Locating the Real

2019 ◽  
Author(s):  
Francesco Pitassio
Keyword(s):  
Cultural Diplomacy ◽  
Mutual Recognition ◽  
Cultural Exchange ◽  
Film Noir ◽  
Film Production ◽  
Iron Curtain ◽  
The Real ◽  
The Us ◽  
Cultural Construct ◽  
Post War

The chapter considers neorealism as a cultural construct responding to historical needs. Neorealism aimed to mark a discontinuity with Fascism, rebuild the nation, and examine afresh its people, landscape, and neglected areas. For this reason, neorealism was a politically contested culture, producing both innovative works and formulaic but popular ones. In addition, the chapter scrutinises the role that neorealist film production played in post-war cultural diplomacy, which was based on mutual recognition among nations. Therefore, the chapter examines the international cultural exchange of Italian neorealism with countries on both sides of the Iron Curtain. Finally, the work focuses on the emergence of a transnational style in Europe and in the US, with neorealism holding a major role in it, together with film noir.

scholarly journals The extinction of the Ukrainian culture of the Polish-Ukrainian-Slovak borderland and the image of the “Ukrainian Banderite” in Polish and Czechoslovak literature, journalism and cinematography, mid-1940s–1980s

2020 ◽  
pp. 91-116
Author(s):  
Roman Drozd ◽  
Michal Šmigeľ
Keyword(s):  
Collective Memory ◽  
Film Production ◽  
The Real ◽  
Black And White ◽  
South Eastern ◽  
Post War ◽  
Political Demand

The aim of this study is to outline the process of the extinction of Ukrainian culture in south-eastern Poland as a result of Polish resettlement actions and the activities of the Ukrainian underground movement (i.e., the Ukrainian Insurgent Army) in the post-war period (1944–1947). Concurrently, the study offers an analysis of the image of the “Ukrainian Banderite”, created by propaganda in Polish and Czechoslovak literature, journalism, and cinematography in the period from the mid-1940s to the end of the 1980s. The authors state that both in Poland and in Czechoslovakia the analysed topic has been subject to certain cyclical waves of interest, or current political demand or usefulness, but always according to an established and politically accepted template. The black-and-white reception of the issue, propaganda fictions, the concealment of facts, and the disproportionate highlighting of others, which were applied in the literary and film production of the real-socialist period, only distorted the historical objectivity of the issue and created a complicated stereotype in the collective memory.

The Unassailable Self: Freud's Image Among Post-war American Intellectuals

2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness
Keyword(s):  
World War Ii ◽  
Cold War ◽  
External Force ◽  
Sigmund Freud ◽  
Human Being ◽  
World War ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
The Way

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.

A Bibliometric Analysis of Global Research on Lophomonas sp. in Scopus (1933-2019)

2020 ◽  
Vol 20 ◽  
Author(s):  
Masoud Keighobadi ◽  
Maryam Nakhaei ◽  
Ali Sharifpour ◽  
Ali Akbar Khasseh ◽  
Sepideh Safanavaei ◽  
...  
Keyword(s):  
Bibliometric Analysis ◽  
International Collaboration ◽  
Research Articles ◽  
High Quality ◽  
The Real ◽  
The Us ◽  
The World ◽  
Scopus Database ◽  
Number Of Publications ◽  
Global Research

Background: This study was designed to analyze the global research on Lophomonas spp. using bibliometric techniques. Methods: A bibliometric research was carried out using the Scopus database. The analysis unit was the research articles conducted on Lophomonas spp. Results: Totally, 56 articles about Lophomonas spp. were indexed in the Scopus throughout 1933-2019 ( 87 years ) with the following information: (A) The first article was published in 1933; (B) 21 different countries contributed in studies related to Lophomonas spp.; (C) China ranked first with 16 publications about Lophomonas spp.; and (D) “Brugerolle, G” and “Beams, H.W.” from France and the US participated in 4 articles respectively, as the highest number of publications in the Lophomonas spp. network. Discussion: After 87 years, Lophomonas still remains unknown for many researchers and physicians around the world. Further studies with high quality and international collaboration are urgently needed to determine different epidemiological aspects and the real burden of the mysterious parasite worldwide.

