„TEK U PARIZU ZAPLAKALI SU PRVI PUT”: SLIKA PARIZA U ROMANU O LONDONU MILOŠA CRNjANSKOG

Lipar ◽  
2021 ◽  
Vol 22 (75) ◽  
pp. 49-72
Author(s):  
Časlav Nikolić ◽  
Keyword(s):  
Main Character ◽  
Modern Subject ◽  
Relationship Of ◽  
The Relationship ◽  
A Current

/ The paper examines the image of Paris in Miloš Crnjanski’s A Novel of Lon- don: at first as a space of memory of the main character, and then as a figure of urban semiology. Paris is reflected in the situations, faces and conditions that determine the Russian emigrant in London, so we see it as a city in a relationship of doubling. As a double to London, Paris represents an urban ambience that participates in building the story of Ryepnin and Nadya. It is not a current existential space, but a city of memories of events, performances and accidents that will be repeated and magnified in London. Paris is an important mnemotope in Crnjanski’s book, which articulates the relationship between memory and oblivion as a framework for the dramatic manifestation of the existence of the modern subject and the poetics of modernist narration. Although it is not the only place of such orientation, Paris is marked as that figure of the urban through which Ryepnin passes into the game of signs and thus irrevocably eludes others, London, Russia, himself. Paris and the French legion of foreigners are signs whose effects enable the hero to hide his disappearance from others when he leaves London.

scholarly journals Relationship of Characters and Illustration in Short Story 9 Dari Nadira By Leila S. Chudori

2021 ◽  
Vol 1 (2) ◽  
pp. 86-101
Author(s):  
Sri Ayu Kusumaningsih ◽  
Ahmad Bahtiar
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Qualitative Method ◽  
Main Character ◽  
Long Time ◽  
Relationship Of ◽  
The Relationship ◽  
Semiotic Theory ◽  
Descriptive Qualitative

This study is to find out the relationship of characters to illustrations in a collection of 9short stories from NadiraKarya Leila S. Chudori. In the collection, there are four short stories that contain illustrations of the main characters namely "Melukis Langit”, "Tasbih", "Sebilah Pisau", and "At Pedder Bay". The method used in this research is descriptive qualitative method by using Charles Sanders Pierce's Semiotic Theory which includes sign and object. The study of characterization or characterization is done in two methods namely direct (telling) and indirect (showing). The results of  this study indicate that out of the 4 short stories analyzed only 3 short stories that have character relationships with illustrations, namely the short story "Melukis Langit", "Tasbih" and "Sebilah Pisau". Short story of "Melukis Langit" depicts Nadira's character who is strong against her father's behavior since the death of his mother. The short story illustration shows Nadira crying in the bathroom to vent her sadness. Short story "Tasbih" describes Mr. X with a mysterious character illustrated by showing Mr. X's face full of mystery while the short story "Sebilah Pisau" tells Kris who is Nadira's secret admirer. Kris's character is displayed with illustrations illustrating the event when Nadira was surprised to see Kris's table filled with Nadira's picture. Short story "At Pedder Bay" tells Nadira's old friend Marc who is also an admirer of Nadira for a long time. The main character, Marc in this short story is not illustrated in the illustration. The short story shows a background, namely the lake and the figure of the woman sitting pensively. 

Use of Electrical Currents to Delay Intravascular Thrombosis in Experimental Animals

1956 ◽  
Vol 187 (3) ◽  
pp. 473-478 ◽  
Author(s):  
Philip N. Sawyer ◽  
Bernhard Deutch
Keyword(s):  
Controlled Experiments ◽  
Electrical Currents ◽  
Experimental Animals ◽  
Canine Experiments ◽  
Intravascular Thrombosis ◽  
Relationship Of ◽  
The Relationship ◽  
A Current

Previous studies on the relationship of electric phenomena to intravascular thrombosis have been discussed. On the basis of these studies, canine experiments were designed to determine whether or not a negatively charged electrode could by means of its oriented current prevent formation of a thrombus in an injured vessel. Using electrodes of several types a series of controlled experiments were performed which demonstrate that a current created by the technique used would delay intravascular thrombosis for periods up to 12 hours.

