scholarly journals Interpellation of Clones: Unveiling the Social Realism in Films based on Human Cloning

New Literaria ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 188-199
Author(s):  
Soham Sinha
Keyword(s):  
Human Cloning ◽  
Social Realism ◽  
The Social

Cinematic Search for Identity in the Shade of Turkey’s 1960 Coup: The Social Realism Debate and The Hope

2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole
Keyword(s):  
Party System ◽  
Social Realism ◽  
New Era ◽  
Cultural Life ◽  
The Social ◽  
Turkish Cinema ◽  
To Come ◽  
First Time ◽  
Democratic Constitution ◽  
Realism Debate

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 

Autofiction: Stained Radiance and The Thirteenth Disciple

2020 ◽  
pp. 39-48
Author(s):  
William K. Malcolm
Keyword(s):  
Twentieth Century ◽  
Early Adulthood ◽  
Social Realism ◽  
The Political ◽  
Chronological Order ◽  
Female Protagonists ◽  
Early Twentieth Century ◽  
The Social ◽  
Imaginative Literature ◽  
Political Responses

Mitchell’s first two novels are examined as works deploying the medium of imaginative literature for introspection and analysis of his own past. In reverse chronological order they recreate the narrative of his childhood and early adulthood, in the course of which they present a state of the nation critique of early twentieth century Britain. The forthright verisimilitude of the social realism is in keeping with the philosophical nihilism prevailing in the inter-war years, with the political responses of mainstream parties and of radical splinter groups such as the Anarchocommunist Party appearing unable to change society for the better. Mitchell’s technical experimentation with metafiction and intertextuality indicates the scale of his literary ambition, while his proto-feminist sympathies are marked by his reliance on female protagonists.

scholarly journals Nordic Modernism for Beginners

Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 90 ◽  
Author(s):  
Susan Brantly
Keyword(s):  
College Students ◽  
Cultural History ◽  
20Th Century ◽  
World Literature ◽  
Nordic Countries ◽  
Historical Narrative ◽  
Social Realism ◽  
The Social ◽  
Literary Movements ◽  
Scandinavian Literature

This essay proposes a narrative of the Nordic countries’ relationship to modernism and other major literary trends of the late 19th and 20th centuries, that situates them in conjunction with the rest of Europe. “Masterpieces of Scandinavian Literature: the 20th Century” is a course that has been taught to American college students without expertise in literature or Scandinavia for three decades. This article describes the content and methodologies of the course and how Nordic modernisms are explained to this particular audience of beginners. Simple definitions of modernism and other related literary movements are provided. By focusing on this unified literary historical narrative and highlighting the pioneers of Scandinavian literature, the Nordic countries are presented as solid participants in European literary and cultural history. Further, the social realism of the Modern Breakthrough emerges as one of the Nordic countries distinct contributions to world literature.

scholarly journals Satire in Merlinda Bobis’ Banana Heart Summer

2015 ◽  
Vol 19 (1) ◽  
Author(s):  
Sherill A. Gilbas
Keyword(s):  
Cultural Background ◽  
Social Realism ◽  
Contextual Analysis ◽  
The Novel ◽  
Cultural Aspects ◽  
The Social ◽  
The World ◽  
Societal Problems

Hornedo, a literature icon asserts that “A piece of literature documents the world and the worldview of its author.” Accordingly, some literary pieces can provide information on the socio-political and cultural background of a certain society. Anchored on this premise, this paper aimed to identify the aesthetics of satire in Merlinda Bobis’ Banana Heart Summer. It also sought to unveil the novel’s message and the author’s manner of criticizing the novel’s social setup. Specifically, it sought to describe the novel’s theme, tone, structure and style, as well as the socio-political and cultural aspects using food as primary trope. The paper also aimed to present the reality frame of the depicted societal problems of the Filipinos in general and those of Bicolanos in particular. The formalist theory was applied in the treatment of material, which is a satire, and being so, the researcher also applied defamiliarization theory, through devices such as tropes and social realism, as it forms part of the aesthetics of satire that can help identify the ideology behind the author’s work. The researcher grouped the identified satirical techniques into five: exaggeration, incongruity, parody, reversal, and defamiliarization.  In conclusion, this paper asserts that Bobis wrote the material for the readers to see the flaws of the society; alongside, she also implicitly offers a solution or presents the possibility of curing the social ills highlighted in the novel. Keywords—Literature, aesthetics of satire, defamiliarization, Banana heart summer, Bicolanos,  Filipinos,  formalist-contextual analysis, Philippines

