scholarly journals PTICE U PROSTORNIM I VREMENSKIM MODELIMA USMENE LIRIKE

2021 ◽  
Vol 18 (49) ◽  
pp. 239-252
Author(s):  
Ana Vukmanović
Keyword(s):  
Human Experience ◽  
The Other ◽  
Other Hand ◽  
Temporal Models ◽  
Human World ◽  
Other World ◽  
Model Year ◽  
Axis Mundi

The paper shows how human experience of nature influences poetic of oral lyric, more precisely – formation of spatial and temporal models. The functions of birds in these models are determined by their characteristic of flying and singing. Birds have an important role in constructing cosmic notions (axis mundi, hierogamic union, celestial world and master of rain). As ambiguous, birds belong to tame and wild, human and inhuman world. They can easily cross the boundaries in both directions – they arrive from the other world in the human world, and fly away from the human world to the ulterior one. They connect different spheres by their flight or voice – sky and earth, earth and water, mountain, water and field. Birds can equally belong to the far away spaces and the space of home. They mark crucial moments, tem- poral boundaries and intervals within the temporal models, but they are most often associated with morning and magical clean time. On the other hand, the songs model year cycle by the motif of migration of birds. As a part of one’s own and alien world, birds are important part of notion of nature in oral lyric songs.

scholarly journals FOREST IN THE BASHKIRS' VIEW OF THE WORLD

2022 ◽  
pp. 33-40
Author(s):  
Ю. А. Абсалямова
Keyword(s):  
World View ◽  
Construction Materials ◽  
The Other ◽  
Aesthetic Perception ◽  
Food Protection ◽  
Other Hand ◽  
The World ◽  
Other World ◽  
The One ◽  
The Relationship

В статье анализируются особенности восприятия лесного пространства башкирами. На основе языковых, фольклорных материалов сделана попытка раскрыть различные аспекты взаимоотношений лес - человек, образ леса в картине мира башкир. Как и в большинстве традиционных культур, в целом мифологический образ леса носит отрицательный характер. В фольклоре он часто описывается как тёмный, мрачный, неизвестный, таящий опасности, противопоставляясь обжитому и освоенному пространству селений. Лесной пандемониум также представлен в основном отрицательными персонажами. В целом образ леса в традиционной картине мира башкир предстаёт довольно неоднозначным. С одной стороны - это категория, связанная с потусторонним миром, неизведанная, «чужая» территория. С другой - лес издавна являлся источником различных благ - в виде строительного материала, пушнины, различных продуктов питания, укрывал от врагов. The article analyzes the features of Bashkirs' perception of the forest space. On the basis of the materials of the epos, folklore, folk ideas, an attempt was made to reveal the various aspects of the relationship between forest and man, the image of the forest in Bashkirs' world view. As in most traditional cultures, the mythological image of the forest as a whole is negative. In folklore, it is often described as dark, gloomy, unknown, fraught with danger, being contrasted with the inhabited and developed space of the villages. The forest pandemonium is also represented mainly by negative characters. On the other hand, in the domestic perception forest is valued for the benefits derived from it: shelter, food, protection from enemies. In addition, Bashkirs, distinguished by a developed aesthetic perception and contemplative thinking, appreciated its beauty, which is also reflected in folklore. In general, the image of forest in the Bashkirs' traditional view of the world appears rather ambiguous. On the one hand, it is the category associated with the other world, unknown, «foreign» territory. On the other hand, the forest has long been a source of various benefits - in the form of construction materials, furs, various food products, and it sheltered them from enemies.

scholarly journals Universální život a život lidský. K ontologii přírody u Jana Patočky a Maurice Merleau-Pontyho

REFLEXE ◽  
2021 ◽  
Vol 2021 (60) ◽  
pp. 29-63
Author(s):  
Martin Rabas
Keyword(s):  
Present Article ◽  
Human Life ◽  
Descriptive Analysis ◽  
Human Experience ◽  
The Other ◽  
Philosophical Approach ◽  
Other Hand ◽  
Inorganic Matter ◽  
The World ◽  
The One

