Verzet en rechten : Een vergelijking van Arendt, Foucault, en Young

2020 ◽  
Vol 112 (2) ◽  
pp. 155-175
Author(s):  
Liesbeth Schoonheim
Keyword(s):  
Social Identity ◽  
Feminist Theory ◽  
Michel Foucault ◽  
The Other ◽  
Total Domination ◽  
Social Agents ◽  
Gender Based ◽  
The One ◽  
Late Modern ◽  
Do So

Abstract Resistance and Rights. Comparing Arendt, Foucault, and YoungThe question if rights can be used in addressing gender-based oppression is at the center of recent debates in feminist theory. On the one hand, post-structuralist critiques have argued that differentiated rights, aimed at redressing injustices, reify the identity of oppressed groups (Brown 2000). On the other hand, proponents of differentiated rights have argued that these should be understood social-phenomenologically, as enabling social agents to counteract their oppression (Young 2011; McNay 2010). This paper argues in favor for the latter position while taking seriously the concern with regard to social identity articulated by the former. I do so by comparing Hannah Arendt and Michel Foucault on the relation between resistance and rights. Starting from the observation that Arendt and Foucault agree on the need for a new law that can curtail the destructive dynamics of late-modernity, I argue that their account of resistance ascribes great importance to rights. Discussing the two authors in turn, I focus on two parallel themes. Firstly, confronted with the fight against anti-Semitic persecution (Arendt) and the struggle against governmental techniques (Foucault), they invoke rights against the near-total domination by late-modern states. Secondly, reflecting on how freedom practices require relationships with others in which one can develop one’s individual uniqueness, they hint towards rights that consolidate these relationships, of which friendship is the paradigmatic example. In conclusion, I return to the feminist debate on differential rights to show how Young’s model of communicative democracy is influenced by and is an instance of the relational rights that can be found in Arendt and Foucault.

Socially Undocumented Horizons

2020 ◽  
pp. 127-146
Author(s):  
Amy Reed-Sandoval
Keyword(s):  
United States ◽  
Social Identity ◽  
The United States ◽  
The Other ◽  
Double Bind ◽  
Other Hand ◽  
The One ◽  
Innovative Action ◽  
Do So

This chapter completes the argument that “being socially undocumented” entails having a real, visible social identity by exploring possible aspects of a socially undocumented interpretive horizon. It argues that the socially undocumented interpretive horizon can be characterized in terms of resistance to a “double bind” in which socially undocumented people often find themselves. On the one hand, they often have no choice but to perform under-valued labor in the United States; failure to do so could very literally result in starvation and death. On the other hand, socially undocumented people with and without legal authorization to be in the United States are “read” as “illegals,” and subjected to demeaning, immigration-related constraints, on the very basis of performing and being associated with such labor. They are, then, faced with two highly constraining options. This chapter explores ways in which socially undocumented people take innovative action to respond to this double bind.

Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji
Keyword(s):  
The Other ◽  
Literary Texts ◽  
Gender Differentiation ◽  
Hard Choice ◽  
Other Hand ◽  
Gender Hierarchies ◽  
The Face ◽  
The One ◽  
Representations Of Women ◽  
Do So

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

Euthyphro, Apology, and Crito

2019 ◽  
pp. 117-140
Author(s):  
Hugh H. Benson
Keyword(s):  
The Other ◽  
Other Hand ◽  
Virtuous Life ◽  
The One ◽  
Do So

This chapter presents a reading of Plato’s Euthyphro, Apology, and Crito. These dialogues, in which Plato depicts the weeks leading up to Socrates’s last day, are replete with various philosophical explorations. Among those explorations is the question of how to live our lives. On the one hand, Socrates is clear and straightforward. We should live the examined life—making logoi and examining ourselves and others in order to determine whether we are as wise as we think we are, and we should live the virtuous life. This is how Socrates lives his life. On the other hand, the examined life undercuts, or at least should undercut, the confidence with which he seeks to live the virtuous life. It may help bring some stability to the general principles by which he lives his life, but it can do so only defeasibly and without certainty.

scholarly journals Commercial Limits to Personality: Instagram Influencers and Commoditized Content Receptivity

Societies ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 77
Author(s):  
Tyler Horan
Keyword(s):  
Social Networks ◽  
Social Media ◽  
Social Identity ◽  
The Other ◽  
Audience Reception ◽  
Media Audiences ◽  
Unique Identity ◽  
The One ◽  
Commercial Relationships ◽  
Network Power

Social media influencers-individuals who utilize various forms of network power on social networks occupy a unique identity space. On the one hand, their network power is often tied to their social identity as creators of engaging material. On the other hand, their ability to promote commercial products and services steps outside the traditionally distinct commercial–social, occupational–personal divides. In this work, the network morphologies of influencers are explored in relation to their delivery of sponsored and non-sponsored content. This article explores how the disclosure of content as ‘sponsored’ affects audience reception. We show how that the promotion of content on social media often generates higher levels of engagement and receptiveness amongst their audience despite the platform’s assumption of organic non-commercial relationships. We find that engagement levels are highest among smaller out-degree networks. Additionally, we demonstrate that sponsored content not only returns a higher level of engagement, but that the effect of sponsorship is relatively consistent across out-degree network sizes. In sum, we suggest that social media audiences are not sensitive to commercial sponsorship when tied to identity, as long as that performance is convincing and consistent.

