scholarly journals The zero decade of architecture in Belgrade and Serbia

2009 ◽  
Vol 1 (1) ◽  
pp. 1-26
Author(s):  
Zoran Lazović

The intention of this paper is to contemplate the root problem that was prevalent in the architecture in Serbia and in Belgrade in the last decade, and to try to provide some insight into few issues and discuss the future solutions: what are the core values and what is specific in the recent architecture of Belgrade/ Serbia, what was lacking in the theoretical and practical areas of architecture and what is the significance of the realized architecture at the local, regional or the European level. The challenge of keeping the traditional architecture, yet incorporate proven global concepts that are both aesthetically pleasing, yet serve a practical purpose, was in conclusion presented as the emulation of the new ideas on old notions, integration of global concepts, local knowledge and experience to deliver superior quality architectural achievements, based on highly motivated, professional, visionary, resourceful, experienced or promising Serbian architects.

1991 ◽  
Vol 20 (3) ◽  
pp. 333-385 ◽  
Author(s):  
Anna Wierzbicka

ABSTRACTEvery language has its own key words, which reflect the core values of the culture. Consequently, cultures can be revealingly studied, compared, and explained to outsiders through their key words. But to be able to study, compare, and explain cultures in terms of their key words, we need a culture-independent analytical framework. A framework of this kind is provided by the natural semantic metalanguage developed by the author and colleagues over the last two decades. In the present article, the author explores and analyzes six Japanese concepts widely regarded as being almost more that any others culture-specific and culturally revealing – amae, enryo, wa, on, giri, and seishin – and shows how the use of the natural semantic metalanguage (based on universal semantic primitives) helps to make these concepts clear and how it facilitates better insight into Japanese culture and society (Japanese language, Japanese culture, cross-cultural semantics, key words, core values)


2002 ◽  
Vol 21 ◽  
pp. 37-74 ◽  
Author(s):  
Gabriela Ilnitchi

Emanating from a cosmos ordered according to Pythagorean and Neoplatonic principles, the Boethian musica mundana is the type of music that ‘is discernible especially in those things which are observed in heaven itself or in the combination of elements or the diversity of seasons’. At the core of this recurring medieval topos stands ‘a fixed sequence of modulation [that] cannot be separated from this celestial revolution’, one most often rendered in medieval writings as the ‘music of the spheres’ (musica spherarum). In the Pythagorean and Neoplatonic cosmological traditions, long established by the time Boethius wrote his De institutione musica, the music of the spheres is just one possible manifestation of the concept of world harmony. It pertains to a universe in which musical and cosmic structures express the same mathematical ratios, each of the planets produces a distinctive sound in its revolution and the combination of these sounds themselves most often forms a well-defined musical scale. Although the Neoplatonic world harmony continued to function in medieval cosmology as the fundamental conceptual premise, the notion of the music of the spheres, despite its popularity among medieval writers, was generally treated neither at any significant length nor in an innovative fashion. Quite exceptional in this respect is the treatise that forms the subject of the present study, a text beginning Desiderio tuo fili carissime gratuito condescenderem and attributed to an anonymous bishop in the late thirteenth-century manuscript miscellany now in the Biblioteca Apostolica Vaticana (Barb. lat. 283, fols. 37r-42v) but probably coming from a Franciscan convent in Siena. This seldom considered work affords a remarkable and special insight into the ways in which old and new ideas converged, intermingled and coexisted in the dynamic and sometimes volatile cross-currents of medieval scholarship.


2010 ◽  
Vol 4 (1) ◽  
pp. 39-53 ◽  
Author(s):  
Scott Harrison

This paper examines the cause of exclusionary practices in music, documenting the core values that underpin this issue in relation to males’ engagement with music. The focus for the paper is on the way in which gender has been one of the primary principles for the exclusion of boys, based on presumptions without foundation except in the erroneous hegemonic stereotypical images that prevail in social institutions such as schools. Through historical investigation of philosophy and practice combined with results from interviews with participants, the study reveals experiences in relation to genderbased exclusion from music. It concludes by offering an insight into approaches that deal with addressing this issue.


2021 ◽  
pp. 1-12
Author(s):  
Helen Wallace

· Changing rationales for European integration. The initial rationales for integration seem less cogent and less resonant. Are they still at the core of the ‘project’? Which newer rationales need to be taken into account? Because of their cogency? Because of their resonance? · Facing up to both internal and external challenges: a huge agenda across political, economic, societal, and security concerns. · Differing narratives. Growth of Euroscepticism and Eurocriticism, though in differing manifestations. How far do these phenomena reflect transversal European factors? How far are they the product of different country characteristics and cultures? Is there a space to construct a shared European narrative? How does the new ‘Conference on the Future of Europe’ fit into this set of issues? · Diverse needs and aspirations. From 6 to 27(8) members with a variety of features political, economic, and societal—and geographic. Is differentiated integration the way forward or are other approaches needed to strike an accepted balance between the country level and the European level of practice? The old discussion of subsidiarity seems no longer to offer potential solutions. The capability to absorb yet more member states is contested. · Can political, economic, and societal concerns be aligned? Initial successes of the EC were very much tied to clever ways in which these different concerns were taken into the process. Can a successor version of pluri-dimensional integration be achieved based on diffuse reciprocity—cross-temporal and cross-sectoral? Or will the EU shift towards a more fragmented version of specific reciprocity based on sector by sector cost–benefit analyses?


