scholarly journals A Brief Discussion on the News Media of Modern Korea

2018 ◽  
Vol 14 (7) ◽  
pp. 53
Author(s):  
Kim Yongkyoung

The relationship between the ancient and modern China with the Korean Peninsula can be summed up using the term "fed by the same river", meaning neighbours separated by only a strip of water. Especially with the efforts of both China and Korea, the ancient East Asia region has created a splendid culture and has been the leaders in the world for a long period of time. However, by the end of the 19th century, the Japanese imperialist forces had always tried to 'Conquer the Korean Peninsula,' and, in 1910, the Korean Peninsula finally became a Japanese colony. After entering the modern era, one of the phenomenas manifested in the information flow in East Asia is the rapid development of media in China and Japan due to the increase in newspapers and magazines issued by the West.190 years ago, Chosun Dynasty under the Lee Family had continuously initiated the modernization movement in the Korean Peninsula, through introducing modernization productions from the West, the Qing Dynasty and Japan. In the modernization process, the opposition between "ethnography" and "pro- Japanese Korean" have resulted social conflicts.

2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Jong-geun Kim

<p><strong>Abstract.</strong> Modern nautical charts, the result of scientific coastal research and survey, had been made from late 18th century, and at the end of 19th century almost of the world had been charted. Different to the neighbouring countries such as China and Japan, Korean peninsula had not been accurately charted until the end of 19th century. Moreover, during the 19th century, the shape of Korean peninsula had been changed several times in the Western nautical charts. However, in the academic circle of the history of cartography, this case was scantly examined. In this presentation, this author, firstly, analyse the changes in the shape of the Korean Peninsula on the British Charts in the 19th Century and, secondly, identifies factors that influence the changes. For this research, British nautical charts, which are the representative and finest charts during the 19th century in the world, are selected. Examined charts are ‘Map of the Islands of Japan Kurile &amp; C.’ (Year of 1811, 1818) of Aaron Arrowsmith (1750&amp;ndash;1823), the hydrographer to his majesty, ‘The Peninsula of Korea (No.1258)’ (year of 1840, 1849) and ‘(Preliminary Chart of) Japan, Nipon Kiusiu and Sikok and a part of the coast of Korea (No. 2347)’ (Year of 1855, 1862, 1873, 1876, 1892, 1898, 1902, 1914) of the British hydrographic office. According to the analysis, major shape changes of the Korean Peninsula were occurred in 1818, 1840, 1849, 1855, 1862, 1873, 1876, 1892, and the shape of the Peninsula became perfect in the chart of the year 1914.</p><p>Meanwhile, the factors of the shape changes of the Korean peninsula in these nautical charts were various voyages, expeditions, and military surveys to Korea. For example, the change in the map of 1818 was initiated by the voyage of the captain Basil Hall in 1816 to the west coast of Korea, and the change in the map of 1840 was made by the map of Korea of A.J. von Krusenstern (1770&amp;ndash;1846) and the voyage of H.H.Lindsay (1802&amp;ndash;1881) to the west coast of Korea in 1832. Moreover, the modification of 1849 was made by the outcome of E. Belcher’s scientific survey around Jeju Island and other southern islands of Korea. In 1852, French admiral G. de Roquemaurel (1804&amp;ndash;1878) surveyed eastern coast of Korea and drew nautical chart and this chart became the source of the British chart of the year 1855. A Russian admiral, Yevfimy Putyatin (1803&amp;ndash;1883), also surveyed east side of the peninsula and triggered the change of nautical chart of eastern part of Korea. During French campaign against Korea in 1866 and United States expedition to Korea in 1871, French and American navy surveyed west-middle part of the peninsula and added detailed coastline of it and British chart also reflected these changes. The Japan-Korea treaty of 1876 enabled coastal survey of the Korean peninsula by the Japanese navy by the article 7, which permitted any Japanese mariner to conduct surveys and mapping operations at will in the seas off the Korean Peninsula's coastline. By virtue of the treaty, Japan could directly surveyed coastline of Korea and could make updated nautical charts of Korea. These Japanese charts were circulated to the Western countries and British hydrographers made the best use of them. Thanks to this situation, the British admiralty could update the chart of Korean peninsula and the perfect one published in 1914.</p><p>This analysis contribute not only to understand how and why the shape of Korean peninsula changed in British nautical charts during the 19th century, but also to add the historical case of the map trade and geographical knowledge circulation in East Asia.</p>


