scholarly journals A resistência estudantil no Território Federal do Amapá durante a ditadura militar no Brasil / Student resistance in the Federal Territory of Amapá during the military dictatorship in Brazil

2021 ◽  
Vol 6 (28) ◽  
pp. 100-112
Author(s):  
Marcella Viana

O Movimento Estudantil do Território Federal do Amapá caracteriza-se por uma história atravessada de contradições e complexidades. Dentre estas, estão as atuações, durante o regime militar, das organizações clandestinas e da principal entidade estudantil do território na época, a União dos Estudantes dos Cursos Secundários do Amapá (UECSA). A partir do recorte temporal da Ditadura Militar, entre os anos de 1964 e 1968, se estabelece como objetivo deste artigo, investigar como se deu o processo de resistência ao regime militar por parte destas organizações, inclusive da UECSA, que apesar de ter deliberado apoio ao golpe, teve resistência a este dentro de suas próprias fileiras. Como base documental, serão utilizados o levantamento publicado em 2017 do Relatório da Comissão Estadual da Verdade do Amapá (CEV-AP), produzido entre os anos de 2013 e 2016, o arquivo não publicado do relatório, que inclui as oitivas e documentos oficiais que foram cedidos pela CEV-AP para a realização desta pesquisa, além de registros pessoais de colaboradores dos grupos clandestinos. Os estudantes do Território Federal do Amapá, por razões estruturais e culturais, acabaram tendo reações diferentes das que o movimento estudantil havia tendo no restante do país. Foram ações de apoio ao golpe militar, com células bastante restritas de resistência.

1989 ◽  
Vol 14 (2) ◽  
pp. 152-164 ◽  
Author(s):  
David George

São Paulo's Grupo Macunaíma has established a paradigm for a unique form of poor theatre, which has had a marked influence on alternative troupes in Brazil attempting to break the commercial mould and to return to a social vision, lost during the darkest years of the military dictatorship. Grotowski's Towards a Poor Theatre outlines the abstract formulation and practical applications of the method he elaborated in his Polish Laboratory Theatre. The director-theoretician proposed first and foremost to overturn what he called rich theatre: a form of staging using ‘borrowed mechanisms’ from movies and television and expensive scenic technology. The Polish Laboratory was also an actor-centred theatre in which the stage was redesigned architecturally for each performance to allow the performers to interact with the audience and in which there were no naturalistic sets or props, no recorded music or sophisticated lighting. The actor, through a complex system of signs, continually created and recreated the meaning of text, constumes, set, and props. ‘By this use of controlled gesture the actor transforms the floor into a sea, a table into a confessional, a piece of iron into an animate partner, etc.’ (Poor Theatre, p. 21). Grotowski's plays were filled with costumes made of torn bags, bathtubs serving as altars, bunkbeds becoming mountains, hammers used as ‘musical’ instruments. ‘Each object must contribute not to the meaning but to the dynamic of the play; its value resides in its various uses.’ Other tenets of the Grotowski system germane to this study are a return to mythical and ritual roots, the theatrical remaking of classical works, and the collective basis of stagecraft.


2020 ◽  
Vol 3 (2) ◽  
Author(s):  
Samantha Viz Quadrat

AbstractIn 2011, twenty-six years after the end of the military dictatorship, the Brazilian government took the initiative of implementing the right to memory and to the truth, as well as promoting national reconciliation. A National Truth Commission was created aiming at examining and shedding light on serious human rights violations practiced by government agents from 1946 to 1985. It worked across the entire national territory for almost three years and established partnerships with governments of other countries in order to investigate and expose the international networks created by dictatorships for monitoring and persecuting political opponents across borders. This article analyzes the relationship between historians and the National Truth Commission in Brazil, in addition to the construction of dictatorship public history in the country. In order to do so, the Commission’s relationship with the national community of historians, the works carried out, as well as historians’ reactions towards its works, from its creation until its final report in 2014, will be examined.


2021 ◽  
Vol 9 (1) ◽  
pp. 15-30
Author(s):  
Isaura Gomes de Carvalho Aquino ◽  
Maria Rosângela Batistoni ◽  
Graziela Scheffer Machado

The aim of the current article is to present results of three studies about the so-called Reconceptualisation Movement in Brazil, based on the historical rescue of significant and exemplifying expressions used in the country from 1960 to 1970. The analysed studies have focused on investigating the economic and social significance of the military dictatorship to Brazilian society. They aimed at unveiling the historical background, sociopolitical bases and theoretical-methodological references guiding social service professional projects in the country at that time. The herein conducted analysis was based on documentary and bibliographic sources, collections, and testimonials to identify the strengths of projects that were in compliance with, and in opposition to, each other due to the tense theoretical and ideological dispute for hegemony in the Brazilian social service renewal process.


