scholarly journals Safeguarding Intangible Cultural Heritage – The Krakow Bobbin Lace

2021 ◽  
Vol 33 (2) ◽  
pp. 191-200
Author(s):  
Justyna Łukaszewska‑Haberkowa
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The Third ◽  
Unesco Convention ◽  
Definition Of ◽  
The City

In the first part of this paper the definition of the protection of intangible cul­tural heritage is introduced, based on the 2003 UNESCO Convention as well as the Polish legislation concerning the protection of items on the national list of intangible culture. The second part shortly characterizes the Krakow bob­bin lace tradition along with its guardians, both present and past. In the third part it is systematically described what is being done to protect the tradition and craft in the Podgórze Culture Center thanks to the initiatives undertaken by certain guardians, and in the Historical Museum of the City of Krakow.

scholarly journals LEGAL ANALYSIS FOR PROTECTION OF INTANGIBLE CULTURAL HERITAGE IN MALAYSIA

2020 ◽  
Vol 5 (19) ◽  
pp. 10-20
Author(s):  
Khadijah Mohamed ◽  
Ahmad Shamsul Abd. Aziz ◽  
Nor Azlina Mohd Noor
Keyword(s):  
Cultural Heritage ◽  
Member Country ◽  
Fine Arts ◽  
Intangible Cultural Heritage ◽  
Legal Analysis ◽  
Legal Provisions ◽  
National Heritage ◽  
Unesco Convention ◽  
A Priority ◽  
Definition Of

The National Heritage Act 2005 is the only Act enacted in Malaysia to date to protect the national heritage including intangible cultural heritage. In the field of heritage study, intangible cultural heritage becomes a priority in the context of a 'non-existent' heritage enjoyed through the human senses. However, the Act provides a rather limited definition of intangible cultural heritage due to ambiguity in certain terminologies of its definition and scope. Hence, by using the provisions of the UNESCO Convention 2003 as the basis of discussion, this article analyses the legal provisions which protect intangible cultural heritage in Malaysia for the country in fulfilling its responsibilities as a Member Country of the Convention. This article finds that improvements to the definition of intangible cultural heritage need to be made by expanding the scope of the provision to include relevant intangible cultural heritage elements such as food and fine arts heritage.

scholarly journals Heritage and Memory

2021 ◽  
pp. 85-102
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The Third ◽  
Intangible Heritage ◽  
Unesco Convention

This chapter explores the complex and contested relationship between memory and heritage. It covers topics such as notions of authenticity, intangible heritage, and commemoration and museums. Chapter contents: 5.0 Introduction (by Giulio Verdini) 5.1 Grassroots Values and Local Cultural Heritage in China (by Harriet Evans) 5.2 ‘When It Comes to Intangible Cultural Heritage, Everyone Is Always Happy’: Some Thoughts on the Chinese Life of a UNESCO Convention (by Philipp Demgenski) 5.3 Ruins on Ruins: Forgetting, Commemorating, and Re-Forgetting the Third Front (by Paul Kendall) 5.4 Complex Collections, Contentious Memories: Reflections on the Jianchuan Museum Cluster (by Lisheng Zhang)

scholarly journals Certification proposal for the traditional professional cook of the state of Puebla

2019 ◽  
pp. 14-24
Author(s):  
José Ángel Perea-Balbuena ◽  
Víctor Josaphat Carrasco-Romero ◽  
María de los Dolores Zamora-Fernandez
Keyword(s):  
Cultural Heritage ◽  
The State ◽  
Food Culture ◽  
Intangible Cultural Heritage ◽  
The Third ◽  
The World ◽  
Training Courses ◽  
Culinary Knowledge ◽  
Food Identity ◽  
The City