From one photograph to the next or how to touch the spectator – Avignon 2000, skin-deep

2001 ◽  
Vol 9 (3) ◽  
pp. 369-383 ◽  
Author(s):  
PATRICE PAVIS
Keyword(s):  
Skin Effect ◽  
Eye Contact ◽  
Tactile Perception ◽  
Main Character ◽  
The Subject ◽  
Multiple Levels ◽  
The Spectator ◽  
Relationship Of ◽  
The Relationship ◽  
Bone Effect

This paper critically reviews seven productions at Avignon 2000. The first was ‘Le chant perdu des petit riens’. This corresponds to visual and tactile perception bound to the hand and skin. ‘Le Petit Köchel’ is a story of Mozart devoured by the Heifetz sisters, two virtuoso violinists. The non-lyrical dry writing is made up of very dry statements that distance the observer; the result seems to resolve into an attractive ‘skin effect’ and a repulsive ‘bone effect’. In the ‘Ruines romaines’ relations between people are a field of ruins; individuals are obsessed by bad feelings and disgust. Bones stick out to signify the excessive fixity of ideals. In ‘Terres promises’ the enigma of textual and scenic images overwhelms the spectator; the subject wants to be guided by an organizing principle, the resemblances are explored at multiple levels. In ‘La Peau d'Elisa’ the relationship of flesh and clothing is emphasized; the main character can only communicate after eye contact. ‘Andromaque’ is a modern interpretation of a great classic. Finally ‘La Mouette’ shows the heroine immersed in feathers from a disembowelled pillow; the ambiguity of meaning is emphasized and the production is maintained between intellectuality and sensuality.

scholarly journals Przymus przemiany. Serial „Hannibal” jako krytyka kultury terapeutycznej

2021 ◽  
Vol 26 ◽  
pp. 287-303
Author(s):  
Agata Koprowicz
Keyword(s):  
Cultural Norms ◽  
Ideal Self ◽  
Therapeutic Culture ◽  
Contemporary Culture ◽  
Modern Subject ◽  
Liberal Societies ◽  
The Right ◽  
Relationship Of ◽  
The Relationship ◽  
Main Thread

The article is an analysis of the Hannibal series (2013–2015) made by Bryan Fuller with reference to therapeutic culture. Hannibal is presented as a manifestation of the critique of contemporary culture, which focuses on the relationship of subject and power in therapeutic culture in Western liberal societies. The main thread that has been analysed is the relationship between the main characters: Will Graham and Hannibal Lecter. The article presents the origin of therapeutic culture and the category of “psychological man” (P. Rieff). The relationship between Will and Hannibal is not a meta-image of contemporary therapeutic culture in general, but its dark face. The series shows the culture of therapy brought to its limits, where norms are not so much exceeded, but subverting. Hannibal Lecter is presented as the “ideal self” of liberal societies, an entity free from cultural norms in an absolute way. Will is opposed to him. His personality does not allow classification, just as a modern subject does not want to be classified, because it would mean pinning him to one place and making it impossible for him to develop. An important problem in the article is “coercion of change”. The “right to change” legitimised by the liberal system changes into “coercion of change” in the series. The requirement of “full life” means that standing in a place is something undesirable, live in a real way is to experience of something new, to change — even if it means a transformation into a murderer. In the end it is argued that “being yourself” is an effect of power in therapeutic culture.

scholarly journals WOMEN IN MALAVIKAGNIMITRA OF KALIDASA

HARIDRA ◽  
2021 ◽  
Vol 2 (06) ◽  
pp. 49-54
Author(s):  
Sapna OP
Keyword(s):  
Social System ◽  
Social Life ◽  
Main Character ◽  
Female Characters ◽  
The Social ◽  
Relationship Of ◽  
The Relationship

This study is intended to understand the diversity of the depictions of female characters in the play Malavikagnimitra by Kalidasa.This is Kalidasa's first play that features historical characters. The storytelling style is male-centric. But one thing that seems most interesting is the abundance and variety of female characters in this play. It also examines the relationship of female characters to the main character in the context of the social system of the time. It is an attempt to understand the personal and social life of women marked in Malavikagnimitra.

scholarly journals Образ „гордой полячки” в пьесе Леонида Зорина „Варшавская мелодия”