2021 ◽  
Vol 6 (1) ◽  
pp. 09-22
Author(s):  
Rodrigo Pinto de Andrade ◽  
Rogerio De Almeida Souza

Este texto tem como objetivo analisar a vida e a obra de Jaime Nelson Wright (1927-1999), pastor presbiteriano, opositor do regime militar no Brasil e intelectual engajado na luta pela defesa dos direitos humanos. Foi uma das vozes que mais combateu a ditadura militar no interior do protestantismo brasileiro. Desde a deflagração do golpe em 1964, fez a opção político/religiosa de não aderir ao regime autoritário. Wright se vinculou ao movimento estudantil e dedicou-se ao amparo religioso/pastoral dos perseguidos políticos. Sua contribuição como intelectual, perpassa o campo religioso. Ele atuou junto aos organismos internacionais voltados para a defesa dos direitos humanos e fundamentais à vida e denunciou as atrocidades do regime militar no Brasil. Para a efetivação da pesquisa foram utilizadas as seguintes fontes: documentos e imagens disponibilizados pelo projeto Brasil: Nunca Mais; jornais da época: entrevistas e matérias; decretos e leis. Os dados revelados pelas fontes indicam que a vida e obra de Jaime Wright contribuíram decisivamente para o processo de redemocratização do Brasil. This text analyzes the life and work of Jaime Nelson Wright (1927-1999), a Presbyterian pastor, a fierce opponent of the military regime in Brazil, and intellectually engaged in the struggle for the defense of human rights. He was one of the voices that most fought the military dictatorship in the Brazilian Protestant movement. Since the outbreak of the coup in 1964, he made the political and religious choice of not joining the authoritarian regime. Wright joined the student movement and dedicated himself to the religious support of the politically persecuted. His contribution as a committed intellectual goes beyond the clerical field. He was involved with international organizations dedicated to the defense of human rights and the fundamental rights to life. He also exposed the military regime's atrocities. For the realization of the research were used the following sources: documents and images made available by the Project Brazil: Never Again; newspapers of the time: interviews and stories; decrees and laws. The data revealed by the sources, indicate the life and work of Jaime Wright contributed in a decisive way to the re-democratization process in the Brazilian society.


Author(s):  
Karen Gabriele Poltronieri ◽  
Dantielli Assumpção Garcia ◽  
Lucília Maria Abrahão e Sousa

Neste trabalho, da perspectiva teórica da Análise de Discurso, mostraremos, por meio da análise de um conjunto de textos poéticos, como a poesia coloca em funcionamento situações de censura vivenciadas no Brasil da Ditadura Militar (1964-1984) e no Brasil do “pós-impeachment” (2016) e, com seus dizeres, instaura a possibilidade de resistência frente ao silenciamento imposto.Abstract: In this work, by the theoretical perspective of Discourse Analysis we will manifest, by means of a set of poetics texts, how the poetry puts into operation situations of censorship experienced in Brazil of the Military Dictatorship (1964-1984) and in the Brazil of “post-impeachment” (2016) and, with their words, establishes the possibility of resistance against the imposed silencing.


2016 ◽  
Vol I (I) ◽  
pp. 1-8
Author(s):  
Adil Khan ◽  
Manzoor Ahmad ◽  
Abdul Waheed

Pakistan, since its inception, has passed through several phases of transitions to civilian rule and authoritarian reversals. Similar to the pattern of transition between civilian rule and dictatorship, there is a pattern of change within authoritarian Regimes that could be observed in all the three experiences of transition in Pakistan. This paper identifies the pattern of change from military dictatorship to civilian rule from 1958 to 1970. The key questions addressed in this paper are: firstly, how the military regime consolidated its grip on power after the October 1958 coup? Secondly, how early cracks appeared in the military's control over power and matured with the passage of time, resulting in a national crisis? Thirdly, how failure in crises management led to the transition to civilian rule, as well as, the disintegration of the state.


1986 ◽  
Vol 18 (2) ◽  
pp. 383-408 ◽  
Author(s):  
Jim Handy

During 1984 and 1985 there was much discussion of an apparent ‘resurgence’ of democracy in many countries in Latin America. As the military handed over the reins of government to elected civilian rulers in Honduras, El Salvador and Argentina, and steps toward the same end were taken in Uruguay and Brazil, the American media and the Reagan administration – conveniently forgetting its earlier support for military dictatorship – began to speak glowingly of a new ‘Latin spring’.


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