The present article has two objectives. One is to elucidate the philosophical approach presented in the so-called Strahov Systematic Manuscripts of Jan Patočka in terms of consciousness and nature. The other is to compare this philosophical approach with Maurice Merleau-Ponty’s theses on nature, as elaborated in 1956–1961, and to point out some advantages and limitations of both approaches. In our opinion, Patočka’s philosophical approach consists, on the one hand, in a descriptive analysis of human experience, which he understands as a pre-reflective self-relationship pointing towards the consciousness of the world. On the other hand, on the basis of this descriptive analysis Patočka consequently explicates all non-human life, inorganic matter, and finally the whole of nature as life in its own right, the essence of which is also a certain self-relation with a tendency towards consciousness. The article then briefly presents Merleau-Ponty’s theses on nature, and finally compares them with Patočka’s overall theses on nature. The advantage of Patočka’s notion of nature as against Merleau-Ponty’s is that, in Patočka’s view, nature encompasses both the principle of unity and individuality. On the other hand, the advantage of Merleau-Ponty’s understanding of nature as against Patočka’s lies in the consistent interconnectedness of the infinite life of nature and the finite life of individual beings.

The Animistic Way: Contemporary Paganism and the Posthuman

Poligrafi ◽  
2021 ◽  
pp. 107-127
Author(s):  
Victoria Dos Santos
Keyword(s):  
Natural World ◽  
Julia Kristeva ◽  
The Other ◽  
Relational Ontology ◽  
Other Hand ◽  
The World ◽  
Human World ◽  
The Subject ◽  
The One ◽  
Contemporary Paganism

This article aims to explore the affinities between contemporary Paganism and the posthuman project in how they approach the non-human natural world. On the one hand, posthumanism explores new ways of considering the notion of humans and how they are linked with the non-human world. On the other hand, Neopaganism expands this reflection to the spiritual domain through its animistic relational sensibility. Both perspectives challenge the modern paradigm where nature and humans are opposed and mutually disconnected. They instead propose a relational ontology that welcomes the “different other.” This integrated relationship between humans and the “other than human” can be understood through the semiotic Chora, a notion belonging to Julia Kristeva that addresses how the subject is not symbolically separated from the world in which it is contained.

Zwei-Reiche-Lehre und Widerstand gegen die Staatsgewalt. Entfaltung einer Bemerkung Bonhoeffers

2018 ◽  
Vol 78 (4) ◽  
pp. 264-279
Author(s):  
Lukas Ohly
Keyword(s):  
Human Experience ◽  
The Other ◽  
Political Justice ◽  
Other Hand ◽  
The One ◽  
Two Kingdoms

AbstractA passage from one of Bonhoeffer’s prison letters hints at a diversification of Luther’s doctrine of the two kingdoms. Thus Bonhoeffer solves a dilemma: On the one hand, the doctrine of the two kingdoms does not support rogue regimes. On the other hand, Bonhoeffer escapes the danger of dissolving political justice by religious fanaticism. The solution, which is recon­structed in this essay, consists of a non-principal, but nevertheless evident situation of decision in favor of resistance. Any possible objections against this proposition are countered by the theological phenomenon of »Widerfahrnis« of human experience.

scholarly journals Translation, Interpretation, and Common Meaning: Victoria Welby’s Significal Perspective1

2008 ◽  
Vol 20 (1) ◽  
pp. 13-98 ◽  
Author(s):  
Susan Petrilli
Keyword(s):  
Nineteenth Century ◽  
The Other ◽  
Translation Theory ◽  
Other Hand ◽  
The World ◽  
Human World ◽  
Theory Of Value ◽  
The One

Abstract As she worked through the nineteenth century Victoria Welby elaborated a fascinating theory of translation based on her theory of sign and meaning, which she designated with the term significs. This means to say that, on the one hand, Welby’s theory of translation took account of the vastness and variety of the world of signs, therefore of the unbounded nature of translative-interpretive processes which cannot be limited to the mere transition from one language to another. The condition for interlingual translation in the human world is the larger context where translative processes converge with life processes and maybe push beyond in what would seem to be an unbounded cosmic dimension. On the other hand, that Welby should have related her translation theory to her theory of sign and meaning also implies that she founded her translation theory in a theory of value recognizing the inevitable importance of the latter when translating within a single language as much as across different languages in a plurilingual and intercultural world. Ultimately, in the properly human world, to translate means to interpret, that is, to translate transfiguring and transvaluating significance.

