scholarly journals The Georgian period of the filmmaker Otar Ioseliani

Arta ◽  
2021 ◽  
Vol 30 (2) ◽  
pp. 74-81
Author(s):  
Zviad Dolidze ◽  

The creation of the film director Otar Ioseliani has a significant role in the evolution of Georgian cinematographic art. Since the 1950s, Ioseliani had been active in RSS Georgia, and since the 1980s, thanks to ideological circumstances, he continued his work as a filmmaker in France. Ioseliani imposed himself through a special style in the detection and cinematic expression of the negative parts of everyday life. That is why most of his films were not accepted by Soviet film critics, acclaiming them as negative works that did not fit the Soviet reality and lifestyle. Those works corresponded more to the conditions of critical realism than to socialist realism - the dogma of the totalitarian regime. As arguments for these ideas will serve the analysis (thematic, ideational background, cinematic expression, etc.) of Otar Ioseliani’s films from the Georgian period, starting with the bachelor’s thesis Watercolor (1958) and continuing with the films that became known to the general public: November, The Last Leaf, Pastoral, Once Upon a Time there was a Blackbird.

2019 ◽  
Vol 11 (1) ◽  
pp. 77-88
Author(s):  
Mircea-Cristian Ghenghea

Thirty years after the dissolution of the totalitarian regime in Romania, due to various reasons, most of the names of those who were forced to leave the country and choose the exile remained practically unknown to the general public, in spite of the fact that a good part of them contributed to the maintenance of a certain Romanian anti-communist resistance worldwide. One of these names is Eugen Lozovan, a distinguished scholar and a voice of the Romanian intellectual dissent from the end of the 1950s until the 1980s. Since the importance of his work as a linguist, historian, and philologist began to be widely acknowledged in his native country within the last decades, it seems of equal importance to consider his opposition towards the communist regime which controlled Romania from 1947 until 1989. He permanently took a stance and expressed his opinions through various texts published in Romanian periodicals from Western Europe, which necessarily add to the memory of the general intellectual anti-communist resistance. This is one of the reasons why in the present text we try to underline his figure and his contributions published in exile in order to better understand the significance and the impact they had for the Romanian intellectual dissent.


Slovo ◽  
2017 ◽  
Vol The autobiographical... (Russia in its margins>) ◽  
Author(s):  
Vera Fluhr

International audience This story evokes great historic events of the USSR in the 1950s (the death of Stalin and the last respects for him, the detention and dislodgement of Beria) through the lens of various episodes of a little Muscovite’s life. Showing the everyday life of a family and its neighborhood seen by the child’s eyes, the story plunges us into the Soviet life under totalitarian regime and makes us feel the authentic atmosphere of the times. ce récit évoque les événements historiques majeurs de l’URSS dans les années 1950 (décès et obsèques de Staline, dénonciation et arrestation deBéria) au travers d’épisodes de la vie d’une petite Moscovite. Il raconte le quotidien d’une famille et la vie d’un quartier vu par les yeux d’une enfant, ce qui rend l’atmosphère de l’époque beaucoup plus présente et nous plonge vraiment au coeur de la vie soviétique sous ce régime totalitaire. Aтмосфера Советского Союза 50-х годов XX века глазами маленькой девочки. Смерть и похороны Сталина, первомайскиедемонстрации, арест и разоблачение Берии, «выборы» в условиях тоталитарного режима, поход в мавзолей Ленина-Сталина, выдворение инвалидов войны из Москвы, репрессии, пропаганда и страх – мозаика эпизодов из жизни московской семьи, двора и улицы, на фоне исторических событий в стране.


2020 ◽  
pp. 088832542095080
Author(s):  
Gabriel Jderu

In a departure from car-centered analyses of the automobility systems, this article highlights the importance of motorcycles and motorcycling in the mobility practices of socialist countries. For at least half of the existence of socialist mobility systems, and especially during the 1950s and 1960s, there were more motorcycles on the roads than cars. Motorcycling was important in commuting, for the mobility of lower-ranking administrative personnel in the countryside, and for mass tourism and leisure. Although in that era maintenance and repair practices were equally central to motorcycling and car-driving, the distinction between user-owner and mechanic was much more fluid in the case of motorcyclists. As a result, the centrality of maintenance and repair to socialist-era motorcycling offers an ideal opportunity to enrich current interdisciplinary conversations about breakdown, maintenance, and repair. Building on the car-centered research into maintenance and repair activities, I add additional material on the nature, types, and complexity of such practices for motorcycling. I outline nine forms of material engagement with motorcycles that reference, but transcend, the current dichotomies between necessity and pleasure, the formal and the informal, the technical and the aesthetic, and the repair of existing objects and the creation of new ones.


2003 ◽  
Vol 15 (3) ◽  
pp. 167-171 ◽  
Author(s):  
John J. Issa ◽  
Chandana Jayawardena

Seeks to review the all‐inclusive concept in the context of the Caribbean. The origin of all‐inclusives in the world and the Caribbean is analysed. The concept was first introduced in holiday camps in Britain during the 1930s. Club Med is credited for popularizing the concept globally in the 1950s. However, the credit of introducing a luxury version of the all‐inclusive concept goes to a Jamaican hotelier and co‐author of this article. In defining the concept of all‐inclusives, one cannot ignore the significant role Jamaica has played. Currently, Jamaica has 17 of the best 100 all‐inclusive resorts in the world. Even though all‐inclusives are occasionally criticized, they are seen as a necessary evil. Concludes by predicting that all‐inclusives are here to stay in the Caribbean and will play a major role in tourism for the foreseeable future.


