scholarly journals Les cartes de l'Afrique au XIXe siècle et Joseph Conrad: perceptions d'une révolution cartographique (Maps of Africa in the 19th century and Joseph Conrad: Perceptions of a Cartographic Revolution)

Author(s):  
Isabelle Avila

La communication proposée aura pour but de s’interroger sur la notion de « carte mentale ». Qu’est-ce qu’une carte mentale ? Comment se construit-elle ? Comment et pourquoi faire des recherches sur les cartes mentales? Cette réflexion théorique sera accompagnée d’une étude sur les représentations cartographiques de l’empire britannique au tournant du vingtième siècle. Comment retrouver les cartes mentales de l’empire britannique au moment de son apogée à partir des discours des géographes et des cartes présentes dans les atlas, les manuels scolaires et les revues des sociétés de géographie? Tout d’abord, ces cartes présentent un empire relié au monde grâce à de nombreux liens de communication. C’est un empire qui est compris comme un véritable résumé du monde. Les cartes affirment aussi la puissance symbolique d’un empire associé à la couleur rouge, couleur qui confère une certaine homogénéité à cette construction impériale et qui suggère ainsi une identité impériale. Cependant, si de nombreuses cartes construisent l’image d’un empire unifié, certaines laissent entrevoir la diversité des statuts des différents territoires qui en font partie. D’autres encore tentent de représenter, aux côtés de l’empire formel en rouge, un empire informel commercial, c’est-à-dire la partie invisible de l’iceberg. Enfin, la plupart des cartes de l’empire britannique utilisent la projection de Mercator. Quelle image de l’empire est transmise par cette projection et quelles sont les tentatives entreprises par les géographes du début du vingtième siècle pour changer cette image? L’analyse de ces variations autour des portraits cartographiques de l’empire britannique permettra ainsi de voir comment les cartes influencent la perception d’un espace dont les territoires sont éparpillés sur les cinq continents. Cette étude conduira enfin à considérer les cartes comme des « lieux de mémoire », comme des images qui contribuent à inscrire des territoires dans les mémoires.At the end of the nineteenth century, the maps of Africa underwent a complete revolution. The blanks that they used to show were covered in a few years by the colours of the European powers colonizing the continent. The aim of this article is to study the perception of that cartographic revolution by mapreaders at the time, including one of the most famous: Joseph Conrad. In his work Heart of Darkness, published in 1899, at the close of a century of geographical progress, he dealt both with the blanks on the maps of Africa and the European colours that replaced them. His fascination for maps led him to create a very powerful literary map of Africa where the rainbow colours of the Europeans are surrounded by darkness. That oxymoronic image enables him not only to symbolically reflect a consciousness of space but also of time, summarizing the proud certainties of the imperialism and nationalism of European powers with their colours and announcing the uncertainties and the darkness of the first half of the twentieth century. Ultimately, this article aims at showing that it is necessary to replace the literary work of Joseph Conrad in its historical context in order to understand how much his inspiration was linked both to his own experience and to a zeitgeist shared by his contemporaries. 

Author(s):  
Medovarov M.V. Medovarov

This article has a historiographic and methodological nature and is devoted to the problematic interpretations of the esoteric content of Dante’s ideas and works by French and Italian scholars from the middle of the nineteenth century to the second half of the twentieth century. Various definitions of Western esotericism are discussed in the light of contemporary approaches. The current interest in the study of Dante’s esotericism and the relevance of this topic are substantiated. The tradition in the interpretation of Dante's esotericism in Italy and France can be traced back to the occultists of the 19th century, who referred to each other's works: G. Rossetti, E. Arou, F. Boissard, J. Péladant, G. Pascoli and others. It has been demonstrated that the studies of Dante's esotericism during 1920s reached a new level of quality, which was adequate to the contemporary scientific requirements for Dante studies: in Italy, this happened in the person of Luigi Valli and his students, Arturo Reghini and then Julius Evola; and in France, at the same time, in the person of René Guénon. The criticism of Valli in the works by Guénon is analyzed in detail. The context of Dante's interpretation by Guénon is revealed in connection with the issue of Templar, Rosicrucian and Islamic influences (Sufism, Arab Neoplatonism). In this respect, a significant difference of tones was observed in the perception of Dante's esotericism within the general paradigm of integral traditionalism between Guénon and his Italian colleagues Julius Evola and especially Guido de Giorgio, whose fundamental work is still unknown to Russian scholars. An intense politicization of the perception of Dante's heritage by Evola and de Giorgio is also remarked in this article. Special attention is then paid to the study of Dante's esotericism by one of the leading Roman Catholic theologian of the twentieth century, Romano Guardini, who engaged a polemic correspondence with the integral traditionalists. Based on the results of our study, it was concluded that the research of Dante's esotericism by French and Italian authors for more than a hundred years can be characterized as a continuous chain of dialogue and polemics of various authors who knew about each other's works and used the appropriate links.


