Журналы фантастики и приключений «Уральский следопыт» и «Искатель» как источники по истории советской интеллигенции

2020 ◽  
pp. 34-48
Author(s):  
Vladimir Komissarov

The article examines the source value of the Soviet popular magazines “Ural Pathfinder” and “Seeker”. First of all, the author considers the social and moral-political conditions in which these magazines were created. It is emphasized that both publications appeared at about the same time, at the turn of the 1950s and 1960s, at the beginning of the so-called “Golden age” of Soviet science fiction, when a galaxy of young and active science fiction writers entered the arena of literary life. The appearance of magazines was a response to the request of Soviet readers, first of all, the intelligentsia, who needed new publications of science fiction and adventure themes. The content of these publications was also analyzed. There were differences between the magazines. The “Ural Pathfinder” was not only a literary and artistic publication, but also a popular scientific, historical, geographical, and local history publication. “Seeker” was a literary supplement to “Around the world”. Also, over time, by the 1980s, magazines acquired different ideological colors in the eyes of the Soviet intelligentsia, which, however, did not affect their popularity. At the end, the research results are summarized. In relation to the history of the intelligentsia, the source potential of magazines is limited by a number of factors. Among them, censorship restrictions and ideological divisions among the Soviet intelligentsia occupy an important place. However, the analyzed publications can serve as sources on the following aspects: the history of the Soviet press, primarily popular publications; the development of regional journalism; coverage of local history and environmental issues, issues of youth education (based on the materials of the “Ural Pathfinder”); the composition of the authors of fantasy and adventure works, their plot component.

2020 ◽  
pp. 51-58
Author(s):  
Irina N. Arzamastseva ◽  
Alexander V. Kuznetsov

The article is devoted to the study of the functions of the characters’ weapons in A.N. and B.N. Strugatsky’s novel “Hard to be a God”. It is important for writing a commentary on the prologue of the novel. The authors used the historical-typological and mythopoetic research methods. As the result of reviewing the history of words-concepts, as it made by A.N. Veselovsky, the authors managed to study the intertextual connections of “Hard to be a God” with V.T. Shalamov’s poem “Crossbow” and his story “May”, as well as N.S. Gumilev’s poem “Just looks through the cliffs...” and E. Hemingway’s play “The fifth column”. Through these connections, the image of weapons is formed in the work of science fiction writers. It is necessary to destruct the mythological enemy – the sea monster, which symbolizes the social evil within the novel framework. As we have found out, the reason for such an intricate symbolism lies in the peculiarities of the age: the image of the sea monster standing for public evil is due to historical reasons. And since the elimination of social problems by such radical methods, according to the authors, is impossible, the movement towards a bright future should be only gradual and peaceful. As in reality, weapons are fundamentally unable to perform their task. Moreover, the weapon is dangerous for its owner, which indicates the ambivalence of the image. In addition, the comparison, important for the novel “Hard to be God”, of the past and future appears the first in the comparison of crossbows and carbines, further developing by other means. Weapons are involved in creating a number of important motives: doom, the danger of using force, and interference in the course of history.


Author(s):  
Roslyn Weaver

This chapter discusses the history of popular fiction in Australia. The question of place has always been central to Australian fiction, not only as a thematic element but also as a critical or political preoccupation. In part, this is because popular fiction writers, wanting to attract broad audiences, either exploited their Australian content to appeal to international readers or have excised the local to produce a generic and thus more readily accessible setting for outsiders. The chapter considers works by popular fiction writers who adopt a range of positions in relation to their focus on place, but often tackle many different aspects of Australian social and historical change. These novels cover various genres such as crime fiction, historical fiction and romance, science fiction and fantasy, and include Fergus Hume's The Mystery of a Hansom Cab (1886), Nevil Shute's On the Beach (1957), Damien Broderick's The Dreaming Dragons (1980), and Cecilia Dart-Thornton's The Ill-Made Mute (2001).


1988 ◽  
Vol 22 (3) ◽  
pp. 593-606
Author(s):  
John Villiers

The numerous and voluminous reports and letters which the Jesuits wrote on the Moro mission, as on all their missions in Asia, are perhaps of less interest to us now for what they reveal of the methods adopted by the Society of Jesus in this remote corner of their mission field or the details they contain about the successes and failures of individual missionaries, than for the wealth of information they provide on the islands where the Jesuits lived and the indigenous societies with which they came into contact through their work of evangelization. In other words, it is not theprimary purpose of this essay to analyse the Jesuit documents with a view to reconstructing the history of the Moro mission in narrative form but rather to glean from them some of the informationthey contain about the social and political conditions in Moro during the forty years or so in the sixteenth century when both the Jesuit missionaries and the Portuguese were active in the regio Because the Jesuits were often in close touch with local rulers and notables, whether or not they succeeded in converting them to Christianity, and because they lived among their subjects for long periods, depending upon them for the necessities of life and sharing their hardships, their letters and reports often show a deeper understanding of the social, economic and political conditions of the indigenous societies and, one suspects, give a more accurate and measured account of events and personalities than do the official chroniclers and historians of the time, most of whom never ventured further east than Malacca and who in any case were chiefly concerned to glorify the deeds of the Portuguese and justify their actions to the world.


