Proportionen und Wahrnehmung in Architektur und Städtebau

2017 ◽  
Keyword(s):  
Urban Design ◽  
Proportional Systems ◽  
History Of ◽  
Contemporary Practice

In "Proportions and Cognition in Architecture and Urban Design", practicing architects, historians, and theoreticians discuss the proportional systems that juxtapose aesthetic judgements, forms of practice, and human and social bodies with the norms and ideals that have resulted from these relationships. They retrace the history of these proportional systems, the expectations with which they were associated, how they were introduced into design, and how contemporary practice builds upon this tradition—or allows new interpretations to unfold.

Reason of State/State of Reason

2018 ◽  
Author(s):  
Martin Loughlin
Keyword(s):  
Legal Reasoning ◽  
Modern State ◽  
Political World ◽  
Constitutional State ◽  
Distinct Category ◽  
Reason Of State ◽  
History Of ◽  
Constitutional Legality ◽  
Fundamental Law ◽  
Contemporary Practice

This chapter examines the history of political-legal reasoning. It suggests that this history begins in the Renaissance with the emergence of a doctrine of ‘reason of state’, a doctrine which was widely debated between the late-sixteenth and early-eighteenth centuries but remained contentious throughout. It argues that reason of state continued to exert an influence in the modern political world, but that that influence is complicated by changes in the nature and forms of government. Most importantly, the modern state presents itself as a constitutional state and once the constitution is established as ‘fundamental law’, whatever remains of reason of state discourse is subsumed under the idea of ‘constitutional legality’. Consequently, those elements of the doctrine that live on in contemporary practice no longer fall into a distinct category of reason of state; they have become a facet of the emergence of the modern ‘state of reason’.

Documenting fashion practice at the Royal College of Art: the RCA archive and image resources

2017 ◽  
Vol 42 (3) ◽  
pp. 130-139
Author(s):  
Cathy Johns
Keyword(s):  
Royal College ◽  
Focal Point ◽  
Academic Discipline ◽  
Research Community ◽  
Historical Research ◽  
Fashion Design ◽  
Digital Collections ◽  
History Of ◽  
Contemporary Practice

What can an institutional archive tell us about the history of fashion education? The Royal College of Art's archive, in documenting the legacy of study and practice at the college, a key focal point of fashion education since 1948, illuminates in diverse ways the establishment and development of fashion design as an academic discipline. The print and digital collections in the RCA archive thus provide a rich resource that informs both contemporary practice and historical research, highlighting in addition issues raised by the increasingly digital access to this documentation for the archivist and the research community.

scholarly journals The Use of Music in Healthcare Contexts: A Select Review of Writings From the 1890s to the 1940s

2008 ◽  
Vol 8 (2) ◽  
Author(s):  
Jane Edwards
Keyword(s):  
Music Education ◽  
Music Therapy ◽  
Well Being ◽  
Historical Record ◽  
Live Music ◽  
History Of ◽  
English Speaking ◽  
English Speaking World ◽  
Contemporary Practice ◽  
Health And Well Being

Playing live music with people who are ill to promote optimal states of health and well being is a contemporary practice which has origins as far back as the written historical record. This paper examines a select range of literature from the academic spheres of medicine, music and music education published in the late 19th century through to the mid 20th century in order to interrogate and explore aspects of the history of music therapy and its development in the English speaking world.

scholarly journals THE MERAH MOSQUE AND THE ASY SYAFI’I MOSQUE CONSIDERED AS LANDMARKS BASED ON THE LOCAL COMMUNITY’S RECOGNITION IN CIREBON’S ARAB PANJUNAN KAMPONG

2018 ◽  
Vol 2 (01) ◽  
pp. 17-34
Author(s):  
Ajeng Triwuri Widyastuti ; Giosia P. Widjaja
Keyword(s):  
Cultural History ◽  
Urban Design ◽  
Local Community ◽  
Regional Scale ◽  
Architectural Elements ◽  
History Of ◽  
The Rich ◽  
Conducting Research ◽  
And Gender ◽  
Heritage Area