1995 ◽  
Vol 20 (1) ◽  
pp. 12-16
Author(s):  
Ann Matheson

Cooperation between libraries is time-consuming, but is both ‘worthwhile and essential. Scottish research libraries commenced active cooperation in 1977: the Scottish Confederation of University and Research Libraries now has 15 active members. More recently, libraries in Scotland have been encouraged to work together following the creation of the Scottish Library and Information Council. The National Library has a key role to play, but in partnership with other libraries rather than invariably taking the lead. Cooperation between Scottish art libraries can be traced back to the 1950s and to the development, under the auspices of the National Library, of a union catalogue of art books in Edinburgh. This project is being extended and it will eventually become a national database. The group of libraries responsible for the project has taken on a wider role and an expanded membership as the Scottish Visual Arts Group, one of several subject groups under the umbrella of the Scottish Confederation of University & Research Libraries. The Group will work closely with the Scottish Library and Information Council, and with ARLIS/UK & Ireland in the wider framework of the United Kingdom. (This article is the revised text of a paper presented to the ARLIS/UK & Ireland 25th Anniversary Conference in London, 7th-10th April 1994).


This chapter reviews the book Becoming Israeli: National Ideals and Everyday Life in the 1950s (2014), by Anat Helman. Becoming Israeli deals with those aspects of Israeli society and culture that make Israel distinct from other countries. The book explores how the Israeli society emerged, mainly on its own terms, and tackles the fundamental question of “what it means to be Israeli,” along with the extent to which the characteristics comprising Israeliness emerged in the early years of statehood. Among the book’s strengths is Helman’s choice of foci: the power of her study derives from its locating spheres and behavioral acts that are extremely important but frequently overlooked (kibbutz dining halls, for example). A weak component of the book is its discussion of the subject of humor.


Muzikologija ◽  
2017 ◽  
pp. 117-125
Author(s):  
Adam Ignacz

In this paper I demonstrate the changes in Janos Marothy?s aesthetic and political attitudes towards popular music. Being an internationally acknowledged Marxist musicologist, Marothy found employment in many important musical institutions, in the framework of which he not only had an overview of the events of Hungarian popular music, but with his presentations and articles, in the 1950s and early 1960s he also exerted a considerable influence on them. Using archival data and media coverage, I examine Marothy?s key texts which demanded a revision in the matter of ?socialist realism? and which announced a growing attention and tolerance towards the musical products of Western ?mass culture?: jazz and pop-rock. His work shows how popular music became a part of academic research in Socialist Hungary.


2017 ◽  
Vol 10 (1–2) ◽  
pp. 57
Author(s):  
Benno Gammerl

This opinion piece enquires into the history of male homosexuality in West Germany since the 1950s and focuses on the transition from the homophile bar to the gay disco as a prototypical meeting place for same-sex desiring men. Which emotional shifts did this spatial variation entail? Based on oral history interviews and gay magazines, the analysis explores intricate changes in queer everyday life beyond the all too simple supposition that closeted shame was supplanted by openly gay pride. In addition, the study shows on a methodological level that the allegedly antagonistic approaches in emotion research – constructionism, praxeology, affect-theory and phenomenology – can actually be fruitfully combined with each other, especially when it comes to analysing the interplay between spaces and feelings.


2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Daniel Clayton Rathbone

Home movies, like family photographs, are important parts of family life, acting as ways to frame the idea of the family and connect different, inter-generational memories together. Footage of key moments helps develop a family identity, as well as locate it within broader historical contexts. As a result, home movies provide an incredibly useful source with which to examine the intersections between narratives of the family, nation and belonging. Utilising a collection of personal home movies, this paper will explore how these themes are touched on within the context of British Colonial Southern Africa. These films explore how ideas of family identity are rooted within ideas of home and belonging, articulating a conceptualisation of colonial Southern Africa as a ‘home-scape’ for descendant of British settlers living there during the 1950s and 1960s. These home movies draw attention to the creation of the idea of home and family, while also producing disruptive elements to those narratives.


2018 ◽  
Vol 15 ◽  
pp. 99-106 ◽  
Author(s):  
Tiina Ervasti ◽  
Hilppa Gregow ◽  
Andrea Vajda ◽  
Terhi K. Laurila ◽  
Antti Mäkelä

Abstract. An online survey was used to map the needs and preferences of the Finnish general public concerning extended-range forecasts and their presentation. First analyses of the survey were used to guide the co-design process of novel extended-range forecasts to be developed and tested during the project. In addition, the survey was used to engage the respondents from the general public to participate in a one year piloting phase that started in June 2017. The respondents considered that the tailored extended-range forecasts would be beneficial in planning activities, preparing for the weather risks and scheduling the everyday life. The respondents also perceived the information about the impacts of weather conditions more important than advice on how to prepare for the impacts.


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