The World Bank and the politics of productivity: the debate on economic growth, poverty, and living standards in the 1950s

2011 ◽  
Vol 6 (1) ◽  
pp. 53-74 ◽  
Author(s):  
Michele Alacevich
Keyword(s):  
Economic Growth ◽  
International Organizations ◽  
Social Issues ◽  
Living Standards ◽  
Bretton Woods ◽  
The World Bank ◽  
Development Agenda ◽  
The Us ◽  
Multilateral Organizations ◽  
Post War

AbstractAccording to most reconstructions of development debates, poverty and social issues were not part of the development agenda until the late 1960s. In contrast, this article shows that development practitioners and institutions were already addressing poverty and social issues in the late 1940s and early 1950s. However, economic multilateral organizations soon marginalized those inclusive views and focused exclusively on economic growth. This article discusses those early policy options and why they were marginalized. It argues that this happened for ideological reasons, specifically because of the ideological anti-New Deal post-war backlash and the adhesion of Western countries and multilateral organizations to what Charles Maier defined as the politics of productivity. This ideological backlash explains the rise and early demise of Keynesian ideas in international organizations, and, conversely, their stronger influence in developing countries, where the direct influence of the US and Bretton Woods organizations was somewhat mitigated.

scholarly journals Mid-century Modern Jazz: Music and Design in the Postwar Home

Popular Music ◽  
2016 ◽  
Vol 36 (1) ◽  
pp. 55-74
Author(s):  
Tom Perchard
Keyword(s):  
Middle Class ◽  
Historical Sociology ◽  
Living Room ◽  
Historical Method ◽  
Modern Jazz ◽  
Jazz Music ◽  
The Us ◽  
Post War ◽  
The Uk ◽  
Cover Art

AbstractThis article takes an imagined, transnational living room as its setting, examining jazz's place in representations of the ‘modern’ middle-class home across the post-war West, and exploring the domestic uses that listeners both casual and committed made of the music in recorded form. In magazines as apparently diverse asIdeal Homein the UK andPlayboyin the US, a certain kind of jazz helped mark a new middlebrow connoisseurship in the 1950s and 60s. Yet rather than simply locating the style in a historical sociology of taste, this piece attempts to describe jazz's role in what was an emergent middle-class sensorium. The music's sonic characteristics were frequently called upon to complement the newly sleek visual and tactile experiences – of furniture, fabrics, plastics, the light and space of modern domestic architecture – then coming to define the aspirational bourgeois home; an international modern visual aesthetic was reflected back in jazz album cover art. But to describe experience or ambience represents a challenge to historical method. As much as history proper, then, it's through a kind of experimental criticism of both music and visual culture that this piece attempts to capture the textures and moods that jazz brought to the postwar home.

scholarly journals Exploring the Real-World Profile of Refractory and Non-Refractory Chronic Idiopathic Urticaria Patients in the US

2016 ◽  
Vol 137 (2) ◽  
pp. AB242
Author(s):  
Susan Gabriel ◽  
Meryl Mendelson ◽  
Alexander J. Gillespie ◽  
Ben Hoskin
Keyword(s):  
Real World ◽  
Chronic Idiopathic Urticaria ◽  
The Real ◽  
The Us

Decoding the Globe: Globalism, Advertising, and Corporate Practice

1997 ◽  
Vol 15 (1) ◽  
pp. 73-86 ◽  
Author(s):  
Patrick McHaffie
Keyword(s):  
Global Economy ◽  
Computer Systems ◽  
Symbolic Power ◽  
Space Program ◽  
Spatial Practices ◽  
Hewlett Packard ◽  
The Real ◽  
The Us ◽  
Corporate Practice

The current graphical rhetoric of advertising includes everything from images of the globe borrowed from the US space program (for example, Hewlett-Packard Corp. computer systems), to pseudotribal renderings of a very different sort [for example, Minute Maid's (The Coca Cola Co.) Fruitopia]. The use of these images are part of what Goldman calls the economy of ‘commodity signs’, where produced meanings are linked to commodities through the medium of the print or broadcast advertisement. The increased incorporation of global images in Western advertising presents an opportunity to analyze the ideological underpinning of the ‘new global economy’. The sheer volume of purchased advertising space places these often confusing images before our eyes at an increasing pace, producing meanings which tend to obfuscate and fetishize discourse related to globalism. A decoding of specific advertisements with the use of the Hewlett-Packard Corporation as a case study, juxtaposed against the real spatial practices of the company will reveal ruptures, contradictions, and incoherence in advertising messages which appropriate the symbolic power of global images.