Abstract - The Arab Panjunan kampong serving as the research object happens to be one of the heritage areas of Cirebon Town. This urban kampong has certain ethnic characteristics typical of Arab quarters that make it unique, thus contributing to the rich cultural history of Cirebon. As a heritage area, it is important for this ethnic Arab neighbourhood of Panjunan to draw up an inventory of the specific architectural elements that are still traceable, such as the urban lay-out and its contents as well as the landmarks of this area observed from a physical-spatial angle. The aim of this research project is to find out about this kampong’s various architectural elements that are recognized as such by the locals. This will be the contributing factor in the process of determining which environmental elements can be classified as typical landmarks. The first step taken in the research conducted is field observation in order to establish the elements that have survived in the kampong, including the architectural, social, and cultural ones. The observation related to architectural elements has been identified in accordance with the theory concerning Elements of Urban Design as proposed by Hamid Shirvani in his book The Urban Design Process. The next step is conducting research using the Cognitive Method as applied to the kampong dwellers in Panjunan by way of sketched maps and guided interviews. The respondents, classified based on ethnic heritage (descent) and gender, were requested to describe the environmental elements in this ethnic Arab kampong as far as they could recognize or identify them. Those who experienced difficulties in describing the sketches were assisted by the researcher based on the stories that had been supplied. Based on the acquired data containing these environmental elements, the aspect of memories contained therein was studied by way of interviews linked to the Continuity Theory by Breakwell. Subsequently, an analysis was made of the basis underlying the recognition of these elements based on the Landmark Theory by Kevin Lynch, and classified based on the criteria drawn up by Eko Budihardjo. Through the analysis, it was discovered that Panjunan’s Merah Mosque and its Asy Syafi’i Mosque indeed qualify as as architectural elements that show continuity of memory, gaining validity as iconic elements or landmarks on the regional scale of Cirebon’s ethnic Arab kampong of Panjunan. Keywords : mosque, landmark, recognition, local community, Arab Panjunan kampong

scholarly journals Culturally inclusive water urban design: a critical history of hydrosocial infrastructures in Southern Sydney, Australia

2020 ◽  
Vol 2 (1) ◽  
pp. 364-382
Author(s):  
Taylor Coyne ◽  
Maria de Lourdes Melo Zurita ◽  
David Reid ◽  
Veljko Prodanovic
Keyword(s):  
Urban Communities ◽  
Urban Design ◽  
Critical Analysis ◽  
Urban Water ◽  
Space Design ◽  
Critical History ◽  
History Of ◽  
Over Time ◽  
Technical Terms ◽  
Sydney Australia

Abstract Historic relationships between communities and waterscapes are complex and often explained solely in technical terms. There is a key need to understand how human-centered developments have shifted the use of river spaces over time, and how these changes reflect on the values of rivers and surrounding cultures. In this paper, we develop a critical analysis of the historically changing relationship between urban communities and water infrastructures using the Georges River catchment in Sydney, Australia. Our focus was on bringing together past and current perspectives, engaging with the formation of diverse hydrosocial behaviors entangled with water infrastructures. Using post-settlement historical documents, maps, journals, and newspaper articles, we trace shifts in hydrosocial perspectives over time, mapping six distinct historic phases. In our study, we offer a shift from the main paradigms currently influencing the development of urban water infrastructures, moving away from the dominant technical propositions of systems designed purely for the management and treatment of stormwater. Drawing on our analysis, we propose a new urban water design concept: Culturally Inclusive Water Urban Design (CIWUD). This presents an advancement on current framework to include a consideration of people's connections and uses of urban waterscapes, as well as a shift towards democratic space design.

Dating Papyri: Familiarity, Instinct and Guesswork1

2019 ◽  
Vol 42 (1) ◽  
pp. 58-83
Author(s):  
Malcolm Choat
Keyword(s):  
Seventeenth Century ◽  
Physical Properties ◽  
Scientific Knowledge ◽  
Script Language ◽  
History Of ◽  
Contemporary Practice ◽  
Language Content

This article surveys the history of palaeographical dating of papyri, reflecting on its origins as a system, and what lessons this might have for contemporary practice. In examining the beginnings of palaeography as a discipline in the late seventeenth century with the work of scholars such as Jean Mabillon, it highlights the concerns of that period, especially the authenticity of documents. In this context, palaeographical dating was only one (though of course an important component) of a range of tools scholars used to date and authenticate texts. In the same way, contemporary scholars use an array of methods to date the texts they study, including script, language, content, and the physical properties of the ink and its support. This article highlights the importance of understanding the limitations of each of these methods, whether caused by their subjective nature or the current limits of scientific knowledge, and emphasizes one of the key lessons of Mabillon’s practice, the broad familiarity with many types of script and manuscript which allow these to be properly contextualized and understood.