scholarly journals The Feast: sense and fullness in the experience of finite

2019 ◽  
Vol 2 (2) ◽  
Author(s):  
Maurizio Pagano
Keyword(s):  
Everyday Life ◽  
Human Experience ◽  
The Other ◽  
Human Society ◽  
Religious Dimension ◽  
Other Hand ◽  
Full Life ◽  
Modern Era

The feast introduces an interruption in the flow of everyday life. Within the limits marked by such an interruption, a form of experience different from the ordinary takes place. The time of feast evokes and makes present the sacred time in which events that founded human society took place. In festivals, on one hand, one can grasp and represent the meaning that grounds human experience; on the other hand, a form of full life takes place. In the modern era, festivals lose their connection with the religious dimension, and such features fade away. Yet they do not disappear entirely. They are grasped in a fragmentary way, and this is enough to turn them into marks of resistance against the reduction of human experience to a purely utilitarian dimension.

scholarly journals A composição de imaginários assombrosos pelo sonoro único proposto nos filmes de animação de Fernando Cortizo

2020 ◽  
Author(s):  
Helena Maria da Silva Santana ◽  
Maria do Rosário da Silva Santana
Keyword(s):  
Human Experience ◽  
The Other ◽  
Visual Narrative ◽  
Musical Work ◽  
Evolution And Development ◽  
Philip Glass ◽  
Other Hand ◽  
New Look

In the analysis of the work of an author, we can see his evolution and development, not only at a technical and stylistic level, but also in the themes that define his being, his having, and his art. Through The Doll Thief, The Promise, The Cat Groomer and The Apostle of Fernando Cortizo we will analyze various work contents, in order to perceive in what way the music illustrates an imaginary, and how the use the stopmotion technique produces a discourse and a visual narrative, that will be used also by the composers Josh Rouse, Carlos Fernandez and Philip Glass in the structure of a sonorous that shows itself the author.It is our intention to perceive how the musical work is raised in order to elucidate these contents in the filmic proposals. We will look for facts and arguments that allow us to say whether the musical work, and the various elements that constitute it, are redefined in order to integrate better into the filmic contents, or if, on the other hand, they remain the same. We want to see if music emphasizing the image and builds another level of meaning, an alternative way of experiencing reality that, when not informed, appears cruel. In this set of films, filmmaker and other authors, draw a new look on human experience, allowing us a different reading of what is life, death, cruelty, sinister, ghostly. We want to understand how the different discursive plans compete there to clarify the works.

scholarly journals LA NOCIÓN DE PERSONA Y EL CONCEPTO DE IXTLAMATKI EN LA VISIÓN DEL MUNDO DE LOS NAHUAS DE LA SIERRA NEGRA DE PUEBLA

2007 ◽  
Vol 2 (4) ◽  
Author(s):  
Laura Romero
Keyword(s):  
World View ◽  
The Other ◽  
Human Being ◽  
The World ◽  
San Sebastian ◽  
Human World ◽  
Other World ◽  
The One ◽  
Alter Ego ◽  
Sierra Negra

En la cosmovisión de los nahuas de San Sebastián Tlacotepec, municipio perteneciente a la Sierra Negra de Puebla, la noción de persona es uno de los ejes vertebrales para entender la forma en que es concebido elixtlamatki, el que sabe ver, especialista ritual encargado de los problemas de salud originados por la pérdida del alma, el daño al animal compañero y la brujería. A partir del análisis de los atributos otorgados al ixtlamatki, mismos que lo definen como un ser humano “especial”, podemos entender su función como intermediario entre el mundo humano y el “mundo-otro”, sus capacidades como “recuperador” de almas, su capacidad de transformarse en animal, la fortaleza de sus entidades anímicas y su facultad de actuar a voluntad durante sus sueños.   ABSTRACT In the world view of the nahua population of San Sebastian Tlacotepec, a village localized in the region denominated Sierra Negra in the state of Puebla, the “notion of person” is one of the principals elements necessary to understand the concept of ixtlamatki, “ the one who knows how to see”, ritual specialist in charge of health problems en cases like loss of soul, witchcraft or when the alter ego has been hurt. Beginning with the analysis of his attributes, which define him as special human being, we come closer to understand his function as intermediary between the human world and the “other world”; his power as “soul retriever” and other special abilities, for example, his capacity of transforming himself as well as his faculty to act intentionally in his dreams.

