scholarly journals Poetry Writing: A Process of Finding One’s Own Voice

Author(s):  
Marcelo Pagliarussi

This article presents, in the form of a free-verse poem, the trajectory by which the author discovered how to unleash his voice as an academic writer. The poem describes how the author became completely disillusioned with the processes and products of mainstream academic journals in accounting and business, and how the discovery, by serendipity, of a chapter presenting writing as a method of inquiry, by Richardson and St. Pierre, invigorated his academic career. Then, inspired by a series of letters written by the German poet Rainer Maria Rilke, the author presents a writing process that may be useful for other authors seeking to get rid of the standard academic “non-style” of writing and find their own voices.

1998 ◽  
Vol 86 (2) ◽  
pp. 428-430
Author(s):  
Mary Gende ◽  
Roy King

Preference for visual complexity is shown to be correlated with an imagistic and metaphoric style of writing poetry for individuals participating in a poetry therapy group.


2017 ◽  
Vol 2 (2) ◽  
pp. 126
Author(s):  
Bonnie Lynn Nish

When asked to find a visual expression of my writing process for a first year PhD writing class, I saw a chance to unblock whatever was making it difficult for me to write. Searching for a meaningful way into my story, my ideas were reflected back through images of eyes – the eyes of strangers, my own eyes, and finally through the eyes of those who cared about me. Four years after a Mild Traumatic Brain Injury impacted my life, I returned to pursue an academic career. Symptoms that I thought had been put to rest were once again haunting me and my frustration level was escalating. Trying to find my way back into an academic existence was not an easy journey. The visual inquiry into eyes became a door through which I was able to gain back my words. Using poetic and narrative inquiry allowed for a further opening of releasing obstructions.


Author(s):  
Erin Templeton

Thomas Stearns Eliot (1888–1965) was an essayist, editor, playwright, poet, and publisher. He was awarded the Nobel Prize in Literature in 1948. He is perhaps best known for his long poem The Waste Land. Eliot was born in St. Louis, Missouri and attended Harvard University, where he earned his bachelor’s degree in philosophy. Eliot’s postgraduate studies in philosophy took him to the Sorbonne in 1910/11 and to Oxford in 1914. Once he arrived in England, however, he spent much of his time in London. There he met two of the most influential people of his literary life: the American poet Ezra Pound and a young Englishwoman named Vivienne Haigh-Wood, whom Eliot would marry in 1915 after a four-month courtship. Pound encouraged Eliot, who had been planning an academic career, to keep writing poetry and to submit "The Love Song of J. Alfred Prufrock" to Poetry magazine for publication. In addition to writing poetry, Eliot also took a position with Lloyd’s Bank in 1917, managing foreign accounts. Pound and Eliot frequently collaborated and critiqued each other’s work throughout the 1920s and 1930s and remained friends until Eliot’s death, despite divergent political and religious paths. The most famous of these collaborations, The Waste Land, has been documented in a published facsimile edition of the poem (1972) that reveals Pound’s numerous comments on Eliot’s manuscript. The Waste Land is revolutionary both in its form, free verse, and its subject matter, which links urbanization, technology, sexuality, and post-war alienation to dozens of classical allusions in seven languages. The poem is a pastiche of voices and fragments linked both thematically and tonally.


2019 ◽  
pp. 176-195
Author(s):  
Gabriel Egan

The work touches on the popular concept of the relationship between society and the writing process, suggesting the relevance of certain ideas stemming from Karl Marx for the study of the Shakespearean legacy. Marx’s idea that creative potential shines at its best in society, and that personal freedom emerges through interconnectedness of individuals, rings new and up to date in the modern world and for Shakespearean studies in particular. Through examples taken from Shakespeare’s plays and examination of professional organization of literary research in the form of academic journals and international associations, this paper argues that the Marxist image of society helps to consider literary creativity from a new viewpoint. Invoking the latest discoveries in the feld of Shakespeare biography and professional practices, especially his extensive collaboration with other playwrights, the article demonstrates how ideas of the two great thinkers and writers, Shakespeare and Marx, interact in the sphere of the best contemporary literary-critical practices.


