creative spirit
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2021 ◽  
Vol 6 (2) ◽  
pp. 214
Author(s):  
Damri Batubara ◽  
Windari Windari ◽  
Abdul Nasser Hasibuan ◽  
Annida Karima Sovia

Purpose: This paper discusses about maximization the land    waqf assets of south Tapanuli Regency reached an area of 108.07 (Ha) with a total of 411 land waqf assets,both certified and uncertified, but the condition did not develop all. Meanwhile, the mandate of the law of the republic of Indonesia number 41 of 2004 in articles 42-43 emphasizes that nazir is obliged to manage and develop waqf assets in accordance with their objectives, functions and designations with sharia principles cerried out productively.Design/Method/Approach: This research is a qualitative research with descriptive method. The subjects were waqf land asset, nazir and nazir institutions of waqf land assets in south Tapanuli regency. The population is 411 and the sample is 20 %. Data collection techniques in the form of observation, interview documentation and literature review.Findings: From this study we found thatthe potential of human resources of land waqf assets has great potential in managing and empowering land waqf assets, but this potential is not optimally empowered because of the unsupportive perception of nazir, lack of responsibility, passed away, relocation, and did not implement his duties as nazir and waqf land assets are idle. The another obstacle are financial capital that is not supported, nazir’s salary is not clear and  does not have an entrepreneurial spirit (such as creative spirit, innovation, skills in empowering waqf land assets).Originality/Values: understand nazir that the importance of land waqf is productively empowered


2021 ◽  
Vol 2 (2) ◽  
pp. 15-18
Author(s):  
Bingxi Mao

With its towering skyscrapers and busy streets, many people think that Hong Kong is all that it appears to be. But look closely and you'll see that behind all this glitz and glamour, Hong Kong has a wealth of fascinating things to offer. As Asia's most vibrant centre for art and culture, Hong Kong has demonstrated its creative spirit in everything from world-class galleries and exhibitions to international art events, especially in street art. Over the past few years, street art has given Hong Kong's cityscape a bold and innovative look - the East meets West murals in Central, the graffiti art in Wong Chuk Hang Industrial Estate, the colourful and creative works in Sham Shui Po. The paper explains and demonstrates cultural and business aspects of Hong Kong Street Art based on its characteristics. Further recommendation of the continuing transformation of Hong Kong Street Art is proposed in the last section of this paper as well.


2021 ◽  
Author(s):  
Dulce Regina Baggio Osinski ◽  
Ricardo Carneiro Antonio

In this article we analyze, within the context of the decades between 1940 and 1960, children’s art exhibits as a strategy for asserting the importance of Art in educating and developing a child’s personality, using newspaper articles, pictures, children’s drawings, reports and other institutional documents as sources. The artistic vanguards of the early 20th century, advocates of the artist’s self expression, and the acknowledgement – by Psychology and Pedagogy – of the specificities of being a child have resulted both in the defense of the child’s freedom of artistic expression, and in a renewal of Art and education concepts of that period of time. As of the mid ‘40s, children’s art caught UNESCO’s attention because it represented potential integration and fraternity among people and the desire to build a new Man. Such exhibits acted as showcases for several ideas and justified the importance of children’s art involving, in the Brazilian context, from governmental agencies to national newspapers and private companies. Aiming at inculcating an educational conduct based on assumptions such as the unrestricted freedom of children’s creative spirit they had, as a contradiction, the censorship of themes considered unsuitable such as violence, and the need to follow a pre-defined esthetic standard.


