„Z dodaniem wyraźniejszego morału, dla łatwiejszego ludzi prostych i nieuków zrozumienia...”. Ruskojęzyczne adaptacje tekstów o charakterze dogmatyczno-moralizatorskim w ukraińskiej kulturze literackiej (na materiale wydań drukarni bazyliańskich XVIII wiek)

2018 ◽  
Vol 11 ◽  
pp. 154-173
Author(s):  
Joanna Getka

The source for research in this article are adaptations of dogmatic and moralizing texts printed in Basilians typography in 18th century. Examined texts have Polish, Latin and Orthodox Church language origin. Their role in shaping the Ukrainian literary language and style typical of Ukrainian religious literature was studied. Analyses of their influence on the formation of recipients, and in this context the process of shaping the identity of the Uniates, shows Eastern and Western influences.

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.


2021 ◽  
pp. 133-155
Author(s):  
Katarzyna Kaczor-Scheitler

Katarzyna Kaczor-Scheitler, PhD — assistant professor at the Department of Old Literature, Editing and Auxiliary Sciences at the University of Lodz. Author of books: Mistycyzm hiszpański w piśmiennictwie polskich karmelitanek XVII i XVIII wieku (Spanish Mysticism in the Literature of 17th and 18th-Century Polish Carmelites) (2005); Marianna Marchocka a św. Teresa z Avila (Marianna Marchocka and St. Theresa of Avila) (2009); Perswazja w wybranych medytacjach siedemnastowiecznych z klasztoru norbertanek na Zwierzyńcu (Persuasion in Selected 17th-Century Meditations from the Norbertine Monastery in Zwierzyniec) (2016). Co-editor of volumes of collected essays: Piśmiennictwo zakonne w dobie staropolskiej (Religious Writing in Old Poland) (2013) and Piotr Skarga — w czterechsetlecie śmierci (Piotr Skarga — on the 400th Anniversary of His Death) (2013). Author of works published in numerous conference proceedings and special volumes. Publishes her articles in Polish and foreign journals: “Acta Universitatis Lodziensis. Folia Litteraria Polonica”, “Analecta Praemonstratensia”, “Communio. Międzynarodowy Przegląd Teologiczny”, “Czytanie Literatury. Łódzkie Studia Literaturoznawcze”, “Pamiętnik Literacki”, “Poznańskie Studia Polonistyczne. Seria Literacka”, “Poznańskie Studia Teologiczne”, “Prace Polonistyczne”, “Przegląd Powszechny”, “Respectus Philologicus”, “Ruch Literacki”, “Studia Monastica”, “Świat i Słowo”, “Świat Tekstów. Rocznik Słupski”, “Tematy i Konteksty”. Main areas of interest: old religious literature, especially occasional, ascetic-mystical and meditative literature.


Diacronia ◽  
2021 ◽  
Author(s):  
Liliana Soare

The first mathematics textbook printed in Moldavia (Iași, 1795) was not sufficiently examined, although the translation offers us valuable information on the Italian influence on the Romanian language and a precious linguistic material as regards both the configuration of the Romanian literary language in Moldavia at the end of the 18th century and the constitution of mathematical terminology. The linguistic material excerpted reflects phonetic and morphologic norms specific of the author’s dialect, sometimes going beyond the criteria illustrated by the local tradition, especially in the morphosyntax field. The lack of a terminological tradition is to be observed in the high number of un-adapted terms, semantic loans and old terms. Amfilohie’s intense activity of translating from Italian (the scholar being a genuine forerunner of the Italianate movement in Moldavia) is proof of the depths of the cultural contacts with the western world, resulting in the intensification of the renewing of the Romanian vocabulary by assimilating Latin-Romance borrowings in general and Italian ones, in particular.


Author(s):  
Natalya Zapolskaya ◽  

The report presents an analysis of ideosemantic and ideofunctional norms that demonstrate the infl uence of Church Slavonic on the new 18th century Russian literary language.


