scholarly journals La madrina del padre José de Anchieta, apóstol del Brasil: un problema paleográfico

Cliocanarias ◽  
2021 ◽  
pp. 1-18
Author(s):  
Lorenzo Santana Rodríguez ◽  
Keyword(s):  
Canary Islands ◽  
The Third ◽  
First Time

The Jesuit José de Anchieta, known as the Apostle of Brazil, was born and baptised in La Laguna (Tenerife) in 1534. In the bizarre bibliographical approach to his baptism certificate, some have read the name of his second godparent as Don Alonso and others as Doñ'Alonso, which has aroused some controversy. We now set out to elucidate this question by opting for the second reading, and we identify this character for the first time as Doña Beatriz de Noroña, wife of the third adelantado of the Canary Islands

El español de la isla de La Graciosa desde una perspectiva prosódica

2021 ◽  
Vol 137 (2) ◽  
pp. 451-476
Author(s):  
Imelda Chaxiraxi Díaz Cabrera ◽  
Carolina Jorge Trujillo
Keyword(s):  
Canary Islands ◽  
Grammatical Morphology ◽  
Paper Format ◽  
New Generation ◽  
First Time ◽  
The Town

Abstract Manuel Alvar published the only linguistic work known on Spanish from the island of La Graciosa (Canary Islands) in 1965, focused on the town of Caleta del Sebo, to document, in the field of Linguistic geography, the ALEICan (Linguistic and ethnographic atlas of the Canary Islands [1975–1978]). Alvar’s studies used to cover the lexical, grammatical (morphology and syntax) and phonetic levels of the segmental type, but he did not consider prosodic aspects of speech which would later be incorporated into a new generation of atlases, which would go from paper format to multimedia. As the main exponent, the AMPER project (Atlas Multimédia Prosodique de l’Espace Roman) was created in 2001 and, within its framework, we intend to describe the melodic characteristics of a group of sentences emitted by a man and a woman from Caleta del Sebo, completing thus the study started by Alvar fifty-five years ago. In this way, the results will show for the first time if there is a prosodic proximity between the eighth island and the seven main islands, which have been widely described in previous works both in formal and in informal speech.

scholarly journals A review of the Sarcophaga (Heteronychia) (Diptera: Sarcophagidae) of Sardinia

Zootaxa ◽  
2009 ◽  
Vol 2318 (1) ◽  
pp. 566-588 ◽  
Author(s):  
DANIEL WHITMORE
Keyword(s):  
Canary Islands ◽  
North Africa ◽  
Junior Synonym ◽  
Arthropod Diversity ◽  
Italian Regions ◽  
Males And Females ◽  
First Time

An account is given of the species of Sarcophaga Meigen, 1826 subgenus Heteronychia Brauer & Bergenstamm, 1889 known from the island of Sardinia (Italy). Most of the nearly 1,400 specimens examined were collected in the SW part of the island during 2003–2006 as part of a project investigating the arthropod diversity of the Monti Marganai and Montimannu areas (respectively Carbonia-Iglesias and Medio Campidano provinces). The study resulted in the finding of eight species of Heteronychia, six of which are recorded from Sardinia for the first time. Sarcophaga (Heteronychia) penicillata Villeneuve, 1907, previously mentioned in the literature, is excluded from the fauna of the island. Sarcophaga (Heteronychia) thirionae (Lehrer, 1976) is recorded for the first time from Europe and North Africa (Algeria). One species, Sarcophaga (Heteronychia) gabrielei sp. nov., from various sites in the limestone massif of Marganai, is described as new. Previously unpublished records from other Italian regions and from other countries (Algeria, Canary Islands, Greece) are also given for several species. Sarcophaga (Heteronychia) schnabli Villeneuve, 1911 is recognized as a junior synonym of S. (H.) consanguinea Rondani, 1860 syn. nov. The possible synanthropy of Sarcophaga (Heteronychia) pandellei (Rohdendorf, 1937) is briefly discussed. A key to males and females of all known Sardinian and Corsican species of Sarcophaga (Heteronychia) is provided.