2018 ◽  
pp. 111-122
Author(s):  
Natalia Popovich
Keyword(s):  
Life History ◽  
Life Experience ◽  
Russian Literature ◽  
Main Character ◽  
History Of ◽  
Strong Woman ◽  
Relationship Of ◽  
The Relationship

Helena is the main character of this play and she is the author’s porte parole.This character develops stereotype of „a proud Polish woman” and continues the19th century plot in Russian literature (the relationship of a strong woman and a weakman). The main character’s features are: sacrifice, ability to love and forgive, will to fight for personal matters. In Warsaw melody we can see that love and social themes are bound together — the conflict is not between person, but a man and the country. A Polish woman is a symbol of higher culture, she wants to overcome fear of what happens tomorrow, that is induced by her WWII life history, and gains life experience due to herpossibility to analyze and summarize. In the text we can find the author’s allusionsto the tragic history of Poland during WWII.

scholarly journals FEMINISM PORTRAYED IN GRETA GERWIG’S MOVIE LITTLE WOMEN; ANALYSIS IN MODERN ERA

2021 ◽  
Vol 6 (2) ◽  
pp. 104-116
Author(s):  
Nurmala Dewi ◽  
Tatia Ishlah Medina
Keyword(s):  
The Other ◽  
Main Character ◽  
Liberal Feminism ◽  
Library Research ◽  
Little Women ◽  
Relationship Of ◽  
The Relationship ◽  
Modern Era ◽  
Type Radical ◽  
Psychoanalytic Feminism

This paper discussed feminism in the Little Women movie directed by Greta Gerwig in 2019. This movie is adapted from Louisa May Alcott’s novel which was written initially in 1868. This study aimed to find out how feminism is described through the leading character. The other objective is to search the types of feminism on main character refers to Tong and Botts’s theory. The writer used descriptive qualitative methods which content analysis of the movie.  All data is presented in the form of words and sentences and used library research as a way to collect data by reading and selecting quotations from the Little Women movie. As the result, it is found that there are five types of feminism: Liberal Feminism type, Marxist Feminism and Socialist type, Radical libertarian Feminism type,  Psychoanalytic Feminism type, and Postmodern Feminism type. Besides the types of feminism, the discussions depicted  feminism impact to the characters among women and  sends the views and values in women personal life  with connected to the relationship of family matters as well.

scholarly journals RELIGIOSITAS TOKOH UTAMA DALAM NOVEL NADZAR- NADZAR JIWA KARYA BUDI SULISTYO EN-NAFI (The Main Character’s Religiosity in Sulistyo En-Nafi’s Novel “Nadzar-Nadzar Jiwa”)

2016 ◽  
Vol 7 (2) ◽  
pp. 143
Author(s):  
Agus Sulton
Keyword(s):  
Main Character ◽  
Human Beings ◽  
Data Source ◽  
Relationship Of ◽  
The Relationship ◽  
Descriptive Method

Novel Nadzar-Nadzar Jiwa karya Budi Sulistyo En-Nafi menggambarkan religiositas tokoh utamanya.Penelitian ini bertujuan memperoleh informasi secara deskriptif sikap religiositas tokoh utama yang terdapat dalam novel Nadzar-Nadzar Jiwa. Metode penelitian yang digunakan adalah metode deskriptif. Metode ini dipandang sesuai dengan masalah dan tujuan penelitian yang telah ditentukan. Metode ini berusaha mendeskripsikan sejumlah masalah religiositas dalam novel Nadzar-Nadzar Jiwa karya Budi Sulistyo En-Nafi.Sumber data penelitian ini adalah novel Nadzar-Nadzar Jiwa karya Budi Sulistyo En-Nafi yang diterbitkan pada tahun 2009. Dari hasil analisis yang dilakukan dapat diperoleh hasil penelitian, yaitu sikap religiositas tokoh utama yang digambarkan berupa hubungan tokoh utama dengan Tuhan, hubungan tokoh utama dengan sesama manusia, dan hubungan tokoh utama dengan hakikat hidup. Bertitik tolak dari hasil tersebut, disimpulkan bahwa novel Nadzar-Nadzar Jiwa karya Budi Sulistyo En-Nafi berisi kisahperjuangan sosok Anas dalam mencapai harapannya untuk sukses.Abstract:Budi Sulistyo En-Nafi’s Nadzar-Nadzar Jiwa describes main character’s religiosity. This study intends to gain information regarding main character’s religiosity depicted  in the story. The study employs a descriptive method. The method is as considered suitable to the problem and the aim of the study. This method attempts to describe a number of religiosity problems in Budi Sulistyo En-Nafi’s Nadzar-Nadzar Jiwa. The data source of this study is Budi Sulistyo En-Nafi’s novel  “Nadzar- Nadzar Jiwa” published in 2009.The result of the analysis reveals that the attitudes of main character’s  religiosity  were depicted in the form of God’s relationship with the main character, the relationship of main character with fellow human beings, and the relationship of main character with the essence of life. Based on the findings, it is concluded that Budi Sulistyo En-Nafi’s Nadzar- Nadzar Jiwa contains the story of Anas’ life struggle, as the main character, in his expectation to succeed in life.

