NAVAL SHIP STABILITY GUIDELINES: DEVELOPING A SHARED VISION FOR NAVAL STABILITY ASSESSMENT

2021 ◽  
Vol 152 (A3) ◽  
Author(s):  
D E Perrault ◽  
T Hughes ◽  
S Marshall

Surface combatants are required to operate in conditions of high military threat and be capable of deployment to any area of conflict or crisis at any time. This requirement calls for the vessel and crew to be capable of safely contending with the full range of environmental conditions that may be encountered while pursuing their primary objective. Achieving and maintaining this capability is strongly influenced by the application of naval stability standards, many of which have a common origin, based on experiences from the World War II and before. Although such standards have apparently served the navies admirably over many years, there are many reasons to question their limitations and applicability in the context of modern ship design and procurement. This paper presents the efforts to date of the Naval Stability Standards Working Group to investigate the relationship between existing intact stability standards and capsize risk with respect to frigate forms.

Author(s):  
Nicola Phillips

This chapter focuses on the political economy of development. It first considers the different (and competing) ways of thinking about development that have emerged since the end of World War II, laying emphasis on modernization, structuralist, and underdevelopment theories, neo-liberalism and neo-statism, and ‘human development’, gender, and environmental theories. The chapter proceeds by exploring how particular understandings of development have given rise to particular kinds of development strategies at both the national and global levels. It then examines the relationship between globalization and development, in both empirical and theoretical terms. It also describes how conditions of ‘mal-development’ — or development failures — both arise from and are reinforced by globalization processes and the ways in which the world economy is governed.


2019 ◽  
Vol 28 (1) ◽  
pp. 66-86
Author(s):  
Charlotte Nunes

This article examines how P.E.N., an organisation born in imperial Britain, endeavoured in some cases and floundered in others to create conditions for collaboration between Indian and British writers. Drawing on the P.E.N. archives at the Harry Ransom Center (HRC), I examine communication among and between Indian and British writers in P.E.N.'s orbit during the World War II era and leading up to the Indian Independence Act of 1947. As a forum for collaboration among writers internationally not only to develop writing and editing projects together, but also to forge a unifying conception for the modern era of the relationship between literature and political freedom, P.E.N. aimed to create opportunities for exchange among Indian and British writers. Analysing Indian writers' articulation of the necessary conditions for cross-imperial collaboration, I consider how mutuality was compromised under political conditions of imperialism hinging on hierarchal notions of culture.


Author(s):  
Thomas H. Conner

Every year, people from all over the world visit American Battle Monuments Commission (ABMC) sites, from Normandy, France, to Busan, South Korea, to Corozal, Panama. At rest in the twenty-six overseas cemeteries are almost 139,000 dead, and memorialized on “Walls of the Missing” are 60,314 fallen soldiers with no known graves. The ABMC administers, operates, and maintains twenty-six permanent American military cemeteries and twenty-seven federal memorials, monuments, and markers. These graves and memorials are among the most beautiful and meticulously maintained shrines in the world. This book is the first study of the ABMC, from its founding in 1923 to the present. It traces the agency’s history, from its early efforts under the leadership of John J. Pershing to establish permanent American burial grounds in Europe after WWI and through the World War II years, where ABMC personnel weathered the storm of another war whose combatants actually passed back and forth through many of the sites. After the war, top-ranking generals, including George Marshall, Jacob L. Devers, and Mark Clark expanded the scope of the commission. The relationship between the monuments and their local hosts constitutes one of the most compelling and least known aspects of the story. Conner’s work powerfully demonstrates that these monuments are living sites that embody the costs of war and aid in understanding the interconnections between memory and history.


2020 ◽  
Vol 66 (2) ◽  
pp. 185-206
Author(s):  
Sarah E. Cornish

The World War II diary A Woman in Berlin: Eight Weeks in the Conquered City (2005) documents one woman’s story of survival in the spring of 1945 in Berlin, during which upward of 130,000 women were raped by soldiers of the Red Army. First, this essay introduces the politics of recuperating the English translation of the diary within the context of the scant supporting historical documentation and memorialization of Berliner women’s experience during the occupation. Second, it demonstrates how the diary produces a feminist account of survival and a narrative for collective trauma by examining the diarist’s representations of the effects of rape and rubblestrewn Berlin. Third, the essay details the complicated publication history of the diary through a consideration of the relationship between the trauma sustained by the survivors of mass rape and the blows to German national identity that it documents.


2000 ◽  
Vol 19 (1) ◽  
pp. 58-89 ◽  
Author(s):  
Ronald Rainger

In the years between 1940 and 1955, American oceanography experienced considerable change. Nowhere was that more true than at the Scripps Institution of Oceanography in La Jolla, California. There Roger Revelle (1909-1991) played a major role in transforming a small, seaside laboratory into one of the leading oceanographic centers in the world. This paper explores the impact that World War II had on oceanography and his career. Through an analysis of his activities as a naval officer responsible for promoting oceanography in the navy and wartime civilian laboratories, this article examines his understanding of the relationship between military patronage and scientific research and the impact that this relationship had on disciplinary and institutional developments at Scripps.


2018 ◽  
Vol 1 (3) ◽  
pp. 295-319
Author(s):  
Samuel Zipp

This essay explores the internationalist vision of Wendell Willkie during World War II, especially as illustrated in his 1943 bestseller,One World. Willkie proposed three mid-century popular geographies of the globe—ways of seeing the relationship between the United States and the world in the context of the expanding ambit of American power and influence. Willkie offered auniversalview of the planet, one that envisioned a new kind of global space free of borders; a depiction of imperial powercontested, which critiqued the racial thinking that underpinned conquest abroad and discrimination at home; and a view of imperial powerobscured, which left unmapped the actual contours of already existing American empire, a dilemma revealed by the omission of the Puerto Rico stop on his 1942 world tour fromOne World. Willkie's widely debated vision revealed the conflicted state of American opinion about U.S. empire during the war.


1983 ◽  
Vol 5 (2) ◽  
pp. 337-352
Author(s):  
Olivier Zunz

« Work » and « family » : two major components of the human experience which have received concentrated attention. Labor historians, for example, have explored the changing modes of production, the evolving organization of work, and its effects on society. Historical demographers have focused on such family-related issues as the causes of recent fertility decline, the rise of the modem nuclear family, and the revolution in mores. The ways in which the world of the family and the world of work have evolved together, however, have not been as well studied as each separate topic. What is known of the relationship between work and family is that it is complex. In our introductory essay to this seminar. T. Caplow and I stressed the novelty — and impermanence — of the post World War II one wage-earner family. We also pointed to the changing role of women, and compared their role in today's labor force to that of the secondary wage-earners of the nineteenth century, the children


Worldview ◽  
1975 ◽  
Vol 18 (6) ◽  
pp. 34-35
Author(s):  
Marshall Shulman

We need now to make a structural change in our way of thinking about U.S.-Soviet relations. Our habit since World War II has been to move back and forth between) simplified extremes—to vacillate between overly sanguine expectations in which the inevitable difficulties in relations with the USSR are minimized and overly pessimistic and emotional positions in which the elements of change in the relationship are neglected. It is hard for public opinion in this country, perhaps in any country, to face up to emotionally unsatisfying ambiguities.


2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.


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