2014 ◽  
Vol 29 (7/8) ◽  
pp. 601-609 ◽  
Author(s):  
Ross Brennan ◽  
Nektarios Tzempelikos ◽  
Jonathan Wilson

Purpose – The purpose of the study is to identify and discuss critical aspects of the academic/practitioner gap and suggest how to make marketing research more relevant. Design/Methodology/Approach – The study uses data from an earlier study of eight qualitative interviews conducted with business-to-business (B2B) marketing practitioners and from an earlier quantitative study among 128 academics and 510 marketing research practitioners. The data are re-analyzed for this article. Findings – Results show that academics and practitioners agree that academic research should be of more practical value. However, their priorities differ. For academics, publishing in refereed journals is the first priority and influencing practice is of much lower priority, while practitioners are not interested in the methodological and theoretical advances of marketing research; their priority is to satisfy day-to-day practical needs. Hence, practitioners have no interest in academic journals. The academic reward system tends to reinforce this divide because academic career progression depends substantially on the production of refereed journal articles. Research limitations/implications – Much prior consideration has been given to how academic journals can be made more relevant to practitioners, which is a desirable goal. However, a more fruitful approach for B2B academics would be to embrace new technologies such as blogging and social media to reach practitioners through their preferred channels. If greater relevance is to be achieved, then consideration needs to be given to the views of doctoral students, and to doctoral training processes in B2B marketing. Practical implications – The study provides academics with guidance concerning how marketing research can have a greater effect on the practice of marketing. Social implications – Originality/value – The study contributes to the research base by identifying and discussing critical aspects of the academic/practitioner gap. The study also offers insights into how managerial relevance in marketing research can, practically, be improved.


2020 ◽  
Vol 6 (1) ◽  
pp. 69-94
Author(s):  
Tatiana Szczygłowska

This paper reports on an analysis of stance expressions in a 439,490-word corpus of Ken Hyland’s academic prose, encompassing 64 single-authored texts from journals, edited collections and his own monographs. Using WordSmith Tools 6.0, the study aims to find out how this expert academic writer creates his authorial self through stance mechanisms. The results reveal that Hyland’s authorial participation in his discourse is mostly manifested through hedges, somewhat less definitely through boosters, but relatively infrequently by attitude markers and self-mention. The choice of the specific stance devices indicates a preference for detached objectivity when formulating empirically verifiable propositions and a shift towards subjectivity when referring to discourse acts and research methodology. These findings contribute to our understanding of stance-taking expertise in applied linguistics and may thus assist novice writers in the field in a more effective management of their own performance of self in academic prose.


2010 ◽  
Vol 6 (1-2 (7)) ◽  
pp. 169-175
Author(s):  
Karina Asatryan

Siamanto’s poetry is closely connected with the metrical characteristics of medieval poetry. Writing in accordance with the basic structural standards of free verse he connected the poetic meters of Armenian medieval lyrical poetry with various stylistic elements of modern poetry of the start of the century. The article presents poetic meters which were used by both several medieval poets, and Siamanto. The structural changes carried out by Siamanto have also been partly addressed in the present article.


MABASAN ◽  
2018 ◽  
Vol 11 (2) ◽  
Author(s):  
Lalu Fakihuddin

The purposes of the research are (1) to increase the activity of student in writing poem byapplying creative and productive studying model through Lesson Study activities; and (2) toincrease the quality of expressive poetry writing process through Lesson Study activities. Inorder to achieve the goals, Lesson Study includes planning, executing, and observing. Theall three stages have been done in four time/cycles in the Lesson Study lectures. Lecturesand every cycle (1 to 4), had been focused on expressive modern poetry writing based ontopic such as private name, disastrous event, beauty of nature, social events/problem, andpolitical problem. Every part of study has been presented/done in creative and productivestudying model which is based on fundamental principles of creative and productivelearning such as orientation, exploration, interpretation, and re-creation. The result of thisresearch are (1) implementation of creative and productive studying model based oncontextual problem through Lesson Study activity in creative literature writing, especiallymodern poetry writing can increase the creativity of students, (2) creative and productivestudying model through Lesson Study activity can increase quality of creative literaturewriting subject . It can be seen from the increasing in liveliness, self-service andcooperation and motivation of the student in solving tasks that had been assigned in thestudy. It is noteworthy that students also think that this method is interesting and enjoyable.


2011 ◽  
Vol 1 (1) ◽  
pp. 79-87 ◽  
Author(s):  
David I. Hanauer

This aim of this brief paper is to promote the scientific study of creative writing and make it an integral part of the research agenda of the scientific study of literature. This paper focuses on the genre of poetry and is organized around three basic questions: (1) What do we currently know about poetry writing? (2) Why study poetry writing? (3) How can poetry writing be studied? Together the answers to these questions provide a rationale for the proposed research agenda and an overview of ways in which this project can be accomplished. A review of the literature on poetry writing reveals a process which involves extensive revision within a recursive writing process that reaffirms the characterization of poetry as a genre that combines attention to meaning with attention to form.


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