scholarly journals De Nederlandse navolging van een Duitse reisgidsenreeks, Was nicht im Baedeker steht : Alternatieve verkenningen van Amsterdam, Rotterdam en Den Haag in Wat niet in Baedeker staat

2021 ◽  
Vol 59 (1) ◽  
pp. 3-24
Author(s):  
Rob van de Schoor

Abstract The travel guide series Was nicht im Baedeker steht, published during the interwar period, can be qualified as anti-tourist. The main feature of this critical attitude towards the established Baedekers, which promoted a bourgeois way of travelling, is irony. Zielverfehlung, a deliberate contrariness of what conventional travel guides recommended as the highlights of a journey, is a recurrent theme in the Was nicht im Baedeker steht travel guides. When applied to these guides, Sabine Boomers’ research on nomadic travelling (2004) led us to distinguish four anti-tourist topics: the natural, the futile, the unmentionable and the odd versus the familiar. These topics can also be found in the Dutch imitations of the German series, published as three volumes entitled Wat niet in Baedeker staat. These Dutch guides discuss Amsterdam, Rotterdam and The Hague. The transport of the German anti-tourist concept to the Dutch book-market entailed a transformation that somewhat spoiled the rebellious character of the German travel guides. To fit into the Dutch literary system, a revived version of the early nineteenth-century genre of the ‘physiology’ was adopted by the travel guides of the series Wat niet in Baedeker staat.SamenvattingDe serie reisgidsen die gedurende het Interbellum werd gepubliceerd met de titel Was nicht im Baedeker steht kan antitoeristisch genoemd worden. Het belangrijkste kenmerk van de kritische houding tegenover de alom bekende Baedekers, die een burgerlijke manier van reizen aanbevalen, is ironie. Zielverfehlung, reizen zonder bestemming, een opzettelijke ontkenning van wat in de conventionele reisgidsen werd aangeprezen als de hoogtepunten van een reis, is een terugkerend motief in de reisgidsjes uit de reeks Was nicht im Baedeker steht. Als we Sabine Boomers’ onderzoek naar het nomadische reizen (2004) toepassen op deze gidsen, kunnen we vier antitoeristische thema’s herkennen: het natuurlijke, het onaanzienlijke, het onbespreekbare en de verwevenheid van het vreemde en het vertrouwde. Deze thema’s kunnen ook worden aangetroffen in de Nederlandse navolgingen van de Duitse boekjes, drie delen die verschenen in de reeks Wat niet in Baedeker staat. Het zijn reisgidsjes van Amsterdam, Rotterdam en Den Haag. Het transport van het Duitse antitoeristische concept naar de Nederlandse boekenmarkt zorgde voor een transformatie die afbreuk deed aan het tegendraadse karakter van de Duitse reisgidsen. Om een plaats te verwerven in het Nederlandse literaire systeem grepen de reisgidsen uit de reeks Wat niet in Baedeker staat terug op het vroeg-negentiende-eeuwse genre van de fysiologieën.

2021 ◽  
Vol 3 (2) ◽  
pp. 152-171
Author(s):  
Katherine Bowers

Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying, classifying, and analysing the provenance of Russian corporate Radcliffe works reveals insight into the transnational circulation of texts and the role of copyright law within it, the nature of the early nineteenth-century Russian book market, the rise of popular reading and advertising in Russia, and the gendered nature of critical discourse at this time. The Russian corporate Radcliffe assures the legacy and influence of Radcliffe in later Russian literature and culture, although a Radcliffe that represents much more than just the English author. Exploring the Russian corporate Radcliffe expands our understanding of early nineteenth-century Russian literary history through specific case studies that demonstrate the significant role played by both women writers and translation, an aspect of this history that is often overlooked.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2017 ◽  
Vol 10 (2) ◽  
pp. 197-216
Author(s):  
Sarah Irving-Stonebraker

Through an examination of the extensive papers, manuscripts and correspondence of American physician Benjamin Rush and his friends, this article argues that it is possible to map a network of Scottish-trained physicians in the late eighteenth and early nineteenth-century Atlantic world. These physicians, whose members included Benjamin Rush, John Redman, John Morgan, Adam Kuhn, and others, not only brought the Edinburgh model for medical pedagogy across the Atlantic, but also disseminated Scottish stadial theories of development, which they applied to their study of the natural history and medical practices of Native Americans and slaves. In doing so, these physicians developed theories about the relationship between civilization, historical progress and the practice of medicine. Exploring this network deepens our understanding of the transnational intellectual geography of the eighteenth and early nineteenth century British World. This article develops, in relation to Scotland, a current strand of scholarship that maps the colonial and global contexts of Enlightenment thought.


2019 ◽  
Vol 10 (1) ◽  
pp. 41-67
Author(s):  
Elizabeth Ritchie

In 1814 in a small Highland township an unmarried girl, ostracised by her neighbours, gave birth. The baby died. The legal precognition permits a forensic, gendered examination of the internal dynamics of rural communities and how they responded to threats to social cohesion. In the Scottish ‘parish state’ disciplining sexual offences was a matter for church discipline. This case is situated in the early nineteenth-century Gàidhealtachd where and when church institutions were less powerful than in the post-Reformation Lowlands, the focus of most previous research. The article shows that the formal social control of kirk discipline was only part of a complex of behavioural controls, most of which were deployed within and by communities. Indeed, Scottish communities and churches were deeply entwined in terms of personnel; shared sexual prohibitions; and in the use of shaming as a primary method of social control. While there was something of a ‘female community’, this was not unconditionally supportive of all women nor was it ranged against men or patriarchal structures.


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