scholarly journals Dirbtinis intelektas moterišku kūnu filmuose Ex Machina ir Ji

2021 ◽  
Vol 16 ◽  
pp. 69-90
Author(s):  
Justina Žiūraitė-Pupelė

The article explores how artificial intelligence is constructed in a female body and showcases the boundaries between human and technological traits, as well as the relationship between human beings and technology. The article defines the notion of artificial intelligence and discusses how artificial intelligence is portrayed in science fiction films. The article does not attempt to provide new theoretical insights into artificial intelligence but, instead, to show how artificial intelligence is characterised in the context of modern science fiction films. Two contemporary science fiction films, which focus on the artificial intelligence in the female body, are analysed: Alex Garland’s Ex Machina (2014) and Spike Jonze’s Her (2013). The analysis of the films showcases the blurred lines between being a human and being a robot: AI in the female body is portrayed as having adequate cognitive abilities and an ability to experience or to realistically imitate various mental states. The AI embodiment found in the films explores different narratives: the anthropomorphic body (Ex Machina) motivates to get to know the world and thus expands one’s experience, while the partial embodiment (Her) “programs” intellectual actions and development beyond the human body. Ex Machina highlights the anti-humanity of the female robot: another (human) life is devalued in order to pursue a goal. On the contrary, Her highlights the hyper-humanity of the operating system: continuous improvements exceed the boundaries of communication with other people.

2020 ◽  
Vol 2 (2) ◽  
pp. 133-149
Author(s):  
Leah Henderson

Vision: Director’s Cut (2017) is a short comic series about Vision, a lonely robot Avenger superhero who builds his own robotic family out of his desire for love and happiness. The story focuses on the Vision family as they struggle to lead a ‘normal’ suburban life under Vision’s tutelage. As beings of artificial intelligence (AI), they are subject to social ostracism and abuse by a neighbourhood that refuses to accept them as part of the human community. In doing so, Director’s Cut enters into the long-standing literary debate about humanness versus monstrousness, what it means to be a human, and who gets to dictate the definition. The storyline is a contemporary science-fiction rendition of Mary Shelley’s Frankenstein (1818), which dramatises the dangers of trying to artificially create a human life. Both texts are in agreement that once these beings are created, because they are sentient and self-aware, then they ought to be treated with dignity, respect and equality. Director’s Cut is additionally comparable to Shakespeare’s The Merchant of Venice in exploring the act of vengeance by the traumatised outsider, and how said acts ironically prove their humanness because revenge is a motive inimitable by any other life form.


2021 ◽  
Vol 6 (22) ◽  
pp. 36-44
Author(s):  
Nor ‘Adha Ab Hamid ◽  
Azizah Mat Rashid ◽  
Mohd Farok Mat Nor

The development of science and technology is always ahead and has no point and seems limitless. Although human beings are the agents who started this development but eventually faced with a bitter situation which can sacrifice human moral, right and interest of our future. Shariah criminal offenses nowadays can not only occur or be witnessed by a person in a meeting physically with the perpetrator. As a result of technological developments, such behavior can occur and can be witnessed in general by larger groups. Although the illegal treatment which is not in accordance with sharia law and the moral crisis issues happening surrounding us and is rampant on social media, no enforcement is done on perpetrators who use social media medium. According to sharia principles, something that is wrong should be prevented and it is the responsibility of all Muslim individuals. But what is happening today, some Shariah criminal behavior, especially in relation to ethics, can occur easily using facilities technology driven by technological ingenuity. If the application of existing legal provisions is limited and has obstacles for enforcement purposes, then the problem needs to be overcome due to development the law should be in line with current developments. The study aims to identify a segment and cases of the moral crisis on social media and online using the artificial intelligence (AI) application and to identify the needs for shariah prevention. This thesis uses qualitative approaches, adopts library-based research, and, by content analysis of documents, applies the literature review approach. The findings show that the use of social media and AI technology has had an impact on various issues such as moral crisis, security, misuse, an intrusion of personal data, and the construction of AI beyond human control. Thus, the involvement and cooperation of various parties are needed in regulating and addressing issues that arise as a result of the use of social media and AI technology in human life.


