How Alfred Hitchcock Distanced Robert Bloch. Psycho once again (on the sixtieth anniversary of the famous film adaptation of the novel)

Tekstualia ◽  
2020 ◽  
Vol 1 (60) ◽  
pp. 69-82
Author(s):  
Brygida Pawłowska-Jądrzyk
Keyword(s):  
The Body ◽  
Film Adaptation ◽  
The Novel ◽  
End Effect ◽  
Audiovisual Medium ◽  
Visual Metaphors ◽  
Compositional Changes ◽  
Sixtieth Anniversary

In Psycho, Alfred Hitchcock appears to have explored the entire potential of Robert Bloch’s novel, employing a variety of solutions allowed by the polysemiotic audiovisual medium. Hitchcock made signifi cant compositional changes in comparison with the original (including the „false end” effect) and introduced new motifs, thus thoroughly modifying the symbolic implications of the story (e.g. the ornithological motifs). Another issue addressed in the article is the depiction of death, framed through references to the work of Gérard Lenne, who argues that in artistic exposures of the body, death undermines the illusion of the spectacle. The famous shower scene in Psycho solves this problem through stylistic solutions (e.g. the use of visual metaphors).

scholarly journals Is the Film as Empowering as the Book? Studying Empowerment in A Monster Calls

2019 ◽  
Vol 1 (1) ◽  
pp. 147-158
Author(s):  
Fatemeh Farnia
Keyword(s):  
Comparative Study ◽  
Motion Picture ◽  
Film Adaptation ◽  
Empowerment Theory ◽  
The Novel ◽  
Audiovisual Medium ◽  
Original Idea

The aim of the paper is to discuss A Monster Calls (2016) by J. A. Bayona, a film adaptation of Patrick Ness’s novel (2011) of the same title, based on an original idea by Siobhan Dowd, from the empowerment theory perspective. The author of the article indicates that there are some significant changes between the book and the motion picture, especially when it comes to the ways of empowering the protagonist and the works’ potential young audience. The results of this comparative study show that the film is more affectively empowering than the novel. This is mainly because in the book, Ness skillfully uses verbal narration (accompanied by Jim Kay’s illustrations), while in the film, Bayona takes advantage of the possibilities offered by the audiovisual medium, therefore providing the audience with artistic and psychological empowerments.  

Diaghilev and British Writing

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones
Keyword(s):  
Visual Arts ◽  
The Body ◽  
The Novel ◽  
Literary Responses ◽  
Literary Aesthetics ◽  
Ballets Russes ◽  
The Arts ◽  
The Subject ◽  
And Gender ◽  
Opening Up

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.

DRAMATIC ELEMENTS IN DASHNER’S MAZE RUNNER NOVEL AND FILM ADAPTATION

2020 ◽  
Vol 2 (2) ◽  
pp. 80-88
Author(s):  
Anggia Putria ◽  
Muizzu Nurhadi
Keyword(s):  
Qualitative Method ◽  
Film Adaptation ◽  
The Novel ◽  
Descriptive Qualitative

The research aims to reveal how the application of dramatic elements of Dashner’s Maze Runner is transformed into its film adaptation. To achieve the purpose, the researcher analyzes seven dramatic elements by Gustav Freytag’s Pyramid which consist of exposition, inciting moment, rising action, climax, falling action, resolution, and denouement. This research uses the descriptive qualitative method. The results of this research are the differences of the dramatic elements in the novel and film adaptation are not significant because only the scenes of exposition and rising action are not similar.