2020 ◽  
Vol 20 (2) ◽  
pp. 53-61
Author(s):  
Agnieszka Kocik ◽  

The growth of anti-mathematics sentiment at the beginning of the 19th century At the threshold of the nineteenth century, the collapse of the salons, the new gestalten of education, a new role of literature and the occurrence of the pre-romantic sensibility resulted in a remarkable increase of the yawning gap between the scientific communities and literary men. A prejudice against mathematics gave a new lease of life to the reintroduced belief that pursuing mathematics corrupts hearts and cools human imagination. The aim of the present paper is to restore the epistemic and ideological background that allows one to understand the terms of the debate and to identify opposing ideas. With this end in view, the paper focuses on the cultural and philosophical opinions of François-René de Chateaubriand whose The Genius of Christianity (1802) extremely polarizes the attitudes of supporters and opponents towards mathematical thinking and abilities.


Phytotaxa ◽  
2020 ◽  
Vol 456 (3) ◽  
pp. 244-255
Author(s):  
FABIOLA JUÁREZ-BARRERA ◽  
ISOLDA LUNA VEGA ◽  
JUAN J. MORRONE ◽  
ALFREDO BUENO-HERNÁNDEZ ◽  
DAVID ESPINOSA

Gonzalo Halffter developed the concept of a transition zone in Mexico during the mid-twentieth century, when he superimposed the distributional patterns of different groups of Coleoptera, finding that some groups share a common biogeographical history. The complexity of the Mexican biogeographical patterns had already caught the eyes of nineteenth-century naturalists, who tried to discern some kind of order within this biotic complexity. Herein, we analyse the original studies of different nineteenth-century authors on the distributional patterns of different Mexican taxa, highlighting the main explanations provided by them. The complexity of the Mexican biota was interpreted by Humboldt as the result of the interaction between northern and southern floras, as a taxonomic peculiarity by Augustin de Candolle, as a strong biotic replacement by Alphonse de Candolle and Sumichrast, and as different dispersal stages by Wallace. Before the theory of evolution was accepted, different biogeographical patterns (endemism, diversity and taxonomic replacement gradients, among others) had coexisted without contradictions. Botanical and zoological regions first acquired a connotation of independent centres of creation, and the wider distributions (mainly disjunct distributions) later became the backbone of hypotheses concerning historical relationships between biotas based on a dispersalist model. Nevertheless, during the 20th century, the explanations of 19th century naturalists such as the limits between regions and biotic transition entered the biogeographical debate again.


Author(s):  
Liubomyr Ilyn

Purpose. The purpose of the article is to analyze and systematize the views of social and political thinkers of Galicia in the 19th - beginning of the 20th centuries. on the right and manner of organizing a nation-state as a cathedral. Method. The methodology includes a set of general scientific, special legal, special historical and philosophical methods of scientific knowledge, as well as the principles of objectivity, historicism, systematic and comprehensive. The problem-chronological approach made it possible to identify the main stages of the evolution of the content of the idea of catholicity in Galicia's legal thought of the 19th century. Results. It is established that the idea of catholicity, which was borrowed from church terminology, during the nineteenth century. acquired clear legal and philosophical features that turned it into an effective principle of achieving state unity and integrity. For the Ukrainian statesmen of the 19th century. the idea of catholicity became fundamental in view of the separation of Ukrainians between the Russian and Austro-Hungarian empires. The idea of unity of Ukrainians of Galicia and the Dnieper region, formulated for the first time by the members of the Russian Trinity, underwent a long evolution and received theoretical reflection in the work of Bachynsky's «Ukraine irredenta». It is established that catholicity should be understood as a legal principle, according to which decisions are made in dialogue, by consensus, and thus able to satisfy the absolute majority of citizens of the state. For Galician Ukrainians, the principle of unity in the nineteenth century. implemented through the prism of «state» and «international» approaches. Scientific novelty. The main stages of formation and development of the idea of catholicity in the views of social and political figures of Halychyna of the XIX – beginning of the XX centuries are highlighted in the work. and highlighting the distinctive features of «national statehood» that they promoted and understood as possible in the process of unification of Ukrainian lands into one state. Practical significance. The results of the study can be used in further historical and legal studies, preparation of special courses.


2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.


2021 ◽  
Vol 9 (5) ◽  
pp. 66-71
Author(s):  
Nikita Gupta

This paper deals with the concept of racism, which is considered as a dark topic in the history of the world .Throughout history, racist ideology widespread throughout the world especially between black people and white people. In addition, many European countries started to expand their empire and to get more territories in other countries. Joseph Conrad’s Heart of Darkness which is his experience in the Congo River during the 19th century dealt with the concept of racism, which was clear in this novel because of the conflicts that were between black and white people and it explained the real aims of colonialism in Africa, which were for wealth and power.


2020 ◽  
Vol 47 (4) ◽  
pp. 91-100
Author(s):  
Anna Kaczmarek-Wiśniewska

Therese Raquin, Zola’s first important work, is based on the modern version of the old physiological theory of “temperaments”, e.g. the combination of four cardinal “humours” that determine a man’s physical and mental constitution. Through the story of two murderers, an adulterous woman and her lover who kill the woman’s husband, the author shows the mutual influence of two temperaments considered in the 19th century as more important than all the others: sanguine and melancholic (or nervous). The novel intends to “verify” a theory dealing with the consequences of each type of temperament for people’s behaviour, their relationships and their internal life.


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