Early Permian fossil vertebrate footprints and their stratigraphic setting in megacyclic sequence II red beds, Prim Point, Prince Edward Island

1989 ◽  
Vol 26 (3) ◽  
pp. 591-605 ◽  
Author(s):  
David J. Mossman ◽  
Craig H. Place
Keyword(s):  
Central Europe ◽  
Prince Edward Island ◽  
River Sediments ◽  
Early Permian ◽  
Red Beds ◽  
Sparse Vegetation ◽  
The Third ◽  
Fossil Vertebrate ◽  
Crevasse Splay ◽  
First Time

Vertebrate trace fossils are reported for the first time from red beds near the top of megacyclic sequence II at Prim Point in southwestern Prince Edward Island. They occur as casts of tetrapod trackways. The ichnocoenose also includes a rich invertebrate ichnofauna. The trackmakers thrived in an area of sparse vegetation and occupied out-of-channel river sediments, most likely crevasse-splay deposits.Amphisauropus latus, represented by three trackways, has been previously reported from Germany, Poland, and Czechoslovakia. It is here interpreted as the track of a cotylosaur. It occurs together with the track of Gilmoreichnus kablikae, which is either a captorhinomorph or possibly a juvenile pelycosaur. These facilitate the assignment of a late Early Permian (late Autunian) age to the strata. The third set of footprints, those of a small herbivorous pelycosaur, compare most closely with Ichniotherium willsi, known hitherto from the Keele beds (latest Stephanian) of the English Midlands.This ichnocoenose occurs in a plate-tectonically rafted segment of crust stratigraphically equivalent to the same association of ichnofauna in the English Midlands and central Europe. The community occupied piedmont-valley-flat red beds within the molasse facies of Variscan uplands.

The lithobiomorph centipedes of the Canary Islands (Chilopoda)

1992 ◽  
Vol 23 (1) ◽  
pp. 1-9 ◽  
Author(s):  
H. Enghoff ◽  
E.H. Eason
Keyword(s):  
Canary Islands ◽  
First Time ◽  
Eleven Species

AbstractEleven species of Lithobius and three of Lamyctes are recorded from the Canary Islands, Lithobius comsimilis Eason, sp. n., L. canariensis Eason, sp. n. and Lamyctes mauriesi Demange, 1981, for the first time. These three species are described. Several species are recorded as new for one or more island. A key is provided for the identification of all the species recorded.

Production and Technical Characteristics of a New Class of Amorphous Metals

1995 ◽  
Vol 400 ◽  
Author(s):  
R.T. Malkhassian
Keyword(s):  
Amorphous Phase ◽  
Quantum Chemical ◽  
New Technology ◽  
Chemical Technology ◽  
Quantum Level ◽  
Vibrationally Excited ◽  
New Class ◽  
The Third ◽  
Hydrogen Molecules ◽  
First Time

AbstractA new technology for obtainment of amorphous single-component metals is presented.For the first time the reduction of molybdenum oxide with formation of its amorphous phase is realized in conditions of a given quantum-chemical technology by means of vibrationally excited to the third quantum level hydrogen molecules with 1.5 ± 0.2 eV energy. The evidences of formation of this nonequilibrium amorphous phase are presented along with certain physicochemical properties of the obtained amorphous molybdenum.A model is proposed for the origin of amorphous phase under the influence of nonequilibrium quantum-chemical technology.

