Introduction

2017 ◽  
Author(s):  
James A. Baer
Keyword(s):  
Twentieth Century ◽  
Spanish Civil War ◽  
Life Stories ◽  
Second World War ◽  
World War ◽  
Francisco Franco ◽  
Mikhail Bakunin ◽  
The Relationship ◽  
Second World

This introductory chapter sets out the book's purpose, which is to show how the ebb and flow of Spanish anarchist migrations to Argentina helps explain the development of both a transnational anarchist ideology and related organizations that connect these two countries. It follows the lives, careers, ideas, influence, and travel of dozens of individuals who moved between these two countries in the decades around the turn of the twentieth century. The life stories of individual immigrants allow us to explore their movements and understand how supranational links influenced the growth of the anarchist movements in Spain and Argentina. This study encompasses the period between 1868, when the ideas of Russian anarchist Mikhail Bakunin first became known in Spain, and the end of the Spanish Civil War, after which the regime of Generalíssimo Francisco Franco and the Second World War effectively ended the relationship between these two countries' anarchist movements. An overview of the subsequent chapters is also presented.

ROOSEVELT'S MAN IN EUROPE

2016 ◽  
Vol 15 (1) ◽  
pp. 45-59
Author(s):  
Kenneth Weisbrode
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Second World War ◽  
Writing Style ◽  
World War ◽  
Literature And Politics ◽  
Self Image ◽  
The Relationship ◽  
Second World

Lewis Einstein (1877–1967) was a little-known diplomat who became one of Theodore Roosevelt's closest advisers on European affairs. Roosevelt's attraction to Einstein derived not only from a keen writing style and considerable fluency in European history, literature and politics, but also from his instinct for anticipating the future of European rivalries and for the important role the United States could play there in preserving peace. The two men shared a perspective on the twentieth century that saw the United States as a central arbiter and enforcer of international order—a position the majority of Americans would accept and promote only after the Second World War. The relationship between Roosevelt and Einstein sheds light on the rising status of American diplomacy and diplomats and their self-image vis-à-vis Europe at the turn of the twentieth century.

‘The experiments are not found wanting’ – Labour and the Wartime State

2017 ◽  
Author(s):  
David Swift
Keyword(s):  
Twentieth Century ◽  
Second World War ◽  
The State ◽  
World War ◽  
Labour Movement ◽  
British State ◽  
Relationship Of ◽  
The Relationship ◽  
Second World

This chapter is concerned with the growth of the British state during the war, the relationship of the labour movement vis-à-vis the state, and the ramifications of this for the ideology and practice of the Left after the conflict. The first three decades of the twentieth century saw a variety of viewpoints as to how best theoretically and practically organise the economy and society, and the vision which was put into practice after 1945 was not necessarily destined to dominate. While the experience of the Depression and the Second World War - and the memory of broken promises and failed ambitions after the First – was certainly crucial to the coalescence of the ‘spirit of ‘45’ it is argued in this chapter that not enough significance has been attributed to the experience of 1914-1918 in this development.

Beware of Pity: Stefan Zweig and the Fate of Narrative Empathy under Surveillance

2019 ◽  
Vol 52 (2) ◽  
pp. 240-260
Author(s):  
Emily Ridge
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Second World War ◽  
Post Office ◽  
World War ◽  
Stefan Zweig ◽  
Narrative Distance ◽  
The Relationship ◽  
Second World

Abstract In the epigraph to his 1939 novel Beware of Pity, Stefan Zweig distinguishes between a form of “unsentimental but creative” empathy and a mode of “weak-minded, sentimental pity” that serves only as a “way of defending yourself against someone else's pain.” Focusing on Beware of Pity as well as The Post Office Girl and Chess, this article interprets Zweig's epigraph as a commentary on narrative as well as interpersonal forms of engagement, centered upon his conception of the relationship between author/narrator and suffering protagonist. Drawing on the work of David Rosen and Aaron Santesso, it further posits “empathetic surveillance” as a figure through which to assess this relationship, because Zweig can frequently be found to experiment with narrative distance and observation where the scene of suffering is concerned. His late writing demonstrates an attempt to work through his own conflicting wartime experiences of fellow feeling, but it also offers a sustained reflection on the implications of a broader crisis in empathy on a narrative level around the Second World War. The article characterizes Zweig's particular approach to narrative empathy in terms of an “empathic realism,” which can be defined both against what Meghan Marie Hammond has recently called “empathic modernism” and in contradistinction to nineteenth-century “sympathetic realism.” Poised between pre- and postwar outlooks, his work provides valuable insights on the changing contours of empathetic authorship across the twentieth century.

