scholarly journals The Archives of Artaxata: Archival Practice in the Capital of Ancient Armenia

Electrum ◽  
2021 ◽  
Vol 28 ◽  
pp. 277-310
Author(s):  
Torben Schreiber

This article examines the seal impressions from Artaxata discovered in 1979/80 during excavations carried out by the Armenian Academy of Sciences on Hills V and VIII. As the archive on Hill VIII is quite small with only 20 to 25 seal impressions, the focus of this paper lies on the approximately 8,000 seal impressions found on hill V. The complex was dated to the period from 180 BC to 59 AD and it was assumed that it was a “private” archive or a kind of “chancellery.” An analysis of the finds in a wider context and the comparison with other archival complexes of the Hellenistic period as well as an examination of the characteristic features of “official” seals (size, image, shape, number of impressions) leads to the conclusion that it must have been a public archive, most probably it is the city archive of Artaxata.

1955 ◽  
Vol 45 (1-2) ◽  
pp. 106-115 ◽  
Author(s):  
Giacomo Caputo ◽  
Richard Goodchild

Introduction.—The systematic exploration of Ptolemais (modern Tolmeita), in Cyrenaica, began in 1935 under the auspices of the Italian Government, and under the direction of the first-named writer. The general programme of excavation took into consideration not only the important Hellenistic period, which gave the city its name and saw its first development as an autonomous trading-centre, but also the late-Roman age when, upon Diocletian's reforms, Ptolemais became capital of the new province of Libya Pentapolis and a Metropolitan See, later occupied by Bishop Synesius.As one of several starting-points for the study of this later period, there was selected the area first noted by the Beecheys as containing ‘heaps of columns’, which later yielded the monumental inscriptions of Valentinian, Arcadius, and Honorius, published by Oliverio. Here excavation soon brought to light a decumanus, running from the major cardo on the west towards the great Byzantine fortress on the east. Architectural and other discoveries made in 1935–36 justified the provisional title ‘Monumental Street’ assigned to this ancient thoroughfare. In terms of the general town-plan, which is extremely regular, this street may be called ‘Decumanus II North’, since two rows of long rectangular insulae separate it from the Decumanus Maximus leading to the West Gate, still erect. The clearing of the Monumental Street and its frontages revealed the well-known Maenad reliefs, attributed to the sculptor Callimachus, a late-Roman triple Triumphal Arch, and fragments of monumental inscriptions similar in character to those previously published from the same area.


2020 ◽  
Vol 21 (1) ◽  
pp. 318-329
Author(s):  
N. Zubova ◽  
H. Loshmanova ◽  
V. Somov

Seals and stamps, as well as their impressions, have been the objects of forensic identification for many decades, and although there are legal grounds for refusing to use seals by economic entities at present, documents are still certified with seal impressions. Recently, a great number of documents have been received for examination to address the issues as to the time period for document production. The forensic task on establishing the time period for document production is relevant. Only in the 80-s of the last century research regarding the possibilities of determining the time period for document production by impressions made by seals (stamps) clichés, produced with the help of vulcanizing rubber using movable types or typewriter composition was initiated. Over the past forty years, cliché manufacturing processes and the materials used in this process have significantly changed. At present, clichés produced with the use of new technologies are widespread, namely: laser engraving of rubber made by using photopolymer technology or flash technology. Changes in the technology of making clichés, production of new materials have led to the emergence of features that are formed in the cliché while its using. These features are displayed in the impressions of seals and stamps clichés. The article outlines the characteristic features of seals (stamps )clichés, considers the conditions for the occurrence of features in the process of their use, shows the evolution of their change, outlines the time periods for the existence of features, defines the criteria for attributing features to identically significant temporal features of the cliché. The mentioned temporal features appearing in the cliché of seals and stamps in general (taking into account handles) and in impressions over a certain period of time, allows to determine the time period of applying the impression on a document. In this case, free samples of impressions that have been made over the time period of examination and meet certain requirements should be provided for comparative analysis. For the categorical conclusion that the impression of a seal (stamp) was made in a specific period of time, it is needed to establish a set of persistent individual features that appeared in the studied impression and its copy over a certain period of time.


Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 385-402
Author(s):  
Murat Kılıç

The origins of the imperial cult in Smyrna date back to the Hellenistic period. It is a fact that political concerns were effective in the generation of such cults. Predicting the super power of the future and proving to be a loyal ally whilst acting in satisfactory behaviors were essential factors. The right preference made between two fighting or contending powers ensured that a city would benefit from various privileges in the future. For example, Symrna, which had established a cult in the city previously on behalf of Stratonice, the mother of Antiochus II of Seleucid dynasty, would do the same by building a temple in the name of the dty of Rome for the first time in Asia in 195 BC, after recognizing the rising power. Later on, while giving permission to the provinces that wanted to establish an imperial cult, the Roman emperors and the Senate would consider first, their relationships with Rome in the past and second, their origins. Smyrna, building its relationships with the Roman state on a solid basis, was granted the title of neokoros three times by the Roman Emperors Tiberius, Hadrianus and Caracalla, respectively. In this essay, the development of the Roman imperial cult in Smyrna is discussed within the historical process outlined above. An attempt has been made to put forth new opinions about the issue by discussing the academicians' evaluations on the imperial cult, which apparently was effectively executed in Smyrna between the first and third centuries AD, with the support of epigraphic and numismatic evidences.


2020 ◽  
pp. 277-328
Author(s):  
Reda Griškaitė

JAŠIŪNAI MANOR AS A SPACE FOR WRITING LITHUANIAN HISTORY The aim of this article is to discuss the Jašiūnai manor (Pol. Jaszuny; Russ. Яшуны; Vilniaus Governorate, Vilnius County), owned by the historian, journalist, poet, translator and collector Michał vel Michał Wincenty Feliks Baliński (1794–1864). The manor will be discussed not only as a cultural hub for intellectuals in a general sense, but also as a unique space for writing Lithuanian history. The term “space” is understood here in the broad sense, as of the manor—as well as in the more narrow sense, as of the library itself (the historian’s office). Especially important for this research was the latter concept of a “space within a space”, the “historian’s workshop”, and its epicenter—the archive (manuscript collection). The aim of the research was to reconstruct the story of the emergence and fate of this collection of documents including its contents, sources, and most importantly its thematic direction and distinctiveness. The research showed that the largest collection of historical documents once housed in the archive of the Jašiūnai manor library is now kept in the Jagiellonian Library (Krakow). This material remains important to the history of the city of Vilnius, Vilnius University, and Lithuania’s academic history. Supplementary elements include attention to the Radvila family, the period of Steponas Batoras’s rule, and the history of the Szubrawcy (rascals) Society. This last component can be considered as an integral part not only of the history of Vilnius city but also of its university. The dual nature of the Jašiūnai archive is not necessarily an asset. When the library and archive of Jan vel Jan Chrzciciel Władysław Sniadecki vel Śniadecki (1756–1830) was transferred to the manor, Baliński’s own collection, which initially focused on the history of Lithuanian cities and Szubrawcy Society (especially of the latter), wound up relegated to the background. Keeping in mind the “competition for libraries” among the intellectual manors of Lithuania in the first half of the 19th century as they sought to distinguish themselves, it is very possible to conclude that the former University rector’s installment in the manor can today be viewed as a “historical error”. Thus Jašiūnai lost some of its playfulness and distinctiveness in the context of other intellectual manors of that time. The situation would have been different if the Auszlawis (such was Balinski’s pseudonym in the Szubrawcy Society) collection had been associated not with Jan Sniadecki, but rather with the documentary legacy of Sotwaros (i.e. Jędrzej Sniadecki vel Śniadecki [1768–1838]), especially his documentation of the Szubrawcy. All the more so since the egodocuments of Balinski suggest the idea that its real hero was not Sniadecki the Elder, but Sniadecki Jr. Analysis of the Balinski archival collection only confirmed that which was shown by the previously executed so-called common biographical research of this historian and lord: he was relegated to the background by circumstances. That is to say, relegated to a life lived in the shadow of Jan Sniadecki’s personality and to the importance of the Szubrawcy ideology, especially in the early and last periods of his life. The Jašiūnai document collection housed in the Manuscripts Department of the Wroblewski Library of the Lithuanian Academy of Sciences shows that the latter circumstance was fully understood by Tadeusz vel Tadeusz Stanisław Wróblewski (1858–1925) and his peers. From here stems another “archival” conclusion regarding the uniqueness of the Wroblewski Library in our cultural and historical geography. The circumstances surrounding the transferral of the document collection from Jašiūnai remain unclear to this day, however it is very likely that Baliński’s will and testament was not taken into consideration. This shows that the owner of Jašiūnai did not have a Continuator for his work, and this can be seen in the ad te ipsum fragility of the collection.


