Cultural, Business, and Political Characteristics of Hong Kong Street Art: A Mini Review

2021 ◽  
Vol 2 (2) ◽  
pp. 15-18
Author(s):  
Bingxi Mao

With its towering skyscrapers and busy streets, many people think that Hong Kong is all that it appears to be. But look closely and you'll see that behind all this glitz and glamour, Hong Kong has a wealth of fascinating things to offer. As Asia's most vibrant centre for art and culture, Hong Kong has demonstrated its creative spirit in everything from world-class galleries and exhibitions to international art events, especially in street art. Over the past few years, street art has given Hong Kong's cityscape a bold and innovative look - the East meets West murals in Central, the graffiti art in Wong Chuk Hang Industrial Estate, the colourful and creative works in Sham Shui Po. The paper explains and demonstrates cultural and business aspects of Hong Kong Street Art based on its characteristics. Further recommendation of the continuing transformation of Hong Kong Street Art is proposed in the last section of this paper as well.

Author(s):  
Rowan Nicholson

If the term were given its literal meaning, international law would be law between ‘nations’. It is often described instead as being primarily between states. But this conceals the diversity of the nations or state-like entities that have personality in international law or that have had it historically. This book reconceptualizes statehood by positioning it within that wider family of state-like entities. An important conclusion of the book is that states themselves have diverse legal underpinnings. Practice in cases such as Somalia and broader principles indicate that international law provides not one but two alternative methods of qualifying as a state: subject to exceptions connected with territorial integrity and peremptory norms, an entity can be a state either on the ground that it meets criteria of effectiveness or on the ground that it is recognized by all other states. Another conclusion is that states, in the strict legal sense in which the word is used today, have never been the only state-like entities with personality in international law. Others from the past and present include imperial China in the period when it was unreceptive to Western norms; pre-colonial African chiefdoms; ‘states-in-context’, an example of which may be Palestine, which have the attributes of statehood relative to states that recognize them; and entities such as Hong Kong.


2019 ◽  
pp. 136216881986556
Author(s):  
Jim Yee Him Chan

The past 40 years have witnessed significant developments in ELT research, reflecting the changes in learners’ language needs and the extensive development of various language learning/teaching methods in different times and places. The aim of this study is to provide a systematic and comprehensive account of changing ELT methods (oral-structural approach, communicative language teaching and task-based language teaching) in Hong Kong’s secondary education between 1975 and the present. By adopting Richards and Rodgers’s (2014) framework (approach, design and procedure), it examined how ELT theories have been transformed into local curricula (1975, 1983, 1999 and 2002/07) and commercial textbooks (Longman, Oxford University Press) via detailed content analysis. The findings suggest that research into ELT methods in Hong Kong over the past decades has generally directed the designs of the language curricula. Changes in the textbooks, however, have been relatively limited, although considerable attempts have been made to align textbook design with ELT trends. By considering various constraints in the theory-to-practice process, this study offers suggestions for future research and language teaching, particularly regarding the recent debate over the choice between the ‘weak’ and ‘strong’ versions of task-based language teaching in EFL contexts, and the post-methods perspective in language teaching.


Land ◽  
2021 ◽  
Vol 10 (5) ◽  
pp. 501
Author(s):  
Xuege Wang ◽  
Fengqin Yan ◽  
Yinwei Zeng ◽  
Ming Chen ◽  
Bin He ◽  
...  

Extensive urbanization around the world has caused a great loss of farmland, which significantly impacts the ecosystem services provided by farmland. This study investigated the farmland loss due to urbanization in the Guangdong–Hong Kong–Macao Greater Bay Area (GBA) of China from 1980 to 2018 based on multiperiod datasets from the Land Use and Land Cover of China databases. Then, we calculated ecosystem service values (ESVs) of farmland using valuation methods to estimate the ecosystem service variations caused by urbanization in the study area. The results showed that 3711.3 km2 of farmland disappeared because of urbanization, and paddy fields suffered much higher losses than dry farmland. Most of the farmland was converted to urban residential land from 1980 to 2018. In the past 38 years, the ESV of farmland decreased by 5036.7 million yuan due to urbanization, with the highest loss of 2177.5 million yuan from 2000–2010. The hydrological regulation, food production and gas regulation of farmland decreased the most due to urbanization. The top five cities that had the largest total ESV loss of farmland caused by urbanization were Guangzhou, Dongguan, Foshan, Shenzhen and Huizhou. This study revealed that urbanization has increasingly become the dominant reason for farmland loss in the GBA. Our study suggests that governments should increase the construction of ecological cities and attractive countryside to protect farmland and improve the regional ESV.


2017 ◽  
Vol 17 (18) ◽  
pp. 10919-10935 ◽  
Author(s):  
Yu Wang ◽  
Hao Wang ◽  
Hai Guo ◽  
Xiaopu Lyu ◽  
Hairong Cheng ◽  
...  

Abstract. Over the past 10 years (2005–2014), ground-level O3 in Hong Kong has consistently increased in all seasons except winter, despite the yearly reduction of its precursors, i.e. nitrogen oxides (NOx =  NO + NO2), total volatile organic compounds (TVOCs), and carbon monoxide (CO). To explain the contradictory phenomena, an observation-based box model (OBM) coupled with CB05 mechanism was applied in order to understand the influence of both locally produced O3 and regional transport. The simulation of locally produced O3 showed an increasing trend in spring, a decreasing trend in autumn, and no changes in summer and winter. The O3 increase in spring was caused by the net effect of more rapid decrease in NO titration and unchanged TVOC reactivity despite decreased TVOC mixing ratios, while the decreased local O3 formation in autumn was mainly due to the reduction of aromatic VOC mixing ratios and the TVOC reactivity and much slower decrease in NO titration. However, the decreased in situ O3 formation in autumn was overridden by the regional contribution, resulting in elevated O3 observations. Furthermore, the OBM-derived relative incremental reactivity indicated that the O3 formation was VOC-limited in all seasons, and that the long-term O3 formation was more sensitive to VOCs and less to NOx and CO in the past 10 years. In addition, the OBM results found that the contributions of aromatics to O3 formation decreased in all seasons of these years, particularly in autumn, probably due to the effective control of solvent-related sources. In contrast, the contributions of alkenes increased, suggesting a continuing need to reduce traffic emissions. The findings provide updated information on photochemical pollution and its impact in Hong Kong.