scholarly journals Axiology of Subject of Declarative-Publicistic Poetry (First Collection of Soviet Kabardian Poets “First Step”)

2021 ◽  
pp. 265-281
Author(s):  
I. A. Kazharova ◽  
A. R. Borova
Keyword(s):  
Semantic Content ◽  
Main Character ◽  
Intercultural Interaction ◽  
Soviet Literature ◽  
Temporal Aspects ◽  
The New Woman ◽  
The Subject ◽  
Relationship Of ◽  
The Relationship ◽  
Typical Subject

The problem of the axiology of the subject of declarative-publicistic poetry is considered in the article. The concepts of “publicistic poetry”, “declarative-publicistic poetry”, “propaganda poetry” are commented on. On the basis of a number of works devoted to the image of the “new woman”, which was actual in the proletarian poetry of the 1920s and 1930s, the elements defining the axiology of the subject are revealed. The collection of Soviet Kabardian poetry “First step” is researched. The purpose of the article is to reveal the nuances of value, which in the national “variants” of Soviet literature supplemented the canons of expression of a typical subject that have developed in Russian propaganda poetry. Attention is paid to the semantic content of the poetic “we”, the spatial and temporal aspects of the representation of the poetic subject, the nature of the relationship of the poetic statement subject to the main character. The axiological subtext of the details of clothing is demonstrated in the context of the opposition of two temporal plans, which is relevant for agitation poetry. It is proved that the representation of the subject of agitation poetry at the junction of two time plans is for the authors of “The First Step” the most functional aspect of his axiology. The relevance of the study is determined in the light of the problem of intercultural interaction, the perception by a particular culture of ways of expressiveness that are uncharacteristic for it, the formation of an unusual subject of poetic thinking.

scholarly journals In the belly of the Behemoth: a study of law and nonlaw in the context of "The Kindly Ones", by Jonathan Littell

2019 ◽  
Vol 5 (1) ◽  
pp. 277-316
Author(s):  
Rafael Tomaz de Oliveira
Keyword(s):  
Soviet Union ◽  
Law And Literature ◽  
Political Regime ◽  
The Novel ◽  
Main Character ◽  
Doctor Who ◽  
The Soviet Union ◽  
Legal Forms ◽  
Relationship Of ◽  
The Relationship

This article is based on the novel “The Kindly Ones”, by Jonathan Littell, and its main objective is to explore the experiences of its main character, Maximilien Aue, a Nazi officer, an SS member, a jurist, and a juris doctor, who on several occasions assumed the condition of executioner in one of the Einsatzgruppen that acted in the rear of the German front during the War against the Soviet Union. This study seeks to explore the relationship of this character with a political regime marked by authoritarianism and the erosion of the legal forms that characterize a Rechtsstaat – metaphorized in the figure of the Behemoth, in the interpretation given by Franz Neumann. The methodological structure is guided by strategies of approximation between law and literature, in order to allow, from the construction of a common hermeneutic situation, different ways of relating to the truth established in these two fields of knowledge to access new interpretations in order to analyze the intricate relationship between law and authoritarianism. The outcome, starting from Max Aue’s tragic experience, illuminated the fate reserved for those who, as people or individuals, had awakened the Erinyes from their benevolent sleep.

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