What once was old is new again: placemaking and transformational regeneration in Glasgow

2019 ◽  
pp. 201-220
Author(s):  
James T. White
Keyword(s):  
Urban Design ◽  
Social Housing ◽  
Urban Form ◽  
Urban Regeneration ◽  
Archival Data ◽  
Place Making ◽  
Key Informants ◽  
Residential Architecture ◽  
History Of

This chapter considers the evolving urban form of residential architecture and urban design in Glasgow. It traces the history of the Victorian tenement, the city’s failed modernist redevelopment, and the subsequent emergence of a place-making agenda that has reimagined the tenement for contemporary living. The chapter uses interviews with key informants and a review of archival data to describe the city’s approach to contemporary placemaking at two major urban regeneration projects, Laurieston and Pollokshaws. The chapter argues that both projects attempt to ‘recreate’ lost parts of the Victorian city and erase the city’s experience with modernism, while also mixing social housing with market housing to encourage more complete communities. The paper argues that this approach has led to a creeping reliance on the viability of market housing to deliver social housing and the wider regeneration aims of the project masterplans.

THE MODERNIST MOMENT AT THE UNIVERSITY OF LEEDS, 1957–1977

2008 ◽  
Vol 51 (1) ◽  
pp. 169-193 ◽  
Author(s):  
WILLIAM WHYTE
Keyword(s):  
Higher Education ◽  
Urban Design ◽  
Personal Connection ◽  
Avant Garde ◽  
Short Period ◽  
Urban University ◽  
Architectural Patronage ◽  
History Of ◽  
History Of The University ◽  
The University

ABSTRACTBetween 1957 and 1977 the University of Leeds engaged in a massive programme of rebuilding. Employing the architects Chamberlin, Powell, and Bon, Leeds transformed itself – becoming, in the words of one commentator, ‘Our first contemporary urban university’. Previously ignored by historians, this development in the history of the university illustrates a number of important themes. In the first place, it exemplifies the significance of architecture in defining higher education. Secondly – and more particularly – it shows how both academics and architects hoped to use Brutalist architecture to express the modernity of the University of Leeds. Thus the decision to employ avant-garde designers in the late 1950s and the resolution to dismiss them twenty years later both came from the same modernizing impulse. Thirdly, it shows how personal connection secured architectural patronage in this period. The Development Plan also highlights the way in which architects of the British modern movement used universities as laboratories in which to experiment with ideas about community and proper urban design. The modernist moment at Leeds, then, can be seen as representative of wider trends in British building, not least because it lasted for such a short period of time.

scholarly journals Terra firma : contemporary representations of the South African landscape

2004 ◽  
Author(s):  
◽  
Clinton De Menezes
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
South African ◽  
Physical Space ◽  
Historical Overview ◽  
Terra Firma ◽  
The South ◽  
Post Colonial ◽  
History Of ◽  
Contemporary Practice

This research aims to critically investigate the changing colonial and post-colonial attitudes towards the South African landscape, as physical space and its representation, through a post-colonial and Post-Modern critique. Chapter One explores the shifting colonial attitudes toward the landscape from the middle of the eighteenth century to the middle of the twentieth century, to provide an historical overview and context for contemporary practice. Section One defines colonialism for the purposes of this study and provides a brief history of colonialism in South Africa. Section Two provides a concise history of European visual representation from the middle of the eighteenth century to the middle of the twentieth century in order to contextualize the development of South African landscape painting. Section Three analyzes and evaluates changing colonial attitudes and their representation through a discussion of the work of Francois Le Vaillant (1753-1842), Thomas Baines (1820-1875) and J.H. Pierneef (1886-1957). Chapter Two explores attitudes towards the South African landscape between 1948 and 1994 in order to provide a link between colonial representation and post-colonial contemporary practice.

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