Ontological Assumptions in Information Modeling

2005 ◽  
pp. 433-437
Author(s):  
John M. Artz
Keyword(s):  
Real World ◽  
Information Modeling ◽  
Social Realism ◽  
Application Domain ◽  
Shared Meanings ◽  
Modeling Process ◽  
The Social ◽  
Object Classes ◽  
The Mind

Information modeling is a technique by which a database designer develops a conceptual model of a database depicting the entity classes that will be represented in the database. There are three competing ontological assumptions that guide the modeling process. The broadest characterization of these assumptions is realism vs. conceptualism, with social realism occupying a middle ground. The realist believes that object classes exist in the real world, waiting to be discovered. The conceptualist believes that object classes are constructed in the mind of the modeler, based on observations about the application domain and the objectives of the information model. The social realist believes that classes exist as shared meanings among stakeholders in an application domain. This article explores these assumptions and then reviews selected literature in information modeling to determine which assumptions are held by key authors. It concludes that most authors hold inconsistent views, and this inconsistency provides some important insights into information modeling while presenting serious problems for practitioners and students of information modeling.

Ralph Ellison, Chester Himes, and the Persistence of Urban Forms

PMLA ◽  
2020 ◽  
Vol 135 (3) ◽  
pp. 530-545
Author(s):  
Sarah Wasserman
Keyword(s):  
Ralph Ellison ◽  
Social Realism ◽  
Literary Fiction ◽  
Social Progress ◽  
The Novel ◽  
Genre Fiction ◽  
Chester Himes ◽  
Urban Forms ◽  
Psychological Realism ◽  
The Social

This essay investigates the treatment of what I call infrastructural racism in fiction by Ralph Ellison and Chester Himes. Ellison's Invisible Man (1952) and Himes's Harlem Cycle novels (1957–69) chronicle vanishing urban objects and changing infrastructure to show that even as Harlem modernizes, the racist structures that undergird society do not. Ellison and Himes use ephemeral objects like signs, newspapers, and blueprints to encapsulate Harlem's transience and to suggest to readers that the neighborhood itself is a dynamic archive, continually changing yet resistant to overarching narratives of cultural loss or social progress. Himes and Ellison write about permanence and loss in mid-century Harlem in terms that disrupt the social realism associated with the novel of detection and the psychological realism associated with the novel of consciousness. Such a reading prompts a reconsideration of the critical categories–genre fiction and literary fiction–that have, until now, kept these two writers apart.

Strange Birds: Rewriting The Maltese Falcon

2013 ◽  
Vol 47 (3) ◽  
pp. 699-718
Author(s):  
CYNTHIA S. HAMILTON
Keyword(s):  
Detective Fiction ◽  
Early Recognition ◽  
Social Realism ◽  
Chester Himes ◽  
Social Perspectives ◽  
Protest Literature ◽  
The Social ◽  
Detective Novels ◽  
Critical Attention ◽  
Sara Paretsky

Hammett's formative role in establishing the conventions of the hard-boiled detective formula is widely acknowledged, but the formative influence of his masterpiece, The Maltese Falcon, on specific texts by subsequent innovators has remained largely unexplored territory. Both Sara Paretsky and Chester Himes have paid tribute to Hammett's influence, with particular reference to The Maltese Falcon. An examination of Indemnity Only and For the Love of Imabelle in relation to The Maltese Falcon offers a unique perspective on Paretsky's and Himes's stylistic choices and the social perspectives these articulated. It also helps to explain the critical reception of their work. Paretsky, writing within the grain of a type of social realism associated with both protest literature and hard-boiled detective fiction, achieved early recognition. Himes, writing against the grain, did not. Those of his detective novels most closely allied to his protest writing have received the most critical attention, but in For the Love of Imabelle, Himes used techniques allied to surrealism. These effectively disrupted and destabilized important, socially privileged discourses – and discomforted audiences and wrong-footed critics.

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