut mentality presupposes people not following the right and gradual path of change and development. It entails abhorrence of labour as well as suffering. Hence, the researchers employed analytical and hermeneutical methods to explore the implications of Hegel’s dialectical evolution of the spirit to shortcut disorder in Nigeria. This article argued that application of Hegel’s dialectical evolution of the spirit contributes enormously in combating the problem of shortcut mentality in Nigeria. Hence, the researchers recommended creativity, mutual recognition as well as positive attitude to labour and suffering as solutions to the issue of shortcut mentality in Nigeria. Key Words: Hegel, Spirit, Shortcut, Change and Nigeria

Roles of Perceived Locus of Causality, Social Distance and Gender on Willingness to Volunteer in Nigeria Local Community

The present study investigated potential enhancement factors in relation to volunteerism. Specifically, we examined how perceived locus of causality, social distance and gender may influence willingness to volunteer help for victims of road accident. The study was based on a controlled experiment among students of a university (N = 80). Hypotheses were tested simultaneously in a univariate analysis which showed non-significant influence of perceived locus of causality (H1, p > .05); significant influence of social distance (H2, p < .05); non-significant influence of gender (H3, p > .05); significant interaction of perceived locus of causality and gender (p < .01), and significant interaction of perceived locus of causality, social distance and gender on willingness to volunteer (H4, p < .01). That is, people were more willing to help when those in need are related to them. The present study contributes to theory within this research field which explain African disposition by showing that kinship and familiarity are significant predictors of willingness to provide help for victims of disaster. However, the researchers encourage all Nigerians to look beyond family ties and affiliations in providing help to people in need. Key Words: Volunteerism; Social distance; Perceived locus of causality; Gender; Nigeria; Local culture

Application of Resource–Based Learning (RBL) in Nigerian Language Teaching and Learning: The Case of Ìgbò Language

In this technological dispensation, foreign languages are already on board with ICT applications and advancement with different language courses online thereby encouraging independent study of these languages. Teaching and learning of Nigerian languages cannot be said to be at a comparable rank with these foreign languages in this respect. In view of the seemingly lack of interest in the Nigerian languages study ad usage, it is believed that the application of Resource-Based Learning in this scenario will rekindle interest as well as place Nigerian languages study in a comparable terrain with their foreign languages’ counterparts. This paper explored the possibility of applying Resource-Based Learning in the teaching and learning of Nigerian languages in this ICT dispensation. It is delimited to the application of RBL on the teaching/learning of Ìgbò grammar, culture and literature. Recommendations include creating of online Ìgbò grammar lessons, running audio/visual documentaries and cutting/burning into CDs, different cultural activities, different aspects of Ìgbò oral literature like, folksongs, folktales, ballads, anecdotes, lullabies, satires, getting learners to act out same etc. Text writers are encouraged to develop varieties of children’s literature and story books. Key Words: Resource-based Learning, teaching, learning and Ìgbò language.

Emurobome Idolor and the Discourse of Nigerian Art Music: A 60th Birthday Celebration

This article focused on some of the contributions of Emurobome Idolor in the Nigerian music studies. His scholarly contributions cut across different areas of Art Music including Ethnomusicology, Music Composition, Conducting, African Music and Music education in Nigeria. This article identifies and acknowledges the ideological concept of Idolor’s Philosophy towards excellence. Also, this article justified and abstracted some musical attributes that he portrayed as a scholar in Nigerian Art music. Empirical method of research was used for this study, through the holistic overview of some of his scholarly publications and two of his art music compositions titled “Glory Hallelujah and Nigeria’ Otoro So Owan. Through abstractive analysis of these creative works, younger art composers will learn and acquire divers’ compositional techniques that can be used and adopted in promoting African indigenous music. Key Words: Hard Work, Philosophical Perspective, Art Music and African Music

Nationalising Intangible Cultural Heritage in Nigeria for Optimised Cultural Tourism: The Zangbeto Model

This paper evaluates developments in the intangible cultural heritage (ICH) discourse with particular reference to Nigeria, with a view to identifying challenges to its proper conservation and management on the one hand, and projecting its potential for optimised cultural tourism on the other. Along with an overview of the ICH industry in Nigeria, the Zangbeto masked tradition of the Ogu of south-western Nigeria was proposed as an example of the nation’s many intangible cultural heritage models and expressions that could be engineered through nationalisation for enhanced cultural tourism, national development and unity, and international collaboration. Through a triangulation of the phenomenological and case study approaches, complemented by a hermeneutical investigation of some significant themes on the subject, this paper explored the background to the UNESCO Convention on ICH and the attendant conceptual developments and critical junctures in the ICH discourse. It also examined the issue of ICH’s under representation in micro and macro strategies for social and economic development, reconceptualise nationalisation to accommodate specific anthropological concerns, and went on to propose a nationalisation-based analysis and management framework for the celebration, evaluation, effective conservation, preservation and management of Nigeria’s ICH with the Zangbeto tradition as a cultural model. Key Words: Nationalisation; Zangbeto; Intangible Cultural Heritage; Cultural Tourism;Analysis and Management Frameworks.