The Body in Theory

1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard
Keyword(s):  
Queer Theory ◽  
20Th Century ◽  
The Body ◽  
The Other ◽  
Industrial Capitalism ◽  
Late 20Th Century ◽  
The Social ◽  
Theoretical Investigations ◽  
The One ◽  
Do So

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.

scholarly journals Attention and the motion after effect: New measurements with visual search reveal important individual differences in adaptability

2018 ◽  
Author(s):  
Michael J. Morgan ◽  
Joshua A. Solomon
Keyword(s):  
Reaction Times ◽  
Visual Pathway ◽  
Human Vision ◽  
The Other ◽  
Test Array ◽  
Mouse Click ◽  
Search Speed ◽  
After Effect ◽  
The One ◽  
Do So

AbstractIt is usually assumed that sensory adaptation is a universal property of human vision. However, in two experiments designed to measure adaptation without bias, we have discovered a minority of participants who were unusual in the extent of their adaptation to motion. One experiment was designed so that targets would be invisible without adaptation; the other, so that adaptation would interfere with target detection. In the first, participants adapted to a spatial array of moving Gabor patches. On each trial the adapting array was followed by a test array in which but all of the test patches except one were identical to their spatially corresponding adaptors; the target moved in the opposite direction to its adaptor. Participants were required to identify the location of the changed target with a mouse click. The ability to do so increased with the number of adapting trials. Neither search speed nor accuracy was affected by an attentionally-demanding conjunction task at the fixation point during adaptation, suggesting low-level (pre-attentive) sites in the visual pathway for the adaptation. However, a minority of participants found the task virtually impossible. In the second experiment the same participants were required to identify the one element in the test array that was slowly moving: reaction times in this case were elevated following adaptation. The putatively weak adapters from the first experiment found this task easier than the strong adapters.

scholarly journals Computer Gameplay and the Aesthetic Practices of the Self: Game Studies and the Late Work of Michel Foucault

2018 ◽  
Vol 3 (3) ◽  
Author(s):  
Feng Zhu
Keyword(s):  
Michel Foucault ◽  
Computer Games ◽  
The Self ◽  
Game Studies ◽  
The Other ◽  
Late Work ◽  
Practices Of The Self ◽  
The Aesthetic ◽  
The One ◽  
The Way

This paper aims to critically introduce the applicability of Foucault’s late work, on the practices of the self, to the scholarship of contemporary computer games. I argue that the gameplay tasks that we set ourselves, and the patterns of action that they produce, can be understood as a form of ‘work on the self’, and that this work is ambivalent between, on the one hand, an aesthetic transformation of the self – as articulated by Foucault in relation to the care or practices of the self – in which we break from the dominant subjectivities imposed upon us, and on the other, a closer tethering of ourselves through our own playful impulses, to a neoliberal subjectivity centred around instrumentally-driven selfimprovement. Game studies’ concern with the effects that computer games have on us stands to gain from an examination of Foucault’s late work for the purposes of analysing and disambiguating between the nature of the transformations at stake. Further, Foucault’s tripartite analysis of ‘power-knowledge-subject’, which might be applied here as ‘game-discourse-player’, foregrounds the imbrication of our gameplay practices – the extent to which they are due to us and the way in which our own volitions make us subject to power, which is particularly pertinent in the domain of play.

scholarly journals Age of the Post-rift Sequence I from the Araripe Basin, Lower Cretaceous, NE Brazil: implications for spatio-temporal correlation

2021 ◽  
Vol 24 (1) ◽  
pp. 37-46
Author(s):  
João Carlos Coimbra ◽  
Tiago Menezes Freire
Keyword(s):  
Critical Review ◽  
Lower Cretaceous ◽  
Temporal Correlation ◽  
Isotopic Analysis ◽  
The Other ◽  
Stratigraphic Framework ◽  
Spatio Temporal ◽  
Radiometric Ages ◽  
The One ◽  
Do So