2020 ◽  
Vol 3 (3) ◽  
pp. 820-848
Author(s):  
L. A. Vasilyeva

Mir Taqi Mir is a classic Urdu poet of the 18th century, an outstanding master of ghazal genre. With his work, Mir Taqi Mir proved that his native Urdu language possessed a vocabulary fit to express the finest nuances of poetic speech. He also made evident that the ghazals written in Urdu were not entirely imitations of those written in Persian, which formed the poetical basis of Urdu poetry. The article argues that the Mir Taqi Mir's heritage can be considered as a milestone in the evolutionary development of both poetical and literary language of Urdu. Throughout his life, the poet remained in a creative search. Working on a certain poetical theme, he often made recourse to it trying to bring out maximum possibilities for its realization by means of his native language. Analysis of numerous examples in the article can be considered as an effort to ascertain how borrowed poetical traditions were domesticated and how this process facilitated the selection of vocabulary and standardization of common literary language of Urdu.


2020 ◽  
Vol 8 (1) ◽  
Author(s):  
Pavel Limerov

The literary tradition of the Komi-Zyrians dates back to the first translations of liturgical books into the Komi language by Stefan Permsky. These translation practices remained uninterrupted, becoming the basis for the literary language in the nineteenth century. In the late nineteenth century, an independent handwritten tradition developed in the Upper Vychegda region associated with the activity of Stefan Ermolin, the religious leader of the Singers of Good movement. The movement branched off from the official Orthodox Church and created its own literature in the Verkhnevychegod dialect of the Komi language. This article describes a work of literature created by the Singers, a liturgical text outlining the basics of their faith; it concerns everything a follower of bursylysyas (Singers of Good) needs to know about salvation and, most importantly, the path which leads them to God. The manuscript is called Cathedral Rank (Komi-Zyrian Сӧбирайтчан рад) and is introduced into scholarly circulation for the first time.


Author(s):  
Paweł Sygowski

<p>W czasach Rusi Halicko-Włodzimierskiej osadnictwo ruskie na terenie dzisiejszej Lubelszczyzny posuwało się systematycznie na zachód. W XV i XVI w. dotarło do doliny Wieprza. W jego środkowym biegu powstało wówczas kilka parafii prawosławnych – Łęczna, Puchaczów, a także Milejów. Parafie te po przystąpieniu diecezji chełmskiej do unii brzeskiej stały się unickimi. Usytuowanie ich na terenie ze wzrastającą przewagą osadnictwa polskiego spowodowało przechodzenie wiernych na rzymsko katolicyzm. Proces ten szczególnie widoczny jest w 2 połowie XVIII w. i 1 połowie XIX w. Parafia w Milejowie należąca do najstarszych na tym terenie, pod koniec XVIII w. liczyła zaledwie kilku parafian, a na początku XIX w. rezydował tu jedynie proboszcz unicki, ks. Bazyli Hrabanowicz. W 2 dekadzie XIX w. ówczesny właściciel dóbr milejowskich – Adam Suffczyński – rozpoczął starania o przekształcenie parafii unickiej w parafię rzymskokatolicką, a cerkwi unickiej w kościół. Okazało się to dosyć skomplikowane. Najpierw parafię unicką należało zamknąć, a dopiero potem utworzyć parafię rzymskokatolicką. Proces ten kontynuowała siostra Adama – Helena Chrapowicka, która wkrótce przekazała to zadanie kuzynowi Antoniemu Melitonowi Rostworowskiemu, a po jego śmierci założeniem parafii i budową kościoła zajęła wdowa po nim – Maria z Jansenów, a następnie ich syn Antoni Rostworowski. Parafia unicka została zamknięta w 1852 r., cerkiew rozebrana, a murowany kościół został wzniesiony w latach 1855-1856. Po śmierci wspomnianego proboszcza unickiego w 1832 r. (ostatniego tutejszego parocha), cerkwią opiekował się proboszcz Dratowa. Część wyposażenia cerkwi milejowskiej została przeniesiona do świątyni dratowskiej, gdzie spłonęło ono w roku 1886 r., w pożarze tamtejszej świątyni. Część wyposażenia zabezpieczona została we dworze milejowskim i po wybudowaniu kościoła przeniesiona do niego. Wśród tego wyposażenia wyróżnia się pochodząca z 2 połowy XVII w. ikona Matki Boskiej z Dzieciątkiem (w typie Eleusy), odnowiona w latach 2012-2013 staraniem ówczesnego proboszcza – ks. Andrzeja Juźko. Po akcji rozbiórkowej cerkwi w 1938 r. to jedna z wyjątkowo nielicznych, ocalałych ikon dawnej diecezji Kościoła wschodniego na Lubelszczyźnie.</p><p><strong>On the Religious Borderland. A Defunct Uniate Church under the Invocation of St. Praxedes the Martyr in Milejów and its Equipment</strong></p>SUMMARY<p>The parish in Milejów was one of the early Orthodox parishes in the Wieprz valley, recorded in the 1470s. The presence of the Orthodox priest in Milejów is documented in tax registers in the 16th century. More information on the Uniate parish and its Orthodox church can be found in the documents of the 18th-19th centuries. The author presents the history of the Milejów Uniate church and the parish with particular reference to the equipment of the church. First, the old Uniate church is described (the last quarter of the 17th and the fi rst half of the 18th century). The church had the high altar and three side altars; in addition, there were inter alia, liturgical vessels, altar bells, the bells on the belfry, liturgical books, an perhaps an iconostasis. The new Uniate church (the second half of the 18th and the fi rst half of the 19th century) – erected in the second half of the 18th century in place of the old one (which burnt down in ca. 1760) contained the high altar with the picture of Our Lady (painted on canvas) and two side altars. The equipment also included, inter alia, a silver and gilded pro Venerabili vessel, a chalice with a paten and a spoon, a can “for sick people”, an altar tin cross, a brass thurible, a metal swag lamp, three altar bells, a bell at the sacristy, four reliquaries, two small brass candlesticks, a processional cross, pictures, liturgical books. The next described stage is the end of the Uniate parish and the beginnings of the creation of the Roman-Catholic parish in the 19th century, founded in 1858. The new church – erected a few hundred meters from the place of the Uniate church – was consecrated in 1859. The equipment of the Uniate church before its demolition (the second quarter of the 19th century) included in 1828, inter alia, the above mentioned three altars, a new choir, a crucifi x, a confessional, a pulpit, candlesticks, pictures, and a new umbraculum. The inventory of 1847 also mentioned, inter alia, four icons situated near the high altar, a stoup, four benches, twenty candlesticks, and a porcelain chandelier. In the next part of the text the author describes the icons preserved in the Milejów church: „Matka Boska z dzieciątkiem” [Madonna and Child] and „Przemienienie Pańskie” [the Transfi guration of the Lord]. In the next parts of the article the author describes the history of the owners of Milejów, patrons and parish priests. At the end of the article he synthetically presents the history of the Milejów parish.</p>