Novel Nanolipoidal Systems for the Management of Skin Cancer

2020 ◽  
Vol 14 (2) ◽  
pp. 108-125
Author(s):  
Apoorva Singh ◽  
Nimisha
Keyword(s):  
Skin Cancer ◽  
Survival Rates ◽  
Cancer Therapeutics ◽  
The Body ◽  
Surgical Removal ◽  
The Novel ◽  
Skin Cancers ◽  
Recent Developments ◽  
Abnormal Cells ◽  
The Stability

: Skin cancer, among the various kinds of cancers, is a type that emerges from skin due to the growth of abnormal cells. These cells are capable of spreading and invading the other parts of the body. The occurrence of non-melanoma and melanoma, which are the major types of skin cancers, has increased over the past decades. Exposure to ultraviolet radiations (UV) is the main associative cause of skin cancer. UV exposure can inactivate tumor suppressor genes while activating various oncogenes. The conventional techniques like surgical removal, chemotherapy and radiation therapy lack the potential for targeting cancer cells and harm the normal cells. However, the novel therapeutics show promising improvements in the effectiveness of treatment, survival rates and better quality of life for patients. Different methodologies are involved in the skin cancer therapeutics for delivering the active ingredients to the target sites. Nano carriers are very efficient as they have the ability to improve the stability of drugs and further enhance their penetration into the tumor cells. The recent developments and research in nanotechnology have entitled several targeting and therapeutic agents to be incorporated into nanoparticles for an enhancive treatment of skin cancer. To protect the research works in the field of nanolipoidal systems various patents have been introduced. Some of the patents acknowledge responsive liposomes for specific targeting, nanocarriers for the delivery or co-delivery of chemotherapeutics, nucleic acids as well as photosensitizers. Further recent patents on the novel delivery systems have also been included here.

Materializing Ulysses

2018 ◽  
Author(s):  
Chris Forster
Keyword(s):  
Twentieth Century ◽  
Film Adaptation ◽  
The Novel ◽  
Perceived Power

This chapter compares the reception of Joyce’s 1922 Ulysses with that of Joseph Strick’s 1967 film adaptation of the novel. Although Ulysses had been legally publishable in England for decades, Strick’s film still encountered censorship from the British Board of Film Censors. The chapter argues that Joyce’s novel, for all its obscenity and provocation, mitigated its threat by foregrounding its own printedness, allying its fate to the waning power of print as a bearer of obscenity. Strick’s film, by contrast, activated the perceived power of film. The contrast of the two versions of Ulysses, which are often identical in language, thus offers a valuable window on how obscenity changed across media through the twentieth century. In making this argument, the chapter surveys print strategies of censorship, including the asterisk, and how these strategies operated in a range of works.

‘Their Voices Ring in My Ears’: Laura, the Fugue, and Adaptation

Adaptation ◽  
2020 ◽  
Author(s):  
Margaret A Toth ◽  
Teresa Ramoni
Keyword(s):  
Film Adaptation ◽  
The Novel ◽  
Adaptation Studies

Abstract This essay analyzes Vera Caspary’s novel Laura (1943) and the 1944 film adaptation (Preminger) in order to demonstrate an approach to adaptation studies we call fugal. If a fugue is a composition based on a ‘subject’ or short melodic phrase and its various ‘answers’—in other words, variations that maintain elements of the melody but also play with and revise it—how might we position the film as a variation on, rather than a reproduction of, Caspary’s novel? To explore this question, we analyze the sonic register of both the novel and film. Caspary doesn’t want us to merely read her novel; she wants us to listen to the voices that narrate it and the tunes that populate it. Similarly, listening to the film—not simply the dialogue but also the voiceover narration and David Raksin’s groundbreaking score—allows us to identify content not overt in, and sometimes at odds with, the visuals. When we listen critically and carefully, we can distinguish nuances that get lost in a strict fidelity approach; in particular, we can identify both works’ feminist content, especially their attempts to decentre patriarchal hard-boiled conventions and to confound notions of a singular truth.

scholarly journals Disease Mechanisms and Therapeutic Approaches in C9orf72 ALS-FTD

Biomedicines ◽  
2021 ◽  
Vol 9 (6) ◽  
pp. 601
Author(s):  
Keith Mayl ◽  
Christopher E. Shaw ◽  
Youn-Bok Lee
Keyword(s):  
The Body ◽  
The Novel ◽  
Therapeutic Approaches ◽  
Gain Of Function ◽  
Pathogenic Mechanisms ◽  
Hexanucleotide Repeat ◽  
Primary Driver ◽  
Hexanucleotide Repeat Expansion ◽  
Expansion Mutation ◽  
Lateral Sclerosis