Forces and Flaws in Flora Nwapa’s Efuru and Idu

Considering her unique position as the premier African woman to publish a novel in English, given, also, her relatively artistic delineation of the African woman’s experience at a time when there is a dearth of female voice on that topic; when works of the male authors generally denigrate women, Flora Nwapa receives a commendable level of attention from critics all over the world. While most of the critics appreciate her for drawing attention to the strength and challenges of the African woman, others fault her for the absence of literary dexterity in her narrative. But for some critics’ romance with Uhamiri, not enough attention, relatively, has been given to the intrinsic and extrinsic forces surrounding Nwapa as a writer and how she manages these forces in plot development. Thus, this paper addresses this concern through the analysis of her foremost works, Efuru andIdu. Certain oversights are, also, noted some of which result from her deliberate or unconscious attempt to handle the forces that influence her. This is to draw attention to a writer’s conscious or unconscious struggle with forces, natural or supernatural, and, also, point to certain flaws, in Nwapa’s narrative, for the advancement of scholarship. The choice of Nwapa and her first two novels derives from the need to approach a relatively new topic from the beginning. Key Words: Forces, flaws, tradition, love, muse, influence.

When Enough is Enough: Breaking Free from Intimate Partner Violence in YejideKilanko’s Chasing Butterflies

Gender-based violence has become a common feature in gender relations globally, with women as the main victims. However, despite the fact that violence against women has been recognized as a violation of their human rights, the African society, in particular, is still plagued by gendered violence particularly in families. Adopting postmodern feminism as a theoretical framework, this article examines Kilanko’s portrayal of the devastating impact of gender-based violence, particularly intimate partner violence, on the female protagonist in Chasing Butterflies. In so doing, it establishes that dominant gendered norms and unequal power relations between men and women in the African society are the root causes of violence against women in intimate partner relationships such as marriage. The article, therefore, explores avenues of awareness-raising in the novel, as well as options and resources through which women can be effectively empowered to confront and surmount their status as victims leading to the realization of their rights and freedom.

Tradition of Concubine Holding in Hausa Society (Nigeria), 1900 – 1930

This paper examined the tradition of holding women as concubine in Muslim societies of the Hausa. Concubine holding changed the status of women and was acquired by slavery. This paper analysed concubine holding as a phenomenon that challenged female status in Hausa society. It put into perspective, the trajectories of concubine holding from the legends in the tradition of origin. It analysed the rights and privileges accrued to a concubine. And by the beginning of the twentieth century, the question of concubine holding was conveniently desirable under Islamic law and while the British law attempted to change the practices as part of efforts to abolish slavery. Thus, the paper contended that; concubine holding was part of the accepted norms in the sexual notions, which specifically privileged women to change their status and negotiate power in Hausa society. The paper adopted the historical approach by analysing court records, archival materials of the Nigerian National Archives, Kaduna, as well as books and journals relevant to the theme. Keywords: Concubine holding, British law, Islamic law, Hausa society

Two Crucial Experiments on the Nature of Light: Beyond the Bounds of Wave-Particle Duality

The wave-particle duality of light has been hanging over the clouds of science as an insuperable mystery. Debates have gone on for centuries as to which of the two aspects of light best represents the natural property of light. On the one hand, the particle theory of light camp made its own submissions a long time ago with many experimental demonstrations to confirm its position. On the other hand, the wave theory of light camp did organize or face some experiments to corroborate its own position. But then, a middle ground interpretation was shoveled-in by Niels Bohr during the second decade of the 20th Century. For him, the two aspects of light are complementary and Louis de Broglie popularized it, despite the halting beginnings of the complementarity Thesis. A double-slit experiment was, however, organized to show that light has these dual aspects. The central thesis of this paper is that though light exhibits these dual aspects, it is fundamentally a wave. The paper adopts the historiographical approach in navigating this lingering issue of the nature of light in the history of science.

Brechtian Methodology in Wise’s The Sound of Music: Insights into Theatre in Education

Methods are problem solving devices for the benefit of education in society. When a method assumes regimental fixations, society suffers hackneyed bouts of limitation and contention necessitating flux. This paper examines issues of regimentalism as they affect society in Robert Wise’s The Sound of Music, and the staccato notes of change inevitably mobilizing a Brechtian methodological reading amplifying social change, in a Theatre in Education performance. Bertolt Brecht (1898-1965), accomplished German director, playwright and theorist, mobilized theatre for social change by setting up Marxist dialectics in pursuit of retrenchment of total empathy; giving free reign to critical consciousness in theatrical productions. This paper has investigated analytically, the representations of this Brechtian methodology in The Sound of Music with the manifest result that the experiment in the movie has produced a healthier and better organized society than the German regimental machine. Key Words: Education, Theatre in Education, Brecht, Alienation Effect, Social Change, Family, Critical, Learning and Socialization