scholarly journals FOREST IN THE BASHKIRS' VIEW OF THE WORLD

2022 ◽  
pp. 33-40
Author(s):  
Ю. А. Абсалямова
Keyword(s):  
World View ◽  
Construction Materials ◽  
The Other ◽  
Aesthetic Perception ◽  
Food Protection ◽  
Other Hand ◽  
The World ◽  
Other World ◽  
The One ◽  
The Relationship

В статье анализируются особенности восприятия лесного пространства башкирами. На основе языковых, фольклорных материалов сделана попытка раскрыть различные аспекты взаимоотношений лес - человек, образ леса в картине мира башкир. Как и в большинстве традиционных культур, в целом мифологический образ леса носит отрицательный характер. В фольклоре он часто описывается как тёмный, мрачный, неизвестный, таящий опасности, противопоставляясь обжитому и освоенному пространству селений. Лесной пандемониум также представлен в основном отрицательными персонажами. В целом образ леса в традиционной картине мира башкир предстаёт довольно неоднозначным. С одной стороны - это категория, связанная с потусторонним миром, неизведанная, «чужая» территория. С другой - лес издавна являлся источником различных благ - в виде строительного материала, пушнины, различных продуктов питания, укрывал от врагов. The article analyzes the features of Bashkirs' perception of the forest space. On the basis of the materials of the epos, folklore, folk ideas, an attempt was made to reveal the various aspects of the relationship between forest and man, the image of the forest in Bashkirs' world view. As in most traditional cultures, the mythological image of the forest as a whole is negative. In folklore, it is often described as dark, gloomy, unknown, fraught with danger, being contrasted with the inhabited and developed space of the villages. The forest pandemonium is also represented mainly by negative characters. On the other hand, in the domestic perception forest is valued for the benefits derived from it: shelter, food, protection from enemies. In addition, Bashkirs, distinguished by a developed aesthetic perception and contemplative thinking, appreciated its beauty, which is also reflected in folklore. In general, the image of forest in the Bashkirs' traditional view of the world appears rather ambiguous. On the one hand, it is the category associated with the other world, unknown, «foreign» territory. On the other hand, the forest has long been a source of various benefits - in the form of construction materials, furs, various food products, and it sheltered them from enemies.

Self and Suffering: Deconstruction and Reflexive Definition in Buddhism and Christianity

1991 ◽  
Vol 27 (1) ◽  
pp. 49-63 ◽  
Author(s):  
Philip A. Mellor
Keyword(s):  
Comparative Study ◽  
Meaning Of Life ◽  
The Body ◽  
The Other ◽  
World Religions ◽  
Religious Significance ◽  
Other Hand ◽  
Other World ◽  
The Individual ◽  
Hostile Attitude

In a study of the religious significance of food to medieval woman, Caroline Walker Bynum argues that the ascetic practices embraced by these women are signs of a commitment to explore the religious potentialities of the body rather than being indications of a hostile attitude to the flesh. She comments that belief in the ‘salvific potential of suffering flesh (both our's and God's)’ differentiates Christianity from other world religions, since it is a ‘characteristically Christian idea that the bodily suffering of one person can be substituted for the suffering of another through prayer, purgatory, vicarious communion etc….’ In the discussion which follows I shall attempt to draw out this differentiating characteristic in a comparative study of Christian and Buddhist concepts of, and attitudes to, suffering. I shall suggest that the divergent orientations which structure the religious treatment of this issue are related not only to radically opposing conceptions of the religious ‘path’, but also to different understandings of ‘self’. Although the categories ‘self’ and ‘suffering’ are intimately related in each context, it is my contention that in the Christian context the religious meaning of life becomes apparent to the individual in so far as the content of self is defined progressively in the reflexive encounter with the ‘Other’ (God), an encounter which can be facilitated through suffering. In a Buddhist context, on the other hand, it is precisely such a reflexivity (between self and ‘others’ if not the ‘Other’) which is understood to create and reproduce both self and suffering, and from which the Buddhist desires liberation.

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