The Fly ◽  
2018 ◽  
pp. 87-96
Author(s):  
Emma Westwood

This chapter describes the scenes of Act Two of David Cronenberg's The Fly (1986). In Act Two, Seth Brundle makes the transition from amiable and reclusive scientist to predatory and misogynistic Brundlefly — a seamless character transition that creeps up on the audience through Cronenberg's screenplay and direction, and Jeff Goldblum's subtle yet defined performance. As the Brundlefly persona comes to the fore, the audience still sympathises with the overtly animalistic, egregious person he has become. They know this is not the real Seth; it is the corruption of Seth at a cellular level. Cronenberg's patented brand of body horror is coming into its own right here with Seth finally admitting to himself that something is wrong. He questions whether he is dying, and if this is what dying is like, which directly references Cronenberg's own explanation of the film: that it is an allegory for our mortality as human beings and the natural processes that lead to old age and death. It is by way of the computer that he discovers his DNA has fused with a fly — the vital ‘reveal’ — in a cinematic moment common to many great science-fiction films where pivotal information of emotional resonance is not communicated between human beings but between human and machine.


2013 ◽  
Vol 25 (1) ◽  
pp. 39-53
Author(s):  
Robert M. Anderson ◽  
Yevgenyia K. Melnik ◽  

This essay describes possible futures that may result from accelerating technological advances and the challenges these futures present to psychotherapists. In the next 100 years, human beings will be likely to increasingly use computers and artificial intelligence and become extremely dependent on this relationship. Chip and stem cell implants may provide people with greater memory capacity, computational capacity, and skill sets. Genetic engineering, cryonics, and cloning may allow dramatic increases in the human life span these developments occur, they will challenge what it means to be a human being and have a soul. Although psychotherapists will acquire new tools for assessment and intervention, they will face the daunting task of addressing these changes and challenges to personhood with their clients.


2018 ◽  
Vol 6 (6) ◽  
pp. 178-188 ◽  
Author(s):  
Rupali Kamble ◽  
Deepali Shah

Artificial Intelligence (AI) has revolutionized in information technology.AI is a subfield of computer science that includes the creation of intelligent machines and software that work and react like human beings. AI and its Applications gets used in various fields of life of humans as expert system solve the complex problems in various areas as science, engineering, business, medicine, video games and Advertising. But “Do any traffic lights use Artificial Intelligence??”, I thought a lot of this when waiting in a red light. This paper gives an overview of Artificial Intelligence and its applications used in human life. This will explore the current use of Artificial Intelligence technologies in Network Intrusion for protecting computer and communication networks from intruders, in the medical area-medicine, to improve hospital inpatient care, for medical image classification, in the accounting databases to mitigate the problems of it, in the computer games, and in Advertising. Also, it will show artificial intelligence principle and how they were applying in traffic signal control, how they solve some traffic problem in actual. This paper gives an introduction to a self-learning system based on RBF neural network and how the system can simulate the traffic police’s experience. This paper is focusing on how to evaluate the effect of the control with the changing of the traffic and adjust the signal with the different techniques of Artificial Intelligence.


