The Possibility of Error

This chapter considers the possibility of error, the actual existence of those conditions that make error possible. It elaborates the notion that the conditions that determine the logical possibility of error must themselves be absolute truth. However, readers are warned that the path to be travelled is very thorny and stony. It is a path of difficult philosophical investigation. Nobody ought to follow it who does not desire to. The reader is urged to skip the whole of this chapter unless he wants to find even more of dullness than the rest of this sleepy book has discovered to him. For the author, the arid way would seem hard, were it not for the precious prize at the end of it.

1999 ◽  
Vol 20 (1-2) ◽  
pp. 35-46
Author(s):  
Richard Dien Winfield

Philosophers may disagree with unmatched zeal, but no philosophical controversy can free them from their common dependence upon the concept as a privileged vehicle of truth. Even when embracing the most radical empiricism or the most unyielding scepticism, philosophers cannot help but make conceptual arguments. All their efforts may aim at curing themselves of addiction to the concept, but so long as they reason on behalf of experience or the suspension of judgment, thinking remains the element in which their claims live and die.Philosophers' perennial use of conceptual argument might seem a double curse, subverting all of philosophy's equally perennial aspirations to seize the truth. To begin with, if philosophical investigation constitutively employs concepts, how can it possibly establish the validity of conceptual determination? If philosophy cannot fail to use concepts to legitimate reason as a midwife of truth, will philosophical investigation not fall into the vicious circularity of relying upon an instrument that can never be certified without taking its reliability for granted? Secondly, if philosophy must always utilize concepts to arrive at truth, must philosophers not presuppose that the object of true knowledge is what is conceptually determinate? Besides being beyond philosophical justification, will this assumption not limit objectivity to a mortuary of changeless universals from which all becoming, all particulars, and indeed, all actual existence are excluded as some inconceivable illusions? Will the only objectivity that philosophy can conceive be a phantom realm of ideas that can never correspond to genuine reality?


2013 ◽  
Vol 35 (2) ◽  
pp. 165-187
Author(s):  
E. S. Burt

Why does writing of the death penalty demand the first-person treatment that it also excludes? The article investigates the role played by the autobiographical subject in Derrida's The Death Penalty, Volume I, where the confessing ‘I’ doubly supplements the philosophical investigation into what Derrida sees as a trend toward the worldwide abolition of the death penalty: first, to bring out the harmonies or discrepancies between the individual subject's beliefs, anxieties, desires and interests with respect to the death penalty and the state's exercise of its sovereignty in applying it; and second, to provide a new definition of the subject as haunted, as one that has been, but is no longer, subject to the death penalty, in the light of the worldwide abolition currently underway.


Paragraph ◽  
2006 ◽  
Vol 29 (3) ◽  
pp. 77-94 ◽  
Author(s):  
Adam Trexler

While literary criticism is often seen as an unself-reflective forerunner to literary theory, this article argues that T.S. Eliot's theory of critical practice was a philosophically informed methodology of reading designed to create a disciplinary and institutional framework. To reconstruct this theory, it enriches theoretical methodology with intellectual and institutional history. Specifically, the article argues that Eliot's early critical theory depended on the paradigms of anthropology and occultism, developed during his philosophical investigation of anthropology and Leibniz. From this investigation, Eliot created an occult project that used spiritual monads as facts to progress toward the Absolute. The article goes on to argue that Eliot's methodology of reading was shaped by anthropology's and occultism's paradigms of non-academic, non-specialist reading societies that sought a super-historic position in human history through individual progress. The reconstruction of Eliot's intellectual and institutional framework for reading reveals a historical moment with sharp differences and surprising similarities to the present.


2010 ◽  
Vol 1 (1) ◽  
pp. 65-103
Author(s):  
Vered Noam

This paper examines the rabbinic concept of impurity in terms of the essence of the reality that this term implies. Did the Rabbis consider impurity to be a force of nature, or rather an abstract formalistic structure devoid of any actual existence? A review of rabbinic sources regarding corpse impurity reveals that the essential structures of tannaitic halakhah are grounded in a natural, immanent perception of impurity, which gave rise to an entire system, intricate and coherent, of “natural laws of impurity.” Layered onto this system, as a secondary stratum of sorts comprising exceptions and “addenda,” is a more subtle halakhic tapestry woven from a diametrically opposed perception. This view subjects the concept of impurity to human awareness and intention, severing it from reality and, in so doing, also stripping it of its “natural” substance.


