Torn between the Old and New World of Work: Insights into the Modernised Semi-Profession of the Fashion IndustryDate submitted: December 31, 2019Date accepted after double-blind review: February 1, 2021

2021 ◽  
Vol 32 (3) ◽  
pp. 244-265
Author(s):  
Alexandra Manske
Keyword(s):  
Role Model ◽  
New World ◽  
Creative Industries ◽  
Gender Inequalities ◽  
Fashion Industry ◽  
Double Blind ◽  
Blind Review ◽  
Training Structures ◽  
Cultural And Creative Industries ◽  
Low Pay

This paper explores how persistent gender inequalities of the old world of work are amplified by the new world of work. Focusing on the fashion industry of Berlin, the article offers insight into a female-dominated field of labour as a particular field of labour of the cultural and creative industries (CCI). The CCI is regarded as a role model for new work. However, they entail deep gender inequalities in terms of segregation, low status and low pay. The paper addresses the question of how these gendered inequalities in the fashion industry are intertwined with its professional mechanisms and training structures. Based on a qualitative study, I argue that the fashion industry is a modernised semi-profession, which has been undergoing a market-driven professionalisation. However, this new pathway into the fashion industry fails to fully professionalise that industry. On contrary, it erects new occupational barriers into the field of labour that help establish high qualified and low qualified fashion work that also aids in polarising the still mostly female workforce in terms of status and rewards. Overall, it should become clear that the fashion industry is torn between the old and new world of work which helps to maintain or even reinforce traditional gender inequalities.

scholarly journals Cultural and Creative Industries as Innovation and Sustainable Transition Brokers in the Baltic Sea Region: A Strong Tribute to Sustainable Macro-Regional Development

2021 ◽  
Vol 13 (17) ◽  
pp. 9742
Author(s):  
Laima Gerlitz ◽  
Gunnar Klaus Prause
Keyword(s):  
Sustainable Development ◽  
Baltic Sea ◽  
Role Model ◽  
Creative Industries ◽  
The Baltic Sea ◽  
Managerial Performance ◽  
Case Study Methodology ◽  
Baltic Sea Region ◽  
The Baltic ◽  
Cultural And Creative Industries

Recent research shows increasing efforts to unfold the potential of Cultural and Creative Industries (CCIs) for regions in order to pursue new sources of innovation, competitive edge and to manifest sustainable and inclusive growth paths driven by creativity. Due to its strong commitments to the Sustainable Development Goals (SDGs) of the United Nations, on the global level, the Baltic Sea Region (BSR) has become a role model in sustainable development. Yet, individual BSR countries face challenges in the implementation of those goals. In this light, by building on the intermediate results (2017–2020) of two EU Interreg projects—Creative Ports and CTCC—this research reveals CCIs’ potential for sustainable development avenues. The investigation is based on case study methodology underpinned by empirical data gathered from participating Small and Medium-Sized Enterprises (SMEs) and topical experts met during the projects’ implementation and study visits. The present multi-project applied research reduces the research-to-practice gap pertaining to the so far underestimated role of CCIs for supporting traditional SMEs in the implementation of their sustainable ideas. Once engaged into cross-sectoral collaboration with traditional SMEs, CCIs become important brokers—sustainable innovation drivers and enablers within regional ecosystems through contribution to environmentally responsible, socially equitable and economically feasible solutions for the business they work with. Thus, on the one hand, CCIs support SMEs in their transition towards more sustainable managerial performance. On the other hand, CCIs overcome disconnection and increase their recognition through new collaboration opportunities, thus providing them with new capitalization avenues on the regional and international level.

Toward an ‘African’ take on the cultural and creative industries?

