scholarly journals Հայոց ցեղասպանության արձագանքները կոմպոզիտոր Արամ Սաթյանի ստեղծագործության մեջ

2021 ◽  
pp. 65-85
Author(s):  
Աննա Ասատրյան

Aram Satyan addressed the issue of the Armenian Genocide in the 21st century by composing “Chinar es[Slim Like a Poplar]” for duduk and symphony orchestra, and “1915” for duduk, chamber orchestra and kettledrums. Both pieces feature the duduk as soloist. The composer intertwined in a masterly manner the timbre of the Armenian folk instrument with the sound of a symphony orchestra, in one case, and a chamber orchestra with kettledrums – in another. Incidentally, the composer had not shown any interest in duduk in his earlier works. Obviously, in the timbre dramaturgy of the composer, duduk associates with the Armenian Genocide, with the suffering and tragic pages in the history of the Armenian people.By concluding his “1915” with the intonations of “Hovareq [Cast a Shade]” (in our opinion, in the lyrics of the song, the ‘indifference’ of the mountains may be perceived as the lack of empathy the world communityhad shown toward the tragedy ofArmenians), rather than with the lively intonations of “Yerkingnampel e [The Skies Are Overcast]”, communicating the idea of inventive and peaceful nature of the Armenian people, A. Satyan must have had the presentiment of the 44-Day War of 2020, when the world once again remained unresponsive to the woes of Armenians. Therefore, we dedicate this article to the 44-Day Warheroes, the memories of whom will never fade.

2021 ◽  

A Cultural History of Objects in the Modern Age covers the period 1900 to today, a time marked by massive global changes in production, transportation, and information-sharing in a post-colonial world. New materials and inventions – from plastics to the digital to biotechnology – have created unprecedented scales of disruption, shifting and blurring the categories and meanings of the object. If the 20th Century demonstrated that humans can be treated like things whilst things can become ever more human, where will the 21st Century take us? The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds.


Author(s):  
Blake Atwood

This chapter speaks to the ways in which reform cinema was wrapped up in the technological changes during Khatami’s presidency. In particular, video technology, which was banned in Iran between 1982 and 1993, gained widespread acceptance during Khatami’s presidency. Meanwhile, the proliferation of digital video at the beginning of the 21st century was changing what it meant to make and watch movies around the world. Abbas Kiarostami’s Taste of Cherry (1997) and Ten (2002) and Bahman Farmanara’s The Smell of Camphor, the Scent of Jasmine (2001) speak to this changing technology, and they play with video in order to show how this technology was democratizing filmmaking in Iran. This chapter contextualizes Kiarostami’s and Farmanara’s films by suggesting a history of video technology in Iran, one which demonstrates that the changing cultural value of video developed in tandem with Khatami’s discourse of reform.


2018 ◽  
pp. 11-22
Author(s):  
Pekka Sulkunen ◽  
Thomas F. Babor ◽  
Jenny Cisneros Örnberg ◽  
Michael Egerer ◽  
Matilda Hellman ◽  
...  

From its ancient origins in small-scale gaming sites in local communities, gambling in the 21st century has become a global industry and an increasingly standardized pastime across the world. The growth started in the early the 20th century, and accelerated in the past few decades. The history of gambling is a history of regulation. Gambling has always been controlled by political powers and still is in both democratic and non-democratic countries. Islamic and communist regimes have been most negative for moral reasons. Countries dominated by Protestant Christian faith have been critical, because of the value they have placed on work and honesty, even when they have not seen prosperity as a sin. Since the 1980s gambling has been de-regulated in many countries, with the justification that gambling is legitimate economic activity and problem gambling should be the policy target.


2018 ◽  
Vol 12 (3) ◽  
pp. 343-365 ◽  
Author(s):  
Stefan Link

Abstract Is the world headed for a repeat of the de-globalization of the interwar period? Stefan Link challenges some widespread assumptions about the history of globalization and suggests that this time really is different.