2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Hera Yulita ◽  
Agus Sastrawan Noor ◽  
Yuver Kusnoto

<p class="Default" align="center"><strong>Abstrak</strong></p><p class="Default">Penelitian ini berjudul “Sejarah Syair Gulung di Ketapang”. Adapun rumusan masalah dalam penelitian ini adalah bagaimanakah sejarah syair gulung di Ketapang. Hasil penelitian ini diharapkan dapat memberikan kontribusi bagi masyarakat dan peneliti sejarah lokal yang ada di Kalimantan Barat. Penelitian ini adalah penelitian sejarah maka peneliti menggunakan metode sejarah yang ditulis dengan deskriptif analitis dengan langkah atau tahapan, yaitu : 1). Heuristik, 2). Kritik Sumber, 3). Interpretasi, 4). Historiografi. Dalam memperoleh data-data penelitian ini, peneliti menggunakan metode sumber primer, sekunder dan tradisi lisan atau folklor di dalam heuristik dengan menggunakan metode sejarah lisan.Hasil penelitian syair gulung pada awalnya hanyalah sebuah bentuk karangan atau disebut kengkarangan yang berada di Tanah Kayong, Tanah Tanjungpura yang sekarang bernama Kabupaten Ketapang. Ada juga yang menyebutnya Syair Layang karena isinya hanya selayang pandang. Lambat laun berubah menjadi syair gulung dikarenakan ditulis di atas kertas kemudian digulung dan disimpan di dalam parug burung. Isinya berupa bait-bait kata yang mengandung nasehat dan petunjuk hidup kepada masyarakat Melayu. Terdapat tiga fase syair gulung, yakni fase Kerajaan Tanjungpura yang diwakili oleh Syair Pangeran Syarif, fase kedua fase syair gulung jenaka, fase ketiga fase syair gulung berisi kritik sosial.</p><p class="Default"> </p><p class="Default"><strong>Kata kunci: </strong>sejarah, Syair Gulung, Ketapang</p><p class="Default"> </p><p class="Default" align="center"><strong><em>Abstract</em></strong></p><p class="Default"><em>The tittle of of this research is “The history of Syair Gulung”. The main problem of this research is how the history of Syair Gulung in Ketapang. The results of this research hopely could giving a contribution for the mass society and the researchers of local history studies in West Kalimantan. The research is a historical research. The methods of the research is descriptive-analitic includes four stages : 1) heuristic 2) verification 3) interpretation 4) historiography. The methodologies of research have been with a primary source, a secondary source, and oral tradition or folklore in heuristic with the oral history methods.The results of this research is in the beginning with namely of Syair Gulung is Kengkarangan, in Kayong Land, Tanjungpura Kingdom in nowdays becoming popular with Ketapang Regency. The several society knowing Syair Gulung with Syair Layang. At this time people knowing with Syair Gulung due to writed in paper and then rolled up and saved in the bird beak. The contents of Syair Gulung is a stanzas with the advice and life wisdom for Malay societies. The Syair Gulung includes three phases, such as The Tanjungpura Kingdom phase with with Syair Pangeran Syarif, The witty phase, and the social critics phase. </em></p><p class="Default"><em> </em></p><strong><em>Keywords:</em></strong><em> history, Syair Gulung, Ketapang</em>


Slavic Review ◽  
2013 ◽  
Vol 72 (2) ◽  
pp. 224-246 ◽  
Author(s):  
Matthias Schwartz

Based on a detailed analysis of published and unpublished sources, Matthias Schwartz reconstructs the making of Soviet science fiction in the cultural context of Soviet literary politics. Beginning in the 1920s, nauchnaia fantastika (scientific fantasy) became one of the most popular forms of light fiction, though literary critics and activists tended to dismiss it because of its origins in popular adventure, its ties to the so-called Pinkerton literature, and its ambiguous relationship to scientific inventions and social progress. Schwartz's analysis shows that even during high Stalinism, socialist realism's norms were far from being firmly established, but in the case of nauchnaia fantastika had to be constantly negotiated and reconstituted as fragile compromises involving different interest groups (literary politicians, writers, publishers, readers). A cultural history of Soviet science fiction also contributes to a better understanding of what people actually wanted to read and sheds new light on the question of how popular literature adapts to political changes and social destabilizations.


2021 ◽  
Vol 11 (6) ◽  
Author(s):  
Glyn Morgan

In unprecedented times, people have turned to fiction both for comfort and for distraction, but also to try and understand and anticipate what might come next. Sales and rental figures for works of fiction about pandemics and other disease outbreaks surged in 2020, but what can pandemic science fiction tell us about disease? This article surveys the long history of science fiction's engagement with disease and demonstrates the ways in which these narratives, whether in literature or film, have always had more to say about other contemporary cultural concerns than the disease themselves. Nonetheless, the ideas demonstrated in these texts can be seen perpetuating through the science fiction genre, and in our current crisis, we have seen striking similarities between the behaviours of key individuals, and the manner in which certain events have played out. Not because science fiction predicts these things, but because it anticipates the social structures which produce them (while at the same time permeating the culture to the extent that they become the touchstones with which the media choose to analyse current events). This paper demonstrates that science fiction can be a valuable tool to communicate widely around a pandemic, while also acting as a creative space in which to anticipate how we may handle similar events in the future.