2016 ◽  
Vol 39 (4) ◽  
pp. 582-591 ◽  
Author(s):  
Christiaan De Beukelaer
Keyword(s):  
Cultural Production ◽  
Creative Industries ◽  
Creative Economy ◽  
African Continent ◽  
Double Blind ◽  
Western Literature ◽  
Academic Literature ◽  
Empirical Context ◽  
Cultural Sector ◽  
Cultural And Creative Industries

This article questions the extent to which ‘Africa’ can simply buy into the creative economy discourse. This is necessary because the relative lack of attention to the cultural and creative industries on the continent in the academic literature creates a double blind. First, the empirical context in which culture is created, traded, and consumed remains absent from the largely Western literature. Second, the same Western literature serves as a way to make cultural production on the African continent fit the notion of the cultural and creative industries. This creates a tension between the cultural and creative industries models and the context in which most cultural stakeholders on the continent work. My argument is that far greater empirical attention is needed to the practices in the cultural sector across the continent, because ‘Africa’ cannot simply pick and adopt a model, it needs to conceptualize and theorize its own models and approaches to the cultural industries for this discourse to become a useful tool.

scholarly journals Drag Performers’ Perspectives on the Mainstreaming of British Drag: Towards a Sociology of Contemporary Drag

Sociology ◽  
2021 ◽  
pp. 003803852110083
Author(s):  
Mark McCormack ◽  
Liam Wignall
Keyword(s):  
Performing Arts ◽  
Social Stigma ◽  
Creative Industries ◽  
Public Data ◽  
Career Opportunity ◽  
Cultural And Creative Industries ◽  
British Culture ◽  
Depth Interviews ◽  
Inductive Analysis

Drag performance has entered mainstream British culture and is gaining unprecedented appreciation and recognition, yet no sociological accounts of this transformation exist. Using an inductive analysis of in-depth interviews with 25 drag performers, alongside netnography of media and other public data, this article develops a sociological understanding of the mainstreaming of drag. There are two clear reasons for the success of drag. First, there is a pull towards drag: it is now seen as a viable career opportunity where performers receive fame rather than social stigma in a more inclusive social zeitgeist, even though the reality is more complex. Second, there is a push away from other creative and performing arts because heteronormative perspectives persist through typecasting and a continued professional stigma associated with drag. In calling for a sociology of drag, future avenues for research on contemporary drag are discussed, alongside the need for the sociology of cultural and creative industries to incorporate sexuality as both a subject and analytic lens.

scholarly journals Clinical Research Informatics Contributions from 2015

2016 ◽  
Vol 25 (01) ◽  
pp. 219-223
Author(s):  
R. Choquet ◽  
C. Daniel ◽  
Keyword(s):  
Clinical Research ◽  
Data Privacy ◽  
Design Stage ◽  
Editorial Team ◽  
Legal Requirements ◽  
Double Blind ◽  
Blind Review ◽  
Healthcare Data ◽  
Clinical Research Informatics ◽  
Electronic Health

Summary Objectives: To summarize key contributions to current research in the field of Clinical Research Informatics (CRI) and to select best papers published in 2015. Method: A bibliographic search using a combination of MeSH and free terms search over PubMed on Clinical Research Informatics (CRI) was performed followed by a double-blind review in order to select a list of candidate best papers to be then peer-reviewed by external reviewers. A consensus meeting between the two section editors and the editorial team was finally organized to conclude on the selection of best papers. Results: Among the 579 returned papers published in the past year in the various areas of Clinical Research Informatics (CRI) - i) methods supporting clinical research, ii) data sharing and interoperability, iii) re-use of healthcare data for research, iv) patient recruitment and engagement, v) data privacy, security and regulatory issues and vi) policy and perspectives - the full review process selected four best papers. The first selected paper evaluates the capability of the Clinical Data Interchange Standards Consortium (CDISC) Operational Data Model (ODM) to support the representation of case report forms (in both the design stage and with patient level data) during a complete clinical study lifecycle. The second selected paper describes a prototype for secondary use of electronic health records data captured in non-standardized text. The third selected paper presents a privacy preserving electronic health record linkage tool and the last selected paper describes how big data use in US relies on access to health information governed by varying and often misunderstood legal requirements and ethical considerations. Conclusions: A major trend in the 2015 publications is the analysis of observational, “nonexperimental” information and the potential biases and confounding factors hidden in the data that will have to be carefully taken into account to validate new predictive models. In addiction, researchers have to understand complicated and sometimes contradictory legal requirements and to consider ethical obligations in order to balance privacy and promoting discovery.

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