Eating is a biological act and cooking, a cultural act; the gastronomy in Mexico, for the culinary variety is the third in the world. The cuisine is made up of indigenous, spanish and asian elements, making it one of the most representative of the country, which consolidates its legitimate pride of identity. A good part of tourism moves, to a large extent, in search of gastronomic delights, find these in the typical markets of a province, a place or a good inn; allowing to interact with the popular gastronomic identity. The objective is to create a certification for the traditional professional cook of the markets of the city of Puebla in order to have the knowledge and technical tools to offer food with the best possible quality, thus allowing to generate an identity of gastronomic culture. In order to substantiate this certification, a study was carried out in the markets of the city having generated results that allowed the realization of the first training courses, which shall lay down the basis for the relevant certification. The kitchens in Puebla, have been laboratories of the food culture, the traditional professional cook, possess a culinary knowledge that contribute to the intangible cultural heritage, for this reason it is necessary that they possess a certification that gives them certainty of value in the activities that they carry out to frame in food identity.

scholarly journals UNESCO’s tangible and intangible cultural heritage: Sustainable development perspectives

Pravovedenie ◽  
2020 ◽  
Vol 64 (1) ◽  
pp. 47-56
Author(s):  
Elena Sinibaldi ◽  
◽  
Antonio Parente ◽  
Keyword(s):  
Sustainable Development ◽  
Cultural Heritage ◽  
Cultural Landscape ◽  
Intangible Cultural Heritage ◽  
Collective Identities ◽  
Cultural Management ◽  
Intangible Heritage ◽  
Development Policies ◽  
Unesco Convention ◽  
Definition Of

The United Nations Educational, Scientific and Cultural Organization (UNESCO) 2003 Convention for the Safeguarding of the Intangible Cultural Heritage has not only introduced a conceptual and applicative expansion of the interdisciplinary subjects applied to cultural heritage, but it has also increasingly encouraged an integrated planning of sustainable development policies for territories and communities that convey and shape their relative cultural and anthropomorphic identity, along with the re-thinking of the collective dimension of heritage in terms of rights to creation and fruition as well as the related cultural management. This article presents a reflection on the opportunity to identify and develop the relationship between tangible and intangible heritage as resources that are essential to one another. To this purpose, two illustrative UNESCO application paths are examined. The first relates to the recognition of The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato as a Cultural Landscape of World Heritage, pursuant to the 1972 UNESCO Convention Concerning the Protection of the World Cultural and Natural Heritage, while the second concerns the inscription of the intangible element The Celebration of Celestinian Forgiveness in the Representative List of the Intangible Cultural Heritage of Humanity of the UNESCO 2003 Convention. Due to differences in paradigms and application criteria under the two UNESCO Conventions, which are also detectable in the Italian regulatory context, these case studies offer the opportunity to advance an interdisciplinary reflection aimed at rethinking safeguarding contexts, as well as enhancement and increasing accessibility of cultural heritage. As a result of the reflection, an analysis of the concept of living in relation to the anthropological definition of organic landscape, representation of collective identities (community-based heritage), inclusive places and sociability (public policy), communicative restitution (universal ethical values), participatory management (participative brand making), and integrated sustainability is derived.

scholarly journals El Patrimonio cultural inmaterial de la Plaza Baquedano en Santiago de Chile = The Intangible Cultural Heritage of Plaza Baquedano in Santiago de Chile

2018 ◽  
pp. 74
Author(s):  
Karina Orozco Salinas
Keyword(s):  
Cultural Heritage ◽  
Public Space ◽  
El Paso ◽  
Intangible Cultural Heritage ◽  
The Public ◽  
Secondary Sources ◽  
Santiago De Chile ◽  
Open Discussion ◽  
The City ◽  
Over Time

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin  embargo, esta mención no ha sido otorgada por alguno de los  instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.

scholarly journals DEVELOPMENT OF THE INTANGIBLE CULTURAL HERITAGE IN THE CITY OF PORTO-NOVO: THE PLACE OF DANCE WITHIN TOURISM