Author(s):  
Rhiannon Paget

Shinnanga [新南画], or "neo-nanga," is a term that came into use during the Taisho period (1912–1926) to describe new interpretations of literati-style painting by Japanese artists at that time. Nanga [南画] is the Japanese adaptation of Chinese literati painting and is also known as nanshūga [南宗画] or "Southern style painting," bunjinga [文人画], or literati painting. Shinnanga initially referred to experimentations among artists of nihonga [日本画] [Japanese-style painting] and yōga [洋画] [Western-style painting] with themes, pictorial techniques and sensibilities associated with literati painting, including vertical landscape compositions, expressive brushwork, a reduced color palette, and an impressionistic approach to representing form. The revival of nanga and the emergence of shinnanga occurred within the context of a broader resurgence of Sinology, fueled partly by the disintegration of the Qing dynasty, Japan’s rise as an imperial power, and the ensuing shifts of power in its relationships with China and the West. Japanese scholars found in nanga an artistic tradition that could hold its own against Western art history, arguing that nanga’s preference for subjectivity over likeness inspired Western art’s movement towards Expressionism and abstraction. Nanga was championed as the pre-eminent artistic expression of East Asia, and as an example of the common heritage of countries in the region, was invoked to naturalize Japan’s project of a Greater East Asia.


Author(s):  
Alaa Ahmed Alzahrani

The discourse of Orientalism has often been explored from a Critical Discourse Analysis (CDA) perspective in fiction works and news media published in the 20th and 21st centuries. What remains a largely unexplored area is Oriental views in non-fiction Western writings of the 19th century. One of the key books describing the people of Arabia from this era is Charles Doughty’s (1888) Travels in Arabia Deserta. For this reason, this study analyzed one chapter from this book to explore Doughty’s representation of the Arabian Peninsula Bedouins. By drawing on CDA and the Appraisal framework, this study identified evaluative lexical items used by Doughty to describe the Bedouins and related these lexical choices to three Oriental themes identified in the literature: (1) Oriental inferiority, (2) Oriental barbarity, and (3) Oriental untrustworthiness. An examination of the Oriental themes in Doughty’s book highlights two characteristics of the discourse of Orientalism. One is the underlying cultural superiority of the West and the other is the interdependence of texts describing the people of Arabia. As such, this paper supports the idea that what is encompassed by the label “discourse of Orientalism” can include even seemingly neutral descriptions of people of Arabia, and that existing representations of Arabs are a product of an accumulated body of work rather than from one specific text.


2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Rinat F. Bekmetov ◽  
Ilsever Rami ◽  
Ildar Sh. Yunusov ◽  
Olga N. Boldyreva

The article is devoted to the problem of determining the basic parameters of the cultural and civilizational identity of the Russian national character (the “Russian soul”) on the basis of literature and philosophy of the 30–50s of the 19th century. This period was not chosen by chance: in it, with the greatest strength and clarity, the leading trends in the development of Russian social (socio-philosophical) thought were identified, which had a direct and indirect influence on the literary process of the 19th century. In this transitional era, for certain reasons, objective conditions were created for the development of cornerstone ideological programs that became the subject of intellectual polemics, sometimes sharp and fierce, in subsequent times and which have not lost their relevance until now, as can be judged by modern book production, developing at the philosophical level, the most important questions of the future of Russia as a civilizational “mainland”, and on those very topical discussions that are conducted in the media space (television, no). One of the vivid exponents of this dispute was Petr Chaadaev, whose views on the cultural and civilizational identity of Russia were distinguished by a deep originality, which was in contrast with the official world outlook trends of the era. In the 1830–1850s, a discussion arose between “Slavophiles” and “Westerners”, which was also conducted on the pages of fiction. Due to this, a deprived of monolithic, rather contradictory picture of the perception of the West and the East as civilizational landmarks of the “Russian soul” has developed in the Russian consciousness. So, the East acted not only as a standard of high and refined culture, a role model, but also as a synonym for ignorance and inertness – all that is recorded in the capacious word meaning “Asian”. In the same way, the West was both a model of enlightenment and technocratic progress, and a kind of form of spiritual dependence associated with the decay and decay of the national. Such judgments were characteristic not only of the Russian society of the 1830–1850ss. In one form or another, they met in previous periods of Russian history, and in those countries of the world where the modernization process was coupled with the westernization of the cultural environment.