Daily Life of the American Embassy in Czechoslovakia in 1945—1948

Istoriya ◽  
2021 ◽  
Vol 12 (6 (104)) ◽  
pp. 0
Author(s):  
Valery Yungblyud
Keyword(s):  
Cold War ◽  
Central Europe ◽  
Daily Life ◽  
Primary Sources ◽  
Economic Recovery ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
Leadership Interactions

The article is devoted to the study of various aspects of daily life of the US Embassy in Czechoslovakia in 1945—1948. The author considers the main areas of its work, major problems and difficulties that American diplomats had to overcome being in difficult conditions of the post-war economic recovery and international tension growth. Special attention is paid to the role of Ambassador L. A. Steinhardt, his methods of leadership, interactions with subordinates, with the Czechoslovak authorities and the State Department. This allows to reveal some new aspects of American diplomacy functioning, as well as to identify poorly explored factors that influenced American politics in Central Europe during the years when the Cold War was brewing and tensions between Moscow and Washington were rising. The article is based on unpublished primary sources from the American archives.

Who Killed the Concert? Heinrich Besseler and the Inter-War Politics of Gebrauchsmusik

2011 ◽  
Vol 8 (1) ◽  
pp. 29-48 ◽  
Author(s):  
MATTHEW PRITCHARD
Keyword(s):  
Social Role ◽  
Music History ◽  
The Real ◽  
Concert Music ◽  
Weimar Germany ◽  
Positive Account ◽  
The Social ◽  
Outright Rejection ◽  
Post War ◽  
Youth Music

AbstractBy examining the ideas expressed by the German musicologist Heinrich Besseler in his 1925 essay ‘Grundfragen des musikalischen Hörens’, this article attempts to find precedents in Weimar Germany for a contemporary social conception of music, and to trace the effects of this conception on music history between the wars. Although Besseler's position is seen to be complex and not wholly consistent, from his ideal of music as an expression of community (Gemeinschaft) arose two influential claims: that the concert was in crisis because it could no longer correspond to that ideal, and that the real source of communal vitality lay in Gebrauchsmusik, music for everyday use. The article explores the immediate political and musical consequences of these claims, both for the German youth music movement (Jugendmusikbewegung) and for Gebrauchsmusik as composed by Weill, Hindemith, and Eisler. It argues that the social aims of the Gebrauchsmusik movement were in fact best met when combined with an earlier understanding, rejected by Besseler himself, of the concert's own ‘community-forming power’ – a theoretical combination that was to lead outside Europe to the American musical and the Soviet symphony. By contrast, the sidelining of such ideas in post-war Germany was reflected in Adorno's outright rejection of musical community, a move which served to confirm only Besseler's first, negative claim – thereby establishing as normative an ‘autonomous’ conception of concert music and leaving musicology unable to give any positive account of the concert's social role.

scholarly journals Viola Bernard and the case study of race in post-war America

2017 ◽  
Author(s):  
Joy Damousi
Keyword(s):  
Race Relations ◽  
Public Domain ◽  
Us History ◽  
The Public ◽  
The Us ◽  
Post War ◽  
The Relationship

It is in the US that the case study genre is reinvented within a politicised psychiatric-psychoanalytical framework in the work of Viola Bernard. Bernard’s writings pose enduring questions about the relationship between activism and US psychiatry, politics and race relations. This chapter traces Bernard’s efforts to develop a new, authoritative and politically effective narrative through her case notes and advocacy about black subjects. This involved mobilising the case study genre in the public domain at large, for political as well as medical purposes, in the context of a turbulent period in US history.

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