2020 ◽  
Vol 05 (01) ◽  
pp. 295-308
Author(s):  
Akogbeto Nadine B. ◽  
Houenoude Didier ◽  
Vissin Expedit W. ◽  
Houssou Christophe S.
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
The City ◽  
Porto Novo

scholarly journals ANALISA STANDARISASI MUSEUM BATIK DENGAN PENDEKATAN KEARIFAN LOKAL BUDAYA ARSITEKTUR SURAKARTA

Jurnal Patra ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 127-137
Author(s):  
Maysitha Fitri Az Zahra ◽  
Ully Irma Maulina Hanafiah ◽  
Febri Toni Setiawan
Keyword(s):  
Cultural Heritage ◽  
Spatial Planning ◽  
Raw Materials ◽  
Intangible Cultural Heritage ◽  
Research Focus ◽  
Fabric Materials ◽  
The City

Batik, which is rich in symbols and philosophies for the Indonesian people, has now been recognized by UNESCO as a Representative List of the Intangible Cultural Heritage of Humanity. The beginning of the emergence of batik in Indonesia is in the city of Solo, and comes from the Pajang kingdom 400 years ago. With the passage of time, batik continues to grow and produces various variations and innovations, from raw materials to the drawn motifs. However, it is very unfortunate that not all of the previous heritage batik can be maintained. Recently, there has been a batik museum created by individuals or institutions, but in the design, some interior elements are less than optimal in their arrangement. So they don't affect the batik stored or on display. In this research, focus of the discussion is on standardization which discusses spatial planning, facilities, collections, lighting, ventilation, acoustics and museum security, which are combined with local wisdom of Surakarta architecture, so that the data becomes a batik museum with character and can preserve the stored batik. This research uses a case study of the Surakarta batik museum, and the final results of this study can be used as a guide for designing a museum with fabric materials in it.

Ephemeral Architecture and Painted Architecture

2019 ◽  
pp. 151-177
Author(s):  
Gabriele Rossi ◽  
Valentina Castagnolo
Keyword(s):  
Cultural Heritage ◽  
17Th Century ◽  
Intangible Cultural Heritage ◽  
Cultural Significance ◽  
Regional Context ◽  
Unesco Convention

The object of this study is a group of architectural perspectives painted on the domes and walls of noble palaces in Apulia, in particular that the baronial palace in Botrugno, the Broquier palace in Trani, and the Manes palace in Bisceglie. The perspectives belong to the “Quadratura” genre that developed in Italy and Europe in the Baroque period, but the architectural solutions represented are specific of the Apulian regional context, of Neapolitan derivation, rather than linked to the noble models of the Emilian and Roman master experiences. These architectural perspectives can be considered belonging to that “immaterial cultural heritage,” as defined by the UNESCO Convention for the Protection of the Intangible Cultural Heritage of 2003, if we consider the cultural significance of these painting representations—as previously mentioned—for their relationship with the 16th-17th century painting season of “Quadratura,” for the massive production of treatises on perspective, as well as for the Baroque experiences and for the tradition in the use of “Festa” ephemeral architectures.

Cultural Heritage and Digitalization in City Branding

2022 ◽  
pp. 467-483
Author(s):  
Oya Yildirim ◽  
A. Celil Çakici
Keyword(s):  
Cultural Heritage ◽  
Historical Development ◽  
Global Environment ◽  
Intangible Cultural Heritage ◽  
City Branding ◽  
Unesco World Heritage ◽  
Fundamental Feature ◽  
World Heritage List ◽  
The Impact ◽  
The City

In today's competitive global environment, cities are striving to stand out and be attractive to investors, visitors, and residents. City branding is an important tool to differentiate the city from its competitors and to be preferred by visitors. Every city has its own characteristics resulting from its historical development, the influence of its geography, and its social, cultural, and economic past. Therefore, the tangible and intangible cultural heritage of cities is vital for their promotion and branding. This study aims to show the importance of their cultural heritage, which is the most fundamental feature to differentiate themselves from their competitors in city branding. It is emphasized that the cultural events organized in cities or the assets specific to cities, most of which are on the UNESCO World Heritage List, have a significant impact on city branding. In addition, the chapter explains the impact of digitalization, which is one of the most important developments of our time, on city branding and cultural heritage.

Sign in / Sign up

Export Citation Format

Share Document