scholarly journals ‘The Dark Millions in the Colonies are Unavenged’: Anti-Fascism and Anti-Imperialism in the 1930s

2016 ◽  
Vol 25 (4) ◽  
pp. 645-665 ◽  
Author(s):  
TOM BUCHANAN
Keyword(s):  
Civil War ◽  
Early Phase ◽  
Spanish Civil War ◽  
Second World War ◽  
Popular Front ◽  
World War ◽  
The Third ◽  
Colonial Oppression ◽  
The Relationship ◽  
Second World

The quotation in this title expresses a dilemma, as the ‘dark millions’ were likely to remain ‘unavenged’ so long as authors were asked to take sides on the Spanish Civil War rather than colonial oppression. Indeed, anti-fascism might well be thought of as, in a sense, antithetical to anti-imperialism. This article explores the relationship between anti-fascism and anti-imperialism, focusing on Britain and France. The first part looks at anti-imperialism in the era of the Popular Front; the second looks at how the tensions between anti-fascism and anti-imperialism were played out in the case of the major conflicts of the later 1930s in Abyssinia, Spain and China; the third discusses the imperialist assumptions of many anti-fascists. The article concludes by looking at the early phase of the Second World War.

Fighters and Footballers

Migrant City ◽  
2020 ◽  
pp. 254-280
Author(s):  
Panikos Panayi
Keyword(s):  
Twentieth Century ◽  
Ethnic Minorities ◽  
Second World War ◽  
World War ◽  
Migration History ◽  
Football Team ◽  
History Of ◽  
The Relationship ◽  
Second World

This chapter explores the history of football in London and the participation of migrants and ethnic minorities within it. It explains that migrant participation in football acts as a key symbol of the relationship between migration and globalization, illustrating the forces of multiculturalism and racism in action. It resembles other aspects of the migration history of the British capital in the sense that the period before the Second World War and even before the 1980s appears one dominated by the white British in terms of the professionals who played this sport. However, as in the case of much else in the migration history of London, scratch below the surface and there emerges a longer history of migrant participation involving the Irish in particular, as well as a few people of Jewish, African, and Caribbean origin. The global and multi-ethnic football team has thus become the norm by the end of the twentieth century, symbolized especially by Arsenal and Chelsea fielding teams consisting almost entirely of foreigners by 1999.

Introduction

2017 ◽  
Author(s):  
David Lucander
Keyword(s):  
Twentieth Century ◽  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Jim Crow ◽  
Second World War ◽  
World War ◽  
Depression Era ◽  
Second World

This introductory chapter provides an overview of the March on Washington Movement (MOWM). MOWM was arguably the most effective African American protest organization during the Second World War, and in some ways this period represented the zenith of A. Philip Randolph's power. By creating MOWM, Randolph gave local activists and organizers a platform on which they could fight against Jim Crow in innovative and sometimes powerful ways. This organization stands at a critical junction between the Roosevelt era and the years traditionally associated with the Civil Rights Movement, a chronological crossroads that makes it something of a generational interstice. Occupying this unique place in the chronology of twentieth-century campaigns by African Americans to attack Jim Crow segregation makes MOWM something of an anomaly. Its roots were firmly planted in Depression-era activism, but its branches spread through the next three decades and reached into the Civil Rights Movement.

