MAGISTRATES Given the proposals to extend further powers to magistrates' courts in relation to modes of trial (see Chapter 10 above) it is important to consider the way in which such courts are operate. The results of a particularly thorough research project comparing lay magistrates and professional District Judges (magistrates' courts), the former stipendiary magistrates, were reported in December 2000 and will no doubt inform the outcome of Lord Justice Auld's current review of the criminal courts. The following is merely the summary of a very extensive research project by Rod Morgan (University of Bristol) and Neil Russell (RSGB). The full report is available on the internet, at

2012 ◽  
pp. 566-572
2016 ◽  
Vol 4 (1) ◽  
pp. 117-138 ◽  
Author(s):  
Regina Rogl

AbstractEmerging internet technologies have revolutionized and invaded our private and professional lives in ways that are as yet hard to assess. These developments have also affected the field of translation. Professional translators’ workplaces and routines have changed profoundly and translation markets have been affected by increasing globalization. Furthermore, new forms of translation have emerged on the internet, including amateur translators’ communities which offer their time and efforts for a variety of different goals, not all of them exclusively charitable. Some are also commercial, others just for fun.In this context, the present article demonstrates the ways in which recent developments related to the internet have started to call into question a series of long-established categories. Online phenomena have not only contributed to blurring the lines between the consumption and production of content; it has also become increasingly difficult to distinguish between amateurs and professionals or between work and leisure, and to differentiate between play and labour.Drawing on examples from an ongoing research project on collaborative translation communities, this article illustrates how members of internet communities perceive, describe and construct their own translation activities. The paper then addresses the issue of how the internet paved the way for new forms of exploitation, which are also identifiable in the field of translation. By looking at the intersections between labour, fun and exploitation in internet translation communities, the paper aims to make a critical contribution to the debate on (ethical) questions that arise in relation to new online phenomena.


Why did Roman prosecutors typically accuse the defendant of multiple crimina, when in most standing criminal courts the punishment imposed on a guilty defendant was the same (typically “capital,” that is, a kind of exile), no matter how many charges were proven? The answer lies not in a failure to distinguish between legal charges leveled at the defendant and defamation of his character, but rather in a rhetorical strategy that made sense in light of what was legally necessary to obtain a conviction. The greater the number of charges, the more likely the jurors would be persuaded that the defendant had in some way violated the statute according to which the trial was being conducted. It is true that prosecutors typically argued that the defendant’s prior conduct made it plausible that he had committed the crimes with which he was charged, but in a way that, as much as possible, made his guilt on these particular charges seem likely, and defense patroni attempted to undermine the charges and the character defamation. This answer to the apparent contradiction between multiple charges and unitary punishment favors a moderate formalism over legal realism as the way to interpret Roman criminal trials.


2010 ◽  
Vol 4 (2) ◽  
pp. 150-167
Author(s):  
Jim McDonnell

This paper is a first attempt to explore how a theology of communication might best integrate and develop reflection on the Internet and the problematic area of the so-called “information society.” It examines the way in which official Church documents on communications have attempted to deal with these issues and proposes elements for a broader framework including “media ecology,” information ethics and more active engagement with the broader social and policy debates.


Economies ◽  
2018 ◽  
Vol 6 (2) ◽  
pp. 36 ◽  
Author(s):  
Milos Maryska ◽  
Petr Doucek ◽  
Lea Nedomova ◽  
Pavel Sladek

Modern Italy ◽  
2010 ◽  
Vol 15 (3) ◽  
pp. 251-257 ◽  
Author(s):  
Osvaldo Croci ◽  
Sonia Lucarelli

The international role and status of Italy among international powers has been an issue of debate in both the political and the academic context. What has never been systematically investigated is the way in which other powers with which Italy interacts in institutional contexts perceive Italy and its international role. It is the aim of this special issue to provide an overview of how Italy is perceived abroad. This introduction explains why it is worth looking at international images of Italy, and sums up the findings of the research project.


2009 ◽  
Vol 35 (4) ◽  
pp. 817-833 ◽  
Author(s):  
LIAM KENNEDY

AbstractThis article focuses on the production and dissemination of photographic images by serving US soldiers in Iraq who are photographing their experiences and posting them on the Internet. This form of visual communication – in real time and communal – is new in the representation of warfare; in earlier wars soldiers took photographs, but these were not immediately shared in the way websites can disseminate images globally. This digital generation of soldiers exist in a new relationship to their experience of war; they are now potential witnesses and sources within the documentation of events, not just the imaged actors – a blurring of roles that reflects the correlations of revolutions in military and media affairs. This photography documents the everyday experiences of the soldiers and its historical significance may reside less in the controversial or revelatory images but in more mundane documentation of the environments, activities and feelings of American soldiery at war.


2018 ◽  
Vol 4 (2) ◽  
pp. 85-95 ◽  
Author(s):  
Justyna Masłyk

Abstract The main purpose of this article is to present the results of research concerning the use of social media by companies from the SME sector in Podkarpackie Province. The article includes data obtained in the first stage of the study, which is a part of a research project on the use of social media in the area of creating the image of an organization / company as an employer.The survey covered the entire population of companies from the SME sector, which are registered in Podkarpackie Province (REGON database). The research phase, the results of which are presented in this article, mainly involved the analysis of data on companies from the SME sector in Podkarpackie Province in terms of their presence on the Internet (having an individual website, having company profiles on selected social networks). The results of the first stage of the study confirm that the companies see the potential of the online presence / functioning in social media (more and more companies have their own website, Facebook profiles). The dynamics of changes in this area is definitely not adequate to the pace of new media development. On the basis of preliminary results of further stages of the research, it can also be concluded that in the vast majority of cases, however, these are non-strategic and non-systematic activities.


2021 ◽  
Author(s):  
Haley Coppins

Celebrities and fans have been researched by scholars throughout the years, with differing opinions regarding their characteristics and relationships. Prior to the development of the internet, fans were characterized by scholars as deranged, hysterical and passive. Their relationships with celebrities were seen as exclusively one-sided and parasocial. Conversely, since the development of the internet fans have been characterized more favourably as active participants. In this paper, I perform a textual analysis of Twitter conversations between bands/artists and fans in an attempt to better understand if and how celebrity-fan interactions have changed from early scholarly interpretations. I argue that Twitter is changing celebrity-fan interactions, not only by encouraging reciprocal interactions but also by enabling more personal, intimate conversations. Twitter is allowing bands and fans to interact in a number of different ways that simultaneously build relationships and serve commercial functions such as promotion. Fans have become more actively involved in content production and powerful in influencing the way bands promote themselves. Used properly, Twitter can be a valuable tool for bands and artists to market themselves.


KOMUNIKE ◽  
2020 ◽  
Vol 12 (2) ◽  
pp. 167-186
Author(s):  
Mansur Hidayat

The appearance of the trailer for The Santri movie has sparked various responses on the internet, this can be observed from the existence of parties who are pro and contra with the movie trailer. This difference can be seen from the way the audience responds to and interpret the contents of the movie trailer. This study can understand the image of the student at Islamic Boarding School in the movie trailer of The Santri which can be seen through the account NU Channel on YouTube. The study used a descriptive qualitative approach model with content analysis on movie trailers. The results of the study show that the image of the student at an Islamic Boarding School in the movie trailer of The Santri can be divided into two parts, namely: first, an explicit image such as students must have self-confidence, have high dreams, love religion and their nation, have a good faith, and be a loyal friend. Second, implicit images such as students who have a simple, tough, and brave image, accept differences, and are open-minded.


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