2021 ◽  
Vol 4 (7) ◽  
pp. 29-33
Author(s):  
Nazokat M. Bozorova ◽  

oday it has been scientifically proven that the use of the latest methods in the study of history leads to very good results. The use of local sources is becoming more and more important, especiallywhen teaching history in schools. Since the use of local sources in the classroom helps to increase the interest of students in a particular period of history, to expand their imagination. At the same time, it helps to develop a creative spirit in students. This article describes a methodology for using local sources in history teaching


Author(s):  
Francisco Banha ◽  
Sandra Saúde ◽  
Adão Jesus Gonçalves Flores

This chapter is based on the assumptions, methodologies, and results of two intermunicipal entrepreneurship education projects carried out in Portugal, specifically in Dão Lafões and Baixo Alentejo regions. It analyzes and demonstrates how, in formal and/or non-formal educational contexts, developing work methodologies that promote entrepreneurship consolidate competencies of creativity, proactivity, group work, planning, division of tasks, focus on problem solving, which are fundamental to full and active citizenship. The projects undertaken, supported on learning by doing methodology involved different agents of the communities beyond the schools, are and/or have been valuable contributions to the formation of more autonomous and proactive citizens with a democratic, pluralistic, critical, and creative spirit. Entrepreneurship is a competence for life. Taking initiative, mobilizing others, and getting them on board with ideas and/or solutions to problems are useful skills for daily life in our society and contribute to the sustainability of our common world.


2021 ◽  
Vol 58 (1) ◽  
pp. 2559-2564
Author(s):  
Dr. Nabil Al-Awawdeh

It​ isn't easy to find a comprehensive definition of translation; it is described as science, art and creativity at the same time. In this sense, literary translation, especially poetry, may be considered an art and creative work as opposed to scientific or political translation, where the words can be controlled according to the translator's linguistic skills and grammatical rules.  The current research discusses how translation is an art and creative work. It is what many critics and scholars have reached for the "literary genre". It is also noted how the literal translation does not give the translated text its right, artistic colour, elevation, and influence in its original language unless it’s based on translators' creativity. In this paper, our methodology is to look at literary translation as one of the most challenging types of translations, as it depends significantly on taste and the entry of the writer's imagination in the translation, whether he was a writer such as a poet, storyteller or novelist, and this in itself requires a creative spirit to be the image of translation and literary material creative artistic non-literal. Here the two-translator a writer or intellectual and professional translator differ. The latter depends on what he studied and read and what he researched in language study stages. Still, if he is also a writer or intellectual, many images and meanings will change. Yet, without prejudice to the essence of the translated text, and here even between a translator writer and another, the degree of creativity in translation varies and maybe at the same degree of different literary imagination. Finally, it is stressed that the essential in the art of translation is choosing the appropriate term so that it is easy, smooth, and light on the recipient here is a skill. The translator chooses the proper word for each material to be translated.


2020 ◽  
Vol 6 (2) ◽  
pp. 11-23
Author(s):  
Asma Zahoor

This paper aims at exploring how the use of humor in memes can serve as a relief therapy in the face of the grave situation of the post-COVID-19 world. The conceptual frameworkor this study is drawn from Sultanoff (1994) theory of humor. He believes in the relieving effect of humor on humans’ psyche. Content analysis was used as a research method to analyze twelve memes shared at WhatsApp, an electronic, social media app for swift human interaction. The study demonstrates that humor is essentially the creative spirit of life that carries on despite hardships. It enables humanity to laugh in order not to cry. The linguistic humor in memes created in the context of the Pandemic Covid-19 serves as a tool to release stress, provide relief and create a sense of well-being.


Author(s):  
Karl Kraus

This chapter recognises that, in the journalism and rhetoric of the new creed, there has not been a single German verbal expression that has not belied its purported content. Among the many neologisms inspired by the upheaval, this is already indicated by “Nazi,” the concept on which a revelation of the World Spirit is supposedly based, together with other phrases that could never have been conceived or formulated before the onset of the new order. What is exceptional, however, is the ability to continue in this creative spirit with true-to-type neologisms that adapt language to the needs of the regime's profound duplicity and accentuate its sanctimonious bent, the tendency to draw a veil over ignominious actions. Virtually every communiqué adds further examples of violence disguised as the norm, as when forcible entry into someone's home is described as “rehabilitation.” Or when failure is presented as imminent success and someone stretches the facts by reporting that a rival militia has been “deconstructed.”


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