Author(s):  
Mikhail V. Gordin ◽  
Valery I. GUROV ◽  
Anton N. Varyukhin ◽  
Alexander V. Geliev ◽  
Elena V. SHCHERBAKOVA

This article presents Russia’s main achievements of over the past 65 years in the development of an advanced scientific and technical groundwork for the introduction of hydrogen as a fuel in various energy systems. On the basis of the obtained world-class results, the authors argue for the necessity of creating a Center for Hydrogen Innovative Development (CVIR) with the decisive participation of enterprises with real experience in obtaining liquid hydrogen (H2l) with the possibility of its long-term storage. A concept has been formulated for the development of breakthrough technological solutions for the widespread use of hydrogen as an efficient and environmentally friendly (without the formation of carbon oxides) fuel in various power systems within the framework of the CVIR. In particular, the strategic direction of the CVIR project was developed in order to create a developed infrastructure for the reliable provision of vehicles with the required amount of fuel in a limited period of time. This can be achieved by applying the method of cryogenic filling of transport cylinders, taking into account the real properties of hydrogen in the ultra-high pressure region (70 MPa and above). The results have revealed possibilities for further building up the advanced scientific and technical groundwork for the broad promotion of hydrogen in the energy complex of Russia, which is presented in the CVIR project. In addition, the authors have compared the developed technologies with foreign analogues.


1994 ◽  
Vol 119 (2) ◽  
pp. 165-188
Author(s):  
Joseph S. C. Lam

‘There is no music in Chinese music history.’ This paradox is often expressed by music scholars in Hong Kong, a modern metropolis in which Chinese and Western musics and music scholarship mingle and thrive. Highlighting the contrasts between traditional Chinese and contemporary Western views of music and music historiography, the paradox refers to the scholars' observation that Chinese music histories include few descriptions of actual music, and that performances of early Chinese music are often inauthentic. Published accounts of China's musical past include little hard evidence about the structure and sounds of specific musical works. Thus, the scholars argue, the accounts are more theoretical than factual, and their musical descriptions disputable. Public performances and recorded examples of early Chinese music reveal obvious use of Western tonal harmony and counterpoint, and thus cannot be authentic music from China of the past. The scholars' arguments, however, cannot refute that in Hong Kong many Chinese music masters and audiences find the so-called early Chinese music authentic and its histories credible.


Author(s):  
Fazilat Arifovna Bakhritdinova ◽  
◽  
Urmanova Firuza Makhkamovna ◽  
Nabiyeva Iroda Fayzullayevna ◽  
◽  
...  

In this review, the authors performed an overview of the literature on early diagnosis, treatment and methods for predicting the outcomes of the disease. According to regional endocrinological dispensaries, for 2020 registered SD for RUZ 277 926., Of these, type 1 type 18178, SD 2 type 259,748 patients. At the same time, the number of patients with DR was 2020 g of 83,632 persons, of which 73690 persons with di type 2. The real number of patients exceeds a registered 10 times, over the past 18 years, the number of patients with a rope in Uzbekistan increased by 2.4 times (according to the Ministry of Health of RUZ). The prevalence of others among patients of the CD is 10-90%, according to some specialists, up to 97-98.5%. For example, the frequency of development dr in India is lower than among Europeans and Americans, and among the black population more frequent than among the white. According to the WHO research group, it was revealed that the highest frequency of DR was detected in Oklahoma (76.4%), Zagreb (73.1%) and Hong Kong (58.1%). The lowest frequency was observed in Tokyo (29.7%). The prevalence of DR in patients in China amounted to 47.4%, and the frequency of DR in Poland was 31.4%.


Author(s):  
Daniel Bishop

In the tumultuous era of the late sixties and early seventies, several currents of American art and culture coalesced around a broad sensibility that foregrounded and explored the immediacy of lived experience as both an aesthetic and political imperative. But in films set in the historical past, this sensibility acquired complex additional resonances by speaking to the ephemerality of the present moment through a framework of history, myth, nostalgia, and other forms of temporal alienation and distance. The Presence of the Past explores the implications of this complex moment in Hollywood cinema through several prominent examples released in the years 1967 to 1974. Key genres are explored in detailed case studies: the outlaw film (Bonnie and Clyde and Badlands), the revisionist Western (Butch Cassidy and the Sundance Kid, McCabe and Mrs. Miller), the neo-noir (Chinatown), and the nostalgia film (The Last Picture Show and American Graffiti). In these films, “the past” is more than a matter of genre or setting. Rather, it is a richly diverse, often paradoxical concern in its own right, whose study bridges diverse conceptual territories within soundtrack studies, including the sixties pop score, myth criticism, media technologies, and the role of classical music in compilation scoring. Against a broader background of an industry and film culture that were witnessing a stylistic and aesthetic diversification in the use of music and sound design, The Presence of the Past argues for the film-philosophical importance of the soundtrack for cultivating an imagined experiential understanding of the past.


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