Early (Avant-garde) Symphonies by Valentin Silvestrov As a Sound Universe

2021 ◽  
Vol 66 (1) ◽  
pp. 329-343
Author(s):  
Liudmyla Shapovalova ◽  
Іryna Romaniuk ◽  
Marianna Chernyavska ◽  
Svitlana Shchelkanova
Keyword(s):  
20Th Century ◽  
Human Being ◽  
Accurate Identification ◽  
Philosophy Of Music ◽  
Philosophical Concept ◽  
Avant Garde ◽  
The Third ◽  
Ninth Symphony ◽  
Human Ontology ◽  
First Time

"In the article under consideration are the ways of symphony genre transformation in the early works of Valentin Silvestrov (Ukraine). For the first time, the First, Second, Third, and Fourth symphonies by the genius composers of the 20th century are analyzed as a certain stylistic system. These compositions are endowed with the features of avant-garde poetics, and as a subject of musicological reflection, they are associated with a rethinking of the semantic paradigm of the genre. V. Silvestrov's early symphonies stand out from the classical practice of European symphonies. Scientific awareness of their phenomenal nature necessitated a methodological choice aimed at the most accurate identification of the philosophical concept of the new sound universum of V. Silvestrov's music. Deep correlation of the image of a human being as a factor of the symphony poetics (the influence of philosophical concepts of human ontology in the 20th century with the transformation of the genre canon) is considered. This refers to the nonmusical dimension of the genre semantics. The study of V. Silvestrov's early symphonies reveal a new philosophy of music through gradual movement – modulation: from the neo-baroque First Symphony and ""cosmic pastorals"" Musica Mundana of the Second Symphony through the history anthropologisation in the Third Symphony ""Eschatology"" to the monodrama Musica Humana in the Fourth Symphony. The dichotomy of Musica Mundana – Musica Humana is not accidental: in V. Silvestrov's creative method, remains relevant, which is confirmed by the dramaturgy of his latest work – the Ninth symphony (2019). Keywords: V. Silvestrov's early symphonies, evolution of style, worldview, Musica Mundana, monodrama. "

Render unto Caesar Just a Little Bit Longer: The Relationship between Constitutional Reforms and Executive Survival

2021 ◽  
pp. 1-22
Author(s):  
Tofigh Maboudi ◽  
Ghazal P. Nadi ◽  
Todd A. Eisenstadt
Keyword(s):  
Term Limits ◽  
Institutional Constraints ◽  
Third Wave ◽  
Political Leaders ◽  
Constitutional Order ◽  
The Third ◽  
Constitutional Reforms ◽  
The Impact ◽  
First Time ◽  
The Relationship

Abstract Since the third wave of democracy, term limits have become a popular fixture of most constitutions intended to constrain the executive. Yet, recent constitutional reforms around the world show that presidents seeking re-election sometimes overturn the entire constitutional order to extend their power. What is the impact of these constitutional manipulations on the longevity of the executive in office? Using survival analysis of all political leaders and national constitutions from 1875 to 2015, this article demonstrates, for the first time, that when ‘authoritarian-aspiring’ presidents remove constitutional term limits, they increase their stay in office by more than 40%. Our findings contrast with a widely held position in the comparative authoritarian literature suggesting that dictators survive longer under institutional constraints. On the contrary, we argue that by removing constitutional barriers, rulers consolidate more power at the expense of their most ambitious allies and can stay in power longer.

FACES OF V.M. SHUKSHIN: MARTIN IDEN, HAMLET, STEPAN RAZIN

2021 ◽  
pp. 59-65
Author(s):  
Т.А. Богумил
Keyword(s):  
Early Stage ◽  
Socialist Realism ◽  
Crowding Out ◽  
Behavioral Models ◽  
Cluster Approach ◽  
Second Stage ◽  
The Third ◽  
Third Stage ◽  
Early Departure ◽  
First Time