2020 ◽  
pp. 239-253
Author(s):  
Марына Свістунова

The article is devoted to the problem of continuity between the old Bela¬rusian period and the period of the new Belarusian literary language, as well as to Latin graphic texts of the 18th century. The most widespread opinion about the existence of a break in the written tradition of the Belarusian literary language was not the only one before, but now it is being critically analyzed. The article considers the linkages between the continuity of the Belarusian literary language and the problem of its periodization, the concept of Belarusian language history and the history of Belarusian literature. An attempt has been made to refute the stereotypical opinion about the small number of texts of the 18th century Bela-rusian literature by addressing the little known and recently discovered Latin graphic texts. Conclusions have been made concerning the reasons and aims of using the Latin graphic system for writing in the Belarusian language in the 18th century. An opinion concerning such research directions of the Belarusian texts of that time as memoirs, confessional and official writings has been given as well.


2021 ◽  
Vol 20 (1) ◽  
pp. 077-082
Author(s):  
Petro Rychkov

Monasteries of the Roman Catholic order of the Carmelites were well-represented in the historic cities of Volhynia (e.g. Berdychiv, Dubno, Vyshnivets, Kisilin, Lutsk, etc.). One of them was built in the Mali Dorohostai village, which currently is a part of the Mlyniv district in Rivne Oblast of Ukraine. This monastery, built in the mid-18th century, was closed in the 1830s, and then adapted by the Russian Tsar for the use of Orthodox Church. During the first World War, it was completely destroyed. The architecture of this monastery is almost forgotten in modern historiography. The recently discovered archival drawings from the first half of the 19th century give a good idea of the stylistic and structural characteristics of the no longer existing monastery.


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