Author(s):  
Marissa Silverman

This chapter asks an important, yet seemingly illusive, question: In what ways does the internet provide (or not) activist—or, for present purposes “artivist”—opportunities and engagements for musicing, music sharing, and music teaching and learning? According to Asante (2008), an “artivist (artist + activist) uses her artistic talents to fight and struggle against injustice and oppression—by any medium necessary. The artivist merges commitment to freedom and justice with the pen, the lens, the brush, the voice, the body, and the imagination. The artivist knows that to make an observation is to have an obligation” (p. 6). Given this view, can (and should) social media be a means to achieve artivism through online musicing and music sharing, and, therefore, music teaching and learning? Taking a feminist perspective, this chapter interrogates the nature of cyber musical artivism as a potential means to a necessary end: positive transformation. In what ways can social media be a conduit (or hindrance) for cyber musical artivism? What might musicing and music sharing gain (or lose) from engaging with online artivist practices? In addition to a philosophical investigation, this chapter will examine select case studies of online artivist music making and music sharing communities with the above concerns in mind, specifically as they relate to music education.


2017 ◽  
Vol 24 (3) ◽  
pp. 211-253
Author(s):  
Emad Hamdeh

The Albanian scholar Muḥammad Nāṣir al-Dīn al-Albānī (d. 1999) established a unique type of Salafism, a movement whose adherents follow a puritanical model of Muslim creed, exegesis, and conduct that is critical of madhhab Traditionalism. In this article I present an annotated translation of an audio lecture in which Albānī attempted to defend Salafism against its anti-madhhab image. I shed light on the religious and social climate that played a critical role in triggering Albānī’s disdain for Traditionalism and led him to discredit madhhab Traditionalist fiqh and replace it with his own interpretation of the jurisprudential requirements of Islamic scripture. Among the arguments I make is that Albānī’s claim to follow only the Qurʾān and Sunna is a rhetorical strategy designed to present Salafism as the absolute truth and distinguish it from being categorized as another madhhab or religious movement.



Open Theology ◽  
2019 ◽  
Vol 5 (1) ◽  
pp. 430-450
Author(s):  
Kristóf Oltvai

Abstract Karl Barth’s and Jean-Luc Marion’s theories of revelation, though prominent and popular, are often criticized by both theologians and philosophers for effacing the human subject’s epistemic integrity. I argue here that, in fact, both Barth and Marion appeal to revelation in an attempt to respond to a tendency within philosophy to coerce thought. Philosophy, when it claims to be able to access a universal, absolute truth within history, degenerates into ideology. By making conceptually possible some ‚evental’ phenomena that always evade a priori epistemic conditions, Barth’s and Marion’s theories of revelation relativize all philosophical knowledge, rendering any ideological claim to absolute truth impossible. The difference between their two theories, then, lies in how they understand the relationship between philosophy and theology. For Barth, philosophy’s attempts to make itself absolute is a produce of sinful human vanity; its corrective is thus an authentic revealed theology, which Barth articulates in Christian, dogmatic terms. Marion, on the other hand, equipped with Heidegger’s critique of ontotheology, highlights one specific kind of philosophizing—metaphysics—as generative of ideology. To counter metaphysics, Marion draws heavily on Barth’s account of revelation but secularizes it, reinterpreting the ‚event’ as the saturated phenomenon. Revelation’s unpredictability is thus preserved within Marion’s philosophy, but is no longer restricted to the appearing of God. Both understandings of revelation achieve the same epistemological result, however. Reality can never be rendered transparent to thought; within history, all truth is provisional. A concept of revelation drawn originally from Christian theology thus, counterintuitively, is what secures philosophy’s right to challenge and critique the pre-given, a hermeneutic freedom I suggest is the meaning of sola scriptura.


1790 ◽  
Vol 2 (2) ◽  
pp. 111-153
Author(s):  
Andrew Dalzel

The power of pronouncing articulate sounds is one of the most obvious marks which distinguish man from the other animals. No philosophical investigation is necessary for pointing it out, and therefore it has not escaped the notice of the poets, the most ancient of all authors. In the works of Homer and Hesiod, we often meet with the expression μέϱοπες ἄνθϱωποι, men having an articulate voice; the word μέϱοψ being evidently compounded of μείϱω, to divide, and ὄψ, the voice.


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