Author(s):  
V. Getman

Biosphere and ethnic unity is the main factor of life existence on the Earth. Life process of any nation should harmonize with general evolutionary biosphere development. Otherwise it will be thrown away over the board by centrifugal force. Ethnic interaction with natural environment is noticed mainly on the village level and encloses not only industrial but spiritual sphere. The mentality of the Ukrainian ethnos has been forming on the base of countryside affection. Loss of this affection is an equivalent to the loss of identity of native population that has lived on the territory of modern Ukraine from the immemorial times. The diversity and resilience of natural ecosystems (picturesque nature) determine their performance and viability of the social system entities providing efficiency of labor and intellectual potential of people. Ultimately, all this provokes an energy charge, passionarity (by L.N. Gumilev), strength of national character. On the cultural position, we note that since Tripoli culture (Aratta), Russ (Kyiv) state, Hetmanshyny, Ukrainian land receives and stores still positive information (materials of archaeological excavations chronicle evidence, etc.) of people who vitally concerned about the social organization of the state, care for its unity, greatness and power among the people and countries of the Ecumene during that times. Since then our land has been infected with passion to create a state, the idea of fighting for independence and Ukrainian unity. The strength of feeling of homeland, highly emotional relationship to your native land, your native home, all that is known and is area of interest of the local geography. It has an important place in system of human values. If the fate of the Earth is the lot of human than environment starts flourishing, otherwise there will be loss of control over the natural environment and the disappearance of nation (ethnicity), as evidenced by numerous examples from the long history of entire nations and even civilizations. The strength of the Earth in its spiritual energy. Black arable of an autumn field, as a prototype of our bitter past, gives nutritious juice to spring’s green shoots. Spirit of the land is in black bread, which we consume, in breast milk, in the character of a young child, in the wisdom and will of the new generation of Ukraine!


Author(s):  
Tadashi Nagasawa

American science fiction has been a significant source of ideas and imagination for Japanese creators: they have been producing extensive works of not only written texts but also numerous films, television shows, Japanese comics and cartoons (Manga and Animé), music, and other forms of art and entertainment under its influence. Tracing the history of the import of American science fiction works shows how Japan accepted, consumed, and altered them to create their own mode of science fiction, which now constitutes the core of so-called “Cool-Japan” content. Popular American science fiction emerged from pulp magazines and paperbacks in the early 20th century. In the 1940s, John W. Campbell Jr. and his magazine Astounding Science Fiction had great impact on the genre, propelling its “Golden Age.” In the 1960s, however, American science fiction seemed dated, but the “New Wave” arose in the United Kingdom, which soon affected American writers. With the cyberpunk movement in the 1980s, science fiction became part of postmodernist culture. Japanese science fiction has developed under the influence of American science fiction, especially after WWII. Paperbacks and magazines discarded by American soldiers were handed down to Japanese readers. Many would later become science fiction writers, translators, or editors. Japanese science fiction has mainly followed the line of Golden Age science fiction, which speculates on how science and technology affect the social and human conditions, whereas the New Wave and cyberpunk movements contributed to Japanese postmodernism. Japanese Manga, Animé, and special effects (SFX) television shows and films (Tokusatsu) are also closely related to science fiction and have developed under its influence. Even as works of the Japanese popular culture owe much to American science fiction, they have become popular worldwide.


2017 ◽  
pp. 56-63
Author(s):  
Jiat-Hwee Chang

This article situates the emergence of pioneer modern architects and architecture of Singapore in the longer history of colonial and post-colonial modernities and modernization, and in relation to socio-economic forces of capitalism and socio-political influences of the modern state in both the colonial and post-colonial eras. Rather than understand modern architecture in terms of style, this article goes behind style to explore the social, economic, technological and political conditions of producing modern architecture.


Transilvania ◽  
2021 ◽  
pp. 1-8
Author(s):  
Ciprian Streza

Migration, as the displacement of peoples, triggered throughout the centuries by wars, natural disasters, political oppression, poverty and famine, religious persecution is a profound human experience and an intimate part of the biblical saga from the beginning, along with the social, anthropological and spiritual issues it raises. The history of Israel is rooted in migration and the Jewish Diaspora is the most extensive and well documented migrations in antiquity. The wandering of the patriarchs, the Exodus, the exile, the dispersion and the return to Jerusalem are embedded in the consciousness of the people of Israel and helped define their character as a people and the nature of their relationship to God. For the Christian Church, migration was a phenomenon that configured its history and forced it to define itself and to specify the eschatological goal of its missionary. The patristic writings of the first centuries indicate that Christians have always considered themselves pilgrims to the heavenly homeland, not having a particular homeland here on earth, although they have always managed to adapt to the social and political conditions of the times. Starting from these historical, social and spiritual premises, the present study proposes a reflection both from a biblical and patristic perspective on the migration phenomenon, trying to offer the premises of a debate in the space of orthodox theology on this current topic.


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