2019 ◽  
Vol 41 (1) ◽  
pp. 39-55
Author(s):  
Takashi Takekoshi

In this paper, we analyse features of the grammatical descriptions in Manchu grammar books from the Qing Dynasty. Manchu grammar books exemplify how Chinese scholars gave Chinese names to grammatical concepts in Manchu such as case, conjugation, and derivation which exist in agglutinating languages but not in isolating languages. A thorough examination reveals that Chinese scholarly understanding of Manchu grammar at the time had attained a high degree of sophistication. We conclude that the reason they did not apply modern grammatical concepts until the end of the 19th century was not a lack of ability but because the object of their grammatical descriptions was Chinese, a typical isolating language.


2019 ◽  
Vol 12 (1) ◽  
pp. 34-46 ◽  
Author(s):  
Chengcheng You

This article reviews four major Chinese animated adaptations based on the classic Journey to the West. It shows how these adaptations, spanning four historical phases of modern China, encapsulate changes in Chinese national identity. Close readings underpin a developmental narrative about how Chinese animated adaptations of this canonical text strive to negotiate the multimodal expressions of homegrown folklore traditions, technical influences of western animation, and domestic political situations across time. This process has identified aesthetic dilemmas around adaptations that oscillate between national allegory and individual destiny, verisimilitude and the fantastic quest for meaning. In particular, the subjectivisation of Monkey King on the screen, embodying the transition from primitivistic impulse, youthful idealism and mature practicality up to responsible stewardship, presents how an iconic national figure encapsulates the real historical time of China.


Author(s):  
Esraa Aladdin Noori ◽  
Nasser Zain AlAbidine Ahmed

The Russian-American relations have undergone many stages of conflict and competition over cooperation that have left their mark on the international balance of power in the Middle East. The Iraqi and Syrian crises are a detailed development in the Middle East region. The Middle East region has allowed some regional and international conflicts to intensify, with the expansion of the geopolitical circle, which, if applied strategically to the Middle East region, covers the area between Afghanistan and East Asia, From the north to the Maghreb to the west and to the Sudan and the Greater Sahara to the south, its strategic importance will seem clear. It is the main lifeline of the Western world.


Asian Survey ◽  
2010 ◽  
Vol 50 (2) ◽  
pp. 402-425 ◽  
Author(s):  
David Brewster

The long-standing strategic disconnect between South Asia and the Korean Peninsula is breaking down. Driven by the changing balance of power in Asia, India and South Korea have developed a strong economic partnership, and taken small but significant steps toward a political and security relationship that refects their numerous shared strategic interests. This article explores the contours of this evolving relationship.


2020 ◽  
Vol 73 (3) ◽  
pp. 379-397
Author(s):  
Elmar Holenstein

AbstractNot everything that is logically possible and technically feasible is also natural, for example, placing China in the exact center of a world map. Such a map would not correspond to the laws of perception.Matteo Ricci, who was the first to create Chinese world maps on which the Americas were depicted, had to choose between two ideals, between a world map that obeys the gestalt principles of perception and a world map with the “Central State” China in its center. The first ideal mattered more to him than the second, although he took the latter into account as well. The result was a Pacific-centered map.Since we live on a sphere, what we perceive to be in the East and in the West depends on our location. It is therefore natural that in East Asia, world maps show America in the East and not – as in Europe – in the West. This was the argument underlying Ricci’s creation of Pacific-centered maps, and not the intention of depicting China as close to the center of the map as possible.It is only in East Asia that Ricci was the first to create Pacific-centered maps. World maps with the Pacific in the midfield were made in Europe before Ricci, motivated by the traditional unidirectional numbering of the meridians (0°–360°) from West to East starting with the Atlantic Insulae Fortunatae (Canary Islands).


Sign in / Sign up

Export Citation Format

Share Document