В статье предлагается концепция жизни и творческого роста В.М. Шукшина сквозь призму тезаурусного и кластерного подходов. Объяснительными «персональными моделями» для интерпретации биографического текста писателя являются кластеры Мартина Идена, Гамлета и Степана Разина. Ранее биографы и литературоведы указывали на важность этих персон для Шукшина, но разрозненно. Впервые предпринята попытка свести указанные персональные модели воедино, в целостный сюжет становления писателя в пространстве культуры. На разных этапах эволюции автора доминирует одна из указанных моделей, последовательно сменяя друг друга, но не вытесняя, а «внахлест». Ранний этап творчества, ориентированный на стратегию Мартина Идена, является попыткой «вписаться» в наличный культурный мейнстрим. Выражено это в следовании поэтике соцреализма. Второй этап подспудно начинается с реабилитации отца Шукшина в 1956 года, когда актуализируется «гамлетовский комплекс», проявляющийся в чувстве вины перед отцом, через стратегию утаивания подлинного «я», мотивы чудаковатости. Третий этап связан с личностью реального исторического лица, Степана Разина, и выражается в открытом протесте против власти. Все важные для В.М. Шукшина поведенческие модели объединены мотивом одинокого противостояния враждебному социуму и имеют трагический финал, что обусловило ранний уход писателя и порождение мифов о насильственном характере его смерти. В.М. Шукшин одновременно был фигурой неординарной и типичной, что позволило его биографии стать «персональной моделью» для последующих авторов, выходцев из сельской глубинки. The article proposes the concept of life and creative growth of V.M. Shukshin through the prism of the thesaurus and cluster approach. The explanatory "personal models" for interpreting the biographical text of the writer are clusters of Martin Eden, Hamlet and Stepan Razin. Earlier, biographers and literary critics pointed out the importance of these people for Shukshin, but it was scattered. For the first time, an attempt was made to bring these personal models together into an integral plot of the formation of the writer in the space of culture. At different stages of the writer’s evolution, one of these models dominates, successively replacing each other, but not crowding out, but “overlapping”. The early stage of creativity, focused on Martin Eden’s strategy, is an attempt to “fit in” the current cultural mainstream. This is expressed in following the poetics of socialist realism. The second stage implicitly begins with the rehabilitation of Shukshin’s father in 1956, when the “Hamletian complex” is actualized. It is manifested in a sense of guilt towards his father, the strategy of concealing the true “I”, eccentricities. The third stage is connected with the personality of a real historical person, Stepan Razin, and is expressed in an open protest against the authorities. All important for V.M. Shukshin's behavioral models are united by the motive of a lonely confrontation with a hostile society and have a tragic ending, which led to the early departure of the writer and the generation of myths about the violent nature of his death. V.M. Shukshin was an extraordinary and typical figure at the same time. That allowed his biography to become a “personal model” for subsequent authors who came from the rural outback.

ISOTOPE-GEOCHEMICAL FEATURES OF AUTHENIC CARBONATES OF THE YU1 PRODUCING HORIZON OF THE VERKH-TARSKOYE OIL FIELD (SOUTH OF WESTERN SIBERIA)

2020 ◽  
pp. 20-28
Author(s):  
L. G. Vakulenko ◽  
◽  
O. D. Nikolenko ◽  
D. A. Novikov ◽  
P. A. Yan ◽  
...  
Keyword(s):  
Isotopic Composition ◽  
Carbonate Rocks ◽  
Western Siberia ◽  
Oil Field ◽  
Third Generation ◽  
The Third ◽  
First Time ◽  
Different Sources ◽  
Sources Of Co2 ◽  
Comprehensive Study

A comprehensive study of the composition of sand and silt deposits of the Yu1 horizon of the Vasyuganskaya Formation upper part of the Verkh-Tarskoye oil field has been carried out. Associations of authigenic minerals have been determined in their cement, among which the calcite is the most widespread. According to petrographic parameters, three generations of calcite have been identified for which detailed isotopicgeochemical and ultramicroscopic studies were carried out for the first time. Wide and multi directional changes in the isotopic composition of carbon and oxygen and in the chemical composition of carbonate minerals were recorded, they indicate significant variations in the conditions of diagenesis and catagenesis, primarily temperature, and different sources of CO2. Significant variations in the isotopic composition of formation waters and its relationship with the isotopic composition of carbonates have been established. Thus, a narrow interval of close δ13C values was revealed, amounting to –10.5 to –9.1 ‰ in the formation waters of group II, and from –10.7 to –9.1 ‰ in calcites of the third generation. The source of CO2 in this system should be considered a carbon dioxide, which is formed in the process of metamorphism of carbonate rocks of the Paleozoic age.

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