Marie Ulčová and her Contribution to the West Bohemian Museums

2018 ◽  
Vol 56 (1) ◽  
pp. 13-23
Author(s):  
Nela Štorková
Keyword(s):  
Twentieth Century ◽  
Second World War ◽  
World War ◽  
The West ◽  
West Bohemia ◽  
Long Time ◽  
Second World

While today the Ethnographic Museum of the Pilsen Region represents just one of the departments of the Museum of West Bohemia in Pilsen, at the beginning of the twentieth century, in 1915, it emerged as an independent institution devoted to a study of life in the Pilsen region. Ladislav Lábek, the founder and long-time director, bears the greatest credit for this museum. This study presents PhDr. Marie Ulčová, who joined the museum shortly after the Second World War and in 1963 replaced Mr. Lábek on his imaginary throne. The main objective of this article is to introduce the personality of Marie Ulčová and to evaluate the activity of this Pilsen ethnographer and the museum employee with an emphasis on her work in the Ethnographic Museum of the Pilsen Region. The basic aspects of the ethnographic activities, not only of Marie Ulčová but also of the Ethnographic Museum of the Pilsen Region in the years 1963–1988, are described through her professional and popularising articles, archival sources and contemporary periodicals.

Alien Internment in John Galsworthy’s ‘The Bright Side’ and ‘The Dog It was that Died’

2021 ◽  
Vol 30 (1) ◽  
pp. 45-61
Author(s):  
Jill Felicity Durey
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Human Nature ◽  
Second World War ◽  
World War ◽  
Historical Sources ◽  
Internment Camp ◽  
Bright Side ◽  
Second World ◽  
John Galsworthy

This article illuminates two short stories by John Galsworthy through examining them with the help of his diaries and letters, a handful of unpublished letters by his nephew from an internment camp and secondary historical sources. It argues that the stories, when read in conjunction with these sources, are highly revealing about human nature during Second World War and also about Galsworthy’s prescient fears concerning a second twentieth-century world war, which he did not live to see.

scholarly journals Bastards, brothers, and unjust warriors: Enmity and ethics in Just War Cinema

2016 ◽  
Vol 43 (1) ◽  
pp. 73-94 ◽  
Author(s):  
Christopher J. Finlay
Keyword(s):  
Cold War ◽  
Just War ◽  
Just War Theory ◽  
Second World War ◽  
Public Understanding ◽  
World War ◽  
Close Attention ◽  
Popular Cinema ◽  
The Relationship ◽  
Second World

AbstractHow do members of the general public come to regard some uses of violence as legitimate and others as illegitimate? And how do they learn to use widely recognised normative principles in doing so such as those encapsulated in the laws of war and debated by just war theorists? This article argues that popular cinema is likely to be a major source of influence especially through a subgenre that I call ‘Just War Cinema’. Since the 1950s, many films have addressed the moral drama at the centre of contemporary Just War Theory through the figure of the enemy in the Second World War, offering often explicit and sophisticated treatments of the relationship between thejus ad bellumand thejus in bellothat anticipate or echo the arguments of philosophers. But whereas Cold War-era films may have supported Just War Theory’s ambitions to shape public understanding, a strongly revisionary tendency in Just War Cinema since the late 1990s is just as likely to thwart them. The potential of Just War Cinema to vitiate efforts to shape wider attitudes is a matter that both moral philosophers and those concerned with disseminating the law of war ought to pay close attention to.

scholarly journals Kriegsliteratur aus der DDR und die Zensur in der Volksrepublik Polen in den ersten Nachkriegsjahren

2017 ◽  
pp. 253-262
Author(s):  
Marek Rajch
Keyword(s):  
Spanish Civil War ◽  
German Literature ◽  
Second World War ◽  
Eastern Bloc ◽  
Substantial Part ◽  
Important Criterion ◽  
World War ◽  
Nineteen Fifties ◽  
Publishing Houses ◽  
Second World

From all of the German literature distributed in Poland during the first half of the nineteen fifties, that of the GDR was the most strongly represented, because like the People's Republic, it was part of the Eastern Bloc. A substantial part of this literature touched upon the themes of the Second World War. As some prominent Eastern German authors had taken part in the Spanish Civil War in 1936-1939, this subject also couldn't be ignored.The introduction in 1949 of socialist realism as the most important criterion of art, and particulary strong political pressure, led to a great deal of confusion and insecurity, not only for Polish publishing houses, but also among the censors, whose task was to take decisions about what literature could be printed. Censors’ opinions in this period often differed, not only in terms of detailed matter, but also in the final decisions about the eventual fate of the title submitted for evaluation.

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