A hexanucleotide repeat expansion mutation in the first intron of C9orf72 is the most common known genetic cause of amyotrophic lateral sclerosis and frontotemporal dementia. Since the discovery in 2011, numerous pathogenic mechanisms, including both loss and gain of function, have been proposed. The body of work overall suggests that toxic gain of function arising from bidirectionally transcribed repeat RNA is likely to be the primary driver of disease. In this review, we outline the key pathogenic mechanisms that have been proposed to date and discuss some of the novel therapeutic approaches currently in development.

scholarly journals The Embodiment of Insult: A Theory of Biobehavioral Response to Workplace Incivility

2021 ◽  
pp. 014920632198979
Author(s):  
Lilia M. Cortina ◽  
M. Sandy Hershcovis ◽  
Kathryn B. H. Clancy
Keyword(s):  
Behavioral Responses ◽  
Well Being ◽  
Workplace Incivility ◽  
The Body ◽  
Social Connections ◽  
The Novel ◽  
Target Response ◽  
Organizational Life ◽  
New Science ◽  
Broad Theory

This article builds a broad theory to explain how people respond, both biologically and behaviorally, when targeted with incivility in organizations. Central to our theorizing is a multifaceted framework that yields four quadrants of target response: reciprocation, retreat, relationship repair, and recruitment of support. We advance the novel argument that these behaviors not only stem from biological change within the body but also stimulate such change. Behavioral responses that revolve around affiliation and produce positive social connections are most likely to bring biological benefits. However, social and cultural features of an organization can stand in the way of affiliation, especially for employees holding marginalized identities. When incivility persists over time and employees lack access to the resources needed to recover, we theorize, downstream consequences can include harms to their physical health. Like other aspects of organizational life, this biobehavioral theory of incivility response is anything but simple. But it may help explain how seemingly “small” insults can sometimes have large effects, ultimately undermining workforce well-being. It may also suggest novel sites for incivility intervention, focusing on the relational and inclusive side of work. The overarching goal of this article is to motivate new science on workplace incivility, new knowledge, and ultimately, new solutions.

STUDIES ON INFANT DIARRHEA. III. CHANGES IN COMPOSITION OF SALINE AND GLUCOSE-SALINE SOLUTIONS INSTILLED INTO THE COLON

PEDIATRICS ◽  
1968 ◽  
Vol 42 (2) ◽  
pp. 303-311
Author(s):  
R. Torres-Pinedo ◽  
E. Conde ◽  
G. Robillard ◽  
M. Maldonado
Keyword(s):  
Organic Acids ◽  
Organic Acid ◽  
The Body ◽  
Hydrogen Ion ◽  
Sodium Absorption ◽  
Infectious Diarrhea ◽  
Subsequent Formation ◽  
Clear Cut ◽  
Compositional Changes ◽  
Saline Solutions

Saline and glucose-saline solutions were instilled into the distal colons of infants with acute infectious diarrhea. Samples of the fluid were obtained at hourly intervals. Clear-cut differences in compositional changes were observed with the saline and glucose-saline solutions. The net effects induced by glucose were: (1) generation of organic acids and subsequent formation of poorly absorbable organic acid salts, and (2) osmotic inflow of water. The overall process led to a net gain of hydrogen ion by the body fluids, decrease in sodium absorption, augmented potassium loss, and net increase in volume of the colonic fluid.

French Women, Italian Art, and Other “Advocates of the Body” in Harriet Beecher Stowe's The Minister's Wooing

2010 ◽  
Vol 83 (1) ◽  
pp. 47-72 ◽  
Author(s):  
Dorothy Z. Baker
Keyword(s):  
Female Body ◽  
The Body ◽  
The Novel ◽  
Religious Paintings ◽  
Italian Art

Displays of sanctified eroticism in The Minister's Wooing reveal Harriet Beecher Stowe's conviction that the body is inherently holy. The author's experience of religious paintings and her observation of French women in Europe deepened her belief that the female body is an instrument of spirituality, as can be traced in the novel.

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