2020 ◽  
Vol 16 (2) ◽  
pp. 16-30
Author(s):  
Rezki Perdani Sawai ◽  
Noornajihan Jaafar ◽  
Sidek Mohd Noah ◽  
Steven Eric Krauss

This paper discusses the concept of al-haya’ (modesty). Moral emotions are seen as fundamental in promoting adherence to ethical and social norms. This paper argues that modesty is an affective disposition that is important in the development of a Muslim’s sense of moral self. Al-haya’ inhibits a person from engaging in undesirable behaviour by creating a sense of shame. It differs from embarrassment (khajal) which refers to something that has already happened. Shame is based on what may occur in the future. Al-haya’ is also a fear of social disapprobation or disgrace ensuing from the scrutiny of others, or some imagined or internalized audiences. This paper considers the nature of modesty in exploring its characteristics from the Islamic perspective, and whether it is an adaptive or maladaptive trait. The method used in conceptualizing modesty and identifying its characteristics and types is through a document analysis of Quranic verses and authentic hadith from the classical Islamic works of Sahih al-Bukhari, Sahih Muslim, Sunan al-Tirmizi, Sunan an-Abu Dawud, and Sunan Ibn Majah. Classical and contemporary Muslim scholarship are also consulted. After analysing the philosophical and psychological aspects of modesty, the researchers found it to be adaptive rather than maladaptive from the perspective of Islamic teachings. Thus, modesty should be promoted as one of the core values in shaping the character of Muslim youth.


2021 ◽  
pp. 599-628
Author(s):  
Lucy Welsh ◽  
Layla Skinns ◽  
Andrew Sanders

This chapter discusses how developments in criminal justice have affected suspects’ rights; different types of victims’ ‘rights’; whether victims have (legally) enforceable rights; and enhancing victims’ rights without eroding defendants’ rights. It concludes with an overview of the impact of neoliberalism, the extent to which the system incorporates the ‘core values’ it ostensibly subscribes to, and how to make criminal justice more freedom-enhancing.


CounterText ◽  
2016 ◽  
Vol 2 (2) ◽  
pp. 217-235
Author(s):  
Gordon Calleja

This paper gives an insight into the design process of a game adaptation of Joy Division's Love Will Tear Us Apart (1980). It outlines the challenges faced in attempting to reconcile the diverging qualities of lyrical poetry and digital games. In so doing, the paper examines the design decisions made in every segment of the game with a particular focus on the tension between the core concerns of the lyrical work being adapted and established tenets of game design.


2014 ◽  
Vol 7 (2) ◽  
pp. 136-151 ◽  
Author(s):  
Sung-Ae Lee

To displace a character in time is to depict a character who becomes acutely conscious of his or her status as other, as she or he strives to comprehend and interact with a culture whose mentality is both familiar and different in obvious and subtle ways. Two main types of time travel pose a philosophical distinction between visiting the past with knowledge of the future and trying to inhabit the future with past cultural knowledge, but in either case the unpredictable impact a time traveller may have on another society is always a prominent theme. At the core of Japanese time travel narratives is a contrast between self-interested and eudaimonic life styles as these are reflected by the time traveller's activities. Eudaimonia is a ‘flourishing life’, a life focused on what is valuable for human beings and the grounding of that value in altruistic concern for others. In a study of multimodal narratives belonging to two sets – adaptations of Tsutsui Yasutaka's young adult novella The Girl Who Leapt Through Time and Yamazaki Mari's manga series Thermae Romae – this article examines how time travel narratives in anime and live action film affirm that eudaimonic living is always a core value to be nurtured.


Author(s):  
Pasi Heikkurinen

This article investigates human–nature relations in the light of the recent call for degrowth, a radical reduction of matter–energy throughput in over-producing and over-consuming cultures. It outlines a culturally sensitive response to a (conceived) paradox where humans embedded in nature experience alienation and estrangement from it. The article finds that if nature has a core, then the experienced distance makes sense. To describe the core of nature, three temporal lenses are employed: the core of nature as ‘the past’, ‘the future’, and ‘the present’. It is proposed that while the degrowth movement should be inclusive of temporal perspectives, the lens of the present should be emphasised to balance out the prevailing romanticism and futurism in the theory and practice of degrowth.


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