Author(s):  
Stephen J. Davis

Monasticism is a social and religious phenomenon that originated in antiquity, which remains relevant in the 21st century. Monasticism: A Very Short Introduction discusses the history of monasticism from the earliest evidence for it, and the different types that have developed. It considers where monasteries are located around the world, and how their settings impact the everyday life and worldview of the monks and nuns who dwell in them. Exploring how monastic communities are organized, this VSI also looks at how all aspects of life are regimented. Finally, it discusses what the stories about saints communicate about monastic identity and ethics, and considers what place there is for monasticism in the modern world.


Author(s):  
V.S. Akimova ◽  
◽  
S.S. Atlasova ◽  
K.E. Ershova

Japan is a developing country but is getting diffi cult to hold in leadership 21st century. The domestic lack of raw materials fosters the government to count on competitive power of science and the higher education system. Japanese system of higher education must become demanded in the world. The history of Hokkaido University, the oldest institution in the country and is being modernized at present, is reviewed. It is noted that various mid-term and long-term measures have been developed and implemented. The university partakes in diff erent activities to raise the university international rating.


Author(s):  
Howard Moskowitz ◽  
Derek Roberts ◽  
Divya Nagarajan ◽  
Attila Gere

Psychophysics is the oldest branch of experimental psychology, devoted to understanding the relation between physical stimuli (e.g., ingredients, processes) and subjective response. When applied to developing food products for commercial use, psychophysics takes on a new role, as a center point in an evolving ecology of many unrelated but relevant disciplines and professions. We present a short history of the application of psychophysics to the world of food product design, and the ecosystems which grew around it, evolved, changed, and had to be reengineered to be relevant for the 21st century.


Author(s):  
Shiamin Kwa

Thinking about surface and its historiography in the early 21st century is a way of thinking about ways of seeing in the world, and how people define themselves in relation to the things around them. From literary texts to the decorative arts, from graphic narratives to digital stories, and from film to the textile arts, the ways of reading those texts frequently raise questions about interactions with surfaces. Theories of surface have been engaged in many ways since their invocation by French theorists in the final decades of the twentieth century. They have a steady but by no means identical presence in the field of visual studies, history of architecture, and film studies; they have found an application in discussions of race and identity; they have enjoyed an early 21st century turn in the spotlight under the auspices of a broadly defined call for a “surface reading.” This critical move defines surface as worthy of scrutiny in its own right, rather than as something that needs to be “seen through,” and makes its most profound claims less by reactivating attention to reading surfaces, which arguably has been done all along, but by a shifting away from a model of interpretation that makes claims for authoritative symptomatic readings by an all-knowing interpreter.


2021 ◽  
pp. 1-6
Author(s):  
Doris Kadish

This chapter begins with the book’s point of departure, the love affair my mother had with Philip Greenberg, who adopted the pen name Philip Rahv. It presents the book as part biography, part history, part literary analysis, part cultural studies, and part memoir. It identifies the key components of the book: textual analyses woven together with historical accounts, genealogy, memoirs by Rahv’s colleagues, friends, and associates, interviews with persons who knew him, and the abundant body of secondary scholarship devoted to the New York intellectuals, the history of Partisan Review, and Jewish studies. In keeping with the feminist notion of positionality, this chapter addresses the issue of what it means for a 21st-century woman to write about an author who unquestionably belongs to “the world of our fathers,” to use the title of Irving Howe’s magisterial study of Eastern European Jews in America.


Author(s):  
Quah Chee Heong ◽  
Mohd Nazari Ismail

By 2031, it will be a century since the Great Depression, touted as the most dreadful depression in the history of U.S. and the rest of the world, had taken place. In the final decades of last century and in the early years of this century, numerous financial crises and economic depressions, not as severe as the Depression, have occurred, particularly but not limited to, developing countries. Looking at the Depression and today’s arrangements, will a major global depression be looming? This paper begins with a refresher on the events of the Depression, which is followed by the Friedman and Schwartz hypothesis, criticisms against it, other contributing factors to the Depression, a reconciliation of the theories and finally ends with an assessment of the possibility of a return of the Depression in the 21st century based on today’s economic, financial, political, social, and technological considerations.  


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