2017 ◽  
Vol 14 (3) ◽  
pp. 2453
Author(s):  
Sırrı Tiryaki

The first inventions made by the first humans on earth to survive started the beginning of first scientific activities. The first instruments made of bone and stone are a product of this philosophy. The fact that human beings begin to lead a life based on settled life means the world science develops rapidly. Because the settled life enabled the establishment of villages and cities for world civilization and the commencement of trade. Along with all these things, concepts such as writing, books, literature, library, astronomy, mathematics, chemistry and physics began to enter into human life. The discovery of mining revealed the facts like armed soldiers, armies and states. Along with the concept of the state, scientific activities have become more systematic and more widespread. Because it is known that states supported scientific activities within their borders. For example, the creation of the writing by the Sumerian civilization, the preparation of textbooks, the development of the calendar, the development of medical science in Egypt, the invention of the compass by the Chinese civilization, the opening of the museum in Alexandria in the Hellenistic Age and the starting of the studies about anatomy in this museum, the opening of a three different educational institutions in Rome, were all happening as a result of the encouragement and support of the respective states. In this study, we tried to put forth that all the scientific activities in the Old Era the basis of the modern science as well.Extended English abstract is in the end of PDF (TURKISH) file. ÖzetYeryüzündeki ilk insanların hayata kalabilmek için yaptıkları ilk icatlar aynı zamanda ilk bilimsel faaliyetleri başlamaktadır. Kemik ve taştan yapılan ilk aletler bu felsefenin bir ürünüdür. İnsanoğlunun yerleşik yaşama dayalı bir hayat sürdürmeye başlaması ise dünya biliminin hızla gelişmesi anlamına gelmektedir. Çünkü yerleşik yaşam dünya uygarlığı için köylerin ve kentlerin kurulması ve ticaretin başlaması demekti. Bütün bunların yanı sıra yerleşik yaşamla birlikte yazı, kitap, edebiyat, kütüphane, astronomi, matematik, kimya ve fizik gibi kavramlar insan hayatına girmeye başladı. Madenciliğin keşfi ise silahlı askerler, ordular ve devletler gibi olguları ortaya çıkardı. Devlet kavramıyla birlikte bilimsel faaliyetler daha sistematik hâle geldi ve daha da yaygınlaştı. Çünkü devletlerin kendi sınırları içerisinde bilimsel aktiviteleri teşvikleri söz konusuydu. Örneğin yazının Sümer uygarlığı tarafından icat edilmesi, ders kitaplarının hazırlanması, takvimin geliştirilmesi, Mısır’da tıp biliminin oldukça gelişmesi, pusulanın Çin uygarlığı tarafından icat edilmesi, Helenistik Çağ’da İskenderiye kentinde müzenin açılması ve bu müzede anatomi alanında çalışmaların başlatılması ile Roma’da üç farklı eğitim kurumunun açılması gibi konuların tamamı dönemin söz konusu devletlerinin teşvik ve destekleri sonucunda gerçekleşen olgulardı. Çalışmamızda Eski Çağdaki bütün bu bilimsel faaliyetlerin aynı zamanda modern bilimin temelini oluşturduğunu ortaya koymaya çalıştık.


Author(s):  
Swikriti Sheela Nath

The Fourth Industrial Revolution, finally, will change not only what we do but also who we are. It will affect our identity and all the issues associated with it: our sense of privacy, our notions of ownership, our consumption patterns, the time we devote to work and leisure, and how we developour careers, cultivate our skills, meet people, and nurture relationships. The technological revolution in the modern developing environment in which innovative technologies and trends such as the virtual reality (VR), Internet of Things (IoT), Artificial Intelligence (AI), Robotics are fundamentally altering the way of living, working and relationships to one another, is known as Fourth Industrial Revolution or Industry 4.0 or Industrie 4.0. The Fourth Industrial Revolution is reshaping every sphere of human life — from government to commerce; from education to healthcare. It is even impacting humanvalues, opportunities, relationships and identities by modifying virtual as well as physical worlds of human beings.


2020 ◽  
Author(s):  
Johannes Otte

Almost 200 years have passed since the publication of E.T.A. Hoffmann's Der Sandmann and Alex Garland's science fiction film Ex Machina. And yet both ask amazingly similar questions about human integrity in the face of artificial intelligence. The humanoid machines act as objects of reflection, from which it can be seen that the essence of human beings is always only contoured in an omnipresent network of power relations and by imitating normative behavior patterns. These power relations and performative acts are discussed in more detail in this work, among other things, by referring back to the concepts of panoptism and performativity. Posthuman subjects are thus negotiated as both a danger and an enlightenment for the human being.


Film Studies ◽  
2019 ◽  
Vol 21 (1) ◽  
pp. 53-64
Author(s):  
Sonia Campanini

Self-driving cars have long been depicted in cinematic narratives, across genres from science fiction films to fantasy films. In some cases, a self-driving car is personified as one of the main characters. This article examines cinematic representations and imaginaries in order to understand the development of the self-driving technology and its integration in contemporary societies, drawing on examples such as The Love Bug, Knight Rider, Minority Report and I, Robot. Conceptually and methodologically, the article combines close readings of films with technological concerns and theoretical considerations, in an attempt to grasp the entanglement of cinematographic imaginaries, audiovisual technologies, artificial intelligence and human interactions that characterise the introduction of self-driving cars in contemporary societies. The human–AI machine interaction is considered both on technological and theoretical levels. Issues of automation, agency and disengagement are traced in cinematic representations and tackled, calling into question the concepts of socio-technical assemblage.


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