2020 ◽  
Vol 14 (4) ◽  
pp. 659-674
Author(s):  
Patrik Šenkár

Slovaks living abroad form an integral part of the Slovak national cultural context. They create values that need to be preserved, enhanced and point out their versatility and use for contemporary forms of cultural identification. Slovaks in Hungary, who have been living in the vicinity of Békéscsaba for more than three hundred years, are also an important component of the Slovak minority of Hungarian Lowland. From this “Slovak Palestine”, as Ján Kollár named it, in the 18th and 19th century a historical-religious-cultural center of Slovaks (and also Hungarians) was created, which can still be rightfully proud of its heritage. Being a part of it, as a kind of pioneer, even as a historical basis, is also the personality of Lajos Haan (1818-1891), who performed his versatile activity in the chronotope of “Hungarian and Slovak” Békéscsaba. In this spirit, the article interprets his letters, his diary, “Pamätnosti” (Memoirs) and “Dejiny” (History), while presenting material and immaterial sources, monuments, inspirations that have been, are and will certainly be useful in artistic, cultural and literary “communication”. It is based on the attributes of cultural and literary science, which is thus an integrative model of literature research: a set of approaches that focus on cultural topics, theories and methods. The region of Békéscsaba ( pars pro toto: contemporary Hungary) is its focus. In selected texts of his material writings, Lajos Haan reflects his closer understanding of cooperation with the environment, from a broader point of view the intra- and interculturality of Hungarians and Slovaks: their coexistence, cooperation and diverse creative efforts. It points out the importance of Haanʼs personal contacts within the contemporary social environment, which is also specified in his personal letters. Memoirs are a testimony of an intellectual from the second half of the 19 century; to today's reader they will reveal the “strange, interesting, Hungarian” atmosphere of the time - in the background of social, political, historical, cultural and literary attributes. The description of the characteristic features of the city is a symbol of the peaceful coexistence of nations and nationalities in the Lowlands. In fact, the article presents the complex activity of an unusual personality: a Hungarian historian and a Slovak priest in one person, Lajos Haan, whose texts are interesting and current for today.


Author(s):  
Elena V. Tyulina ◽  

Following is a review оf the monograph published in 2019 by Yevgeniy G. Vyrshchikov ‘City — Village — Forest: The World of the Creators of the Pali Canon and Their Contemporaries’, which was published in 2019 by the Institute of Oriental Studies of the Russian Academy of Sciences, Moscow (editors: V. V. Vertogradova and V. P. Androsov). This work is a cultural study of the so called Pali Canon, or Tipitaka — the early Buddhist Canon of the Theravada school. It is mainly devoted to ideas about space and related views on the structure of the world and society. To understand the cultural context of the existence of early Buddhist ideas about the world, other sources are also involved — Buddhist, Brahmanic and Hindu texts: Ceylon’s mahavamsa, Arthashastra, Ramayana, Chitrasutra, other Sanskrit texts and Ashoka’s epigraphic inscriptions. In addition, ancient sources are used, such as Strabo’s “Geography”, as well as medieval English ballads about Robin Hood. According to the author, the world of the Pali Canon is divided into three main units of space: The most sacred and pure is the forest — the place where shramans and other ascetics live. Its opposite is the city, which embodies all that is worldly, contrary to asceticism and opposed to it. They are separated by an intermediate area — the countryside (janapada). The monograph explores all three components of this world, analyzes the necessary terminology and conceptual apparatus. The review provides an overview of the main provisions of the monograph and makes some critical comments on its text.


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