A robust biostratigraphic zonation based on microfossils supports the stratigraphic framework and correlation of the interior basins of the Lower Cretaceous of NE Brazil. This zonation has also allowed correlations with coeval sections in the Brazilian marginal basins and in the Gabon and Congo basins (central-west Africa). These records, consisting mainly of non-marine sediments, were a great challenge with regard to the correlation with the International Chronostratigraphic Chart. Therefore, local stages were used, the most recent being the Alagoas local Brazilian Stage, with which the Post-rift Sequence I of the Araripe Basin is related. Regarding lithostratigraphy, this sequence includes the Rio da Batateira (Barbalha for some authors) and Santana formations, the last one with the famous Crato, Ipubi, and Romualdo members, from the base to the top. Although currently there is a consensus on the age of the Alagoas local Brazilian Stage in the Araripe Basin, recently a new age for at least part of the Post-rift Sequence I was proposed. This new proposal, based on isotopic analysis of Re-Os, arose as a panacea to correlate the Rio da Batateira Formation and the Crato and Ipubi members with the international stages. Surprisingly, their authors, although on the one hand, they seem to underestimate biostratigraphic results, on the other they seek to support their proposal from microfossils studied by previous authors, but they do so in an inappropriate way, leading readers to misinterpret their results. Therefore, this paper presents a critical review on the age of the Alagoas local Brazilian Stage in the Araripe Basin and nearby basins, refuting a Barremian age for part of the Post-rift Sequence I. Keywords: Alagoas local Brazilian Stage, biostratigraphy, ostracods, palynomorphs, radiometric ages.

Cameralism, Josephinism, and Enlightenment: The Dynamic of Reform in the Habsburg Monarchy, 1740–92

2018 ◽  
Vol 49 ◽  
pp. 1-14
Author(s):  
Franz A. J. Szabo
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Habsburg Monarchy ◽  
Historical Drama ◽  
Reform Era ◽  
History Of ◽  
The One ◽  
Joseph Ii ◽  
Franz Grillparzer ◽  
Do So

In his great 1848 historical drama,Ein Bruderzwist im Hause Habsburg, the Austrian playwright Franz Grillparzer has Emperor Matthias utter the words that have often been applied to understanding the whole history of the Habsburg monarchy:Das ist der Fluch von unserm edeln Haus:Auf halben Wegen und zu halber TatMit halben Mitteln zauderhaft zu streben.[That is the curse of our noble house:Striving hesitatingly on half waysto half action with half means.]True as those sentiments may be of many periods in the history of the monarchy, the one period of which it cannotbe said is the second half of eighteenth century. The age of Maria Theresa, Joseph II, and Leopold II was perhaps the greatest era of consistent and committed reform in the four-hundred-year history of the monarchy. What I want to address in this article are some aspects of the dynamic of this reform era, and this falls into two categories. On the one hand, there is the broad energizing or motive force behind the larger development, and on the other, there are the ideas or assumptions that lay behind the policies adopted. As might be evident from the subtitle of my article, I propose to look primarily at the second of these categories. I do so because I think while Habsburg historiography has reached considerable consensus on the first, it has not looked enough on the second as an explanatory hermeneutic.

A Voice Takes Form

2020 ◽  
pp. 161-176
Author(s):  
Ian Maclachlan
Keyword(s):  
The Other ◽  
Degree Zero ◽  
Poetic Form ◽  
Final Phase ◽  
Authorial Identity ◽  
The One ◽  
Level Of Experience ◽  
The Relationship ◽  
Authorial Voice ◽  
Do So

This chapter focuses on Louis-René des Forêts’s poetic sequence, Poèmes de Samuel Wood (1988) in order to highlight the relationship between poetic form, authorial voice and the genre of autobiography. Des Forêts’s sequence comprises a 559-line poem divided into thirteen sections, attributed by its title to the heteronymous author-figure Samuel Wood. Notwithstanding its form and authorial disguise, the poem is obliquely autobiographical and forms part of the overall project of the long, final phase of his writing, best exemplified by the fragmentary work of 1997, Ostinato. My analysis seeks to stake out a distinctive way of conceiving the relation of poetic form to autobiographical genre (taking a distance, notably, from Lejeunian typological approaches), and in order to do so endeavours, on the one hand, to work with the idea of form as active, dynamic and mobile, a process of forming, deforming and reforming which is always temporally emergent and variable, rather than a structure that might simply contain something like content or experience, and on the other hand, to connect that mobility of form to des Forêts’s pursuit of a distinctive autobiographical mode. Far from reflecting and securing authorial identity, this mode might be considered as one that concerns an impersonal or anonymous level of experience that is fundamentally insecure and ultimately inappropriable; we might think of this mode as a kind of degree zero of autobiography, an autobiography in the neuter, or an ‘autobiographie intérieure’.

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